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Bluey and Flow promo images

Bluey (left); Flow (right)

In times of stress, comfort shows can provide just the right amount of escapism, familiarity, and emotional relief. When the world seems to be crumbling around us, sometimes the only way to actually relax is to thrust ourselves into the world of fiction, where characters reflect the best parts of ourselves (or at least the funniest parts) and storylines are soothingly predictable.

As far as what types of comfort shows to watch, many might gravitate towards sitcoms or reality shows. But man, are those folks missing out on what feels like a golden age of animation. It’s not just kid cartoons anymore, nor the sardonic slapstick styles of “made for adult” cartoons like The Simpsons or Family Guy. We’re talking deeply compelling storylines set against incredibly striking visuals. What’s not to like? You get everything you enjoy about good TV, while getting to escape into art.

And, animated films and television shows haven’t only added more depth, but breadth of variety. We’ve curated a list of some for you to consider during your next binge. Whether you want to laugh, cry, or do both at the same time, there’s sure to be something worth watching.

Whimsical + Fun

These are more nostalgia driven, and have a bit of a classic cartoon feel. For when you want to just let your inner child come out for a bit.

Avatar: The Last Airbender

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This animated Nickelodeon show premiered in 2005 and also made our previous “comfort shows” list because it's just that good. Sure, it’s made for kids, but viewers of all ages continue to appreciate the show’s quirky, loveable characters and interwoven mindfulness lessons. What's more, ATLA does a lot of heavy lifting in its storylines. Though the packaging of the show is indeed whimsical and fantastic, it fearlessly tackles deep topics such as genocide, the destruction of war, nationalism and imperialism, social justice, loss, the importance of protecting the environment, and the value of love, friendship, and family. There's a reason its remained extremely popular since its debut twenty years ago.

Bluey

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Bluey is even more of a kiddie show, and yet is perfect for kids and parents alike because of its relatable, realistic family dynamics, tackling complex emotions in a child-friendly way with clever humor and wholesome portrayals of everyday life. And because every character on the show, including the parents, share their discoveries, many adults find the show to be healing.

Adventure Time

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Speaking of progressive kid’s shows, if you’re looking for an animated show that features a charming bromance, gender swaps, body positivity, and fun slang like “oh my glob!” then check out Adventure Time. It premiered on Cartoon Network in 2010 but still holds up with or without the power of nostalgia thanks to how it portrays growth, relationships, trauma, and the beauty of life and friendship.

Over the Garden Wall

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Over the Garden Wall is an American animated miniseries that centers on two half-brothers who travel through a mysterious forest called The Unknown to find their way home, encountering a variety of strange and fantastical things on their journey. Since premiering on Cartoon Network in 2014, the show has become a cult classic of sorts, and surged again in popularity thanks to a three-minute stop-motion short celebrating its 10th anniversary this past November. When you enter The Unknown prepare to be enthralled by a spooky, yet whimsical story that belongs in a Brothers Grimm's collection, brought to life by an incredible voice acting cast and score.

The Dragon Prince

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The Dragon Prince, later known as The Dragon Prince: Mystery of Aaravos, was a clear attempt to tonally pick up where Avatar left off (it was written by the same writers, after all). And in many ways, it follows a similar fantasy quest template. We have a bit of an enemies-to-lovers thing going on as Callum, a human training to be a mage, and Rayla, a Moon elf, begin their quest whilst taking care of the infant Storm Dragon, the titular Dragon Prince during a time of conflict between magical beings and mankind. But the story definitely finds its legs, creating its own unique blend of goofy charm and mature plotlines.

Epic Action

Moving into more mature, complex territory here, this next batch of shows are great options for folks who think cartoons aren’t for them. These are more like the works of Shakespeare, set in a painting.

Arcane

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This show is, in a word, STUNNING. Both in terms of visuals and storytelling. Yes, it’s based on the League of Legends video game, but you can be the antithesis of a gamer and still appreciate it’s complex characters, deep emotional themes, and well-crafted world. Talk about a brilliant meditation on classism and trauma.

The Legend of Vox Machina

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Again, this animated series is captivating whether you’re into Dungeons and Dragons or not. Though there’s plenty of silly humor in this one, it is well balanced with serious (downright heartbreaking) moments as well. If you’ve got a soft spot for found family dynamics, enjoy.

Blue Eye Samurai

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After becoming a near overnight mega hit on Netflix, Blue Eye Samurai was dubbed not only one of the best animated shows on the platform, but one of its best shows period. You could almost think of it as an elevated anime, that tonally feels like a spaghetti western samurai film hybrid alá The Magnificent Seven. Beyond the revenge plot is also an inspiring story of transcending societal expectations, all in order to find one’s own greatness. This is made evident by one of the key characters, Akemi (voiced by Brenda Song) declaring “I want to be great” during a pivotal fork-in-the-road moment. That’s all we’ll say about that.

Based on a Comic Book

Sure, cartoons are not a hard sell for comic book fans, but when put into animated form, even non-nerds can enjoy the high stakes storylines and compelling characters that come with the genre, making it even more accessible.

Harley Quinn

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The animated series on Max exudes all the qualities that most people love about this iconic comic book henchman-turned-villainess in her own right. It’s vivacious, it’s fun, and it’s bonkers. Plus, and perhaps most importantly, the romantic relationship between Harley and Poison Ivy is put front and center and refreshingly full of queer joy.

X-Men 97

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There’s a reason this show has been hailed a masterpiece, and nostalgia has very little to do with it. This animated series succeeds at what all the live action iterations have failed to do in tackling Stan Lee and Jack Kirby’s original themes of prejudice, racism, and the importance of fighting against them.

Invincible

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Invincible has all the campy comic book fun that we grew up with as kids, and yet still goes down very, very dark roads. In a similar vein to Amazon’s The Boys, it portrays the reality of being a hero, and how being idolized does not a hero make. Arguably though, unlike The Boys, there's as much heart as there is grit.

Movies

Because not everyone has the wherewithal to binge yet another series. animated movies offer plenty of comfort, too. You might notice that most of the movies on this list came from 2024—and rightfully so because it was a good year for animation.

Flow

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This little independent Latvian film is making a huge splash this awards season, and for good reason. The dialogue-free story—which centers around a lone black cat and its unlikely crew of a capybara, a lemur, a bird, and a Golden retriever—is less of a movie and more of a beautifully profound meditation on life itself. It’s whimsical, poignant, breathtakingly gorgeous, and worth many, many watches. Primarily because the first watch is so stressful seeing those animals get into hairy situations.

Wild Robot

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Ever wanted an animated film that feels like a ”warm hug from a mother?” Then this is the film for you. Based on a somber children’s book by Peter Brown that deals with grief, loss, and found families, the movie is just deeply resonating. Definitely a “grab your tissues” kind of watch. But a very cathartic one.

Spirited Away

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Truthfully any of Hayao Miyazaki’s works could fit the bill, but Spirited Away specifically feels like being thrust into a Japanese fairytale. And yet, there are universal themes of self-discovery, facing fears, and the importance of identity. Don’t expect a cut-and-dry hero-vs-villain storyline here, but prepare to walk away with lasting wisdom.

Inside Out 1&2

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Similarly, Pixar’s animated films about dealing with complex human emotions doesn’t have a true antagonist, and it’s because of that that audiences are able to explore mental health and/or emotional struggles we have all had and see them in all new, hopefully more compassionate ways. Both the original and its sequel are part film, part therapy.


We understand that times might be especially anxiety inducing, particularly those experiencing loss or stress from the California wildfire emergency. That’s why Upworthy has created a resource guide for those who need help, and those who want to help. Perhaps after regulating and finding calm (hopefully with one or more of these shows!), it might be a good read.

Pop Culture

'Princess Bride' star Mandy Patinkin shared a moving detail about the film with a grieving woman

Two souls connecting over the loss of their fathers. (Phew, grab a tissue for this one, folks.)

via Mandy Patinkin / TikTok

There was an emotional exchange on TikTok between two people who lost their fathers to cancer. One was actor Mandy Patinkin, the other was TikTok user AJ Webb.

Patinkin currently stars on The Good Fight, but one of his most famous roles is Inigo Montoya in the 1987 classicThe Princess Bride. In the film, Montoya is a swordsman who is obsessed with confronting a six-fingered man who killed his father.

Webb recently lost her father Dan to mantle cell lymphoma. She had heard a rumor that Patinkin used his father's death from cancer as motivation in a pivotal scene where he confronts the six-fingered Count Rugen (Christopher Guest) in a duel.

Rugen tells Montoya he will give him anything he wants after being bested by Montoya who passionately replies, "I want my father back, you son of a bitch."

@mandypatinktok @alaska_webb thank you for finding us and sharing this! ✨ Sending big love and light to you and yours. More in comments. #grieving #cancer #dads ♬ original sound - Mandy Patinkin and Kathryn G

Webb's father was a big fan of Montoya's performance in the film so she reached out to TikTok to learn if the rumor was true.

"I saw on the internet the rumor that when Mandy Patinkin said that line, he was thinking of his own father who had passed away from cancer," Webb said while crying. "And it was a very raw emotion. Ever since then, it's kind of really stuck with me."

Patinkin, who is a TikTok user, heard that the woman had reached out to him and he gave a heartfelt response.

"First of all, your dad is taking care of you," he said. "Secondly, it is true, 100% true. I went outside in this castle and walked around and I kept talking to my dad."

"The minute I read the script, I knew, I said to [my wife], I said, 'I'm going to do this part because in my mind, if I get the six-fingered guy, that means I killed the cancer that killed my dad and I'll get to visit my dad," he said.

"That moment was coming, and I went and I played that scene with Chris [Guest], and then I went back out there and talked to my dad," Patinkin said.

He then told Webb that she has the power to talk to her father, too.

"And so, you can talk to your dad anytime you want, anywhere you want," he said. "If you could somehow let me know your dad's name because I say prayers for anyone I've ever known. Now I feel like I know you, and therefore I know your dad, and I will list his name in my prayers every day, and they make me feel like they're with me, wherever I go, and I'd like your dad to hang out with me."

View Webb's heartwarmingly emotional response below:

@alaska_webb

Is this real life?! #mandypatinktok #princessbride #lgbtq #grief #millenial #imissmydad

This story originally appeared four years ago.

Robin Williams played inspiring English teacher John Keating in "Dead Poets Society."

As a Gen X parent of Gen Z teens and young adults, I'm used to cringing at things from 80s and 90s movies that haven't aged well. However, a beloved movie from my youth that I didn't expect to be problematic, "Dead Poets Society," sparked some unexpected negative responses in my kids, shining a spotlight on generational differences I didn't even know existed.

I probably watched "Dead Poets Society" a dozen or more times as a teen and young adult, always finding it aesthetically beautiful, tragically sad, and profoundly inspiring. That film was one of the reasons I decided to become an English teacher, inspired as I was by Robin Williams' portrayal of the passionately unconventional English teacher, John Keating.

The way Mr. Keating shared his love of beauty and poetry with a class of high school boys at a stuffy prep school, encouraging them to "seize the day" and "suck all the marrow out of life," hit me right in my idealistic youthful heart. And when those boys stood up on their desks for him at the end of the film, defying the headmaster who held their futures in his hands? What a moving moment of triumph and support.

My Gen Z kids, however, saw the ending differently. They loved the feel of the film, which I expected with its warm, cozy, comforting vibe (at least up until the last 20 minutes or so). They loved Mr. Keating, because how can you not? But when the movie ended, I was taken aback hearing "That was terrible!" and "Why would you traumatize me like that?" before they admitted, "But it was so gooood!"

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The traumatize part I get—that film gets very heavy all of a sudden. But in discussing it further, I uncovered three main generational differences that impacted their "Dead Poets Society" viewing experience and what they took away from it.

1) Gen Z sees inspiring change through a systemic lens, not an individual one

The first thing my 20-year-old said when the credits rolled was, "What? That's terrible! Nothing changed! He got fired and the school is still run by a bunch of stodgy old white men forcing everyone to conform!" My immediate response was, "Yeah, but he changed those boys' individual lives, didn't he? He helped broaden their minds and see the world differently."

I realized that Gen X youth valued individuals going against the old, outdated system and doing their own thing, whereas Gen Z values the dismantling of the system itself. For Gen X, Mr. Keating and the boys taking a stand was inspiring, but the fact that it didn't actually change anything outside of their own individual experiences stuck like a needle in my Gen Z kids' craw.

2) Gen Z isn't accustomed to being blindsided by tragic storylines with no warning

To be fair, I did tell them there was "a sad part" before the movie started. But I'd forgotten how deeply devastating the last part of the movie was, so my daughter's "Why would you do that to me?!" was somewhat warranted. "I thought maybe a dog would die or something!" she said. No one really expected one of the main characters to die by suicide and the beloved teacher protagonist to be blamed for it, but I'd somehow minimized the tragedy of it all in my memory.

But also to be fair, Gen X never got any such warnings—we were just blindsided by tragic plot twists all the time. As kids, we cheered on Atreyu trying to save his horse from the swamp in "The Neverending Story" only to watch him drown. Adults showed us "Watership Down" thinking it would be a cute little animated film about bunnies. We were slapped in the face by the tragic child death in "My Girl," which was marketed as a sweet coming of age movie.

Gen Z was raised in the era of trigger warnings and trauma-informed practices, while Gen X kids watched a teacher die on live TV in our classrooms with zero follow-up on how we were processing it. Those differences became apparent real quick at the end of this movie.

3) Gen Z fixates on boundary-crossing behavior that Gen X overlooked

The other reaction I wasn't expecting was the utter disdain my girls showed for Knox Overstreet, the sweet-but-over-eager character who fell for the football player's cheerleader girlfriend. His boundary-crossing attempts to woo her were always cringe, but for Gen X, cringe behavior in the name of love was generally either overlooked, tolerated, or sometimes even celebrated. (Standing on a girl's lawn in the middle of the night holding a full-volume stereo over your head was peak romance for Gen X, remember.) For Gen Z, the only thing worse than cringe is predatory behavior, which Knox's obsessiveness and pushiness could be seen as. My young Gen X lens saw him and said, "That's a bit much, dude. Take it down a notch or three." My Gen Z daughters' lens said, "That guy's a creepo. She needs to run far the other way."

On one hand, I was proud of them for recognizing red flag behaviors. On the other hand, I saw how little room there is for nuance in their perceptions, which was…interesting.

My Gen Z kids' reactions aren't wrong; they're just different than mine were at their age. We're usually on the same page, so seeing them have a drastically different reaction to something I loved at their age was really something. Now I'm wondering what other favorite movies from my youth I should show them to see if they view those differently as well—hopefully without them feeling traumatized by the experience.

Pop Culture

Artist paints characters as described in books, then shares side-by-side with film versions

He doesn't know who he's painting, and it's fascinating to see who is close and who is way off.

Jazza tries to guess who he's painting based only on written descriptions.

Anyone who's watched a film based on a book has experienced the disappointment of a movie character not matching their imagined version of what a character looks like. Book authors offer descriptions of characters with varying levels of detail, usually just enough to help us form a mental picture or give us necessary information about them, so we may not all imagine them the same way.

Some characters' physical features are crucial to their story, such as Harry Potter's lightning-shaped forehead scar, but some are just an author's attempt to share whatever they themselves imagine a character to look like. There's often a lot that's open to interpretation, though, so it's a bit of a crapshoot whether a film depiction of a book character will match a writer's description of them—or a reader's vision based on that description.

One artist is exploring this phenomenon with a video series in which he paints characters based solely on their written descriptions. Jazza, who has made a name for himself on social media with his creative art videos, is given the features of a character as described by a writer without being told who the character is or where they're from. Then we see how his depiction compares to the character as shown on screen.

Sometimes his paintings are surprisingly close to the film character and he is able to guess who the character is based on what he drew. Some are more mysterious and he doesn't know who he's painted until it's revealed. And occasionally, it's not a character that's being described but a real person, which is the case with the last painting in this video, and it's extra hilarious. But it's always fascinating to see someone paint a picture of what they're visualizing in their mind, since most of us aren't able to do that.

Watch:

If you enjoyed those attempts, check out Part 2:

The series has more parts and he also has a series where he sculpts monsters based on their descriptions. So fun to watch!

Here's to the human imaginations that create characters on the page and those who bring them to life on screen. Different creative skills, but both so valuable to the storytelling that help us tap into our humanity.


This article originally appeared last year.