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Artist shows us what famous historical figures would look like in the modern world

Her historical knowledge and research puts AI art to shame.

via Royalty Now / Instagram
Artist's gallery shows us what historical figures would look like if they were alive today

One of the major reasons we feel disassociated from history is that it can be hard to relate to people who lived hundreds, let alone thousands, of years ago. Artist Becca Saladin, 29, is bridging that gap by creating modern-looking pictures of historical figures that show us what they'd look like today.

"History isn't just a series of stories, it was real people with real feelings. I think the work brings people a step closer to that," she said according to Buzzfeed.

Saladin has always loved archaeology and always wished to see see what historical events actually looked like. She uses her digital art skills to do exactly that.

She started her Instagram page after wanting to see her favorite historical figure, Anne Boleyn, in real life instead of artist's depiction.

history, historical figures, art, artists, paintings, portraits, abraham lincoln, shakespeare, anne boleyn, marie antoinette A contemporary painting of Anne BoleynBy English school - Public Domain,

"I wanted to know if she could come to life from the few pale, flat portraits we have of her," she wrote for Bored Panda. "I started the account to satisfy my own curiosity about what members of the past would look like if they were standing right in front of me."

This is no AI gimmick. Saladin, in addition to being a great artist, is also a student of history. She consults existing portraiture, reads letters, studies the period, and examines both life and death masks (wax or plaster facial molds) of her subjects. She understands period art, as well. In her recreation of Marie Antoinette, Saladin writes, "It’s pretty obvious how stylized 18th century French portraits are; the huge eyes, tiny noses, and pinched lips." Her image of Antoinette, then, needed some "facial correction." I'd like to see AI do that.

Her artwork has earned her over 375,000 followers on Instagram. "I always struggled with finding a true hobby, so this has been such a fun creative outlet for me," she said. "It's really cool to have found a hobby that combines my passions for both art and history."

Saladin does brilliant job at giving historical figures modern clothing, hairstyles and makeup. She also shows them in places you'd find modern celebrities or politicians. Her modern version of Marie Antoinette appears to be posing for paparazzi while her Mona Lisa is photographed on a busy city street.

Here's a sampling of some of Saladin's modern representations of historical figures.

King Tut

Genghis Khan



King Henry VII



Louis XV



Agrippina the Younger

Queen Nefertiti

Ben Franklin

Julius Caesar


William Shakespeare


Marie Antoinette


Saladin's work has connected deeply with hundreds of thousands of online fans and followers. Her images have brought history to life in a way most of us have rarely experienced. There's something about seeing Abraham Lincoln in a dapper sweater with modern beard and hairstyles that makes him seem much more like a real person than any official portrait ever could.

Saladin began sharing portraits online years and years ago, but continues to this day. There's always more to discover, new ways to push her medium forward, and more history to unearth.

This article originally appeared five years ago. It has been updated.

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'The Tiffany Problem' explains why people think historically accurate things are wrong

Anachronisms aren't always what they seem.

Ali Shaker/VOA, Tylwyth Eldar/Wikimedia Commons

The name Tiffany goes way back to Tiphaine Raguenel, who lived in Mont Saint Michel in the 1300s.

Depending on what generation you belong to, when you hear the name Tiffany, you might think of the famous jewelry store, the teen singer from the 80s or the much-less-in-the-spotlight daughter of President Trump. Most likely, you don't think of a woman who lived in the Middle Ages.

In fact, if you were listening to an audiobook set in medieval times and the narrator introduced a character named Tiffany, you'd probably get yanked right out of the story as your brain would say, "Wait, why is there a Tiffany in this story? Isn't that a much more modern name?"

tiffany, 1980s, the name tiffany Tiffany was a popular name—and singer—in the 80s. Giphy

It's actually not, which is exactly why The Tiffany Problem is called The Tiffany Problem.

The Tiffany Problem refers to the fact that people in modern times will sometimes see something as anachronistic when it's not. It's something writers, filmmakers and other storytellers have to be aware of, as it can feel like there's a historical problem even if there isn't an actual historical problem.

Abraham Piper explains the dilemma and how it was coined:

As Piper shares, fantasy author Jo Walton coined the term "The Tiffany Problem" and explained it:

"Your readers are modern people and know what they know, which is fine except when what they know isn’t actually right. For instance, the name Tiffany sounds extremely modern to us. It feels jarring when we read it as a character name in a historical setting, where we’d be quite happy with names like Anna and Jane. But our instinct is wrong, because Tiffany is a form of Theophania, and it was fairly common in medieval England and France. It went out of fashion later, and it’s because we don’t have seventeenth to nineteenth century examples that it feels modern. But you still can’t use it in a fantasy novel set in the exact time and place when the name would have been historically accurate, because it will jerk the reader out of their reading trance. They know it’s wrong and you can’t tell them that what they know is wrong."

you know I'm right, schitt's creek People often don't realize that what they think they know is wrong. Giphy GIF by Schitt's Creek

Piper had also shared that "ha ha," which seems like a casual, modern colloquialism, is actually very old, with the first known use coming from a monk 1,000 years ago. He also mentions "OMG," which was used by a World War I admiral in a letter to Winston Churchill in 1917. And "hubby" as a slang term for husband? That goes way back to the 1680s. Who knew?

It's a bit ironic that writers who strive to ensure their historical fiction works are historically accurate can find themselves stymied by people being just flat-out wrong about what's accurate and what's not. Humans are interesting creatures, aren't we?

For more info about the name Tiffany than you ever thought you wanted to know but will be delighted to learn, CGP Grey created a whole video about the name that has 4.7 million views. Tiffany exploded the 1980s, but CGP Grey goes all the way back to the year 300 to uncover the origins of the name. It's genuinely entertaining. Watch:

- YouTube youtu.be

If you're still here and want to take an even deeper dive into the history of Tiffany, this other video from CGP Grey is an incredible rabbit hole that will make you appreciate the work historians do and marvel at how much digging Grey actually did to provide the original Tiffany history video. We're talking trips to the deep dark corners of The British Library, the largest library in the world, and hours and hours of paging through books just to find the original source of this one poem that includes the name "Tiffany." It's a journey, but a fascinating one.

Enjoy "Someone Dead Ruined My Life… Again":

- YouTube youtu.be

This article originally appeared two years ago.

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Woman known from Great Depression photo had no idea she was famous until 40 years later

Even though her photo was shared around the world, she was never paid.

Photo by Dorothea Lange via Library of Congress

The woman from the famous Great Depression photo didn't know about her fame for 40 years.

Nearly everyone across the globe knows Florence Owens Thompson's face from newspapers, magazines, and history books. The young, destitute mother was the face of The Great Depression, her worried, suntanned face looking absolutely defeated as several of her children took comfort by resting on her thin frame. Thompson put a human face and emotion behind the very real struggle of the era, but she wasn't even aware of her role in helping to bring awareness to the effects of the Great Depression on families.

It turns out that Dorothea Lange, the photographer responsible for capturing the worry-stricken mother in the now-famous photo titled "Migrant Mother," told Thompson that the photos wouldn't be published. Of course, they subsequently were published in the San Francisco News. At the time the photo was taken, Thompson was supposedly only taking respite at the migrant campsite with her seven children after the family car broke down near the campsite. The photo was taken in March 1936 in Nipomo, California when Lange was concluding a month's long photography excursion documenting migrant farm labor.

the great depression; Florence Thompson; Mona Lisa of the Great Depression; Mona Lisa; the depression; depression era Worried mother and children during the Great Depression era.Photo by Dorothea Lange via Library of Congress

"Migrant worker" was a term used in the 30s to describe poverty-stricken Americans who moved from town to town harvesting the crops for farmers. The pay was abysmal and not enough to sustain a family, but harvesting was what Thompson knew as she was born and raised in "Indian Territory," (now Oklahoma) on a farm. Her father was Choctaw and her mother was white. After the death of her husband, Thompson supported her children the best way she knew how: working long hours in the field.

"I'd hit that cotton field before daylight and stay out there until it got so dark I couldn't see," Thompson told NBC in 1979 a few years before her death.

the great depression; Florence Thompson; Mona Lisa of the Great Depression; Mona Lisa; the depression; depression era A mother reflects with her children during the Great Depression.Photo by Dorthea Lange via Library of Congress

When talking about meeting Thompson, Lange wrote in her article titled "The Assignment I'll Never Forget: Migrant Mother," which appeared in Popular Photography, Feb. 1960, "I saw and approached the hungry and desperate mother, as if drawn by a magnet. I do not remember how I explained my presence or my camera to her, but I do remember she asked me no questions. I made five exposures, working closer and closer from the same direction. I did not ask her name or her history. She told me her age, that she was thirty-two. She said that they had been living on frozen vegetables from the surrounding fields, and birds that the children killed."

Lange goes on to surmise that Thompson cooperated because on some level she knew the photos would help, though from Thompson's account she had no idea the photos would make it to print. Without her knowledge, Thompson became known as "The Dustbowl Mona Lisa," which didn't translate into money in the poor family's pocket. In fact, according to a history buff who goes by @baewatch86 on TikTok, Thompson didn't find out she was famous until 40 years later after a journalist tracked her down in 1978 to ask how she felt about being a famous face of the depression.

@baewatch86

Florence Thompson, American Motherhood. #fyppppppppppppppppppppppp #historytok #americanhistory #migrantmother #thegreatdepression #dorthealange #womenshistory

It turns out Thompson wished her photo had never been taken since she never received any funds for her likeness being used. Baewatch explains, "because Dorothea Lange's work was funded by the federal government this photo was considered public domain and therefore Mrs. Florence and her family are not entitled to the royalties."

While the photo didn't provide direct financial compensation for Thompson, the virility of it helped to feed migrant farm workers. "When these photos were published, it immediately caught people's attention. The federal government sent food and other resources to those migrant camps to help the people that were there that were starving, they needed resources and this is the catalyst. This photo was the catalyst to the government intercepting and providing aid to people," Baewatch shares.

When Thompson's health declined with age, people rallied around to help pay her medical bills citing the importance of the 1936 photo in their own lives. The "Migrant Mother" passed away in 1983, just over a week after her 80th birthday. She was buried in California.

"Florence Leona Thompson, Migrant Mother. A legend of the strength of American motherhood," her gravestone reads.

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10 fascinating facts about Vincent van Gogh and his famous 'Starry Night' painting

Most of us know bits and pieces about the man and his art, but likely don't have the full picture.

Photo credit: Canva

Vincent van Gogh is famous for his striking colors and bold brush strokes.

If you were to ask people to name famous paintings, Vincent van Gogh's "The Starry Night" would surely be among the top answers. The swirling blue and yellow sky is one of the most recognizable works of Western art, and van Gogh is a household name even among people who aren't big art connoisseurs.

Most of us know a little bit about van Gogh due to the dramatic story of him cutting off his own ear. But there's also a lot of lore and legend ranging in accuracy about the man and his art, so it's worth doing a dive into some true fascinating facts about both. A video from Great Art Explained provides a concise but comprehensive overview of who he was and how he worked, giving us a bigger picture of the legend as well as his most famous piece.

- YouTube www.youtube.com

Here are some facts the average person might not know about Vincent van Gogh:

Van Gogh didn't start painting until his late 20s and only painted for a decade.

For such a famous artist, van Gogh didn't paint for very long. He didn't seriously begin painting until around age 27, but he dedicated himself fully to his art until he died from a self-inflicted gunshot wound to the chest at age 37. Still, his prolific talent was legendary, as he created some 900 paintings, and over 2,000 pieces of art overall, during his decade of work. He had just begun being recognized for his artistic talents when he died, and most of his famous paintings were created in his final two years of life.

Van Gogh spent time in a mental institution, but it wasn't your typical asylum experience.

In 1889, van Gogh was admitted into a mental asylum outside Saint Remy, France. But unlike the overcrowded public mental institutions in large cities, the small asylum only had 41 patients and was run by a progressive doctor who believed in treating mentally ill people with kindness and understanding. Art and nature were seen as healing, and doctors quickly realized that van Gogh wouldn't survive if he didn't have the freedom to paint and create. He spent all of his waking hours painting and created many of his most well-known works—including "The Starry Night"—while gazing out his barred asylum window at the beautiful countryside dotted with olive groves and vineyards or wandering the purposefully planted gardens.

vincent van gogh, painting, art, irises, master Van Gogh painted "Irises" while he as at the Saint Remy asylum. upload.wikimedia.org

Most of the time, he was perfectly lucid and rational.

Today, van Gogh would likely be diagnosed with bipolar disorder, and his behavior during manic episodes—like cutting off his own ear and giving it to a prostitute—have planted in people's minds a picture of van Gogh as a crazed lunatic. However, he was actually lucid and rational most of the time. Not only that, but he was intelligent and extremely well-read, spoke four languages, and had lifelong friends as well as a close relationship with his brother and sister-in-law. The history-defining ear incident was not his usual modus operandi. In fact, the video notes that he was "probably the sanest patient at St. Remy."

He also had syphilis.

This fact can't really be separated from his mental illness challenges, as syphilis can cause psychiatric problems.

theo van gogh, vincent van gogh brother, art history, illness, health Theo van Gogh, Vincent's younger brother, helped support him throughout his life.Public Domain

Van Gogh's brother Theo was his biggest supporter.

Throughout his life, van Gogh's younger brother Theo supported him in every way: financially, emotionally, and artistically. An art dealer himself, Theo encouraged his brother to develop his painting skills. Theo paid for Vincent's treatment at the asylum and was also the one who insisted he be able to paint there. Much of what we know about van Gogh comes from letters he wrote to Theo, and the two shared a close bond. Theo was with Vincent when he died, two days after shooting himself in the chest. Theo, who also had syphilis, would die just six month later from the effects of the disease.

Van Gogh's "The Starry Night" was influenced by Japanese art.

Like many of his Western colleagues at the time, van Gogh was influenced by art from Japan, and many of his paintings reflect elements of Japanese prints. He was an admirer of Hokusai's "The Great Wave Off Kanagawa," and it's not a stretch to see how it may have inspired the swirl pattern and blue colors of "The Starry Night."

the great wave, japanes painting, kanagawa, hakusai, van gogh, the starry night Hokusai's "The Great Wave Off Kanagawa" and van Gogh's "The Starry Night"Photo credit: Canva

Van Gogh tried to poison himself with paints and turpentine a few weeks before painting "The Starry Night."

The bright colors that marked the last five years of van Gogh's art also nearly took his life. New techniques in creating pigments in paints led to a dramatic shift from dark, brooding paintings to bright, colorful ones as van Gogh entered his peak years. But his mental health also took dramatic turns, and prior to painting "The Starry Night" in 1889, medical notes from the asylum indicate that he drank paint and turpentine as a suicide attempt.

Van Gogh became very religious but eventually lost his faith in Christianity.

Van Gogh was raised by a Christian minister father and developed a deep religious faith, even becoming an evangelical preacher himself for a time. But later his relationship with religion morphed into a belief that the divine was expressed in nature, art, and human emotion rather than the church.

Van Gogh considered "The Starry Night" a failure.

With his standards for himself set impossibly high, van Gogh felt that many of his paintings were failures, including, apparently, "The Starry Night." He wrote to fellow painter Emile Bernard several months after painting it, "I have been slaving away on nature the whole year, hardly thinking of impressionism or of this, that and the other. And yet, once again I let myself go reaching for stars that are too big—a new failure—and I have had enough of it."

Van Gogh was entirely wrong about his own legacy.

Less than two months before his suicide in 1890, van Gogh wrote to a critic who had praised his work in a Paris newspaper, "It is absolutely certain that I shall never do important things." Though he had started to see some success as an artist, there was no inkling that he would become one of the most famous and iconic artists of all time. If he had lived, he might have seen the full recognition of his artistic genius in his lifetime or he may not have. But as it was, he died believing himself to be an insignificant failure.

There may be many lessons we can glean from van Gogh's story, but perhaps the biggest is to not discount our own talents, skills, or contributions. Like him, we may not be seeing the full picture.

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