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'The Greatest Night in Pop' reveals the making of 'We Are the World,' and it is riveting

From Stevie Wonder reminding Bob Dylan how to be Bob Dylan, to Diana Ross wanting Daryl Hall's autograph, to Waylon Jennings walking out in protest, it's a must-watch.

Dozens of top artists of the 80s joined forces to raise money for famine-stricken Africa in 1985.

Every Gen Xer and baby boomer remembers how big of a deal "We Are the World" was when it came out in 1985. The USA for Africa project brought together dozens of the era's most famous musicians to record the song, which raised millions of dollars in aid for famine-stricken Ethiopia and became an anthem for the global fight against hunger. (A painfully cheesy anthem by modern standards, but this was the 80s, after all. Cheese was the order of the day.)

The music video was filmed during the studio recording of the song, showing superstars like Michael Jackson, Bruce Springsteen, Cindy Lauper, Tina Turner, Stevie Wonder, Kenny Rogers, Kenny Loggins and more. And up until now, that felt like the story—these musicians all got together to record the song, they did, it was epic, the end.

But there is soooo much more to the story than that, as showcased in the Netflix documentary, "The Greatest Night in Pop." And it is absolutely, 100% worth a watch.


Lionel Richie serves as the main storyteller in the documentary, which is fitting since he was one of the main orchestrators of the project. He and Michael Jackson wrote the song—which is an entire story in and of itself. They thought they had plenty of time, and then they learned they needed to have it written and ready to record by the following week. There was a fight at Michael Jackson's house between his dog and his talking bird during the songwriting process. At another one point, MJ's enormous pet snake got lost and scared the bejeezus out of Lionel Richie by knocking over some albums and hissing behind him.

Richie talks glowingly about Jackson's incredible talents, but Richie deserves a shout out as well for his energy and endurance. "We Are the World" was recorded overnight and into the morning after the American Music Awards ended. That night, Richie served as the host of the AMAs, performed two songs there, won multiple awards during the ceremony, and then hightailed it to A&M Studios to record "We Are the World," which he co-wrote. And on top of all of that, he served as a handler of sorts for the multiple personalities who were there in that room, keeping everyone on task and focused without being heavy-handed about it. It's genuinely impressive to witness.

But seeing how these big musicians acted when they were all in a room together is the most delightful part of the documentary. Quincy Jones had put up a handwritten sign telling everyone to "Leave your ego at the door." Easier said than done in a group like that, but at the same time, these huge stars were starstruck themselves. We see it over and over again, these household names giddy over meeting their idols, feeling shy around one another, being nervous about their solos and other evidences of oh-so-obvious humanness.

Huey Lewis describes how his legs shook when it came time to sing his solo part—which was originally supposed to go to Prince, who never showed. Diana Ross went up to Daryl Hall and asked for his autograph, telling him she was his biggest fan, prompting the whole group to start signing one another's music. They all spontaneously sang "Day-O" to Harry Belafonte to celebrate him, as it was his advocacy that had initially prompted the project. Seeing how much these artists admired one another is really sweet.

But there were some snags along the way, too, which are equally interesting to watch play out. At one point, Stevie Wonder tried to insert some lyrics in Swahili into the song, which prompted country singer Waylon Jennings to bail on the whole project, reportedly saying, "No good old boy sings in Swahili.” (The idea was nixed anyway, as Swahili isn't spoken in Ethiopia and, as Bob Geldof pointed out, they weren't singing to the people they were helping, but rather to the people who had the means to give.)

Bob Dylan appears to be completely out of it through much of the night—a fact that has led to plenty of stoner jokes over the years. But by the end, we see that Dylan was just completely out of his element in a room full of genuine singers, and it took Stevie Wonder literally mimicking him to get Dylan to feeling comfortable performing his part in the song.

The whole documentary is worth a watch to witness the creative chaos of the process, the drama that inevitably comes up when big personalities get together and the bonds that were built through this heartfelt project. Leveraging fame and utilizing art to save lives was a beautiful idea, and seeing it all come together is really something.

"The Greatest Night in Pop" can be seen on Netflix. Highly recommend.

Michael Jackson's 1984 Grammys acceptance speech.

Michael Jackson was an icon, it seems since he was born. The way he captivated audiences with his dance moves and larger-than-life stage presence stood in contrast to how shy the late star was when he wasn't performing. In a resurfaced video of his Grammy acceptance speech, you get to see quite how shy he was and also how important family was to him.

In 1984, Jackson broke records with his seventh Grammy win and when he got up to the microphone his face flushed as he smiled nervously. It's a smile that was contagious. Before he began his speech, he asked for his sisters to join him on the stage.

After La Toya joined him, he waited for his other two sisters, Janet and Rebbie, to join him on the stage. The whole moment is sweet as he points out his mother, who he says is too shy to come to the stage.


Jackson then tells the crowd, "I have three sisters. I'd also like to thank all my brothers who I love very dearly, including Jermaine." His sisters giggle behind him and the camera pans to his brother sitting in the crowd. Judging by the siblings' reactions, it must've been some inside joke at the time that I'm too young to be privy to.

Jackson thanked people he forgot during his last acceptance speech, including Quincy Jones' wife Peggy for her help on the "E.T." album. As the speech came to a close he asked his sisters if he should take his glasses off after he revealed that he told Katharine Hepburn he would. The crowd went wild as he pulled them down just for a second.

Check out the video below:

Alien Ant Farm's "Smooth Criminal" cover still rocks.

When Micheal Jackson released "Smooth Criminal" in 1988, I was a 13-year-old named Annie. As you can imagine, the "Annie, are you okay?" jokes came fast and furious, and they haven't let up much in the three and a half decades since.

It's all good. Those jokes gave me a respite from the "Annie get your gun" and "little orphan Annie" ones, and besides, it's a great song. It wasn't Jackson's biggest hit, but it was always my favorite, and not just because it bore my name. The music video—a nine-minute, dance-heavy mini-movie set in the 1930s gangster era—made it even better.

But apparently, mentioning "Smooth Criminal" or "Annie, are you okay?" to the younger folks doesn't conjure up the zoot suits and dimly lit speakeasy images it does for me. For them, it brings up images of an alternative rock punk band playing in a … boxing ring?


In 2001, a band called Alien Ant Farm did an alternative/punk cover of "Smooth Criminal" that has repeatedly gone viral since then. In fact, it went viral in June 2022 and then again this week, when Lindz McLeod on Twitter asked if anyone would recognize the lyrics, "Annie are you okay, are you okay, Annie?" without looking them up. (Ahem.) Some people, seriously or jokingly, pointed to the Alien Ant Farm cover as the source.

The Alien Ant Farm "Smooth Criminal" video is actually an homage to Michael Jackson, though the folks that didn't grow up in the MJ era may miss many of the small details that point to him. Watch and see how many Michael Jackson references you can find:

The kid dancing while wearing a mask has a whole different feel now than it did when the video came out, for sure. Seems downright prescient, in hindsight.

The masked kid was the one part of the Alien Ant Farm video that Michael Jackson himself took issue with at first. (Michael Jackson would often wear a face mask in public, long before it became a pandemic habit.) The band shared that story in an interview with Los Angeles Times:

"When you asked if we had any reservations of how it would be received, the only person we were mindful of was Michael Jackson himself. We were kind of worried. We sent the video to MJ to get his nod of approval. And he commented back that he didn’t really dig the kid with the mask. I think MJ wore that mask because of all of his failed surgeries. We were like, 'Oh s—, maybe we should remove it.' We were already on tour. But a few weeks later, the director of the video [Marc Klasfeld] went to the same street, got a bunch of the extras together and reshot the dancing kid without the mask. We went through quite a bit of money and bulls— to make sure that we were appeasing Michael Jackson. We sent it back to him a few weeks later with the kid with no mask and he said, 'You know what? I like it better with the mask!'"

The Alien Ant Farm "Smooth Criminal" video has racked up a whopping 257 million views on YouTube alone since it was shared in 2009. People say it's a perfect representation of the early 2000s, both the sound and the visuals.

Some people have also said they prefer the Alien Ant Farm version to the original, which feels a bit blasphemous, but whatever. It's a great cover—the band did an admirable job of keeping the overall elements of the original while adding their own sound to it—but there's just nothing like Michael Jackson's original. Enjoy:

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What are Alison and Tod talking about this week? A TikTokker who sounds just like Michael Jackson, funny terms kids use and things people prefer to do “the old-fashioned way.” Listen and subscribe today!

Upworthy Weekly podcast for August 13, 2022