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Music

Crosby, Stills, Nash and Young perform in 1970.

Nineteen-sixty-nine was a pivotal year in American culture. The hippies and the counterculture were ascendant, and everything that came before in entertainment was as square as can be.

In cinema, there was the world before and after 1969’s “Easy Rider.” In music, the Woodstock Music and Arts Fair was a defining moment for the new era, and on television, the anti-establishment “Smothers Brothers Comedy Hour” divided households over its anti-war stance.

In September of that year, Crosby, Stills, Nash and Young (CSN&Y) were asked to play a duet with Welsh singer Tom Jones on his television show and the pairing was a perfect example of the culture clash. Jones was famous for his hit songs “It’s Not Unusual” and “What’s New Pussycat?” and was adept at dodging panties being thrown at him by the adoring ladies in the audience.


CSN&Y had just played Woodstock and were known for the anti-war anthem “Wooden Ships” and “Long Time Gone” about the assassination of Robert Kennedy.

For the performance, Jones and CSN&Y played a rendition of “Long Time Gone,” and what’s impressive is that Jones does not hold back and forced the rest of the band to keep up. Steven Stills, on electric piano, tries his best to match Jones’ bravado on his lines but falls short.

David Crosby has a look on his face of pure awe when he looks at Jones (although he was known for being in "awe" quite often in the days).

Throughout the performance, the hard-to-impress Neil Young seemingly goes from a look of pure disdain to “This rocks.” The performance is an excellent example of music's ability to bridge cultural divides and bring people together.

This article originally appeared on 2.7.24

Australian comedy group Axis Of Awesome

Singer-songwriter Ed Sheeran was found not liable on April 4 in a lawsuit where he was accused of stealing elements of the Marvin Gaye classic "Let's Get It On" for his 2014 hit, “Thinking Out Loud."

The case called attention to the fact that there are motifs and musical structures common in pop music that no one owns, and all are free to use. When it comes to chord progressions, the 12-bar blues and basic I, IV, V, I progressions you hear in country and folk have been used and reused since people first picked up the guitar.

In the wrong hands, the progressions can result in music that is boring and formulaic, but in the right hands, they can be a springboard for fresh ideas.


In 2009 Australian comedy group Axis Of Awesome did a funny sketch showing how one four-chord progression, famous for being the basis of Journey’s “Don’t Stop Believing,” has been used countless times by musicians to great effect.

They played a medley of 38 major hits using the same progression to prove their point. For musicians, it’s known as the I–V–vi–IV progression, and when played in the key of C it would be C, G, Am, F.

Warning: Video contains strong language.

Here’s a list of all of the songs in the medley.

Journey - “Don't Stop Believing”

James Blunt - “You're Beautiful”

Alphaville - “Forever Young”

Jason Mraz - “I'm Yours”

Mika - “Happy Ending”

Alex Lloyd - “Amazing”

The Calling - “Wherever You Will Go”

Elton John - “Can You Feel The Love Tonight”

Maroon 5 - “She Will Be Loved”

The Last Goodnight - “Pictures Of You”

U2 - “With Or Without You”

Crowded House - “Fall At Your Feet”

Kasey Chambers - “Not Pretty Enough”

The Beatles - “Let It Be”

Red Hot Chili Peppers - “Under the Bridge”

Daryl Braithwaite - “The Horses”

Bob Marley - “No Woman No Cry”

Marcy Playground - “Sex and Candy”

Men at Work - “Land Down Under”

Banjo Patterson - “Waltzing Matilda”

A-ha - “Take On Me”

Green Day - “When I Come Around”

Eagle Eye Cherry - “Save Tonight”

Toto - “Africa”

Beyonce - “If I Were A Boy”

The Offspring - “Self Esteem”

The Offspring - “You're Gonna Go Far Kid”

Pink - “You and Your Hand”

Lady Gaga - “Poker Face”

Aqua - “Barbie Girl”

The Fray - “You Found Me”

30h!3 - “Don't Trust Me”

MGMT - “Kids”

Tim Minchin - “Canvas Bags”

Natalie Imbruglia - “Torn”

Five For Fighting - “Superman”

Axis Of Awesome - “Birdplane”

Missy Higgins - “Scar”


This article originally appeared on 5.5.23

Pop Culture

A-ha's stripped-down, slowed-down performance of 'Take On Me' is a must-see

The slower tempo and simple instrumentation creates a sadder, more haunting version of the 80s monster hit.

A-ha performing live for MTV Unplugged Summer Solstice

According to NPR—and the ABBA blaring from my young adult daughter's headphones—we're in the midst of an 80s music revival. As a Gen Xer who came of age in the 80s, I think most of that decade should stay locked in a time capsule, but there are a few songs that have managed to remain timeless despite the synthesizers and bad hair.

A-ha's "Take On Me" is one of them. Despite its consummately-80s sound, the song with the famous sketch animated video is still enjoyable (if not a little earwormy—good luck once it gets stuck in your head).




A-ha performed "Take On Me" for an MTV Unplugged Summer Solstice album, and it's significantly different than the original. 

But a lesser-known 2017 arrangement of the song is actually, miraculusly, even better. A-ha performed "Take On Me" for an MTV Unplugged Summer Solstice album, and it's significantly different than the original. The Norwegian band filmed the performance live on the island of Giske, dropping the electric piano as well as the tempo for a stripped-down version that has become a fan favorite. As of this writing, the video has 97 million views on YouTube.

​"Take On Me" is one of 17 songs in the unplugged performance, but naturally the most popular.

the band A-Ha performs live in concertMorten Harket and Pal Savoy (A-ha) | A-ha are back promoting… | Flickrwww.flickr.com


“We’ve talked about this idea for so many years," guitarist Paul Waaktaar-Savoy said. "And in many of our concerts we’ve also played some acoustic songs. But if you consider that we don’t use much technology at all when we write the songs, the idea of an entirely acoustic show makes total sense. Playing all these songs now in their acoustic versions is like returning to their origins.”

Watch and see how the slower tempo and simple instrumentation creates a sadder, more haunting version of their biggest hit.

"The fact he’s still got such a good voice after decades is incredible," wrote one fan.

This is music at its purest form. No light show, distortion pedals, autotune and massive audiences. Spotless," wrote another.

"By far the best version of this song that I have ever heard. It totally transforms the song when performed like this," shared another.

Once seen as a one-hit wonder, A-Ha has become a sound of timeless nostalgia

Another commenter made a poignant observation:

"The original version is like a soundtrack for a man living in the fast-paced life in the 80's all cool and hip. This one is like when the same man grows old and saying farewell to the fun memories of his youth."

And another summed up what most people feel seeing this:

"One version makes you dance and the other version makes you cry."


This article originally appeared on 9.26.23

Angelina Jordan blew everyone away with her version of 'Bohemian Rhapsody."

At Upworthy, we've shared a lot of memorable "America's Got Talent" auditions, from physics-defying dance performances to jaw-dropping magic acts to heart-wrenching singer-songwriter stories. Now we're adding Angelina Jordan's "AGT: The Champions" audition to the list because wow.

Jordan came to "AGT: The Champions" in 2020 as the winner of Norway's Got Talent, which she won in 2014 at the mere age of 7 with her impressive ability to seemingly channel Billie Holiday. For the 2020 audition, she sang Queen's "Bohemian Rhapsody," but a version that no one had ever heard before.

With just her Amy Winehouse-ish voice, a guitar and a piano, Jordan brought the fan-favorite Queen anthem down to a smooth, melancholy ballad that's simply riveting to listen to.


Especially considering that Jordan was only 13 years old when she did this.

Watch:

What this video doesn't show is Heidi Klum hitting the Golden Buzzer faster than you can say, "Nothing really matters to me." The judges were blown away by Jordan's performance, as were the people in the comments.

"That's a ONE in A BILLION voice right there. Just amazing," wrote one commenter.

"I am typically not a fan of songs being redone particular to such a magnitude," shared another. "They almost always fall short of the original. But to completely rearrange a song in the manner that she has, from a legend, and then make you forget about how the original even sounded because her rendition is so good is utterly amazing."

"As Freddie once said, 'Do whatever you want with my music as long as you don't make it boring.' I think he'd really like this," shared another.

Though Queen's lead vocalist Freddie Mercury is no longer with us, the band did offer words of praise for Jordan's performance, retweeting her audition video with the comment, "Wow! What a rendition of #BohemianRhapsody."

"Bohemian Rhapsody" is such an iconic song, it's hard for anyone to do a cover of it justice. But 13-year-old Angelina Jordan managed it masterfully.

Jordan would move on to the Top 10 in "AGT: The Champions," and though she didn't take home the top prize, she did impress the audience with another classic rock tune, Elton John's "Goodbye Yellow Brick Road." You can enjoy that performance below, and you can follow Angelina Jordan—who is now 17 and still singing her heart out—on YouTube and TikTok.

Become Angelina's patron at Patreon! https://www.patreon.com/angelinajordanThis performance on Angelina Jordan's TikTok - https://www.tiktok.com/@angelinajor...


This article originally appeared on 9.30.23