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Education

Judge rules Tulsa massacre reparations lawsuit can proceed for the three remaining victims

Judge rules Tulsa massacre reparations lawsuit can proceed for the three remaining victims

I learned about the Tulsa race massacre in graduate school and I was shocked that my previous education had failed me, but I realized it wasn't just me. Turns out that most students didn't learn about the history of Tulsa’s Black Wall Street and the atrocities that occurred to set the residents back. Surprisingly, even students in Oklahoma didn’t learn about what happened in the bustling, prosperous Black community in 1921. Just over 100 years ago, an angry white mob descended on Tulsa’s Greenwood District, the small Black community that had amassed wealth in the 56 years following the Emancipation Proclamation being signed. The community was entirely self-sufficient with its own barber shop, bank, grocery store, newspaper and school. There were even doctors and real estate agents, which allowed the community to exist without needing to depend on outsiders.

When the white mob came to town, they burned the entire community to the ground and killed around 300 people, historians surmised. The city lay in ruins for years as the state focused on building up the more predominantly white areas and refused to allocate resources. Insurance companies wouldn't pay out claims to rebuild the once thriving community. Residents of Greenwood felt the effects of this for generations. Today, there are three surviving members of Black Wall Street—Lessie Benningfield Randle, 107, Viola Fletcher, 107, and Hughes Van Ellis, 101—and a judge just ruled that their lawsuit seeking reparations can proceed.


This is a huge victory for the three because not only will they see justice in their lifetime, it will finally be monetary recognition of the generational setbacks Black people endured. Reparations is always a prickly subject to delve into, because we’ve been told our entire lives that if you want to make it in America, everyone has the same opportunity to pull themselves up by their bootstraps. As a result, people feel that descendants of the enslaved, including the last three Tulsa massacre survivors, are getting something undeserved without work.

Reparations is something that was promised from the beginning to help level the playing field. Most people understand that property is an investment and a way to create generational wealth. Enslaved African Americans were promised up to 40 acres of land per family after being freed but the land was ordered to be returned by Andrew Johnson, Lincoln's successor. Returning the land allowed white citizens and slave owners the ability to continue to create generational wealth, the effects of which can still be felt today. There have been other instances that play into the racial wealth gap in America such as redlining, Jim Crow, mass incarceration and so on, so the possibility of at least the survivors getting reparations is a reason to celebrate.

If the three elderly Tulsa Massacre survivors win their case, it will not only provide reparations for them, but for their descendants as well. Civil rights attorney Damario Solomon-Simmons told the Associated Press, “We want them to see justice in their lifetime,” as he choked back tears. “I’ve seen so many survivors die in my 20-plus years working on this issue. I just don’t want to see the last three die without justice. That’s why the time is of the essence.”

The court room was packed and cheers echoed in the chambers when the judge ruled the case could move forward. Winning this case would not only be justice for the survivors but a positive moment in history to witness.

Finally, someone explains why we all need subtitles

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So if you've been wondering if it's just you who needs subtitles in order to watch the latest marathon-worthy show, worry no more. Vox video producer Edward Vega interviewed dialogue editor Austin Olivia Kendrick to get to the bottom of why we can't seem to make out what the actors are saying anymore. It turns out it's technology's fault, and to get to how we got here, Vega and Kendrick took us back in time.

They first explained that way back when movies were first moving from silent film to spoken dialogue, actors had to enunciate and project loudly while speaking directly into a large microphone. If they spoke and moved like actors do today, it would sound almost as if someone were giving a drive-by soliloquy while circling the block. You'd only hear every other sentence or two.

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