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American Idol/Youtube

Gotta love singers who make songs their own.

In a sea of extremely talented singers, it’s the vocalists who can take a song (even those performed by one-of-a-kind artists) and truly make it their own that, time after time, seem to really stand out on “American Idol.”

And Sam Kelly-Cohen, aka Kayko, is no exception. The 23-year old Florida singer-songwriter wowed judges and made it to the Top 10 round with his pop punk cover of Gotye’s “Somebody That I Used To Know”…which is guaranteed to transport you right back to the days of emo bands and heavy eyeliner.

From beginning to end, Kayko gave rockstar energy—complete with mic swings, energetic kicks, and jumping up and down to hype up the audience. These bits of flair apparently came with risks, as he voiced concerns to celebrity guest mentor Meghan Trainor about pitch issues with live performances.

But clearly the effort paid off because for a moment, it felt like audiences were watching a “My Chemical Romance” Concert, rather than a singing competition show.

As one viewer on Youtube put it, “He’s extremely creative in his performance as well as is resourceful, utilizing the entire stage, lights, wardrobe, etc. His stage presence and ability to entertain his audience and keep them entertained through the entire song is also very strong.”

Watch:

Wow! Kayko Covers Gotye's "Somebody That I Used To Know" - American Idol 2024

And to think , this guy never really intended to audition. Kayko originally arrived to Nashivlle for first-round auditions to play piano for his friend, who was auditioning for the show. But the judges asked him to audition as well. And, well, here we are, watching him rock out to Gotye.

Gotye’s smash hit seems to be having a bit of a resurgence. Only a few months ago, the song found viral fame again after international dance troupe CDK gave it a surreal, Wes Anderson-esque reimagining. Perhaps the song’s intentional simplicity, which helped make it so alluring in the first place, is also the key ingredient that makes it easy to interpret in countless different ways.

While Wouter "Wally" De Backer, aka Gotye himself, didn’t love the fame that came with the success of his song (read more on that here) hopefully seeing how it has inspired other artists is a good consolation.

And if the covers are anything like Kayko’s, keep ‘em comin’!

Pop Culture

Why Gotye gave up $10 million in ad revenue from his 'Somebody That I Used to Know' video

The humble singer-songwriter's story is a cautionary tale of viral fame.

Gotye's "Somebody That I Used to Know" video has 2.2 billion views on YouTube.

For most musicians, creating a hit song and making it big on the international stage would be living the dream. For Gotye, it turned out to be a bit of a nightmare.

Gotye is the stage name of Wouter "Wally" De Backer, the singer-songwriter behind the 2011 smash hit song, "Somebody That I Used to Know." The music video for the song becoming one of YouTube's most-liked videos, and with 2.2 billion views, the video could have earned over $10 million in ad revenue.

But De Backer has refused to place ads on it, saying, "I'm not interested in selling my music. That's the reason I don't put ads on my YouTube channel, which seems strange to people in today's climate, but that is a decision you can make. I'm like that with all my music."

It was the fame that came with the virality of the song that was the bigger issue for the artist, however. It's a simple enough thing to turn down money, but there's not much you can do to stop a viral wave.


The song took six months to write and produce, and when the video leaked a week before its official release, it quickly caught fire. At first, De Backer was just excited that his song was being played on the radio. Then the virality online took hold and that was also exciting for a while.

From the start, De Backer was grateful for the song's success, but he also managed to stayed simple and humble. He didn't buy anything large or luxurious with the money he made from song sales, being content to drive his old van. And when he was asked what was the best thing that happened in the previous year, he responded, "It probably wouldn't be anything to do with a marker of success of my song or my album. More something like a really great swim I took at Summer's Beach near where I live."

Soon the covers and parodies of the "Somebody That I Used to Know" grew more widespread and the quality of them began to wane, De Backer began to feel "burnt out" on it all. He had no control over people connecting name with whatever they were hearing done to his song, which was frustrating. He started to feel the pressures that come with fame, to have a certain personality or to follow up his huge hit with another huge hit. And he missed feeling like he had a personal connection with his audience, which becomes difficult at a certain scale.

He even began to feel self-conscious about the popularity of the song due to its theme—two people who had broken up and couldn't work out their differences. The fact that so many people were celebrating it so fiercely was uncomfortable for him; he didn't want to be responsible for spreading more angst or bitterness in the world. And then came the "overplayed" and "annoying" era of oversaturation. He even apologized to people for having to hear the song so often because radios wouldn't stop playing it.

Ultimately, he ceased putting out music as a solo artist and focused on making music with his long-time band, The Basics. There is a possibility for another solo Gotye project sometime in the next decade, but he's probably hoping he doesn't end up with a big hit next time around.

Watch SunnyV2 tell the story of Gotye's "one hit wonder" experience and how it impacted his musical career:

It's a cautionary tale for anyone who thinks they want to be famous or wishes they'd have a song go viral. Parts of that experience can be great, but fame isn't always everything it's cracked up to be.

Joy

Orchestra accompanies Nora the cat playing piano in professionally composed 'CATcerto'

Nora recently crossed the rainbow bridge, but her musical legacy lives on.

Ever seen a cat play the piano with an orchestra?

We've seen a lot of musical cat content here at Upworthy, from The Kiffness blowing us all away with his cat howling duets to a boys choir singing a 19th century opera about a cat fight composed entirely of meows. But somehow we missed one of the greatest cat collaborations ever—Nora the piano-playing cat being accompanied by an entire professional chamber orchestra.

In a video resurfaced from 2009, we see Lithuanian composer and conductor Mindaugas Piecaitis leading the Klaipeda Chamber Orchestra in an original piece composed by him…and Nora the Piano Cat. A large screen hanging behind the orchestra shows Nora at the piano, waiting through the orchestral introduction with her paws on the keys before finally beginning to play her part of the CATcerto.

Of course, we can see that the piece has been composed around Nora's notes and not the other way around, but the effect is extraordinary. Nora is making music, and Piecaitis has embellished and illuminated it with his expert artistic ear.


The piece is a musical journey, from a slow haunt to an upbeat romp and several layers in between. If you close your eyes, you might not even realize the piano is being played by a cat. Even the dissonant chords sound good with Piecaitis arrangement, and it's an impressive feat both for the cat and the composer. (Piecaitis even got to go meet with Nora in person a few years after their collaborative performance. And of course, in typical cat fashion, she only played a couple of notes for him. Nobody can make a cat do anything, including play the piano, which makes Nora's videos all the more delightful.)

Watch and enjoy:

Sadly, Nora crossed the rainbow bridge in February of 2024, after a good, long 19 years with her humans, Betsy and Burnell. As the couple tells it, Nora had been a rescue cat, and one day they heard some repeated notes coming from the piano. The piano playing became a regular hobby for the gray tabby, and after one of Betsy's piano students suggested she share Nora's special talents on YouTube, she became one of the earliest viral video stars.

The "CATcerto" is but one of many Nora the Piano Cat creations, which span from books to artwork, and she's even the main character in an upcoming animated children's show.

"She may be an animated character now and she will live on, but she was real," Betsy told ABC 6 News in Philadelphia. "I just think she wanted to send a message about the importance of music and creativity in the world and I think she will inspire a whole generation of young musicians and artists."

Who wouldn't be inspired by a sweet kitty plunking away on the piano with her paws? Watch Nora's humans describe what she meant to them and the series that's currently in the works:


Angelina Jordan blew everyone away with her version of 'Bohemian Rhapsody."


At Upworthy, we've shared a lot of memorable "America's Got Talent" auditions, from physics-defying dance performances to jaw-dropping magic acts to heart-wrenching singer-songwriter stories. Now we're adding Angelina Jordan's "AGT: The Champions" audition to the list because wow.

Jordan came to "AGT: The Champions" in 2020 as the winner of Norway's Got Talent, which she won in 2014 at the mere age of 7 with her impressive ability to seemingly channel Billie Holiday. For the 2020 audition, she sang Queen's "Bohemian Rhapsody," but a version that no one had ever heard before.

With just her Amy Winehouse-ish voice, a guitar and a piano, Jordan brought the fan-favorite Queen anthem down to a smooth, melancholy ballad that's simply riveting to listen to.


Especially considering that Jordan was only 13 years old when she did this.

Watch:

What this video doesn't show is Heidi Klum hitting the Golden Buzzer faster than you can say, "Nothing really matters to me." The judges were blown away by Jordan's performance, as were the people in the comments.

"That's a ONE in A BILLION voice right there. Just amazing," wrote one commenter.

"I am typically not a fan of songs being redone particular to such a magnitude," shared another. "They almost always fall short of the original. But to completely rearrange a song in the manner that she has, from a legend, and then make you forget about how the original even sounded because her rendition is so good is utterly amazing."

"As Freddie once said, 'Do whatever you want with my music as long as you don't make it boring.' I think he'd really like this," shared another.

Though Queen's lead vocalist Freddie Mercury is no longer with us, the band did offer words of praise for Jordan's performance, retweeting her audition video with the comment, "Wow! What a rendition of #BohemianRhapsody."

"Bohemian Rhapsody" is such an iconic song, it's hard for anyone to do a cover of it justice. But 13-year-old Angelina Jordan managed it masterfully.

Jordan would move on to the Top 10 in "AGT: The Champions," and though she didn't take home the top prize, she did impress the audience with another classic rock tune, Elton John's "Goodbye Yellow Brick Road." You can enjoy that performance below, and you can follow Angelina Jordan—who is now 17 and still singing her heart out—on YouTube and TikTok.

Become Angelina's patron at Patreon! https://www.patreon.com/angelinajordanThis performance on Angelina Jordan's TikTok - https://www.tiktok.com/@angelinajor...


This article originally appeared on 9.30.23