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The name Tiffany goes way back to Tiphaine Raguenel, who lived in Mont Saint Michel in the 1300s.

Depending on what generation you belong to, when you hear the name Tiffany, you might think of the famous jewelry store, the teen singer from the 80s or the less-in-the-spotlight daughter of the former president. Most likely, you don't think of a woman who lived in the Middle Ages.

In fact, if you were listening to an audiobook set in medieval times and the narrator introduced a character named Tiffany, you'd probably get yanked right out of the story as your brain would say, "Wait, why is there a Tiffany in this story? Isn't that a much more modern name?"

It's actually not, which is exactly why The Tiffany Problem is called The Tiffany Problem.

The Tiffany Problem refers to the fact that people in modern times will sometimes see something as anachronistic when it's not. It's something writers, filmmakers and other storytellers have to be aware of, as it can feel like there's a historical problem even if there isn't an actual historical problem.

Abraham Piper explains the dilemma and how it was coined:

As Piper shares, fantasy author Jo Walton coined the term "The Tiffany Problem" and explained it:

"Your readers are modern people and know what they know, which is fine except when what they know isn’t actually right. For instance, the name Tiffany sounds extremely modern to us. It feels jarring when we read it as a character name in a historical setting, where we’d be quite happy with names like Anna and Jane. But our instinct is wrong, because Tiffany is a form of Theophania, and it was fairly common in medieval England and France. It went out of fashion later, and it’s because we don’t have seventeenth to nineteenth century examples that it feels modern. But you still can’t use it in a fantasy novel set in the exact time and place when the name would have been historically accurate, because it will jerk the reader out of their reading trance. They know it’s wrong and you can’t tell them that what they know is wrong."

Piper had also shared that "ha ha," which seems like a casual, modern colloquialism, is actually very old, with the first known use coming from a monk 1,000 years ago. He also mentions "OMG," which was used by a World War I admiral in a letter to Winston Churchill in 1917. And "hubby" as a slang term for husband? That goes way back to the 1680s. Who knew?

It's a bit ironic that writers who strive to ensure their historical fiction works are historically accurate can find themselves stymied by people being just flat-out wrong about what's accurate and what's not. Humans are interesting creatures, aren't we?

For more info about the name Tiffany than you ever thought you wanted to know but will be delighted to learn, CGP Grey created a whole video about the name that has 4.7 million views. Tiffany exploded the 1980s, but CGP Grey goes all the way back to the year 300 to uncover the origins of the name. It's genuinely entertaining. Watch:

- YouTubewww.youtube.com

If you're still here and want to take an even deeper dive into the history of Tiffany, this other video from CGP Grey is an incredible rabbit hole that will make you appreciate the work historians do and marvel at how much digging Grey actually did to provide the original Tiffany history video. We're talking trips to the deep dark corners of The British Library, the largest library in the world, and hours and hours of paging through books just to find the original source of this one poem that includes the name "Tiffany." It's a journey, but a fascinating one.

Enjoy "Someone Dead Ruined My Life… Again":

- YouTubewww.youtube.com

This article originally appeared in August

True
New Orleans Tourism

It was a steamy New Orleans night, with a dazzling party well underway: There were people on stilts, dancers donning angel wings, and even a fire eater.

It was an unforgettable queer party. Suffice to say, when the LGBTQ community in NOLA decides to do it up, they don’t do it halfway.

But this wasn’t just any old party.


This night was an incredible show of resilience from a community that was no stranger to struggle.

It was part of the Saints and Sinners Literary Festival, one of the oldest queer literary events in the country — and since 2003, it’s represented a legacy of LGBTQ creatives, surviving and thriving under difficult circumstances.

The festival was first designed to create awareness around HIV/AIDS in the LGBTQ community as well as bringing queer and trans creatives together in celebration of the arts.

And that party with the stilts and the puppets? A fundraiser, with proceeds benefiting not just the festival itself, but the NO/AIDS Task Force, the largest AIDS services organization in Louisiana.

[rebelmouse-image 19533133 dam="1" original_size="2048x1356" caption="Photo by Ride Hamilton via Saints and Sinners Literary Festival/Facebook." expand=1]Photo by Ride Hamilton via Saints and Sinners Literary Festival/Facebook.

It's about more than books. It's a festival with impact.

Paul J. Willis, executive director and founder of the Saints and Sinners Literary Festival, sees the festival as a chance to make waves in the community and beyond. "We can be a voice in our local community and an instrument of change," he explains.

By mobilizing the community, LGBTQ writers find new ways to use the arts to create greater understanding and awareness about the issues that impact them most.

Photo by Ride Hamilton via Saints and Sinners Literary Festival.

Saints and Sinners also creates an intentional space for the queer and trans community to connect and network, celebrate successes and new artists, and recognize the awesome history of LGBTQ creatives paving the way in queer literature.

In a wider culture that so often erases the contributions of LGBTQ people, events like these create an intentional space for community-building.

And with so many opportunities for artists and appreciators of art alike, there are so many different ways to connect with others: You can attend a panel discussion or master class with writers, editors, and publishers. You can learn about some of the up and coming names in LGBTQ lit, attend book launches and readings, meet advocates working toward LGBTQ justice, or just take in the infectious energy of the Glitter with the Literati Party.

"You can lean into conversations with some of the best writers and editors and agents in the country, all of them speaking frankly and passionately about the books, stories and people they love," writes Dorothy Allison, National Book Award finalist for "Bastard Out of Carolina."

"[It’s] hands down one of the best places to revive a writer’s spirit," Allison continues.

Writer Justin Torres. Image via Saints and Sinners Literary Festival.

That spirit, and the healing that takes place at Saints and Sinners, is what the event is truly about.

It’s not just about writing — it’s about uplifting one another, walking away with more energy and purpose than you started with.

"I was a victim of a hate crime several years ago," Willis explains. The impact was devastating: He had to have his right eye removed. But it was at the festival that he found strength, friendship, and a bold new fashion choice.

"That year at Saints and Sinners, several attendees chipped in to an effort led by author and editor Ron Suresha and presented me with an awesome assortment of designer eye patches."

Because at its core, Saints and Sinners isn’t just for the love of the arts; it’s for the strength we lend one another in community.

"The festival helps ensure that the written work from the LGBTQ+ community will continue to have an outlet, that people will have access to books that help dispel stereotypes," Willis explains. "[It also helps] alleviate isolation, and provide resources for personal wellness."

And it’s the breaking down of that isolation and bringing folks together that makes the Saints and Sinners Literary Festival unlike any other.

Photo via Saints and Sinners Literary Festival.

"Imagine the flirting, the arguing, the teasing and praising and exchanging of not just vital information, but the whole spirit of queer arts and creating," Allison writes. "Then imagine it all taking place on the sultry streets of New Orleans’ French Quarter."

"That’s Saints and Sinners — the best wellspring of inspiration and enthusiasm you are going to find."

That inspiration is in abundance in a city like New Orleans. And for the queer community and the folks who support them, glitter and literature has turned out to be a winning combination.

Photo by Susan Q Yin on Unsplash

Women have been and continue to write all types of things.

BREAKING NEWS: Women write. Professionally. For money. More at 11.

This may not seem like breaking news to most of you, but apparently, quite a few people still can't seem to wrap their heads around the idea that women write and publish works of fiction, nonfiction, journalism, and research every single day.

Some write full-time, while some balance other jobs or careers. But each one has to balance the expectations and frequent criticism from people who see the work of women writers as sub-par or only accessible to women — and the writers themselves as self-indulgent or neglectful of their homes and families.


Joanne Harris, author of more than a dozen novels, including the hit "Chocolat," which was adapted for the screen, called out this discrepancy on Twitter.

After one tweeter said, "Men sacrifice interests for family. That's a fact. I think it's a mistake to believe otherwise," Harris replied:

And, with that, the hashtag #ThingsOnlyWomenWritersHear was born.

Harris started the hashtag, and almost immediately, women writers from around the world shared their stories from the industry and ridiculous microagressions they field from people (mostly men) every single day.

1. Women are often encouraged to go by pseudonyms or use their initials so people don't know they're women.

"Make your pen name more masculine. You know, like J.D. Robb. Then boys and men will want to read you." #ThingsOnlyWomenWritersHear— Larysia ☕ (@Larysia ☕) 1492522127.0

2. Ask a boy to enjoy a story from the point of view of a girl? Perish the thought.

3. Conversely, it's also OK if women want to write male protagonists. We can do that too.

"Why don't you write female protagonists? You're not a guy." I'm also not a sorcerer but I write them too. #ThingsOnlyWomenWritersHear— Andrea McAuley (@Andrea McAuley)1492475604.0

4. These backward, outdated attitudes affect women writers across all genres.

5. Don't try to write about mythical creatures. Those belong to men.

"I looked this up online and there are no female werewolves." 😂😂😂😂😭😭😭😥😥😢😑 #ThingsOnlyWomenWritersHear— MsGucciSu (@MsGucciSu) 1492471363.0

6. It's not just content either. Too often, women writers have to clap back at people who assume their work is a hobby instead of a professional pursuit.

Yes but why do you need childcare? It's not a job. Surely you can write at the park. #ThingsOnlyWomenWritersHear— Anna Yeatts (@Anna Yeatts) 1492525177.0

7. Because how stressful can balancing a career, home, and family be — right? (Actually, pretty damn stressful.)

8. But even a hashtag meant to bring a problem to light and help women support and encourage one another was co-opted by fragile men.

9. Men were quick to jump into the conversation to say this problem didn't exist or that they were affected too.

Yes, we're well aware of the success of J.K. Rowling, Stephenie Meyer, and E.L. James. They are icons, to be sure. But the success of three women doesn't negate the lived experiences of thousands more.

One person even reached out to me while I was sourcing tweets for this story and tried to tell me not to write it.

@yeswecanty @ELatimerWrites @Upworthy WHATEVER YOU ARE WRITING FUCKING STOP, Men are not against you, and a tweet m… https://t.co/zL691pXOFQ— Gen (@Gen) 1492527725.0

Yes, this is a person telling a woman writer not to write about sexism against women writers.

10. But it should be said: Women in publishing don't stop at writers. We're founders, agents, editors, and decision makers. And yes, assholes, we see you.

Because we're not victims — we just want to write.

We'd much rather these anecdotes and experiences didn't exist. We'd much rather be writing than sharing anecdotes on a hashtag.

Until these belittling experiences end, we'll share them to support each other and tell the world what we're up against. Not to feel sorry for ourselves, but to let you know how hard we had to work to beat you at your own game.

We most certainly will.

Alan Yang and Aziz Ansari gave a funny, important speech at the Emmys on Sept. 18, 2016.

The duo accepted the award for Outstanding Writing for a Comedy Series for their show, "Master of None" on Netflix — a big win for diverse television and the people behind the scenes who make it.

"There's 17 million Asian-Americans in this country, and there's 17 million Italian-Americans. They have 'The Godfather,' 'Goodfellas,' 'Rocky,' 'The Sopranos.' We got Long Duk Dong," Yang said, referencing the stereotypical character from "Sixteen Candles."


"We have a long way to go. But I know we can get there."

Photo by Kevin Winter/Getty Images.

It was one of those speeches that should have gone about five minutes longer — not just because it was fantastic, but because Ansari totally got cut off by the music before he could give what was probably going to be an epic speech himself.

Watching Ansari get rushed off stage wasn't the only downer for his fans, though; soon after, we watched as he lost what would have been an enormous win in a different category.

Ansari was nominated for Outstanding Lead Actor in a Comedy Series. He would have been the first South Asian actor to ever win in a leading category.

But he lost. And that, of course, meansthere's still never been a South Asian actor to win a leading category. Ever!

Although Ansari's co-writing win was great, his acting nod loss (as well as his show's loss in Outstanding Comedy Series) touches on the state of diversity on television Yang alluded to earlier. Because while the Emmys may be more diverse than the Oscars, there’s still a lot of work to be done.

Photo by Gary Gershoff/Getty Images for Peabody.

Throughout the 68 Emmy award shows, no East Asian actor has ever won, either. (None!) 30 years have gone by since the last black woman was nominated for Lead Actress in a Comedy (shout-out to Tracee Ellis Ross for breaking the streak this year). And the acting slots for drama? They’ve been particularly behind on the diversity front — this year, just three of the 24 acting slots in those categories went to people of color. (These stats are all on top of the fact Ansari's loss was to quite the problematic category favorite.)

That's not OK to the "Master of None" star.

Ansari has a history of speaking out on the importance of diversity in Hollywood. And he walks the walk, too.

As a co-creator of "Master of None," he's helped develop one of the most diverse casts on TV right now. He gets why representation in our media matters.

Photo by Jason Merritt/Getty Images

"I want to thank Netflix and Universal for believing in us and letting us tell our stories," he said back in May at the Peabody Awards. "I think they really seem to get what diversity really is. It's not, 'Hey, let's give this white protagonist a brown friend!' No. It's, 'Let's have a show where there's a token white guy.' And that's what [our show] is."

Things are looking up though. Despite Ansari’s loss tonight, diversity at the Emmys have gotten a lot better recently.

"I believe in us," Yang said in his Emmys speech. "It's just gonna take a lot of hard work."

That hard work is already paying off.

This year, 25% of the acting nominees were people of color — since the first Emmys, just 9% of the nominees in total have been actors of color — so 2016 was certainly a step up.

Even better, it’s probably not a one-off. The past few years have boasted relatively inclusive nomination slots, which means there’s every reason to be hopeful diversity at the Emmys isn’t just a fad.

Check out Upworthy’s timeline of trailblazers who’ve helped make the 2016 Emmys one of the most diverse ever.