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A photo collage from the movie Ferris Bueller's Day Off.

It's really interesting what nearly 35 years does to the lens of perspective. When my friend invited me to join her family for their once-a-month movie night, she asked which John Hughes movie she should show her 14-year-old twins. The answer was obvious. It had to be something fun, school-related, and iconic. Ferris Bueller's Day Off seemed to be the perfect choice as we Gen X-ers loved it when we were exactly their age in 1986.

The fraternal twins (one boy, one girl) sat down on a rare early Saturday evening when neither had dance practice or a sleepover. We gathered in our comfy clothes, popped some popcorn, and hit "rent now."

They were excited by the opening scene, where an adorable Matthew Broderick (doesn't matter what generation one is, he transcends them all) is pretending to be sick in bed with worrying parents. His sister Jeanie is suspicious and exhausted by his antics, but Ferris prevails. He then proceeds to give a brilliant monologue about eating life up and living in the moment. His now-famous line, Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it,” is still plastered in quote books and on Bumble profiles.

The twins seemed inspired, and one of them actually teared up in the first five minutes.

The opening scene from Ferris Bueller's Day Off.www.youtube.com, Paramount Pictures, Film Studies Fundamntals

Spoilers ahead: the movie is pretty simple. Ferris is a super cool high school kid with a beautiful girlfriend, Sloane, played by Mia Sara. His best friend is a depressed hypochondriac named Cameron, who is played to perfection by Alan Ruck. Ferris skips school a lot (nine times!) and grabs each day by the neck. There are themes of Hedonism, Nihilism, and Taoism, but neither of the twins mentioned that.

The first thing both kids DID bring up (after being delighted by the shower monologue) was how privileged the characters were. Affluent Chicago suburbs, after all, was the setting John Hughes knew best. They also noted, as many have over the years, that Ferris seemed rather selfish and insensitive to what others in his life wanted and needed.

Ferris Bueller, 80s movies, Gen X, Gen ZA Ferris Buellers Day Off Film GIFGiphy Paramount Pictures

There have been many conversations over the years about Cameron being the true hero of the film. He has a story arc, unlike Ferris, that is unwavering. He's sad, but pushes through it and even gets the guts up to stand up to his father after a Ferrari incident.

In fact, there was a theory that Ferris was a figment of Cameron's imagination—a Fight Club scenario, if you will. Robert Vaux writes on CBR, "The theory holds that the entire day is a fantasy taking place in Cameron's head while he lies sick in bed. His sickness actually supports the theory: once Ferris comes over, it vanishes, and Cameron plunges energetically, if reluctantly, into the events of the day. According to the theory, it's because there are no events of the day. He's still sick at home, and the whole thing is a daydream."

cameron, ferris bueller's day off, 80s movies, john hughes, gen x, gen zCameron GIF in Ferris Buellers Day Off 80SGiphy, Paramount Pictures

I fully expected the twins to have similar thoughts. If not the Fight Club part, at least the idea that Cameron was the true protagonist. But what they (both of them) said instead was shocking. "No," the daughter told me. "I mean, I liked Ferris and I loved Cameron. But it's Jeanie who's the hero here."

Jeanie, the sister mentioned earlier, was played with pure rage by Jennifer Grey. She spends most of the movie attempting to narc on Ferris rather than enjoying her own beautiful day. She is angry and determined until…she meets a "bad boy" at the county jail, played complete with bloodshot eyes by Charlie Sheen.

Taken aback, their mom pushed back. "Jeanie, the sister? Why?"

The son answers, "She just changes the most. She starts out, like, having it in for Ferris. Really, having it in for EVERYONE. And then she just like figures it out." The daughter adds, "Yeah, in the end she was rooting for Ferris. She came the farthest from where she started and she's the one who kinda saved him."

Jennifer Grey meets Charlie Sheen in Ferris Bueller's Day Off.www.youtube.com, Paramount Pictures, Tvoldy23

Gobsmacked, I turned to Reddit for more answers. In the subreddit r/movies, someone recently posted, "Something I noticed about Ferris Bueller's Day Off." They then proceed to drive the Cameron theory forward. "At the start of the film, Cameron is in bed sickly and not really confident in himself, but as the movie progresses, he starts to get more confidence, and by the end, he gains the courage to stand up to his father."

A Redditor replies with this thoughtful answer: "I've heard it called a flat character arc when the protagonist doesn't change but is instead the catalyst for those around them to change. It's hard to pull off but is often the most satisfying kind of character. Ted Lasso (especially in season one) is a good example."

Others echo that idea, offering up characters like Forrest Gump and The Dude from The Big Lebowski. They stayed exactly the same while the world or others in their lives changed around them. It's described on a YouTube clip as "The moment you realize the main character is not actually the main character."

The movie Ferris Bueller's Day Off is dissected. www.youtube.com, Paramount Pictures, CinemaStix

This would give credence to the twins' opinion. But I'd never heard anyone choose Jeanie before, and they weren't swayed by Grey's performance in Dirty Dancing because they haven't seen it yet. When pressed one more time, their answer didn't change. "No doubt, it's the sister. She should have a spinoff." Their mom was so proud and we all totally agree.

A scene from "The Goonies" (1985).

Gen X (1965 to 1980) is often called the “forgotten generation” because it is sandwiched between the much larger baby boomer and millennial generations. However, the "forgotten" label carries a special meaning for younger Gen Xers because they were probably the least parented group of kids in American history. Those born in the ‘70s were raised when there were more dual-income households and divorced parents. So many wore keys around their necks and cared for themselves after school.

Younger Gen Xers also grew up when parents were more permissive, allowing them to stay out all day on their bikes. They only knew it was time to come home when the street lights came on. They also grew up in the last analog era without cellphones, and parents had to call around various houses to find out where their kids were. Sure, being a kid in those days was a little risky, but it also fostered a fantastic sense of independence.

This experience isn't completely limited to Gen Xers; some older millennials also got to experience this type of freedom. Because kids born between 1970 and 1985 had a very specific experience, some born in this era have taken to calling themselves Generation Goonie, after the 1985 film, “The Goonies” starring Sean Astin, Josh Brolin, Key Huy Quan, and Corey Feldman.

"Having been fortunate enough to speak to a lot of audiences, I have found that younger generations consider Gen X lucky to have grown up without social media and cellphones,” Chris Clews, a keynote speaker and author of 'The Ultimate Essential Work & Life Lessons from '80s Pop Culture,' told Newsweek. “They often come up to me and express a desire to have grown up in an era where we knew where everyone was based on the bikes in a front yard, rather than location sharing on Snapchat."


“The Goonies” is a great example of the kids from this era because they lived a feral existence, traveling long distances on their bikes, had a thirst for adventure, a crude sense of humor, and an independent spirit that meant “never say die.” When their parents were on the verge of losing their houses, they didn’t wait for them to do something; they went on a dangerous mission to find pirates’ treasure to prevent them from being destroyed by evil developers.

The Generation Goonie trend is taking off on TikTok, where many younger Gen Xers and older millennials proudly embrace the title.

@its_me____stefanie

💯 #genx #millennial #80sbaby #70sbaby #80smovies #80smusic

@amandasessions84

#thegooniesera #thegooniesgeneration #foryoupage #fyp #goodenough #goodenoughcyndilauper #thegoonies #gooniesneversaydie☠️ #gooniesneverdie #1984 #borninthe80s #90skid

@good_hearted_woman76

Heyyyyy youuuu guyyyssss…

@michellemm50

Ok I’m here for this #fyp #foryou #over40 #vibes #zennial #millennial #genx #gooniesmovie




"1981, we had the best childhood out of any generation ever," Bugface wrote.

"Now this is something I’m proud to be a part of!!!!!" Rob wrote.

"Hey you guys.." 77 genx here, Yorkshire, England. We definitely are the only generation of true play outside, tree climbing, bike riding, respectful, no mobile phone, VHS watching kids," 2Dogs wrote.


There’s nothing wrong with people who want to embrace the term Gen X. But, 40 years after “The Goonies” came out in theaters, the attitudes and the independence of the kids in the movie—once deemed annoying by many—can be seen as a great example of a time that, sadly, we can never go back to. Humanity has crossed the digital divide and taken some of the adventure out of childhood. “The Goonies” is an excellent example of what we’ve lost, and those who understand the spirit of that era should be proud to embrace the title of “Goonie.”

This article originally appeared in March

The Prince Charles Cinema/Youtube

Brendan Fraser dressed as Rick O'Connell.

Brendan Fraser might be making the greatest career comeback ever, racking up accolades and award nominations for his dramatic, transformative role in “The Whale." But the OG Fraser fans (the ones who watch “Doom Patrol” solely to hear his voice and proudly pronounce his last name as Fray-zure, for this is the proper pronunciation) have known of his remarkable talent since the '90s, when he embodied the ultimate charming, dashing—and slightly goofball—Hollywood action lead.

Let us not forget his arguably most well-known and beloved '90s character—Rick O’Connell from the “Mummy” franchise. Between his quippy one-liners, Indiana Jones-like adventuring skills, and fabulous hair, what’s not to like? During a double feature of “The Mummy” and “The Mummy Returns” in London, moviegoers got the ultimate surprise when who should walk in but Brendan Fraser himself, completely decked out in Rick O’Connell attire. The brown leather jacket. The scarf. Everything.


stephen colbert, brendan fraser, montclair film festival, red carpet, Stephen Colbert and Brendan Fraser at the Montclair Film Festival 2022.via Montclair Film/Wikimedia Commons

"I am proud to stand before you tonight," he told the audience. "This is a film that was made in Britain. You should know that! Even the second one, too. Be proud. Thank you for being here."

He continued, "We didn’t know if it was a drama or a comedy or a straight-ahead action or romance, a horror picture, more action, all of the above. No idea until it tested in front of British audiences. Thank you for that.”

Fraser then asked the crowd if anyone hadn’t actually seen the movie yet, before shouting, “Outstanding!” when somebody raised their hand. He then quickly made a polite plug, encouraging people to go see “The Whale” before whisking himself away, saying, “I won’t take up any more of your time.”

Uh, yeah…I don’t think any time spent with Brendan Fraser is a waste. Do you?

Watch the adorable clip below:


- YouTubewww.youtube.com


Will we ever see Fraser back on the big screen as Rick O'Connell again? There has been talk of a "Mummy 4" that would reunite Fraser and Rachel Weisz, but there are some big hurdles to a fourth installment being produced. First, the "The Mummy" reboot with Tom Cruise in 2017, was a massive bomb that scuttled Universal's attempts to create a cinematic universe around its classic monsters from the '30s and '40s. However, Fraser and "The Mummy" and "The Mummy Returns" director Stephen Summers are interested in the project. Summers told The Hollywood Reporter that he hasn't been approached about doing another "Mummy" film.

"Not that I know," he told The Hollywood Reporter. "All the people at Universal are new after I left. I don’t really know them, and they haven’t got a hold of me, so I don’t know what’s in their heads. At the same time, it would have to be something really special. Of course, I would work with all of those actors again."

This article originally appeared two years ago.

Writer and director Tommy Wiseau.

Since filmmaking began, there have always been some version of "bad movie clubs." You know, the ones where people get together and purposely choose awful (subjective, of course) films to bond over and share a good, harmless laugh. Someone might bring their favorite chips and beer and buzz with ideas as to which delightfully awful movie they could watch next. Sometimes, there are arguments as to what makes something "good" or "bad." But it's usually all in fun and a great way for people to connect.

During the pandemic, those "so bad they're good" movie clubs seemed to multiply, albeit shifting to virtual hangouts. Much like a book club, people logged on, watched films, and had their own Mystery Science Theater experience.

- YouTubewww.youtube.com

This trend continues on, both online and in person, and there is seemingly no shortage of cringe-cinema as an excuse to curl up, point, and laugh. There are actually meet-up groups around the world who hold "bad movie nights" as a way for people to get out and meet other like-minded folk. This one, in Australia, is all about the connection: "This club encourages discussion and banter during the screening. Expect some noise!"

Podcasts like Red Letter Media and How Did This Get Made? have dedicated their existence to it, with people clamoring to hear the next take on the worst movies.

In his book Why It's Okay to Love Bad Movies, author Matthew Strohl differentiates between "Bad Movie Ridicule" and "Bad Movie Love," claiming the latter is less about schadenfreude (pleasure derived from someone else's misfortune) and more about an appreciation of the art form from a comedic standpoint, which in turn creates intimacy among communities. In a review of the book, writer Sam Woolfe points out Strohl's brilliant insight as to why this club still needs to feel exclusive:

"If everyone liked bad movies, that would ruin it. There’s no thrill of lowbrow transgression where there’s no contempt from above.”

Other experts have weighed in on why and how this happens. In The Cut's 2017 article," The Psychological Appeal of Really Bad Movies," Adam Kovac notes Harvard assistant psychology professor Mina Cikara's summation:

“Part of the idea is that the presence of other people can intensify the emotional experience. To the extent schadenfreude is still pleasure, despite the fact it’s malicious, one possibility is it amplifies that pleasure by co-experiencing it with other people. Another part of it is it’s affirming of your viewpoint. If I hate a thing and you hate a thing, then I know you see the world the same that I do. That can be a very satisfying experience.”

In the subreddit group r/badMovies, one Redditor shares how his "Bad Movie Club" grew during the pandemic. Starting with a Chinese bootleg of Star Wars: Episode III, followed by The Room, it became a regular way for people to connect during what most considered a very lonely time. He shares, "I also quickly realized I could invite friends and family from outside the state where I live, and so disparate people in different states have gotten to know each other and even become friends over the last few years. Bad movies bring people together, it turns out!"

In fact, one commenter even met their significant other that way:

"I was part of a bad movie (mostly MST3K but others as well) streaming room for a number of years, and it's how I met my partner. Seven years and still going!"

Not only is it fun to watch the movies, it seems equally enjoyable for people to share their picks. Movies like Mac and Me, CATS (2019), Robot Monster, Troll 2—the lists are endless and ever-evolving. It's a gift that keeps on giving—maybe not so much to the filmmakers—but certainly to the fans.