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'Lady Bird' director commits to never working with Woody Allen again in a firm statement.

After sidestepping questions about past work with Allen, the 'Lady Bird' director makes her position clear.

'Lady Bird' director commits to never working with Woody Allen again in a firm statement.

Greta Gerwig and her film "Lady Bird" had a big night the Golden Globe Awards.

The film landed the award for Best Motion Picture (Musical or Comedy), and star Saoirse Ronan nabbed that category's Best Actress designation. Though Gerwig, who wrote and directed the film, was snubbed when it came to Best Director honors — somehow, she wasn't even nominated — it was a great night for her work.

Gerwig, flanked by "Lady Bird" stars Laurie Metcalf (L) and Saoirse Ronan (R) take photos after winning the award for Best Motion Picture, Musical or Comedy, during the 2018 Golden Globe Awards. Photo by Frederick J. Brown/AFP/Getty Images.


Like many in Hollywood, Gerwig wore black to the awards in solidarity with others pushing back on sexual harassment and assault in the entertainment industry — which made one of the post-awards questions she received a bit awkward.

Backstage at the awards, BuzzFeed reporter Susan Cheng asked Gerwig a question about her past decision to work with Woody Allen, who has been accused of molesting his adoptive daughter Dylan Farrow when she was just 7 years old. Gerwig and Allen both worked on 2012's "To Rome With Love." Her answer to Cheng's question left a lot to be desired.

"It’s something that I have thought deeply about, and I care deeply about ... and I haven’t had the opportunity to have an in-depth discussion where I come down on one side or the other, but it’s something that I’ve definitely taken to heart," she told Cheng.

It echoed a similar response she delivered in a November interview with NPR's Terry Gross, in which she deflected a bit from the question at hand.

Before the show, Farrow wondered why Time's Up and the #MeToo movement had spared her father.

"I thought it would make a difference," she wrote, referring to a 2014 post detailing the abuse Allen had inflicted on her. "I thought things would change. I learned quickly (and painfully) that my optimism was misplaced. His time wasn’t up."

"The people who join this movement without taking any kind of personal accountability for the ways in which their own words and decisions have helped to perpetuate the culture they are fighting against, that’s hard for me to reconcile," she told BuzzFeed, a nod to many of the actors who've continued to work alongside her father.

Gerwig and Allen at the 2012 premiere of "To Rome With Love." Photo by Jason Merritt/Getty Images.

On Jan. 9, Gerwig finally addressed the issue head-on in an interview with The New York Times, acknowledging the cognitive dissonance involved in some of her past statements.

Asked whether people who've been outed as sexual predators — such as Allen, Kevin Spacey, and Roman Polanski — should ever work again, Gerwig seized the opportunity to issue a firm, unambiguous statement on her personal employment history with Allen.

"I would like to speak specifically to the Woody Allen question, which I have been asked about a couple of times recently, as I worked for him on a film that came out in 2012. It is something that I take very seriously and have been thinking deeply about, and it has taken me time to gather my thoughts and say what I mean to say. I can only speak for myself and what I’ve come to is this: If I had known then what I know now, I would not have acted in the film. I have not worked for him again, and I will not work for him again. Dylan Farrow’s two different pieces made me realize that I increased another woman’s pain, and I was heartbroken by that realization. I grew up on his movies, and they have informed me as an artist, and I cannot change that fact now, but I can make different decisions moving forward."

Gerwig speaks on stage after winning Best Picture, Comedy or Musical, at the Golden Globe Awards. Photo by Paul Drinkwater/NBCUniversal via Getty Images.

Compared to what usually passes for a statement of clarification or apology in the entertainment industry, this was really, really good. A lot has changed in the world since 2012, and even since November 2017, and it's fair to say that Gerwig has grown a lot in the years after "To Rome With Love" came out. She can't change her decision to work with Allen in the past, but she can commit to using what she now knows to inform what she does in the future.

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After years of service as a military nurse in the naval Marine Corps, Los Angeles, California-resident Rhonda Jackson became one of the 37,000 retired veterans in the U.S. who are currently experiencing homelessness — roughly eight percent of the entire homeless population.

"I was living in a one-bedroom apartment with no heat for two years," Jackson said. "The Department of Veterans Affairs was doing everything they could to help but I was not in a good situation."

One day in 2019, Jackson felt a sudden sense of hope for a better living arrangement when she caught wind of the ongoing construction of Veteran's Village in Carson, California — a 51-unit affordable housing development with one, two and three-bedroom apartments and supportive services to residents through a partnership with U.S.VETS.

Her feelings of hope quickly blossomed into a vision for her future when she learned that Veteran's Village was taking applications for residents to move in later that year after construction was complete.

"I was entered into a lottery and I just said to myself, 'Okay, this is going to work out,'" Jackson said. "The next thing I knew, I had won the lottery — in more ways than one."

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There have been many iconic dance routines throughout film history, but how many have the honor being called "the greatest" by Fred Astaire himself?

Fayard and Harold Nicholas, known collectively as the Nicholas Brothers, were arguably the best at what they did during their heyday. Their coordinated tap routines are legendary, not only because they were great dancers, but because of their incredible ability to jump into the air and land in the splits. Repeatedly. From impressive heights.

Their most famous routine comes from the movie "Stormy Weather." As Cab Calloway sings "Jumpin' Jive," the Nicholas Brothers make the entire set their dance floor, hopping and tapping from podium to podium amongst the musicians, dancing up and down stairs and across the top of a piano.

But what makes this scene extra impressive is that they performed it without rehearsing it first and it was filmed in one take—no fancy editing room tricks to bring it all together. This fact was confirmed in a conversation with the brothers in a Chicago Tribune article in 1997, when they were both in their 70s:

"Would you believe that was one of the easiest things we ever did?" Harold told the paper.

"Did you know that we never even rehearsed that number?" added Fayard.

"When it came time to do that part, (choreographer) Nick Castle said: 'Just do it. Don`t rehearse it, just do it.' And so we did it—in one little take. And then he said: 'That's it—we can't do it any better than that.'"

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We're redefining what normal means in these uncertain times, and although this is different for all of us, love continues to transform us for the better.

Love is what united Marie-Claire and David Archbold, who met while taking a photography class. "We went into the darkroom to see what developed," they joke—and after a decade of marriage, they know firsthand the deep commitment and connection romantic love requires.

All photos courtesy of Marie-Claire and David Archbold

However, their relationship became even sweeter when they adopted James: a little boy with a huge heart.

In the United States alone, there are roughly 122,000 children awaiting adoption according to the latest report from the U.S Department of Health and Human Services. While the goal is always for a child to be parented by and stay with their biological family, that is not always a possibility. This is where adoption offers hope—not only does it create new families, it gives birth parents an avenue through which to see their child flourish when they are not able to parent. For the right families, it's a beautiful thing.

The Archbolds knew early on that adoption was an option for them. David has three daughters from a previous marriage, but knowing their family was not yet complete, the couple embarked on a two-year journey to find their match. When the adoption agency called and told them about James, they were elated. From the moment they met him, the Archbolds knew he was meant to be part of their family. David locked eyes with the brown-eyed baby and they stared at each other in quiet wonder for such a long time that the whole room fell silent. "He still looks at me like that," said David.

The connection was mutual and instantaneous—love at first sight. The Archbolds knew that James was meant to be a part of their family. However, they faced significant challenges requiring an even deeper level of commitment due to James' medical condition.

James was born with congenital hyperinsulinism, a rare condition that causes his body to overproduce insulin, and within 2 months of his birth, he had to have surgery to remove 90% of his pancreas. There was a steep learning curve for the Archbolds, but they were already in love, and knew they were committed to the ongoing care that'd be required of bringing James into their lives. After lots of research and encouragement from James' medical team, they finally brought their son home.

Today, three-year-old James is thriving, filled with infectious joy that bubbles over and touches every person who comes in contact with him. "Part of love is when people recognize that they need to be with each other," said his adoptive grandfather. And because the Archbolds opted for an open adoption, there are even more people to love and support James as he grows.

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You know that feeling you get when you walk into a classroom and see someone else's stuff on your desk?

OK, sure, there are no assigned seats, but you've been sitting at the same desk since the first day and everyone knows it.

So why does the guy who sits next to you put his phone, his book, his charger, his lunch, and his laptop in the space that's rightfully yours? It's annoying!

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via Seresto

A disturbing joint report by USA Today and the Midwest Center for Investigative Reporting found that tens of thousands of pets have been harmed by Seresto flea and tick collars. Seresto was developed by Bayer and is now sold by Elanco.

Since Seresto flea collars were introduced in 2012, the EPA has received incident reports of at least 1,698 pet deaths linked to the product. Through June 2020, the EPA has received over 75,000 incident reports relating to the collars with over 1,000 involving human harm.

The EPA has known the collars are harming humans and their pets but failed to tell the public about the dangers.

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