A quick glance at the lineup for Variety's annual "A Night in the Writers' Room" event turned up something a little odd: It was almost entirely men.

The event, to be held in West Hollywood on June 14, features some really great, talented people working in TV right now. Writers from shows like "The Americans," "Black Lightning," "Atlanta," and "The Good Place" are all slated to appear, a veritable who's-who of TV talent. But of the 12 writers scheduled to appear, 11 of them are men.

Writer Wendy Molyneux ("Bob's Burgers") noticed this, tweeting, "I guess what you'll find in the writers' room is over 90% men!"


A number of the scheduled writers offered to give up their spots on the panel to make room for women, which really was a nice gesture.

"The Good Place" writer Michael Schur (who goes by "Ken Tremendous" on Twitter) tweeted that while he didn't know who else was scheduled to appear at the event, he thought it'd be appropriate to replace him with "any one of the dozens of women who should be part of any event like this." David Shore ("The Good Doctor") concurred, saying that he notified organizers he was "happy to be replaced."

Twitter user @WintryMixALot replied to Schur, writing, "Dude, I love you, but you seriously accept invites to be on panels without asking who else will be on them? If you care about representation please stop doing that." In a follow-up tweet, Schur committed to doing that moving forward.

To its credit, Variety responded to its, er, lack of variety when it came to organizing this event.

"On behalf of Variety, we apologize for the egregious oversight regarding the lack of female writers participating in our upcoming A Night in the Writers' Room event," was posted on Twitter, adding Variety is "working on rectifying" the mistake.

In 2017, Variety's "A Night in the Writers' Room" event featured 10 men and two women. The 2016 event featured 10 men and three women. Now, yes, it is entirely possible that Variety had planned to make a more concerted effort to be more gender-proportionate in 2018, but based on past years, this seems to have been more business as usual as opposed to an "egregious oversight" on their part.

Lost in a lot of the social media discussion was the fact that in addition to being overwhelmingly male, the event has a tendency to be overwhelmingly white.

The 2018 event features zero women of color. There was just one (Ava DuVernay) in 2017 and one in 2016 (Misha Green). For all the outcry over the lack of gender diversity, however, not a lot was said about race.

Matt Warburton, Rob McElhenney, Marc Maron, Bill Lawrence, Matthew Carnahan, and Variety chief television critic Brian Lowry participate in the 2014 event. Photo by Michael Kovac/Getty Images for Variety.

Director Sade Sellers rightly pointed this out on Twitter, indicating she'd love to put together another panel filled with women — including women of color.

Hopefully Variety takes this criticism into consideration as it scrambles to fix this. After all, part of what makes panel discussions so interesting is hearing from people with wildly different backgrounds having a conversation about their different upbringings, perspectives, and how that fits into their work. That kind of conversation can only happen with a diverse panel.

Now, you may be asking yourself why stuff like this even matters. After all, it's just a panel. There's more to it than that.

"When they can't even manage tokenism, then you know they really don't care," says Nell Scovell, a writer whose credits include "Late Night With David Letterman," "The Simpsons," and "Sabrina, the Teenage Witch."

Scovell gets to the heart of the matter: These types of prestigious industry panels send a message to aspiring creatives and viewers about who their product is actually for. "These panels should reflect the audiences and women are just as interested in highly-paid, creative jobs as men. Maybe even more."

Nell Scovell (left) speaks with Oscar-winning actress Patricia Arquette during a 2016 event put on by Vanity Fair. Photo by Rachel Murray/Getty Images for Vanity Fair.

Molyneux touches on what kind of impression it makes when there's a lack of diversity in representation. If there's hope of keeping fresh talent interested in pursuing a career in the entertainment industry, the industry needs to take a few small overtures in their direction. The problem has an easy solution: Don't be a jerk.

"'Don't be a d-bag' is the lesson of our time, right? Before you announce your panel, look at your roster and ask yourself: 'Am I about to be a d-bag?' says Molyneux. "I mean, if your panel is 91.67% male — and please have a man check my math — maybe get on the pink phone & ring up some girls. We all live in a big house together so we can sync our menses, so you’re bound to get SOMEONE. Under his eye," she finishes, jokingly.

Moricz was banned from speaking up about LGBTQ topics. He found a brilliant workaround.

Senior class president Zander Moricz was given a fair warning: If he used his graduation speech to criticize the “Don’t Say Gay” law, then his microphone would be shut off immediately.

Moricz had been receiving a lot of attention for his LGBTQ activism prior to the ceremony. Moricz, an openly gay student at Pine View School for the Gifted in Florida, also organized student walkouts in protest and is the youngest public plaintiff in the state suing over the law formally known as the Parental Rights in Education law, which prohibits the discussion of sexual orientation or gender identity in grades K-3.

Though well beyond third grade, Moricz nevertheless was also banned from speaking up about the law, gender or sexuality. The 18-year-old tweeted, “I am the first openly-gay Class President in my school’s history–this censorship seems to show that they want me to be the last.”

However, during his speech, Moricz still delivered a powerful message about identity. Even if he did have to use a clever metaphor to do it.

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Leah Menzies/TikTok

Leah Menzies had no idea her deceased mother was her boyfriend's kindergarten teacher.

When you start dating the love of your life, you want to share it with the people closest to you. Sadly, 18-year-old Leah Menzies couldn't do that. Her mother died when she was 7, so she would never have the chance to meet the young woman's boyfriend, Thomas McLeodd. But by a twist of fate, it turns out Thomas had already met Leah's mom when he was just 3 years old. Leah's mom was Thomas' kindergarten teacher.

The couple, who have been dating for seven months, made this realization during a visit to McCleodd's house. When Menzies went to meet his family for the first time, his mom (in true mom fashion) insisted on showing her a picture of him making a goofy face. When they brought out the picture, McLeodd recognized the face of his teacher as that of his girlfriend's mother.

Menzies posted about the realization moment on TikTok. "Me thinking my mum (who died when I was 7) will never meet my future boyfriend," she wrote on the video. The video shows her and McLeodd together, then flashes to the kindergarten class picture.

“He opens this album and then suddenly, he’s like, ‘Oh my God. Oh my God — over and over again,” Menzies told TODAY. “I couldn’t figure out why he was being so dramatic.”

Obviously, Menzies is taking great comfort in knowing that even though her mother is no longer here, they can still maintain a connection. I know how important it was for me to have my mom accept my partner, and there would definitely be something missing if she wasn't here to share in my joy. It's also really incredible to know that Menzies' mother had a hand in making McLeodd the person he is today, even if it was only a small part.

@speccylee

Found out through this photo in his photo album. A moment straight out of a movie 🥲

♬ iris - 🫶

“It’s incredible that that she knew him," Menzies said. "What gets me is that she was standing with my future boyfriend and she had no idea.”

Since he was only 3, McLeodd has no actual memory of Menzies' mother. But his own mother remembers her as “kind and really gentle.”

The TikTok has understandably gone viral and the comments are so sweet and positive.

"No the chills I got omggg."

"This is the cutest thing I have watched."

"It’s as if she remembered some significance about him and sent him to you. Love fate 😍✨"

In the caption of the video, she said that discovering the connection between her boyfriend and her mom was "straight out of a movie." And if you're into romantic comedies, you're definitely nodding along right now.

Menzies and McLeodd made a follow-up TikTok to address everyone's positive response to their initial video and it's just as sweet. The young couple sits together and addresses some of the questions they noticed pop up. People were confused that they kept saying McLeodd was in kindergarten but only 3 years old when he was in Menzies' mother's class. The couple is Australian and Menzies explained that it's the equivalent of American preschool.

They also clarified that although they went to high school together and kind of knew of the other's existence, they didn't really get to know each other until they started dating seven months ago. So no, they truly had no idea that her mother was his teacher. Menzies revealed that she "didn't actually know that my mum taught at kindergarten."

"I just knew she was a teacher," she explained.

She made him act out his reaction to seeing the photo, saying he was "speechless," and when she looked at the photo she started crying. McLeodd recognized her mother because of the pictures Menzies keeps in her room. Cue the "awws," because this is so cute, I'm kvelling.

Joy

50-years ago they trade a grilled cheese for a painting. Now it's worth a small fortune.

Irene and Tony Demas regularly traded food at their restaurant in exchange for crafts. It paid off big time.

Photo by Gio Bartlett on Unsplash

Painting traded for grilled cheese worth thousands.

The grilled cheese at Irene and Tony Demas’ restaurant was truly something special. The combination of freshly baked artisan bread and 5-year-old cheddar was enough to make anyone’s mouth water, but no one was nearly as devoted to the item as the restaurant’s regular, John Kinnear.

Kinnear loved the London, Ontario restaurant's grilled cheese so much that he ordered it every single day, though he wouldn’t always pay for it in cash. The Demases were well known for bartering their food in exchange for odds and ends from local craftspeople and merchants.

“Everyone supported everyone back then,” Irene told the Guardian, saying that the couple would often trade free soup and a sandwich for fresh flowers. Two different kinds of nourishment, you might say.

And so, in the 1970s the Demases made a deal with Kinnear that he could pay them for his grilled cheese sandwiches with artwork. Being a painter himself and part of an art community, Kinnear would never run out of that currency.

Little did Kinnear—or anyone—know, eventually he would give the Demases a painting worth an entire lifetime's supply of grilled cheeses. And then some.

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