18 comics that explain how to be creative when your family and self-doubt get in the way.
In need of some inspiration? These comics are for you.
I love being inspired.
Feeling inspired sends a pulse of golden energy through my body. And with it comes a buzz of flittering excitement.
All images used with permission from Sara Zimmerman at Unearthed Comics.
Like a wave, inspired creative energy brings with it a notion of hope, creativity, optimism, imagination, endless possibilities, and purpose.
Inspiration makes me feel invincible and aligned with my purpose for being on this planet. When I feel inspired, I feel like a superhero.
However, like one of those shady infomercials that promotes an uncomfortable sense of urgency, there is often a sense of timeliness that comes along with my inspiration, as if this creative effort needs to be done now or else I might lose it. Or worse: Someone else might get this idea and publicize it first.
If life went exactly as I wanted it to, I would drop everything and respond to this call of creativity right away.
But often, even when I schedule time to create, it goes less like my ideal situation and a little more like this:
Regardless, my creative drive is so strong that once the distractions are dealt with, I can usually manage to get in a few minutes of creativity.
Like a stubborn dog, inspiration doesn’t always come when I want it to, either.
Sometimes it comes at 3 a.m., rudely waking me from a comfortable slumber with a confused pomp and circumstance.
I toss and turn with thoughts as equally restless as I am, wondering what was so important to steal me from my dreams of gold and glory. After about an hour or so, I may get a hint of something glorious that needs to be manifested into this world.
Or sometimes it will come in the middle of the day, at work, when I really, really, really need to get other projects completed.
But at some point, when inspiration comes knocking at my door so loudly that the only option I have is to answer it, I make time to create — I have to. If not, I get edgy, resentful, and throw some artful adult temper tantrums.
After my pity parties and tantrums subside, I usually allocate some time to create, either after my daughter goes to bed, in the middle of the night when I can’t sleep, or even 15 minutes between projects during the day.
Then, just when all is quiet and in place and nothing else needs my attention and is absolutely perfect — just then when I think all will go my way — just then, my own thoughts can even backfire sometimes.
Instead of optimizing my precious time, I start feeling those waves of guilt that kept me from creating in the first place because I am not sure if I really should create or if I should be a responsible mom/wife/friend/business owner instead.
But, like I said before, if I don’t honor my creative spirit, I get cranky — super cranky.
So I do some self-talk to justify taking a little bit of time during the day for me. And yes, though I still feel some of the guilt when I start creating, it always feels so worth it when I am done.
If my internal judge shows up and decides to start criticizing, saying that what I am making is utter crap (which she does quite often), sometimes I completely embrace it by creating the absolute ugliest thing possible.
I choose the ugliest colors and just go, pushing paint, spreading paint, scraping paint, sometimes even smearing or removing paint. Or if I'm drawing, I work heavily in pencil with that handy kneaded eraser nearby, knowing that in the end, Photoshop can help me remove those little horrors if need be.
When I settle into it, just creating something can help me as a form of meditation.
And no, the initial product is usually nothing I want to show anyone. In fact, it can be terribly embarrassing when someone comes over to see something in this stage.
I used to get worried that people would think my art was crap. And though that is really frightening, I’ve found a lot of freedom in this process. So I push through the fear and embrace that the "ugly" stuff is just a representation of some of my more flavorful parts (like my anger, frustration, etc.), and these layers of "ugly" are just part of this whole process. All I can do now is just accept it.
Perhaps after I get through the layers of psychoanalysis and am able to remove my deep dark issues of unworthiness, abandonment, and repressed anger, my process will go more smoothly.
But for now, this is just one part of my creative process, and it's a part of me. So, as uncomfortable as it is, I usually choose to embrace it and just paint and create. And, despite the icky-ness and frustration, in the end, it feels amazingly freeing. And, though all of those processes seem sometimes so crazy and complex, once in awhile, when I just surrender to the will of the world, the trifecta of a beautiful meeting of time, inspiration, and effort will occur for me.
I don’t know when this trifecta will happen, and I can’t force it. Yet, when it occurs, I feel so blessed, like I have won the lottery.
It may be only five minutes, it may be five hours, but when the three come together: time, inspiration and energy, that is the circumstance where truly insightful creations can be manifested.
I have made it a priority for me to have creation time in my life because creating is a integral part of who I am. But the time I allocate for my inspiration doesn’t always procure masterpieces.
So I have to just take the inspiration when I can and realize that though I have a thousand ideas, some inspiration doesn’t need to be acted on.
I can choose to revel in the yumminess of the times when I can create, free of true judgment of the outcome of the piece and self-criticism, even if it is only three minutes of creation.
When I allow those hints of inspiration to come through, free of all the "shoulds," it is the best feeling in the world.






a man sitting at a desk with his head on his arms Photo by
Can a warm cup of tea help you sleep better? If you believe it, then yes. Photo by 
A woman is getting angry at her coworker.via
A man with tape over his mouth.via
A husband is angry with his wife. via 
Three women sit on a blanket in the park. 
Two women engaging in a pleasant conversation inside a coffee shop
Two men engaging in a peaceful disagreement.
Resurfaced video of French skier's groin incident has people giving the announcer a gold medal
"The boys took a beating on that one."
Downhill skiing is a sport rife with injuries, but not usually this kind.
A good commentator can make all the difference when watching sports, even when an event goes smoothly. But it's when something goes wrong that great announcers rise to the top. There's no better example of a great announcer in a surprise moment than when French skier Yannick Bertrand took a gate to the groin in a 2007 super-G race.
Competitive skiers fly down runs at incredible speeds, often exceeding 60 mph. Hitting something hard at that speed would definitely hurt, but hitting something hard with a particularly sensitive part of your body would be excruciating. So when Bertrand slammed right into a gate family-jewels-first, his high-pitched scream was unsurprising. What was surprising was the perfect commentary that immediately followed.
This is a clip you really just have to see and hear to fully appreciate:
- YouTube youtu.be
It's unclear who the announcer is, even after multiple Google inquiries, which is unfortunate because that gentleman deserves a medal. The commentary gets better with each repeated viewing, with highlights like:
"The gate the groin for Yannick Bertrand, and you could hear it. And if you're a man, you could feel it."
"Oh, the Frenchman. Oh-ho, monsieurrrrrr."
"The boys took a beating on that one."
"That guy needs a hug."
"Those are the moments that change your life if you're a man, I tell you what."
"When you crash through a gate, when you do it at high rate of speed, it's gonna hurt and it's going to leave a mark in most cases. And in this particular case, not the area where you want to leave a mark."
Imagine watching a man take a hit to the privates at 60 mph and having to make impromptu commentary straddling the line between professionalism and acknowledging the universal reality of what just happened. There are certain things you can't say on network television that you might feel compelled to say. There's a visceral element to this scenario that could easily be taken too far in the commentary, and the inherent humor element could be seen as insensitive and offensive if not handled just right.
The announcer nailed it. 10/10. No notes.
The clip frequently resurfaces during the Winter Olympic Games, though the incident didn't happen during an Olympic event. Yannick Bertrand was competing at the FIS World Cup super-G race in Kvitfjell, Norway in 2007, when the unfortunate accident occurred. Bertrand had competed at the Turin Olympics the year before, however, coming in 24th in the downhill and super-G events.
As painful as the gate to the groin clearly as, Bertrand did not appear to suffer any damage that kept him from the sport. In fact, he continued competing in international downhill and super-G races until 2014.
According to a 2018 study, Alpine skiing is a notoriously dangerous sport with a reported injury rate of 36.7 per 100 World Cup athletes per season. Of course, it's the knees and not the coin purse that are the most common casualty of ski racing, which we saw clearly in U.S. skier Lindsey Vonn's harrowing experiences at the 2026 Olympics. Vonn was competing with a torn ACL and ended up being helicoptered off of the mountain after an ugly crash that did additional damage to her legs, requiring multiple surgeries (though what caused the crash was reportedly unrelated to her ACL tear). Still, she says she has no regrets.
As Bertrand's return to the slopes shows, the risk of injury doesn't stop those who live for the thrill of victory, even when the agony of defeat hits them right in the rocks.