+
A PERSONAL MESSAGE FROM UPWORTHY
We are a small, independent media company on a mission to share the best of humanity with the world.
If you think the work we do matters, pre-ordering a copy of our first book would make a huge difference in helping us succeed.
GOOD PEOPLE Book
upworthy

celebrity

Watching Reynolds keep a brave face while Jackman hopelessly struggles is everything.

Ryan Reynolds and Hugh Jackman ended their promotional journey for “Deadpool and Wolverine” truly in the spiciest way possible.

The superhero duo appeared in the latest episode of “Hot Ones,” the internet’s favorite interview series where guests eat increasingly spicier hot wings while answering burning questions. And boy, torture never looked so good.

At first, each held their own as they discussed how the movie actually began as a fake-out plan.


“The original idea with this movie was to shoot a fake movie called 'Alpha Cop,' that was intentionally bad… It was about two guys that were sharing one brain and together they make the perfect cop…and the poster says ‘Alpha Cop: two cops, one brain, all balls,’” Reynolds explained to “Hot Ones” host Sean Evans.

“And it was meant to be kind of like horrible. Like 10 people in America would go to see this movie on opening weekend and five minutes into the movie the Marvel logo would flip up and it would actually be ‘Deadpool & Wolverine.’”

There was also a chat about former jobs, where Jackman (already beginning to tear up from the heat) recalled being a clown-for-hire.

“I literally rented a clown outfit…and we had no skills, literally no skills…I broke my rule and I did an 8-year-old’s party. I always knew they were going to find me out and he found me out and this kid yelled to his mom, ‘Mom, this clown is crap.' And I’m like ‘Shut up, kid.'”

Then around the halfway point, hilarious chaos ensued. Though both suffered through the latter rounds, poor Jackman was clearly more victimized. Poor fella goes though all the stages of spice grief—tears, sweat, uncontrollable shimmies, delirious laughter…even bargaining.

Ryan Reynolds and Hugh Jackman Go Claws Out While Eating Spicy Wings | Hot Oneswww.youtube.com

"It tastes angry," Jackman said of the sixth hot sauce. "You know what I'm gonna eat? A bag of rusty razors that's what I'm gonna eat."

Reynolds, on the other hand, was doing far better at keeping his cool. As well as his sarcasm.

"Hugh has never felt physical pain so for him as a pampered starlet, this is important, an important rite of passage," he quipped.

This dynamic was, undoubtedly, everybody’s favorite aspect of the interview.

“The funniest part is watching Ryan provide deep, in-depth responses to Sean's questions and Hugh just fighting for his life in the background,” one viewer said.

Another echoed, “Ryan cracking jokes and Hugh just fighting to survive is funnier than it has any right to be. This is one of my favorite ones to date.”

Some else astutely wrote, “You know the friendship is real by how much they enjoy seeing each other suffer. Like brothers, really.”

But of course, even though Reynolds and Jackman have projected animosity toward each other for laughs, underneath all those jabs is a true friendship.

"Most of our conversations are very vulnerable,” Reynolds revealed.

Jackman even praised Reynolds as a “great father, great family, great family, loves his job, loves his work.”

He continued, “and I don't have anything -- apart from making me do this and he said if you don't I'm gonna just disparage you and make fun of you and tell all of Australia that you just didn't have the guts and Canada is better -- but apart from that, I have nothing. There's nothing [bad to say]."

As Evans put it, they bravely “climbed the hot sauce mountain together,” and we love them all the more for it.

Joy

What exactly were Mister Rogers' views towards the LGBTQ community?

In many ways, Rogers was well ahead of his time, boldly pushing boundaries in the right directions.

Screenshot via YouTube official trailer, "Won't You Be My Neighbor?"

Mister Rogers consistently shared love and kindness.

A few nights ago, I was sitting in a dark theater — popcorn in hand and tears leaking down my face — embarrassingly bent out of a shape from a movietrailer. Fred Rogers was to blame.

The whimsical theme song to "Mister Rogers' Neighborhood" concluded a short but powerfully nostalgic preview for the new documentary about the soft-spoken star, "Won't You Be My Neighbor?" And yeah, I'd morphed into a teary-eyed hot mess in a matter of seconds.



A question popped into my queer little brain right then, though, and I'm not entirely sure why:

Could Rogers have quietly been a homophobe?

He was a religious dude who grew up in a wildly different era than today. It's a toxic combination that, if we're overgeneralizing and I reflect on my personal experience, tends to produce the worst kinds of homophobes. Had the former Presbyterian minister been as saintly to queers like me as he'd been to seemingly everyone else?

I needed answers! So I went searching.

big-hearted, television show, compassion, counterculture

History suggests Rogers saw humanity in LGBTQ community.

Photo pulled from YouTube official trailer, "Won't You Be My Neighbor?"


But first, let it be known that I respect Rogers and cherish the mark his big-hearted series left on me and generations past; I certainly wasn't looking for justifications to write a "Mister Rogers" hit piece. In a dark and dreary world, Rogers was a reliably bright light, and I wanted whatever I discovered to confirm my suspicions that the beloved children's advocate was a benevolent force for good — and nothing else.

But one thing I've come to learn as a jaded gay man is that the more flawless a fave of mine seems to be, the harder they fall from the high pedestal I've placed them on once their shortcomings inevitably air. Rogers could very well be the latest victim of my hero-worshipping, I warned myself, opening a Google tab with a preemptive cringe.

Here are the two big things I discovered:

1. Rogers' unfaltering kindness and compassion certainly extended to the LGBTQ community.

Rogers didn't go on the record with specific opinions about LGBTQ people or the matters that affect them (at least from what I could find). But others have reported their experiences with him on the topic. By putting those puzzle pieces together, I would confidently argue that Rogers saw the humanity in LGBTQ people.

He didn't let his faith box him into any certain ideology regarding gay people or their rights. Michael G. Long, who authored the biographical "Peaceful Neighbor: Discovering the Countercultural Mister Rogers," noted Rogers' church in Pittsburgh was and continues to be inclusive to the LGBTQ community. Rogers' widow, Joanne, has said her husband had close friends who were gay, according to Slate.

He also stood strong against outside pressures to use his platform to condemn same-gender relationships, according to Vox's Todd VanDerWerff. Panning homosexuality likely would have been applauded by many parents tuning in, as mainstream America widely embraced homophobic attitudes throughout much of Rogers' reign.

But doing such a thing on-air never felt right to the sweater-loving saint. "He felt everybody was, in some way, a reflection of God," VanDerWerff wrote.


2. But Rogers wasn't immune to the backward views society has held of queer people.

While Rogers hired and befriended Francois Clemmons — a gay man who played Officer Clemmons in the series for 25 years — he didn't necessarily want the show associated with Clemmons' sexual orientation, either.

After word got back to Rogers that Clemmons had been spotted in a gay bar, Rogers asked the actor to avoid such venues, fearful Clemmons' sexuality would bring negative attention to the show.

"It was not a personal statement of how he felt about me," Clemmons assured UU World in 2016, noting the two remained close friends. "It had to do with the economics of the show."

Rogers urged him to stay in the closet, believing Clemmons' sexuality may alienate viewers. He encouraged him to marry a woman, too. Clemmons did — and the relationship ended in divorce a few years later.

It's difficult to reconcile the harmful actions of an icon who lived in a different time.

I wish Rogers had addressed Clemmons' predicament differently, of course. I wish he'd celebrated Clemmons' queerness on screen and off and allowed the actor to sashay his way on stage one trailblazing episode, rainbow flag held high.

But that's the thing: The rainbow flag wasn't associated with LGBTQ pride when Clemmons considered leaving the closet, because LGBTQ pride wasn't even a thing in those pre-Stonewall days (at least in the mainstream). It's not reasonable for me to expect a straight, cisgender man — even a superhero like Rogers — to possess a visionary moral compass and will to champion queer rights half a century before same-gender marriage even became normalized.

Rogers was extraordinary — but he wasn't a social justice clairvoyant.

Mister Rogers' empathetic nature pushed him, and his viewers, to be bold and continually grow in wonderful ways.

It's what has helped enshrine my appreciation for him and his show.

He adored kids and relentlessly fought for their wellbeing. His show regularly took on important and tough topics, like racism, the messiness of divorce, and the importance of inclusion. In many ways, Rogers was well ahead of his time, boldly pushing boundaries in the right directions.

Even on queer issues, Rogers evolved as time went on.


As Long wrote for HuffPost in 2014, Rogers' perspective on Clemmons' sexuality shifted throughout the years:

"Rogers evidently believed Clemmons would tank his career had he come out as a gay man in the late 1960s. But — and this is a crucial point —Rogers later revised his counsel to his younger friend. As countless gays came out more publicly following the Stonewall uprising, Rogers even urged Clemmons to enter into a longterm and stable gay relationship. And he always warmly welcomed Clemmons’ gay friends whenever they visited the television set in Pittsburgh."

I can't speak for Mister Rogers, of course. But he was the one who always told me, "I like you just the way you are."

If he were around today, I'd like to think queer kids would feel right at home in his neighborhood, too.

Watch the trailer (that made me cry) for "Won't You Be My Neightbor?" below:

This article was written by Robbie Couch and originally appeared on 06.07.18


"OK Boomer" is a catchphrase that has come to perfectly encapsulate the generational divide in modern American politics. It has also led to some moments of pure comedy gold.

But it turns out that one of the great all-time standup comedic minds was literally decades ahead of the game when it came to dragging Boomers for selfish, hypocritical, and entitled behavior. In his 1996 stand up special "Back in Town" George Carlin devoted a glorious two minutes and twenty-seven seconds to putting Boomers in their place.


"A lot of these cultural crimes I'm complaining about can be blamed on the Baby Boomers," Carlin says, beginning what would become a now legendary rant.

"I'm getting tired of hearing about Boomers," Carlin continues. "Whiny, narcissistic, self-indulgent people with a simple philosophy: 'GIMME IT, IT'S MINE!' 'GIMME THAT, IT'S MINE!' These people were given everything. Everything was handed to them. And they took it all: sex, drugs, and rock and roll, and they stayed loaded for 20 years and had a free ride."

assets.rebelmouse.io

"But now they're staring down the barrel of middle-age burnout, and they don't like it. So they've turned self-righteous. They want to make things harder on younger people. They tell 'em, abstain from sex, say no to drugs; as for the rock and roll, they sold that for television commercials a long time ago...so they could buy pasta machines and Stairmasters and soybean futures."

Or, as one person on Reddit commented on Carlin's video: "My feeling about baby-boomers is that they were one of the first generations to really adulate and idolize the idea of youth, and youth empowerment but when they themselves reach senior ages their own ideas were working against them so they changed to demonizing youth."

But Carlin wasn't done there. He says the Boomers have not only become hypocrites, they turned their own generational shift into cutthroat, corporate catchphrases that guilt and shame others who don't comport to their world view.

"You know something? They are cold, bloodless people," Carlin says.

"These people went from 'Do Your Own Thing' to 'Just Say No.' They went from 'Love is All You Need' to 'Whoever Winds Up With the Most Toys, Wins.' And they went from cocaine to Rogaine."

Carlin's bit concludes in epic fashion with an all-encompassing take down that applies to, well, literally everyone. But the next time you hear a Boomer ridiculing young people or defending their own legacy, just show them this clip and remind them that Boomer criticism is something that transcends age, gender or race. Heck, even if you're from the Boomer generation, this clip is just too good to not enjoy and share.

This article originally appeared on 02.20.20

"The Tonight Show Starring Jimmy Fallon"/Youtube

Coco is back, baby.

Conan O’Brien had a blink-and-you-missed-it run as “Tonight Show” host. After only a year, he was unceremoniously laid off in 2010 by NBC due to a contractual dispute and replaced by former host Jay Leno, followed by Jimmy Fallon in 2014.

But despite his short-lived reign, O’Brien cemented himself as a wickedly funny and whip smart performer, as well as a master of recurring gags, self-deprecating humor and engaging conversation…not to mention developing a reputation for being a pretty great guy off the air.

Which is why fans were excited to see O’Brien appear as a “Tonight Show” guest for Tuesday’s episode, marking a return to his old stomping grounds for the first time in 14 years. And let’s just say…O’Brien’s comeback did not disappoint.


During parts of the interview, O’Brien exuded that same amount of candid poise that he famously maintained throughout the 2010 controversy. Like when he talked about podcast “Conan O’Brien Needs a Friend,” the project that followed his “Tonight Show” exit, he said he still considered hosting a late-night show “the best job in the world,” but shared his appreciation for the podcast format since it allows for longer, more in-depth conversations with guests.

But along with all the sentimentality were trademark rapid fire zingers and absurdly dramatic outbursts, especially when talking about how “weird” it felt to be back at Rockefeller Center.

"I was here for 16 years doing the ‘Late Night’ show," O'Brien told Jimmy Fallon (both “Late Night” and “The Tonight Show” filmed in the same building.

"When someone else is in your studio it feels weird. So I walked in and said, 'Who's in my old studio?' And they said 'Kelly Clarkson'. And I love Kelly Clarkson, who doesn't love Kelly Clarkson? But still I felt like, IT'S NOT RIGHT! BLASPHEMY! THEY SHOULD HAVE BURNED IT TO THE GROUND!"

"And then Kelly came out to say hi and I said, DON'T TALK TO ME! YOU MAKE ME SICK!!"

Man, O'Brien really knows how to commit to the bit. Watch:

O’Brien’s interview was so well received that fans seemed to fall in love with him all over again.

“Conan returns to the Tonight Show in TRIUMPHHH being one of the greatest of all time.”

“Conan is going down in history as one of the greatest to ever do it!”

“Conan's career is a true testament to the saying ‘Everything happens for a reason.’”

“This hit me right in the feels.”

“The man's a national treasure, give him everything.”

If you’re left wanting even more Coco, O’Brien has a new series, “Conan O’Brien Must Go,” which debuts on April 18 on Max. Talk about a full circle moment.