The reaction to a (nearly) all-male panel might prompt some long overdue change.
A quick glance at the lineup for Variety's annual "A Night in the Writers' Room" event turned up something a little odd: It was almost entirely men.
The event, to be held in West Hollywood on June 14, features some really great, talented people working in TV right now. Writers from shows like "The Americans," "Black Lightning," "Atlanta," and "The Good Place" are all slated to appear, a veritable who's-who of TV talent. But of the 12 writers scheduled to appear, 11 of them are men.
Writer Wendy Molyneux ("Bob's Burgers") noticed this, tweeting, "I guess what you'll find in the writers' room is over 90% men!"
A number of the scheduled writers offered to give up their spots on the panel to make room for women, which really was a nice gesture.
"The Good Place" writer Michael Schur (who goes by "Ken Tremendous" on Twitter) tweeted that while he didn't know who else was scheduled to appear at the event, he thought it'd be appropriate to replace him with "any one of the dozens of women who should be part of any event like this." David Shore ("The Good Doctor") concurred, saying that he notified organizers he was "happy to be replaced."
Oof. No reason for this not to be 50/50. Can't speak for anyone else, but I didn't know who else was scheduled to a… https://t.co/TLJrMnzl64— Ken Tremendous (@Ken Tremendous) 1528227654
@KenTremendous Just notified them that I am happy to be replaced. And statistically and morally should be replaced.— David Shore (@David Shore) 1528229898
Twitter user @WintryMixALot replied to Schur, writing, "Dude, I love you, but you seriously accept invites to be on panels without asking who else will be on them? If you care about representation please stop doing that." In a follow-up tweet, Schur committed to doing that moving forward.
To its credit, Variety responded to its, er, lack of variety when it came to organizing this event.
"On behalf of Variety, we apologize for the egregious oversight regarding the lack of female writers participating in our upcoming A Night in the Writers' Room event," was posted on Twitter, adding Variety is "working on rectifying" the mistake.
On behalf of Variety, we apologize for the egregious oversight regarding the lack of female writers participating i… https://t.co/jRiIhSNn9v— Variety (@Variety) 1528240211
In 2017, Variety's "A Night in the Writers' Room" event featured 10 men and two women. The 2016 event featured 10 men and three women. Now, yes, it is entirely possible that Variety had planned to make a more concerted effort to be more gender-proportionate in 2018, but based on past years, this seems to have been more business as usual as opposed to an "egregious oversight" on their part.
Lost in a lot of the social media discussion was the fact that in addition to being overwhelmingly male, the event has a tendency to be overwhelmingly white.
The 2018 event features zero women of color. There was just one (Ava DuVernay) in 2017 and one in 2016 (Misha Green). For all the outcry over the lack of gender diversity, however, not a lot was said about race.
Matt Warburton, Rob McElhenney, Marc Maron, Bill Lawrence, Matthew Carnahan, and Variety chief television critic Brian Lowry participate in the 2014 event. Photo by Michael Kovac/Getty Images for Variety.
Director Sade Sellers rightly pointed this out on Twitter, indicating she'd love to put together another panel filled with women — including women of color.
Hopefully Variety takes this criticism into consideration as it scrambles to fix this. After all, part of what makes panel discussions so interesting is hearing from people with wildly different backgrounds having a conversation about their different upbringings, perspectives, and how that fits into their work. That kind of conversation can only happen with a diverse panel.
Now, you may be asking yourself why stuff like this even matters. After all, it's just a panel. There's more to it than that.
"When they can't even manage tokenism, then you know they really don't care," says Nell Scovell, a writer whose credits include "Late Night With David Letterman," "The Simpsons," and "Sabrina, the Teenage Witch."
Scovell gets to the heart of the matter: These types of prestigious industry panels send a message to aspiring creatives and viewers about who their product is actually for. "These panels should reflect the audiences and women are just as interested in highly-paid, creative jobs as men. Maybe even more."
Nell Scovell (left) speaks with Oscar-winning actress Patricia Arquette during a 2016 event put on by Vanity Fair. Photo by Rachel Murray/Getty Images for Vanity Fair.
Molyneux touches on what kind of impression it makes when there's a lack of diversity in representation. If there's hope of keeping fresh talent interested in pursuing a career in the entertainment industry, the industry needs to take a few small overtures in their direction. The problem has an easy solution: Don't be a jerk.
"'Don't be a d-bag' is the lesson of our time, right? Before you announce your panel, look at your roster and ask yourself: 'Am I about to be a d-bag?' says Molyneux. "I mean, if your panel is 91.67% male — and please have a man check my math — maybe get on the pink phone & ring up some girls. We all live in a big house together so we can sync our menses, so you’re bound to get SOMEONE. Under his eye," she finishes, jokingly.
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An actual beaver dam on the now-thriving Price River
Not just coworkers—family, friends, strangers, kids…
Imagine having to go so badly but being out of euros. 
Anything hobbit-esque can't be wrong. 
But what if you need pain meds AND mascara?!
Imagine how this would affect childcare.
Honestly…where's the lie?
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Urgent dash to the bathroom! 🚪🏃♂️
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There's a reason why some people can perfectly copy accents, and others can't
Turns out, there's a neurodivergent link.
A woman in black long sleeve shirt stands in front of mirror.
Have you ever had that friend who goes on vacation for four days to London and comes back with a full-on Queen's English posh accent? "Oooh I left my brolly in the loo," they say, and you respond, "But you're from Colorado!" Well, there are reasons they (and many of us) do that, and usually it's on a pretty subconscious level.
It's called "accent mirroring," and it's actually quite common with people who are neurodivergent, particularly those with ADHD (Attention Deficit Hyperactivity Disorder). According Neurolaunch, the self-described "Free Mental Health Library," "Accent mirroring, also known as accent adaptation or phonetic convergence, is the tendency to unconsciously adopt the accent or speech patterns of those around us. This linguistic chameleon effect is not unique to individuals with ADHD, but it appears to be more pronounced and frequent in this population."
Essentially, when people have conversations, we're constantly "scanning" for information—not just the words we're absorbing, but the inflection and tone. "When we hear an accent, our brains automatically analyze and categorize the phonetic features, prosody, and intonation patterns," writes Neurolaunch. For most, this does result in copying the accent of the person with whom we're speaking. But those with ADHD might be more sensitive to auditory cues. This, "coupled with a reduced ability to filter out or inhibit the impulse to mimic…could potentially explain the increased tendency for accent mirroring."
While the article explains further research is needed, they distinctly state that, "Accent mirroring in individuals with ADHD often manifests as an unconscious mimicry of accents in social situations. This can range from subtle shifts in pronunciation to more noticeable changes in intonation and speech rhythm. For example, a person with ADHD might find themselves unconsciously adopting a Southern drawl when conversing with someone from Texas, even if they’ve never lived in the South themselves."
People are having their say online. On the subreddit r/ADHDWomen, a thread began: "Taking on accents is an ADHD thing?" The OP shares, "My whole life, I've picked up accents. I, myself, never noticed, but everyone around me would be like, 'Why are you talking like that??' It could be after I watched a show or movie with an accent or after I've traveled somewhere with a different accent than my 'normal.'
They continue, "Apparently, I pick it up fast, but it fades out slowly. Today... I'm scrolling Instagram, I watch a reel from a comedian couple (Darcy and Jeremy. IYKYK) about how Darcy (ADHD) picks up accents everywhere they go. It's called ADHD Mirroring??? And it's another way of masking."
(The OP is referring to Darcy Michaels and his husband Jeremy Baer, who are both touring comedians based in Canada.)
Hundreds of people on the Reddit thread alone seem to relate. One comments, "Omfg I've done this my whole life; I'll even pick up on the pauses/spaces when I'm talking to someone who is ESL—but English is my first language lol."
Sometimes, it can be a real issue for those around the chameleon. "I accidentally mimicked a waitress's weird laugh one time. As soon as she was out of earshot, my family started to reprimand me, but I was already like 'oh my god I don’t know why I did that, I feel so bad.'"
Many commenters on TikTok were shocked to find out this can be a sign of ADHD. One jokes, "Omg, yes, at a store the cashier was talking to me and she was French. She's like 'Oh are you French too? No, I'm not lol. I'm very east coast Canada."
And some people just embrace it and make it work for them. "I mirror their words or phrase! I’m 30. I realized I start calling everyone sweetie cause my manager does & I work at coffee shop."