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In 1972, Stevie Wonder debuted the talk box on live TV and left people in stunned silence

The "robot voice" was unheard of 52 years ago.

via Snowchild/YouTube

Stevie Wonder plays the talkbox in 1972.

Stevie Wonder is a musical virtuoso who can play just about any instrument you put in front of him, whether it’s a piano, harmonica, drums, or the harpejji, a cross between the piano and drums. But he is also an innovator who, after achieving success as a teenager, became an adult artist keen on breaking out of the “soul” genre and making incredible albums that combined jazz and rock.

In 1972, at 21, he showed off a new instrument, the talkbox, that most people had never heard on “The David Frost Show." At first, the audience found it funny, but once he began to play it with the soul and virtuosity he’s known for, people saw the talkbox as a new way for musicians to express complex emotions.

Wonder’s performance with the instrument is believed to have been the first time it was played on national TV.



The talkbox is an effects pedal attached to a tube you place in your mouth. The box combines the sounds of the instrument you plug in, whether a guitar or synthesizer and the voice sung into the tube. The result is a sound that sounds like a robot is singing. The talkbox would later become famous for being used in songs such as “Do You Feel Like We Do?” by Peter Frampton, “More Bounce to the Ounce” by Zapp and “Livin' on a Prayer” by Bon Jovi.

Its space-age sounds helped create the adorable squawks and squeaks of BB-8 in the “Star Wars” films.

In his legendary introduction of the instrument, Wonder plays the talkbox on “Close to You” by The Carpenters and then transitions into a soulful version of “Never Can Say Goodbye,” made famous by The Jackson 5.

- YouTubeyoutu.be

What’s so interesting about the performance is that Wonder uses humor to introduce the funny-sounding instrument to the audience. Juxtaposing the saccharine sounds of The Carpenters with an other-worldly-sounding instrument was a definite clash of styles in 1972. But once the audience gets comfortable with the instrument, Wonder takes it in another direction, using it to create soulful, sincere sounds that create a unique atmosphere most people had never heard before, especially on prime TV.

It takes an incredible amount of talent to take something that sounds so strange and to be able to move people emotionally with it.

Wonder’s performance struck Frank Ocean, who sampled it on his song “Close to You” on his critically acclaimed 2016 “Blonde” album. However, in this version, Ocean changes lyrics to talk about a tough break-up with an ex-partner.

In his live performances, Ocean has blended “Close to You” with “Never Can Say Goodbye,” just like Wonder did in 1972.

- YouTubewww.youtube.com

The talkbox became a big part of pop music in the '70s and ‘80s, most notably in 1980 with Zapp’s “More Bounce to the Ounce,” in which Roger Troutman played the talkbox, hooked up to a synthesizer with incredible agility. Troutman would use the talkbox throughout his career, having another major hit with the instrument in 1996 with Tupac and Dr. Dre’s “California Love.”

Sadly, Troutman was murdered by his brother outside of a recording studio in 1999.

- YouTubewww.youtube.com

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Unearthed clip shows a joyous MGMT performing one of the decade's biggest hits for a tiny audience

There are only a handful of people in the crowd but they are having the time of their lives.

@steeelo7/TikTok, Rad Scientist/Youtube

All the greats come from small beginnings.

Every generation has songs that help define the era. And without question, MGMT’s synthy, upbeat pop jam “Kids” helped define the early 2000s. Its playful irreverence matched the sort of unbounded optimism felt in a time just before the internet—and all its consequences—would change the world forever.

And this is why people are giddy over finding an unearthed clip of MGMT playing the hit song before it became a hit. It’s taking them right back to that simpler pre-internet time.

In the clip, which has been making the rounds across Reddit and Instagram, we see two goofy college aged dudes (Andrew VanWyngarden and Ben Goldwasser, respectively) circa 2003 and having the time of their lives while playing the catchy tune for one of the first times, if not the first time ever.

Zero pretense, zero phones. Just good vibes.

- YouTubewww.youtube.com

Besides just having a revived appreciation for the band, people were really yearning for a time when cell phones didn’t dominate shared social experiences.

“This video represents the essence of life. Being in the moment, having fun and not taking yourself too seriously,” one person wrote on Instagram.

Another said, “The way I'd do anything to go back and appreciate the early 2000s more is insane.”

Another noted “This slapped me right across the face with memories I no longer thought I had.”

As any MGMT fan will tell you, fun was always the name of the game for VanWyngarden and Ben Goldwasser. While trying to balance out the rigidity of their formal music studies, Goldwasser sought to “write the most stupid song possible,” he told the Times.Never did he imagine that it would end up catapulting their careers.

“One moment we were being irreverent with the academic world, the next we were playing festivals, and I don’t think we understood the implications of that,” VanWyndgarden said. “On college campus we were happy to play out rock star fantasies in front of 15 people. All of a sudden we’re on Late Night with David Letterman and we’re thinking: we can’t do this any more. We were becoming the things we were making fun of.”

Even if the lyrics to "Kids" was written as a sort of parody, they do inadvertently express the pain of wanting to hold onto innocence, while, due to being human and the laws of time and whatnot, simply cannot. This universal message lying underneath its catchy hooks is what gave the song a lightning-in-a-bottle quality in the first place, and it's what makes it so impactful many years later.

We might never be able to truly go back in time, but being able to at least tap back into those bygone feelings—be it through long lost footage, forgotten mementos, or just by listening to a once beloved tune—is a pretty sweet consultation prize.

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The Bee Gees’ flawless harmonies left Johnny Carson speechless in this acoustic performance

When family members harmonize, there's nothing quite like it.

via The Tonight Show Starring Johnny Carson/YouTube

The Bee Gees perform on "The Tonight Show" in 1973.

The Bee Gees were one of the most popular pop groups in the world from the late ‘60s to the late ‘70s. In the early years, they had big hits such as "How Can You Mend a Broken Heart," "I Started a Joke," and “To Love Somebody.” In the late ‘70s, they found a new sound, disco music and made massive hits for the dance floor, including “Staying Alive” and “More Than a Woman."

However, between those booming Bee Gee eras, their career seemed to be on the way down. By 1973, their most recent album, “Life in a Tine Can,” and single, “Saw a New Morning,” had flopped, and they began to play smaller clubs. But that didn’t mean they couldn’t win people over with their incredible harmonies. Case in point was their March 23, 1973 performance on “The Tonight Show Starring Johnny Carson.”

Carson introduced the band by touting its history as songwriters. “My next guests have had quite a career. Their compositions have been recorded by people like Frank Sinatra, Elvis Presley, Mandy Williams, Glen Campbell, Tom Jones and hundreds of others,” Carson said.

The band opened their set on stage performing “Wouldn't I Be Someone” and “Saw A New Morning” and then sat down for a chat with Carson, discussing why they don't like playing large arenas and how they got started performing together as children. After the break, they returned with an acoustic guitar and performed their first number 1 hit, "Massachusetts," from 1967, with Robin Gibb on lead with his brothers Barry and Maurice chiming in perfect harmony.

If you look closely in the background, Maurice is having fun goofing off when he's not on vocal duties. At the end of the performance, Carson appears to be a bit choked up as he adjusts his tie.

- YouTubewww.youtube.com

“Massachusetts” was written about the great migration of young people to San Franciso in 1967, as the hippie movement began to take off in the mid-to-late ‘60s. Interestingly, the Bee Gees had never been to the state.

Tried to hitch a ride to San Francisco

Gotta do the things I wanna do

And the lights all went out in Massachusetts

They brought me back to see my way with you



“There are two different memories, Robin remembers us doing it in a boat going around New York City. And I remember us checking in at the St. Regis with Robert, going to the suite, and while the bags were being brought in we were so high on being in New York, that's how 'Massachusetts' began,” Barry recalled the song’s creation in the “Horizontal” liner notes. “I think we were strumming basically the whole thing, and then I think we went on a boat round New York. I don't know if we finished it, but I think that's where the memories collide. Everybody wrote it. All three of us were there when the song was born.”

The song was initially written by the band for The Seekers, but they were unsuccessful in getting it to the band, so they recorded it themselves.

The Bee Gees would have a career turnaround in 1975 when they experimented with a new, more soulful sound with the song “Jive Talkin.” This became a big hit and propelled them into the world of disco, where they would become one of the era's most popular acts.

The Bee Gees' historic career ended when Maurice passed away in 2003 at age 53. Robin followed in 2009 at age 62. Barry, 78, is the final surviving member of the band.

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Village People singer tries to deny that ‘Y.M.C.A.’ is a gay anthem and fails spectacularly

So, you're saying it's the ultimate gay anthem, right?

via Mario Casciano/WikimediaCommons

The Village People in 1978.

“Y.M.C.A.,” the 1978 disco smash by the Village People, has recently experienced a renaissance. In November, it hit #1 on Billboard’s Dance/Digital Song Sales chart after being prominently featured in Donald Trump’s rallies since 2020. Trump's dance, where he pumps his fists back and forth to the song, has also become a popular celebration dance in the sports world.

“You know what gets ’em rockin? ‘Y.M.C.A.,’” Trump said on a podcast in 2022, according to NBC News. “‘Y.M.C.A.’ gets people up and it gets them moving.” However, many people have noted the irony that Trump and his conservative supporters have embraced the song, given its reputation for being a gay anthem.



Who are the Village People?

The song was written by the Village People’s lead singer, Victor Willis who is straight and producer Jacques Morali who is gay.

The Village People is a disco group of predominantly gay men who symbolize American masculinity and macho gay-fantasy personas. The band is fronted by Victor Willis, who played a police officer, with backing vocalists and dancers featuring a cowboy, construction worker, native American, leatherman, and GI.



The band was put together to appeal to a gay audience that loved disco music, but their mainstream success meant that some in the audience missed the gay references but still loved bopping to massive hits such as “Macho Man” and “In the Navy.” Trump and his supporters' embrace of the song have many wondering if the Village People effect was happening again. Are Trump supporters oblivious to the fact that “Y.M.C.A.” is known as a gay anthem, or is it just not a big deal to them? While Trump himself has generally been supportive of gay and lesbian individual (he was the first Republican to feature a gay speaker at a presidential convention in 2016) the Republican Party has long been opposed to LGBT rights.



Is 'Y.M.C.A.' a gay anthem?

On December 2, 2024, Willis made a bold proclamation on his Facebook page, denying that the song was a gay anthem while simultaneously illustrating its undeniably gay roots. “There’s been a lot of talk, especially of late, that Y.M.C.A. is somehow a gay anthem. As I’ve said numerous times in the past, that is a false assumption based on the fact that my writing partner was gay, and some (not all) of Village People were gay, and that the first Village People album was totally about gay life,” Willis wrote.

“This assumption is also based on the fact that the YMCA was apparently being used as some sort of gay hangout and since one of the writers was gay and some of the Village People are gay, the song must be a message to gay people. To that I say once again, get your minds out of the gutter. It is not,” he continued.



Randy Jones, who played the cowboy in the group, tells a different story when discussing the song's origins. In 2008, he claimed he took Morali to the McBurney YMCA on Manhattan’s West 23rd Street around four times in 1977 and the producer was “fascinated” by the place.

“Plus, with Jacques being gay, I had a lot of friends I worked out with who were in the adult film industry, and he was impressed by meeting people he had seen in the videos and magazines. Those visits with me planted a seed in him, and that’s how he got the idea for ‘Y.M.C.A,'” Jones said.

Willis refutes the idea that Morali gave him the idea for the song in his Facebook post. “As I stated on numerous occasions, I knew nothing about the Y being a hang out for gays when I wrote the lyrics to Y.M.C.A. and Jacques Morali (who was gay) never once stated such to me,” he wrote. “In fact, Jacques never once told me how to write my lyrics otherwise I would have said to him, you don’t need me, why don’t you simply write the lyrics.”



Although Willis wrote the song and has the right to determine what it’s about, he does a poor job of claiming it isn’t a gay anthem after admitting it was written in collaboration with a gay man for a predominantly gay group in a genre with a big gay audience and an album called "Cruisin'" about a place that was known for gay hookups.

That is a helluva coincidence, don't you think?

Donald Trump Head Nod GIFGiphy

Further, regardless of Willis’ intentions with the song, it has been embraced by the gay community as an anthem. An artist can control what he creates, but how the audience reacts is beyond their control. When a group of predominantly gay men sings about a “young man” who can find “everything for you men to enjoy” and “many ways to have a good time” as they “hang out with all the boys,” it’s impossible to divorce the words from the context.

That’s the beauty of music. A song can have multiple meanings depending on who is performing it. On the other hand, if a traditionally masculine singer such as Rod Stewert or James Brown had sung “Macho Man,” it would have meant something entirely different back in 1978.

It’s also worth noting that Trump was not Willis’ preferred candidate in the election and he found his use of the song in the past a “nuisance.” He also doesn’t mind “that gays think of the song as their anthem” but that it was meant to appeal to “people of all stripes.” That being said, Willis says that starting in January 2025, any news organization that “falsely” refers to “Y.M.C.A.” as a gay anthem will be sued.

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