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I had the sweetest moment with Dolly Parton when I was 6 years old. 40 years later, it happened again.

Hello, Dolly!

Images via Wikicommons and Cecily Knobler

Dolly Parton and Cecily Knobler

Sometimes, serendipity strikes like a tiny and beautiful lightning bolt.

Dolly Parton has been magnetic since she could walk. Already a proficient songwriter, she was singing on Tennessee radio shows as a child and even performed at the Grand Ole Opry at just 13. In 1967, she joined The Porter Wagoner Show, becoming a popular country duo with Wagoner himself.

After a few hits on her own, she was ready to spread her wings into a solo career. So, in hopes of giving it a little boost, she joined country legend Willie Nelson's tour in January of 1977. One of those shows was in Waco, Texas.

 Willie Nelson, ticket, country station, country music, Dolly Parton The original concert ticket for Willie Nelson in WacoCecily Knobler, Canva

In that exact month, in that exact year, I was a precocious six-year-old with pigtails and thick Coke-bottle glasses, also living in Waco, Texas. My dad was the General Manager of an AM country station called K-K-I-K (K-Kick) at the time, and quite frequently, country stars would stop by to promote their new records, sign albums and headshots, and just overall meet the radio crew.

When Dolly came to the tiny station (which incidentally sat above the ballet studio where my mother taught and I danced), I happened to be there—probably in a leotard. My dad introduced us, and my heart thumped like a jackrabbit. I was already a fan, with "I Will Always Love You" (Dolly's original version, obviously) playing on repeat on a scratched-up 45.

I had never met anyone famous before, and Dolly—even then—glowed like a firecracker sizzling against a Texas sky. "Say hello, Cecily," my dad urged. "Hello, Dolly!" Her reply was as big as her hair: "You're just a little baby! Aren't you the cutest baby?" She hugged me like our lives depended on it, and I remember simply floating home. Even then, so young, I knew I had met not only a legend, but a really, really kind one.

The tour itself wasn't entirely successful for her. We went to the show at the Waco Convention Center, and unfortunately, the Willie and Dolly fans didn’t quite gel. I didn't pick up on it at the time, though; I was personally over the moon that she opened her set with "Jolene." But I do remember my parents discussing how scared she looked by the less-than-accepting crowd. (Over time, music journalists would write about it, but thankfully—Dolly and Willie remain friends.)

 Willie Nelson, Country star, music, Dolly Parton, country music  Willie Nelson strums his guitar.   en.m.wikipedia.org  

 

Almost exactly 42 years later, luck would strike again. In December of 2018, I was invited to a party at the Four Seasons Hotel to honor the 2018 film Dumplin’. Dolly just so happened to have written six original songs for the soundtrack, and Netflix was drumming up support for the upcoming "award season."

There were rumors she’d be there, but with busy schedules, one can never be totally sure. As I was drinking a glass of champagne and eating my fourth tuna tartare bite, there was suddenly a palpable buzz in the day-lit room. The cute out-of-work actors turned tray passers parted like it was the Red Sea. If this had been a movie, a golden light would have struck from the heavens as angels sang, "Hallelujah" because just like that—Dolly appeared.

The gravity around a star this bright causes whatever room they enter to fold in on itself. Dolly was no exception! People abandoned their drinks and boring conversations and zoomed quickly in her direction. It actually got a little dangerous, as there were many elderly women on rhinestone-encrusted scooters zipping furiously to get their moment in the sun.

 Dolly Parton, dancing, rhinestones, Seth Meyers, Dolly Dolly dancing on Late Night with Seth Meyers  Giphy, NBC 

 

Luckily, I can outrun a rhinestone-encrusted scooter. I pushed my way through (gently, of course), elbowed a couple of publicists, and found myself once again, face-to-face with Ms. Parton. Remembering my dad’s prompting, I enthusiastically said, "Hello, Dolly!" This time I added, "You couldn’t possibly remember this. But I met you at a country station in Waco back in the late ’70s. You told me I was the ‘cutest baby!’"

Almost as if she were living her lyrics from "Here You Come Again." she smiled that smile. Her bluish-green eyes glistened as she patted me on the arm. "Well I do remember! And you're still the cutest baby!"

  - Dolly Parton sings "Here You Come Again"  www.youtube.com, Dolly Parton YouTube page, Vevo 

That’s just like Dolly— o make me feel like a million bucks in first grade and then again in my 40s. We had time for a quick photo snap before she was whisked away by a male Dolly impersonator wearing a white pantsuit.

That serendipitous lightning bolt sure did strike again. Only this time, it had rhinestones on it.

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Joy

Country duo gives Dolly Parton's famous '9 to 5' song a twist to reflect modern day work life

"There ain't no time when your job is 9 to 6."

@thedoohickeys/Instagram

You're STILL just a rung on the boss man's ladder.

Have working conditions really gotten better?

On the one hand, with more work-from-home opportunities, more allowances regarding parental leave, more awareness around the importance of taking days off for mental health reasons, and more businesses adopting four day work weeks…you'd think yes, definitely, things are getting better! 

And yet, it definitely can feel like a one step forward, two steps back situation a lot of the time. Many people still woefully lament unlivable wages, having to take on extra work just to make ends meet, and somehow having most of their lives revolve around working. In many ways, all the progress we’ve made toward productivity hasn’t made the common person any freer. Rather, it only moved the goalpost further. Which, needless to say, is exhausting.

It’s this phenomenon that inspired a “cheeky country music duo” named The Doohickeys to make a modern day revamp of everybody's favorite twangy anti-work anthem: “9 to 5.”

The tune was made famous by Dolly Parton whose character in a movie by the same title bemoaned the common working man/woman’s curse of toiling day in, day out just to essentially be a cog in the corporate greed machine. Serious subject matter…but a very catchy song!

The Doohickeys’ parody cover shows that things have changed a bit…the most notable change of all being that, as the new title suggests, “9 to 5” is out, and “9 to 6” is in.

“Like everyone, we love Dolly’s song ‘9 to 5,’ but we realized that neither of us have ever actually worked those hours — 9 to 6 would be more accurate…Turns out that additional hour struck a chord with viewers ‘cause people started sharing their insane work schedules in the comments, and boy, some of those hours suck!” Doohickey vocalist Haley Brown told Upworthy.

In this version, our singing hero still stumbles outta bed and tumbles to the kitchen. But instead of pouring herself a cup of ambition, she “checks her phone while she eats to see what she’s missin.’”

There’s no time to yawn and stretch, or even take a shower, you see. This working gal has to rush out the door because “there aint no time when your job is 9 to 6.”

Take a listen below. Holy cow, did Brown really nailed Parton’s signature airy twang.

That’s Part 1. In Part 2, The Doohickeys hilariously sing about the foibles of racking up student debt in college. Surely nothing any Gen Xers and Millennials can relate to. Plus, again, the need to work an additional job…which is 8 to 1.

All in all, the Doohickeys seemingly did the impossible by making their own unique version of a beloved, almost untouchable classic song, while still holding onto the original’s essence. It’s unfortunate that we still are having these issues, to be sure. But that’s another conversation.

And while we might not see sweeping improvements to the workplace quite as fast, the Doohickeys did immediately fulfill the people’s request to make a full version of the song, which you can listen to on Spotify.

But wait, there’s even more awesome ditties where that came from. Follow the Doohickeys on Instagram here

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Pop Culture

Watch Patti LaBelle and Dolly Parton harmonize while 'playing' their acrylic nails together

Their voices sound amazing together.

David from Washington, DC (left) Josef Just (right)

Patti LaBelle and Dolly Parton created the genre-busting duet we didn’t know we needed.

If you were to choose two female artists on the opposite ends of the musical spectrum, it wouldn't be a reach to say Dolly Parton and Patti LaBelle. Parton made a name for herself in the country music world long before "crossover artists" diluted the twangy sound of country music to more resemble pop. And Patti LaBelle has long been an R & B, soul and gospel legend, without nary a banjo or yeehaw in sight.

But talent is talent and both of these women have musical talent oozing out of their (highly manicured) fingertips.

A video from 1987 has re-emerged showing the two women talking on Parton's variety show, "Dolly." Parton was explaining to LaBelle how she often uses her fingernails as instruments.

“I write a lot of songs when I don’t have my guitar,” Parton said. “I beat around the dashboard of my car when I’m riding around writing songs, but then I have a little rhythm that we can do with these acrylic nails.”

Then she and LaBelle launched into a nail duet, which morphed into a gorgeous two-part harmony, of the folk classic "Shortnin' Bread."

Watch:

Dolly Parton & Patti LaBelle play 'Shortnin' Bread' on their Acrylic Nails

People loved seeing these big stars' big 80s hair, big nails and big vocal talent.

"Two women who hold a special place in my heart. Probably everyone’s heart," wrote one person.

"I luv how Patty just came right on in with that TIGHT harmony," wrote another. "That's a true vocalist with natural, God given abilities."

"I've always liked Dolly Parton's music, energy, country accent, just her whole vibe. And Patti Labelle is auntie who can shatter crystal with her vocal range," added another.

"Divas. Pure unadulterated talent and joy. God, don't they sound great together? Love you Miss Patti, love you Miss Dolly," shared another.

And by the way, Parton wasn't making a joke when she said she wrote songs with her nails. She literally used them while writing and recording her 1980 hit "9 to 5."

“When I actually wrote ["9 to 5"] I used my acrylic nails on the set when I was writing it. I did because they make noise and it sounded like a typewriter to me,” she told Jimmy Fallon on "The Tonight Show." “I played it on the actual record, it says 'Nails by Dolly' on the album!” she added.

@fallontonight

@Dolly Parton’s nails are credited in #9to5 💅 #FallonFlashback #DollyParton

When musicians have true talent, they can make just about any kind of music sound magical, anywhere, any time, with any instrument—even when all they have are their voices and some fancy fingernails.

It's been nearly 40 years since this clip aired, and both of these rockstar women are still going strong. Dolly Parton has become a beloved national treasure not only for her music and sunny disposition but for her efforts to increase literacy with her Imagination Library book donation program. And "Godmother of Soul" Patti LaBelle has expanded her talents to the business world, launching Patti's Good Life food company in 2007 and growing it into a $200 million venture.

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Pop Culture

A new viral R&B version of Dolly Parton's 'Jolene' is such a beautiful mood setter

It's like a completely new, equally good version of the all-time classic.

Representative Image from Canva, Dolly Parton/Youtube

Brb, listening to this 100x on repeat

As Rolling Stone announced that Beyoncé just became the first Black woman artist to have a song hit No. 1 on Billboard's Hot Country Songs chart, let’s keep the celebration of Black women busting through barriers in the genre going, why not?

Singer/songwriter and producer NYA, aka @nya.w0rld on TikTok, has given her followers all kinds of R&B versions of well known songs from artists like Taylor Swift, Justin Bieber and Avril Lavine. She’s even R&B-ified theme songs from popular television shows like “Friends.”

But it’s her recent R&B ballad of Dolly Parton’s “Jolene” that’s so good, people are hoping it finds its way to the Queen of Country herself.

At the start of the clip, NYA asks her viewers if they’re familiar with the 70s hit, leading into “what would it be like if it was an R&B song?”

NYA proceeds to effortlessly glides through a flurry of high and low notes and a percussive beat plays in the background.

Suffice it to say, even in a sea of “Jolene” covers, NYA delivers a completely new version of the song.

Listen:

 
 @nya.w0rld because not enough of you heard the first vrsn of JOLENE that i did #fypp #throwbacksongs #jolene #dollyparton ♬ original sound - NYA 
 
 

Over 5 million people have watched the video, and that’s not taking into account the other social media platforms that it's been shared to, and many began plotting how this cover could be shared with Parton.

“Someone put this on a cassette player and send it to Dolly Parton,” one fan said.

Another joked “Does anyone have Dolly’s fax number?” referencing the country icon’s famous preference for old school communication.

Perhaps, besides just being a bona fide banger, what makes NYA’s cover resonate so much with listeners is that we are beginning to have a more mainstream conversation about how country music, despite it being rooted in multiple cultures, has predominantly been catered to a white audience.

Those lines are being rightfully blurred now, as more country songs by non-white artists make it into the spotlight, and through meaningful collaborations, such as the iconic Grammys duet of “Fast Car” by Tracy Chapman and Luke Combs.

That’s one of the many great things about music, isn’t it? A song means so much more than the story its lyrics tell. It encapsulates a moment in time. And what this “Jolene” cover seems to contain within it is a merging of new and old in a way that’s oh so timely and important.

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