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A composer died in 2021, but a lab-grown version of his brain is still making new 'music'

Are the haunting tones proof of consciousness after death, or just a beautiful sentiment?

Guy Ben-Ary/YouTube & By Non Event - Alvin Lucier, CC BY-SA 2.0

Alvin Lucier''s "brain" is still composing music 3 years after his death.

I love the gag from Futurama where, when people die, their heads and brains are kept alive in a jar, allowed to carry on forever. Their body may have failed, but in a sense they can live on and on and on (as long as someone's there to lug them around). It's a fascinating idea, and one that's definitely being explored in various ways here in the real world.

For example, did you know that you can upload photos, videos, and audio clips of a deceased loved one and create an incredibly lifelike AI version of them? This may or may not be considered a good thing depending on how you view it, and though it's not true consciousness per se, it can be a frighteningly accurate blurring of the lines. Furthermore, some scientists insist that consciousness does not exist solely in the brain, and that one day we may be able to harness it when the living organs of the body have died. Heavy stuff!


futurama, brain, consciousness, immortality, longevity, scienceMaybe one day our heads will be able to live on in a jar!Giphy

A composer who passed away several years ago was also fascinated by the idea of his consciousness and art living on without him. So he devised a bizarre experiment.

The musician, composer Alvin Lucier, was not content to only make music for the duration of his natural lifetime. So he recruited a team from Harvard Medical School to harvest his stem cells after he passed away

From there, the stem cells were used to grow something resembling a clump of human brain matter. It's not a fully functioning brain, not even close, but it is living tissue derived from the DNA of the late musician. The experiment, then, was to determine just how much of Lucier really existed in this sample.

alvin lucier, composer, musician, music, orchestra, science, brain, immortality, deathAlvin Lucier passed away in 2021 at the age of 90By Non Event - Alvin Lucier, CC BY-SA 2.0

"The central question we want people to ask is: could there be a filament of memory that persists through this biological transformation? Can Lucier's creative essence persist beyond his death?" the team said, per the Art Newspaper.

Neuroscientists and artists teamed up to create an installation — part art, part science — called "Revivification." They connected the "in-vitro brain" to electrodes that would then transmit the electrical impulses generation by the brain matter to twenty humongous brass plates hung around, thus creating music. Or, at least, tones.

You can see the art installation and the behind the scenes in this video. If you want to hear the haunting tones that seem to originate from beyond the grave, you can get a listen at about 3:53.

- YouTubewww.youtube.com

Not only does the "organoid" generate signals that become sound through the brass panels, it also responds to the environment around it. Sound from the art gallery is captured by a microphone and fed back to the little mini-brain, which affects its electrode activity.

That makes the sounds generated inside the experiment totally unique and dynamic. If Lucier really "composing" this music, in a sense? Not really, but the bizarre sounds are being generated, in part, by his genetic material. That makes Revivification an absolutely fascinating blend of art, science, and maybe even a little spiritualism.

Revivification is probably not proof of consciousness after death, and it doesn't claim to be. But it asks interesting questions about the nature of memory, and where our creativity or spirit or soul or whatever you want to call it is really stored.

Perhaps the most touching aspect of the story is Lucier's unwillingness to ever stop creating new art, even after his death at the age of 90. You'd think that would be enough years to fully satisfy his need for self-expression! But not so.

When Lucien's daughter was told about the project, she laughed and said, "This is so my dad. Just before he died he arranged for himself to play for ever. He just can't go. He needs to keep playing."

abbywrenartistry/Instagram

Young girl with alopecia removes her hat in public for first time.

Makeup has the incredible ability to transform and empower. For makeup artist Abby Wren (@abbywrenartistry), her art and alopecia diagnosis changed the life of another special young girl with alopecia named Elyssa.

In a touching video shared by Wren, Elyssa shared the heartwarming story about how the two connected during a one-on-one glam session.

"Today was Elyssa’s FIRST time bald in public!! 🥹," she captioned the post. "I am SO incredibly proud of her courage all day long, and so grateful we caught this special moment together where she bravely pulled off her hat for the first time around other people."

In the video, Elyssa sits across from Wren as she dips her brush into her makeup palette to begin. The two chat, and Wren asks Elyssa if she wants to take her hat off so she can have more space and access to apply while also encouraging her not to be ashamed of her lack of hair. "I don't know. I'm not sure," Elyssa replies wearily. With love and understanding, Wren responds, "You know that it's totally a safe space if you want to take it off."

Although she's encouraged, Elyssa is still unsure. So, Wren adds, "Feel it out. Feel it out. No pressure either way." The man behind the camera comments on how cool Elyssa's brightly colored sweatshirt is, and Wren agrees. "I know, it's so cool. I love it," she says.

Without a moment's notice, Elyssa decides to take off her hat and proudly display her beautiful, bald head. "Yay! My girl, now we're twins," Wren says. "High-five! Girl, I'm so proud of you. That's really, really rad." In a caption within the video, Wren writes, "me: trying to play it cool and not overwhelm her, but freaking out inside. SO proud of her!"

Wren continues to chat with Elyssa as she applies neon green eyeshadow to her. Elyssa replies, "Thank you!" And Wren cannot contain her joy. "We're twins now! So cool! I love it!" The video pans to the two posing together after her glam sesh is complete. Wren added a mushroom and frog to Elyssa's cheeks for a cool-girl final look.

In the caption, Wren shared more about how her interaction with Elyssa impacted her mom. "Her sweet mom and I had an emotional chat later and reflected on how powerful this Alopecia community is, and how important it is to CELEBRATE being different!" she added. "If this brave 10 year old can face her fears, you can too. Forever inspired by these amazing babes! 💗"

And her viewers are ecstatic about the uplifting moment between the two:

"This is incredible. You could just see her confidence grow as she sat with you. I bet she holds onto this interaction for the rest of her life 🩷"

"You are a sweetheart! She trusted you with her insecurities and you helped her be brave. I love this. 💞👏👏."

"Way to go Elyssa!! You are so beautiful and your courage has me in tears. My baby boy also has AT and he owns it, you are an inspiration 🥰."

Cursive is a fading art.

If you're on TikTok, you've more than likely seen "The Cursive Challenge," at some point over the years. Parents–and even teachers–get the Gen Z-ers in their lives to attempt a style of writing that is no longer taught in many schools.

The videos range from people who are truly earnest in their attempt at the challenge to those who are hilariously baffled by the fact that cursive writing even exists at all. One such person was Chaun Domingue (@Chaundomingue on TikTok), who tries to get his Gen Z daughter to pass the test. He gives her a handful of words, and she gives it an honest try until she adorably devolves into a giggling fit. He then shows her how it's done.

@chaundomingue

@maggles_77 trying to write in cursive. 🤣

Even celebrities have gotten in on the fun. On the Cincinnati Bengals TikTok page, a handful of NFL football players give it their all. Handed just a whiteboard and an erasable marker, they're asked to write "Bengals" in cursive. While the first player tries, we hear someone admit, "I haven't written in cursive since, like, fifth grade." They're good sports (of course), and some do a decent enough job, but for the most part, it's a "B" followed by unrecognizable squiggles – which gives everyone a good-natured laugh.

The comment section had some notes. One points out that Chase Brown "had the biggest smile on his face like he was so proud of his work." Another notes that "Mac (Hippenhammer) just adding a bunch of extra end letters."

@bengals

Well… they tried 😅 #cursive #handwriting #nfl #bengals #dailychallenge #itriedmybest

The style of writing remains a hot topic. Over on the Southern Living blog, writers Valerie Fraser Luesse and Zoe Gowen make a case for the style in "5 Reasons Why Everyone Should Know Cursive." The gist of the post, at least for the writers, is that cursive writing is a nostalgic tradition. "Cursive is a lost art. Scratch that. It's an art. It's not lost quite yet. When you write in cursive, you are encouraged to embrace your creative side."

They also maintain that it's faster than writing in print and, quite simply, "It looks nice." "A flowing cursive is one step closer to the art of calligraphy, and it's a necessity if you want to sign your name in a formal fashion."

But many on Reddit seem conflicted. On the subreddit r/stupidquestions, someone essentially asks why we stopped teaching cursive. The top comment answers pragmatically: "Because it’s hard to read, and with the onset of everyone using technology, with the fonts we have on the screens in front of us, it’s just what we’re used to now. Calligraphy is an art, and there are plenty of calligraphy artists online making videos of their work." But they add a hopeful note: "For what it's worth, they still teach cursive in schools, at least in Australia. And GPs (general practitioners) the world over are keeping cursive alive, too."

Another Redditor agrees: "I wrote in cursive until teachers asked me to stop in 7th grade. Students would exchange work and grade each other, but apparently, a number of students had complained they couldn't read my cursive. Even knowing cursive, I struggle to decipher the handwriting from the colonial era. If I am looking at primary sources, it's easier translating ancient Latin than reading English from a personal letter of a 17th-century politician."

cursive, gif, handwriting, cursive writing, calligraphyRed Nails Thank You GIF by Hello AllGiphy

This person adds a technical explanation: "Because today, we have pens which can be lifted without dropping ink, which would screw up writing. Technology evolved, and we adapted to use the fastest way, which is not cursive but some kind of hybrid."

However, some still prefer it. "I'm probably one of the few people who finds it much easier to write in cursive, probably because I was never taught to write in print. For context, I went to primary school in France in the 2010s. I'm not sure if they still teach it now, but I think the majority must still do."

This comment surprisingly got some negative feedback: "Many U.S. states now require cursive as part of the elementary school curriculum. Good! Why? Because it's a 'grown-up' skill that should be a normal part of a child's social education – like self-feeding, potty-training, and self-dressing. Also, because cursive writing is expressive and beautiful. Print is common and clunky. And, as a poet once put it, 'If eyes were meant for seeing, then beauty is its own excuse for being.'"

History (Education)

How a clever French museum director secretly saved the Louvre's artwork from Nazi plunder

When the Germans arrived, they were shocked to find the Louvre emptied of its treasures.

Mariordo (Mario Roberto Durán Ortiz) (left), public domain (right)

The "Mona Lisa" and thousands of other art pieces were hidden around France during WWII.

People can often feel when war is brewing, and some take precautions just in case. A combination of political unrest, bombastic language and sabre-rattling from leaders, on-the-ground shifts in military presence or police activity and other indicators can signal that war is imminent, and in the 1930s, Jacques Jaujard saw the writing on the wall.

The deputy director of French National Museums foresaw Germany's invasion of France before the war even started, and he knew what was likely to happen when they arrived. The Nazis would plunder France's museums and loot the world's art treasures from the Louvre, but Jaujard wasn't about to let that happen. Major artworks started being evacuated from the Louvre in 1938, the year before the war even started.

- YouTubeyoutu.be

On August 25, 1939, Jaujard closed the Louvre for three days "for repairs" and put out and all-hands-on-deck call to pack up the thousands of pieces held in the Louvre—paintings, drawings, statues, vases, tapestries, and more—and put them in hiding. Museum curators, guards, students of the Louvre School, and even employees of a nearby department store helped with the effort.

It was no easy task. Transporting art treasures is an art in itself, since changes in humidity and temperature can damage them.

"They had to improvise, because nothing on such a grand scale had ever been attempted before — and the Louvre was, and remains really, probably the biggest museum in the world,” James Gardner, author of The Louvre: The Many Lives of the World’s Most Famous Museum, told the New York Post.

And it all had to be done in secret, without anyone who might inform the Germans catching wind of it. According to The Collector, between August and December 1939, two hundred trucks transported the Louvre's 3,690 paintings and thousands of statues and antiquities. The "Mona Lisa" was among the treasures evacuated, of course. She left the Louvre cushioned in velvet in an ambulance 10 days before the Germans arrived.

mona lisa, louvre, art, world war twoToday, the "Mona Lisa" sits safely behind glass at the Louvre.Victor Grigas

Throughout the war, the infamous smiling lady would be moved six times to abbeys and chateaux in the French countryside and a small museum in southern France, each time in a temperature-controlled armored van.

“The ‘Mona Lisa’ was like a resistance fighter who’s always trying to stay one step ahead from the approaching German army,” Gardner told the New York Post.

Items from dozens of other museums were also moved and spread throughout France, hidden in castles, chateaux, and abbeys in remote areas where they weren't likely to be discovered by Nazi invaders. Thousands of pieces all had to be categorized, catalogued, and dispersed.

the louvre, art museum, franceThe Louvre was first built in 1793.Benh LIEU SONG

When the Germans finally arrived at the Louvre, they were shocked to find it almost completely empty. They stared at frames with no art in them and some reproductions, such as a plaster copy of the Venus De Milo.

Thankfully, Jaujard and the Louvre's art also had a German ally on their side. Count Franz Wolff-Metternich was a German art historian appointed by Hitler to oversee France's art collection. Metternich, however, was not a member of the Nazi party and apparently did not want to see the world's greatest works of art fall into the hands of art-loving war criminals like Hermann Goering and Joseph Goebbels. Jaujard wrote in his diary that Metternich almost seemed relieved to find the Louvre empty when he arrived in 1940. Throughout the war, he used every means at his disposal to keep the art pieces safe while managing to avoid suspicion that he was trying to prevent them from being looted by the Nazis.

- YouTubeyoutu.be

The clandestine conspiracy to keep the Louvre's treasures safely away from Hitler's clutches worked. Though the Nazis stole thousands of pieces of art during the war, largely from Jewish families' private collections, they were unsuccessful in finding and taking the art that Jaujard and his colleagues had hidden.

In 1944, Jaujard was appointed Director of the French Order of Arts and Letters and helped establish the French Commission on Art Recovery. He would later become Secretary General of the Ministry of State in charge of cultural affairs. For his services during the war, he was awarded the Medal of the Résistance and named a Commander of the Legion of Honor.

Not too shabby for a man who dedicated his life to preserving and protecting the world's most beloved artwork.