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Pop Culture

'Princess Bride' star Mandy Patinkin shared a moving detail about the film with a grieving woman

Two souls connecting over the loss of their fathers. (Phew, grab a tissue for this one, folks.)

via Mandy Patinkin / TikTok

There was an emotional exchange on TikTok between two people who lost their fathers to cancer. One was actor Mandy Patinkin, the other was TikTok user Amanda Webb.

Patinkin currently stars on "The Good Fight" but one of his most famous roles is Inigo Montoya in the 1987 classic "The Princess Bride." In the film, Montoya is a swordsman who is obsessed with confronting a six-fingered man who killed his father.

Webb recently lost her father Dan to mantle cell lymphoma. She had heard a rumor that Patinkin used his father's death from cancer as motivation in a pivotal scene where he confronts the six-fingered Count Rugen (Christopher Guest) in a duel.


Rugen tells Montoya he will give him anything he wants after being bested by Montoya who passionately replies, "I want my father back, you son of a bitch."

@mandypatinktok @alaska_webb thank you for finding us and sharing this! ✨ Sending big love and light to you and yours. More in comments. #grieving #cancer #dads ♬ original sound - Mandy Patinkin and Kathryn G

Webb's father was a big fan of Montoya's performance in the film so she reached out to TikTok to learn if the rumor was true.

"I saw on the internet the rumor that when Mandy Patinkin said that line, he was thinking of his own father who had passed away from cancer," Webb said while crying. "And it was a very raw emotion. Ever since then, it's kind of really stuck with me."

Patinkin, who is a TikTok user, heard that the woman had reached out to him and he gave a heartfelt response.

"First of all, your dad is taking care of you," he said. "Secondly, it is true, 100% true. I went outside in this castle and walked around and I kept talking to my dad."

"The minute I read the script, I knew, I said to [his wife], I said, 'I'm going to do this part because in my mind, if I get the six-fingered guy, that means I killed the cancer that killed my dad and I'll get to visit my dad," he said.

"That moment was coming, and I went and I played that scene with Chris [Guest], and then I went back out there and talked to my dad," Patinkin said.

He then told Webb that she has the power to talk to her father, too.

"And so, you can talk to your dad anytime you want, anywhere you want," he said. "If you could somehow let me know your dad's name because I say prayers for anyone I've ever known. Now I feel like I know you, and therefore I know your dad, and I will list his name in my prayers every day, and they make me feel like they're with me, wherever I go, and I'd like your dad to hang out with me."

Webb responded with a video where she's so emotional she can hardly speak.

This story originally appeared on 08.25.21

Finally, someone explains why we all need subtitles

It seems everyone needs subtitles nowadays in order to "hear" the television. This is something that has become more common over the past decade and it's caused people to question if their hearing is going bad or if perhaps actors have gotten lazy with enunciation.

So if you've been wondering if it's just you who needs subtitles in order to watch the latest marathon-worthy show, worry no more. Vox video producer Edward Vega interviewed dialogue editor Austin Olivia Kendrick to get to the bottom of why we can't seem to make out what the actors are saying anymore. It turns out it's technology's fault, and to get to how we got here, Vega and Kendrick took us back in time.

They first explained that way back when movies were first moving from silent film to spoken dialogue, actors had to enunciate and project loudly while speaking directly into a large microphone. If they spoke and moved like actors do today, it would sound almost as if someone were giving a drive-by soliloquy while circling the block. You'd only hear every other sentence or two.


But with today's technology, microphones are so small they can be strapped just about anywhere on an actor. This allows the actor to move about the set freely and speak at a normal volume without worrying that their words won't be picked up. So then why can't we hear them? Turns out it's super complicated…and also not.

"A lot of people will ask, 'Why don't you just turn the dialogue up?' Like, 'Just turn it up.' And...if only it were that simple," Kendrick said before explaining, "If you have your dialogue that's going to be at the same volume as an explosion that immediately follows it, the explosion is not going to feel as big. You need that contrast in volume in order to give your ear a sense of scale."

Sure, you may be thinking, well that kinda explains it, but why do the music and other cinematic noises sound like they're beating on your eardrum while the dialogue sounds like the actors are whispering every line? That doesn't seem very balanced. There's more to it, and again, it falls back onto technology.

In the video, they explain how our televisions are too thin to hold large speakers facing in the correct direction, and until this video, it didn't dawn on me that the speakers to my television are indeed in the back. No wonder we can't hear. The actors are quite literally talking to our walls.

And there's more. Check out the full explanation in the video:

This article originally appeared on 2.1.23

Pop Culture

From comedies to kickass concerts, these two creatives are here to make social impact fun

Aaron Brown and Lenny Barszap raised millions for the unhoused community in a movement they've named "Trojan-horse social impact."

Lenny Barszap (Left) Aaron Brown (right)/ (The Pharcyde, Brownout, Adrian Quesada, Lenny Barszap, Chris Rogers (muralist), Chris Baker (TOOF), Aaron Brown) - photo credit IIsmael Quintanilla III

Have fun doing good.

There is often a distinct line between social impact—that is, something meant to provoke thought, connect us to our humanity, inspire positive change, etc.—and entertainment, which provides us a fun escape.

But sometimes that line can become blurred in innovative ways, allowing entertainment itself to be the change agent.

This is the concept behind creative partners Aaron Brown (Onion Creek Productions) and Lenny Barszap (Entertaining Entertainment)’s Been There music festivals, which are specifically intended to be social movements in disguise.


But first, let’s go back to 1997 when Brown and Barszap were in college. They met an unhoused former professor living in the park at the end of their block - a chance encounter that would change their lives forever.

Not wanting the man to suffer Texas’ infamous storms, Brown and Barszap offered the man a chance to crash on their porch—and later their couch as boundaries began to soften—which began a nearly yearlong chapter of bonding with him and others from his community.

Their relationship, along with the antics that ensued, would later become the basis for “Home Free,” a coming-of-age college comedy that Barszap calls “‘Dazed & Confused’ meets ‘Superbad,’” which premiered at Hollywood's iconic Chinese Theatre in July 2023 and earned rave reviews, including one from Kevin Smith saying it is “the most important comedy you’ll see this year.”

And while “Home Free” succeeds in providing laugh out loud moments, Brown and Barszap hoped it could be the first of many “Trojan horse-style social impact films,” using humor as the spoonful of sugar to raise awareness on the serious issue of homelessness.

That’s why the duo partnered with The Other Ones Foundation (TOOF), an organization that offers people in Austin, TX facing homelessness shelter, opportunities and support. Through this partnership, six percent of all donations raised for Brown and Barszap’s film went directly to the foundation. In addition, 10% of the film's profits were earmarked for TOOF and other nonprofits fighting to end homelessness.

Which brings us back to Been There, which got its title as a way of suggesting “we can get beyond homelessness and someday look back from a new perspective with empathy.”

Here’s how it started: In 2021, TOOF had recently begun supporting a tent encampment of around 200 people experiencing homelessness in East Austin, later renamed The Esperanza Community. Brown and Barszap began making relationships with Esperanza’s residents during production of “Home Free” (especially when filming was slowed to a halt during COVID).

Before/After images of The Esperanza Community

That year, Austin had been hit by some severe ice storms, causing power outages and devastating the tent community. And while replenishing supplies would have been enough to help the neighborhood recover, Barszap and Brown thought “why not go beyond necessities and replenish people’s spirits as well?”

And so, the pair called upon their musician friends, who just so happened to be Grammy award-winning heavy hitters in the industry, to put on a kickass private music festival.

The Esperanza community got to enjoy the talents of Adrian Quesada, best known for his work with The Black Pumas, as well as local legends like the latin funk orchestra Grupo Fantasma and indie darlings Wild Child, just to name a few. And even better, though no one intended to make the event a fundraiser, a couple of inspired attendees donated a collective $600,000 to TOOF on the spot.

Because their first event was such a success, another Been There festival was held in 2023, this time intended as a fundraiser, composed of musical heroes from the 90s and local Austin heavyweights. Headlining the act was legendary hip hop group The Pharcyde, who also contributed two new songs to the original soundtrack for “Home Free,” produced by Adrian Quesada. The Pharcyde were accompanied for the first time ever by a live band, Austin’s Latin-funk heroes Brownout who have backed the likes of Prince, GZA and many more.

Barszap told Upworthy the second festival was an even bigger hit. Not just because of the money it raised, but because it brought people together who might normally be separated by social barriers. And it all took place in Esperanza, which has now become a flourishing transitional tiny home community.

“It was incredible…so many showed up to the event and were surprised they were having an amazing night with people who were transitioning out of homelessness and getting back on their feet. Everyone was so moved that we raised over $1million that day, enough to build over 100 new tiny homes for The Esperanza Community,” he said.

(The Pharcyde, Brownout, Adrian Quesada, Lenny Barszap, Chris Rogers (muralist), Chris Baker (TOOF), Aaron Brown) - photo credit IIsmael Quintanilla III

The first two Been There music Fests were hosted at The Esperanza Community in Austin but Barszap and Brown envision a series of Been There's in cities across the country. "When you see the power of artists coming together to help our neighbors and spotlight the organizations doing the most innovative work, it's undeniable. We've seen first-hand how music and art can change lives," says Brown.

As more non-profit music festivals similar to Been There continue popping up across the country, both to reinvigorate those who are disenchanted with how capitalism has affected the industry, it’s becoming clear that this is more than a novel concept—it’s a style of entertainment that people actually want to participate in.

As for what the future holds: today, Been There is more than a music festival. It has transformed into a non-profit in its own right, bringing even more “Trojan horse-style social impact entertainment that kick-starts a movement” including festivals, films, art, music and proving that making a difference doesn’t have to be a chore or byproduct of guilt.

Lenny Barszap (Left) Aaron Brown (right)

Maybe it’s not so impossible to, as Barszap puts it, “have fun doing good.”

If you’d like to support more of Been There’s impactful entertainment, donate here.

Pop Culture

Artist paints characters as described in books, then shares side-by-side with film versions

He doesn't know who he's painting, and it's fascinating to see who is close and who is way off.

Jazza tries to guess who he's painting based only on written descriptions.

Anyone who's watched a film based on a book has experienced the disappointment of a movie character not matching their imagined version of what a character looks like. Book authors offer descriptions of characters with varying levels of detail, usually just enough to help us form a mental picture or give us necessary information about them, so we may not all imagine them the same way.

Some characters' physical features are crucial to their story, such as Harry Potter's lightning-shaped forehead scar, but some are just an author's attempt to share whatever they themselves imagine a character to look like. There's often a lot that's open to interpretation, though, so it's a bit of a crapshoot whether a film depiction of a book character will match a writer's description of them—or a reader's vision based on that description.

One artist is exploring this phenomenon with a video series in which he paints characters based solely on their written descriptions. Jazza, who has made a name for himself on social media with his creative art videos, is given the features of a character as described by a writer without being told who the character is or where they're from. Then we see how his depiction compares to the character as shown on screen.


Sometimes his paintings are surprisingly close to the film character and he is able to guess who the character is based on what he drew. Some are more mysterious and he doesn't know who he's painted until it's revealed. And occasionally, it's not a character that's being described but a real person, which is the case with the last painting in this video, and it's extra hilarious. But it's always fascinating to see someone paint a picture of what they're visualizing in their mind, since most of us aren't able to do that.

Watch:

If you enjoyed those attempts, check out Part 2:

The series has more parts and he also has a series where he sculpts monsters based on their descriptions. So fun to watch!

Here's to the human imaginations that create characters on the page and those who bring them to life on screen. Different creative skills, but both so valuable to the storytelling that help us tap into our humanity.