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music

Marc Martel sings with the audience in Santiago, Chile, in May of 2022.

Freddie Mercury was known for many things—his dramatic showmanship, his larger-than-life personality, and his untimely death during the peak of the AIDS epidemic—but he is most remembered for his clear, powerful voice, ranging from rich bass notes to impressive soprano coloratura.

It's hard to do Freddie's voice justice, but Marc Martel has managed to wow millions with his impersonations of the Queen lead singer. If you close your eyes and listen, there are seconds when you might swear you were hearing Freddie himself singing again.

freddie mercury, queenFreddie Mercury knew how to work an audience.Giphy

Martel's cover of "Bohemian Rhapsody" has been viewed 56 million times on YouTube. And another of his videos showcases Martel's ability to captivate an audience with his—or Freddie's—voice.

At a concert in Santiago, Chile, in 2022, Martel began playing the piano intro to "Love of My Life," one of Queen's simplest and most sentimental ballads. As soon as he opened his mouth to sing, the audience did the same—10,000 people all singing along in unison—and it's just beautiful.

Watch:

- YouTubeyoutu.be

Queen fans not only loved the sing-a-long but they were also blown away by how close Martel came to channeling Freddie Mercury with his vocals:

"I'm 63. Heard Queen from the start. This man is unbelievable. Why Queen didn't grab him is unbelievable, beyond belief."

"For those of us who love the Mercury timbre, Martel is a blessing."

"The part "you've hurt me" sounds exactly like Freddie. I also love the fact that people are singing too, it gives me Queen concerts vibes :)"

"When the crowd started singing, it genuinely gave me goosebumps. It was like he was singing with a choir. Some great voices in the audience! Well mixed too. Incredible as always!"

"Never mind the vocal inflections, he plays piano outstandingly. Freddie’s voice was so unique and original, it’s unbelievable how close Marc is."

And if you want to see Martel's "Bohemian Rhapsody" video with 56 million views, here it is. Enjoy:

- YouTubeyoutu.be

Amazingly enough, Martel never took singing lessons, instead learning from imitating his favorite vocalists. He also didn't grow up listening to Queen—he came to appreciate their music later in life.

Martel told Altwire in 2023 how he feels about constantly being compared to the late, great icon, Freddie Mercury:

"It’s obviously an honor, and I’ve been getting that comparison for a while, over 12 years now, on a regular basis, no matter what music I’m singing. Even when I try not to sound like Freddie, people will come up to me and there was a point where I was counting how many people would say that to me after a show, like 'Hey! Has anyone ever told you that you sound like Freddie Mercury?' It was at least 5 every time, without fail.

"It is an honor, there are far worse singers out there to be compared to. I’ve come to terms with it. I’ve accepted it, and it’s something I’m never going to escape, so why bother? If I tried to escape it, or kind of morph my voice into something unnatural. It’s the way I sound and thankfully it’s someone who people genuinely love to hear."

Martel is taking his voice on the road again in 2025, touring the United States through the summer and heading to Europe in fall. If we can't have Freddie Mercury live, singing along with Martel to Queen's classics may just be the next best thing.

You can find more of Marc Martel's Freddie Mercury magic on YouTube.

This article originally appeared two years ago.

Mark Wahlberg on "The Ellen Show."

When his daughter Grace was 10 years old, actor Mark Wahlberg attended a daddy-daughter dance with her. Sadly, Grace had no interest in seeing her father strutting his stuff on the dance floor. "I didn't get one dance," Wahlberg told Ellen DeGeneres. "And I told her we were going to do the whole big circle and I was going to go off. And she said, 'Dad, if you embarrass me, I will never talk to you again.' But what she did do is she hung out with me."

No matter who your dad is, especially if you're a 10-year-old-girl, you have zero desire to see him dance in front of your friends. But the parents at the dance probably would have had a blast seeing Wahlberg bust out some of his old-school '90s Marky Mark moves. However, Wahlberg couldn't help but leave his mark on the music being played at the dance.

marky mark, mark wahlberg, good vibrationsMark Wahlberg was known as "Marky Mark" in the 90s.Giphy

Let's not forget, he didn't get famous for his acting but for showing off his abs in the "Good Vibrations" video.

Being that Wahlberg's time as a pop star was three decades ago, he couldn't believe it when he heard the music being played at the dance.

"[Grace] sat there on the edge of the stage, by the DJ. And then I'm sitting there with one other dad and I'm like, 'This is not an edited version of this song. There are explicit lyrics being played at a school dance for girls and I'm like no good,'" he said.

"I told the DJ and he's like, 'Oh, I thought it was.' I said, 'What are you doing?' I'm hearing F-bombs and this and that's not okay," Wahlberg said.

- YouTubeyoutu.be

He's right. There's no place for music with explicit lyrics at a dance for 10-year-old children.

Wahlberg says the DJ didn't know he wasn't playing the edited version, but it's probably more likely that he didn't even realize the song was a problem. Pop music these days is filled with a numbing amount of violent and misogynistic lyrics.

A recent study from the University of Missouri found that nearly one-third of pop songs contain lyrics that degrade or demean women by portraying them as submissive or sexually objectified.

Currently, three of the top five songs on the Billboard Top 40 contain the word "bitch." One of them is sung in Korean.

profanity, foul language, swearing"Your language is offensive!" Giphy

It's odd that Americans have become more sensitive to misogyny in pop culture in films, television, and comedy, but still have a huge cultural blind-spot when it comes to music.

That's not a good thing, especially when pop music is marketed to teenagers.

"We know that music has a strong impact on young people and how they view their role in society," said Cynthia Frisby, a professor in the Missouri School of Journalism.

"Unlike rap or hip-hop, pop music tends to have a bubbly, uplifting sound that is meant to draw listeners in," Frisby continued. "But that can be problematic if the lyrics beneath the sound are promoting violence and misogynistic behavior."

profanity, swearing, f-bombs, music lyricsMusic lyrics can be highly inappropriate for youngsters.Photo credit: Canva

Let's face it, pop stars are role models. Their examples show young people what to wear and how to behave. That's not to say that kids will blindly follow someone just because they like their music. But it has an undeniable effect.

Wahlberg, and any parent who monitors what their kids are listening to, deserve credit for protecting the minds and hearts of their kids.

Frisby has some great advice for parents concerned about negative imagery in pop music.

"Ask your daughters and sons what songs they like to listen to and have conversations about how the songs might impact their identity," Frisby said.

"For example, many songs might make young girls feel like they have to look and act provocative in order to get a boy to like them, when that isn't necessarily the case. If children and teens understand that what they are hearing isn't healthy behavior, then they might be more likely to challenge what they hear on the radio."

He's right. There's no place for music with explicit lyrics at a dance for 10-year-old children.

parental advisory, explicit content, explicit lyricsParental Advisory Explicit Content warnings are there for a reason.Giphy

Wahlberg says the DJ didn't know he wasn't playing the edited version, but it's probably more likely that he didn't even realize the song was a problem. Pop music these days is filled with a numbing amount of violent and misogynistic lyrics.

A recent study from the University of Missouri found that nearly one-third of pop songs contain lyrics that degrade or demean women by portraying them as submissive or sexually objectified.

Currently, three of the top five songs on the Billboard Top 40 contain the word "bitch." One of them is sung in Korean.

It's odd that Americans have become more sensitive to misogyny in pop culture in films, television, and comedy, but still have a huge cultural blind-spot when it comes to music.

That's not a good thing, especially when pop music is marketed to teenagers.

music lyrics, misogyny, pop culture, explicit contentPeople often brush off misogynistic lyrics in modern music.Photo credit: Canva

"We know that music has a strong impact on young people and how they view their role in society," said Cynthia Frisby, a professor in the Missouri School of Journalism.

"Unlike rap or hip-hop, pop music tends to have a bubbly, uplifting sound that is meant to draw listeners in," Frisby continued. "But that can be problematic if the lyrics beneath the sound are promoting violence and misogynistic behavior."

Let's face it, pop stars are role models. Their examples show young people what to wear and how to behave. That's not to say that kids will blindly follow someone just because they like their music. But it has an undeniable effect. Wahlberg, and any parent who monitors what their kids are listening to, deserve credit for protecting the minds and hearts of their kids.

Frisby has some great advice for parents concerned about negative imagery in pop music.

"Ask your daughters and sons what songs they like to listen to and have conversations about how the songs might impact their identity," Frisby said.

"For example, many songs might make young girls feel like they have to look and act provocative in order to get a boy to like them, when that isn't necessarily the case. If children and teens understand that what they are hearing isn't healthy behavior, then they might be more likely to challenge what they hear on the radio."

This article originally appeared five years ago.

Art

Pianist stuns by using every part of his piano to perform 'Africa' by Toto

"I don't think I've ever seen anyone has so much fun playing the piano."

Peter Bence plays the entire piano, and he does it barefoot.

Peter Bence’s performance of “Africa” by Toto has over 19 million views on YouTube because of his creative reimagining of the song and, well, just about everyone loves “Africa.” Bence is a Hungarian composer and producer who has become a viral sensation for his Michael Jackson, Queen, Sia, and Beatles covers. He has over 1.1 million followers on YouTube and has toured the globe, playing in more than 40 countries across four continents.

His performance of “Africa'' is unique because it opens with him creating a rhythm track and looping it by strategically tapping the piano and rubbing its strings to create the sound of shakers and conga drums.

The video eventually becomes rapturous, with Bence making the piano sound like an entire orchestra.

- YouTubeyoutu.be

As the video caption says, "Toto x Peter Bence = Africa Piano Symphony." Indeed. People were blown away by Bence's impressive rendition of the classic 80s song.

"I’m so glad to watch and see a fellow musician, that enjoys the music deep down. Excellent playing man!"

"So fluid. The piano is an extension of your whole body. Amazing."

"I don't think I've ever seen anyone has so much fun playing the piano. You're not just terrifically talented, I love the creativity."

"Brilliant! Loved it. It made me think what would J S Bach have done with looping on a piano/harpsichord?"

bach, piano, harpsichord, musicWhat if Bach had had looping technology?Giphy GIF by marko

"Mesmerizing! He became the music and the music became him."

"Are you kidding me!!!! This cover is incredible. Still listening to it, years after I discovered it."

"I return to this regularly, it's absolute witchcraft levels of genius. This level of talent isn't written in any handbook, it's completely unworldly."

"I love how PB plays a piano worth more than my house in his bare feet like it's an actual extension of his body. Pure brilliance."

baby at piano, toddler piano, piano prodigyPeter Bence was considered a musical prodigy as a child.Photo credit: Canva

If it seems like Bence was born to do this, that appears to be accurate. According to the bio on his website:

"Starting as early as age 2 he already played back melodies by ear from his favorite cartoons and films on his grandparents’ upright piano. Showing serious interest and talent, he soon began his musical education at 4 in the local music school of his hometown, Hajduboszormeny in Hungary.

He was considered a musical prodigy by teachers and peers, and was already accepted at Franz Liszt University of Music in Debrecen, despite he was still being enrolled at elementary school.

At 7 he wrote his first composition, which was heavily influenced by the music of Mozart and Chopin, and at 11 he published his first solo piano album of his early compositions."

So yeah. The guy has had piano chops since toddlerhood, and he's made the instrument his own with unique, edgy pieces like this one.

- YouTubewww.youtube.com

Released in 1982, “Africa” was Toto’s biggest hit, reaching number one 1 in the U.S., number 3 in the UK, and the top 10 globally. It’s a stirring piece of music that’s beautifully arranged with an anthemic chorus. However, the lyrics aren’t that accurate.

The song’s author, Toto keyboardist Jeff Pocaro, describes it as: “A white boy is trying to write a song on Africa, but since he's never been there, he can only tell what he's seen on TV or remembers in the past.”

Nevertheless, the song is an iconic tune that captures a specific spirit of the early ‘80s when the world turned its focus to Africa. Over 40 years later, the song’s wholesome sincerity has made it a piece of music that every few years captures the hearts of a new generation.

This article originally appeared two years ago.

Wikpedia, Instagram, Canva

Thom Yorke posts a statement.

In October of 2024, Radiohead front man Thom Yorke was crooning his electric songs in dreamy blue and pink light on-stage in Melbourne, Australia, when a man from the crowd began screaming about war. "Do you condemn the Israeli genocide of Gaza? Already 200,000, half of them children," he yelled.

Thom pauses, then responds, "Come up here and say that. Don't stand there like a coward; come here and say it."

Many in the crowd scream for Thom to ignore the heckler, though some pile on. He continues, "You want to piss on everybody’s night? OK, you do it, see you later," and then leaves the stage. He returns soon after the crowd chants his name and sings Radiohead's "Karma Police," met with exhilaration.

-Thom Yorke on stagewww.youtube.com, CNN

In a piece about the incident for NBC News, Patrick Smith notes, "Radiohead has faced criticism in the past for playing gigs in Israel and not joining a boycott of the country by some artists." Smith also shares a statement Yorke made in 2017 at a concert in Tel Aviv: "We don’t endorse Netanyahu any more than Trump, but we still play in America. Music, art and academia is about crossing borders, not building them."

Unfortunately, those border walls have only gotten higher in the divide between human beings, as of late. The art of nuance, historical context, and listening to one another has somehow been lost among the memes and soundbites.

Yorke has now made a lengthy, thoughtful statement which he released on Instagram in order to, as he writes, "fill in the blanks" and to address the constant online (and in-person) bullying.

He begins his note, referencing what happened at the show: "Some guy shouting at me from the dark last year when I was picking up a guitar to sing the final song alone in front of 9000 people in Melbourne didn’t really seem like the best moment to discuss the unfolding humanitarian catastrophe in Gaza.”

He shares that his silence following the incident has allowed people to put words in his mouth. "My attempt to show respect for all those who are suffering, and those who have died, and to not trivialize it in a few words has allowed other opportunistic groups to use intimidation and defamation to fill in the blanks."

Yorke is now ready to make sure there are no gaps in his beliefs. He writes, "I think Netanyahu and his crew of extremists are totally out of control and need to be stopped, and that the international community should put all the pressure it can on them to cease."

But he notes this is not a one-sided conflict. "At the same time, the unquestioning Free Palestine refrain that surrounds us does not answer the simple question of why the hostages have still not all been returned? For what possible reason? Why did Hamas choose the truly horrific acts of October 7th? The answer seems obvious, and I believe Hamas chooses too to hide behind the suffering of its people, in an equally cynical fashion for their own purposes.”

- YouTubewww.youtube.com

He then addresses the polarization happening due to the easy spread of misinformation on social media. "Social media witch-hunts (nothing new) on either side, pressurizing artists and whoever they feel like that week to make statements, etc., do very little except heighten tension, fear, and over-simplification of what are complex problems that merit proper face-to-face debate by people who genuinely wish the killing to stop and an understanding to be found.

This kind of deliberate polarization does not serve our fellow human beings and perpetuates a constant ‘us and them’ mentality. It destroys hope and maintains a sense of isolation, the very things that extremists use to maintain their position. We facilitate their hiding in plain sight if we assume that the extremists and the people they claim to represent are one and the same, indivisible."

Yorke makes it clear that he understands the helplessness that many feel when watching the news coverage of today's world. "I sympathize completely with the desire to ‘do something’ when we are witnessing such horrific suffering on our devices every day. It completely makes sense. But I now think it is a dangerous illusion to believe reposting, or one or two line messages are meaningful, especially if it is to condemn your fellow human beings. There are unintended consequences."

But he warns that keyboard justice warriors dehumanize one another. "It is shouting from the darkness. It is not looking people in the eye when you speak. It is making dangerous assumptions. It is not debate and it is not critical thinking."

He later ends with an acknowledgement that he won't be able to please everyone. "I am sure that, to this point, what I have written here will in no way satisfy those who choose to target myself or those I work with, they will spend time picking holes and looking for reasons to continue, we are an opportunity not to be missed, no doubt, and by either side.

I have written this in the simple hope that I can join with the many millions of others praying for this suffering, isolation and death to stop, praying that we can collectively regain our humanity and dignity and our ability to reach understanding… that one day soon this darkness will have passed."

On the subreddit r/Radiohead, there are already thousands of comments. One person asks, "This parasocial obsession with making celebrities take sides on political issues is so weird. Why aren't they allowed to have privacy for their own beliefs?"

Another answers, "Because some people want the celebrities to tell them what to think. Not having a definitive answer is a discomfort too hard to bear for them. They feel entitled to have the answer now because their identity is entwined with the celebrities. They don't want to feel the disappointment that these celebrities are just humans who don't think exactly like they do."

This Redditor discusses how complicated the history of the world is, and questions why Thom Yorke (and other celebrities) seem forced into commenting about events of which they are not experts: "The reality is this is a hundred-year-long conflict with a deep and complicated history.

There's no simple black-and-white answer of "Palestine good, Israel bad." Obviously Israel should not indiscriminately kill civilians, but they also cannot allow Hamas to terrorize their population.

I still have no clue what people hoped to accomplish by making Thom say something about it. He's neither an expert nor an especially influential person in this sphere. Other than making you feel good that your favorite musician agrees with your political stance... what does this accomplish?"

In a more hopeful message, this commenter says: "His music says a lot but the direct words in this message are also beautiful, thoughtful, and reinforcing. Thank you Thom. Much respect."