What’s it like for a Black man to train white folks to be anti-racist?

Doyin Richards started off as “the dad guy talking about fatherhood” with his blog, Daddy Doin’ Work. He spent several years sharing his fatherhood experiences, had a photo of him combing his 2-year-old’s hair while wearing his baby in a baby carrier go viral in 2014, and published a book about dads empowering moms that…

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ArrayPhoto credit: Doyin Richards

Doyin Richards started off as “the dad guy talking about fatherhood” with his blog, Daddy Doin’ Work. He spent several years sharing his fatherhood experiences, had a photo of him combing his 2-year-old’s hair while wearing his baby in a baby carrier go viral in 2014, and published a book about dads empowering moms that same year.

“Then the world changed in 2016,” Richards says. “It’s not that the world changed—this stuff has always been bubbling under the surface—but then it just exploded.”

Richards had always been an anti-racist activist, but when the Black Lives Matter movement pushed anti-racism into the mainstream, he started using his platform more and more to help move anti-racism education and activism along.

It hasn’t been an easy road. Richards is open about his mental health struggles and the depression that took him to a “dark, dark place” a couple of years ago. When he found himself seriously contemplating suicide, he recognized he had a problem and got help. Now, he writes about all of it—fatherhood, mental health, racism, and even his new puppy—on his Facebook page.


Richards and his two daughters. Doyin Richards

In June, Richards launched a training program for white Americans who are new to anti-racism activism—the Anti-Racism Fight Club. For adults, the Fight Club “initiation” is a 90-minute live video training, including a 30-minute Q & A. For kids, it’s 60 minutes, with a 20-minute question portion. In the training, attendees learn about the nuances of systemic racism, effective strategies for raising anti-racist children, bulletproof comebacks for common racist talking points, strategies for how to deal with racism in person and online, and more.

Upworthy spoke with Richards about the Anti-Racism Fight Club and what it’s like to be a Black man educating white people about racism in America, even though it’s not his responsibility to do so. (Interview lightly edited for clarity.)

Q: How did the idea for an Anti-Racism Fight Club come about?

A: After recent history with Amy Cooper and George Floyd and Ahmaud Arbery—and the list goes on and on—I realized that there’s a movement and a strong energy around anti-racism. Then I thought, you know, there is an opportunity here to help educate white people on what it is to be a true anti-racist. I have 15 years of training and development experience, so I know how to create really impactful training modules, and I also have my decades of experience being a Black anti-racist in America. So, combine those two things, and I was like, alright, it’s time for me to create this Anti-Racism Fight Club.

And the reason why I call it that is because being anti-racist is a contact sport. Maybe not literally, but it’s not something that you can just sit on the sideline and go, ‘Oh, I’m an anti-racist.’ No, you have to get into it. It’s confrontational. It’s uncomfortable. It’s loud. It’s in your face sometimes. But it’s never quiet and it’s never passive.

And that’s part of the reason why I call it the Fight Club, because it’s a fight. We’re fighting against racism, and systemic racism, and bigotry, and all of the things that have been laid forth for centuries. And it’s going to be the fight of our lives to get things to a place where people of color feel safe living in America. It’s a big, big fight we’re up against. The enemy is no joke.

Q: What makes Anti-Racism Fight Club different from other anti-racism education?

A: I feel like my superpower is my ability to relate to people and use metaphors to help make the complex simple. And there’s something about anti-racism courses that I’ve seen that’s just not accessible to white audiences. It’s either too complex or there’s a lot of talking down to, there’s a lot of guilt.

I meet them where they are. I say, ‘Look, you’re here now. I don’t care what you did a month ago. I don’t care that you’re 45 years old and you just figured out what’s happening now. There’s no guilt. There’s no shame. I’m meeting you where you are. You’re here. Let’s go.’ And I think a lot people really appreciate that approach. It makes people feel more comfortable, and they’re ready to be vulnerable and talk about these things when they know that it’s okay to be vulnerable. Because I’m uncomfortable as well.

I talk about the idea of allyship, and I truly believe there’s no such thing as an ally. No one’s an ally. We’re all allies-in-training. Because truly, an ally means you’ve arrived and you have it all figured out. And we’re all learning. Like, I’m an ally-in-training for women and women’s rights. I don’t have it all figured out. And I don’t get to decide if I’m an ally or not—that’s another point. But allies-in-training means we’re constantly learning, we’re constantly evolving, we’re constantly getting better to do what we can to improve the lives of the marginalized people around us.

So this course truly is a way for people—white people especially—to feel vulnerable, to feel safe in their vulnerability and open their eyes to what’s around them that they may have missed for however long. And so far, so good.

Q: Do you ever feel frustrated that you have to make white people feel safe in that space?

A: Oh wow. That’s an awesome question. So…yes, I do feel frustrated, because no one’s ever really worried about my feelings when I’m the only Black person in the room, or when there’s a microaggression about ‘Oh, I’m so articulate,’ or when people clutch their purses super close when I walk by. No one’s ever worried about my feelings.

But part of being a Black person in America is you have to eat all of those microaggressions…you try not to combat every single one of them, or else you’ll go insane. It’s like trying to empty the ocean with a spoon. So you just have to go about it and do your thing.

But the sad thing, to your point about the white people that I have to make feel comfortable, is that I have to. Because if I don’t make it accessible for them, then they’re not going to do it, and then they’re not going to learn. I have to do whatever it takes to get in the door with them, so I create a safe space for them. I try not to go too hard into breaking their egos or things like that because then I know I’ll turn them off.

I try to get into their hearts before I get into their minds. Because if I can get into their hearts, I can definitely get into their minds and help create a better change.

Q: Do you feel like it’s different this time?

A: I do. I feel like it’s different now. I feel like because we watched a callous murder take place in under nine minutes, live, with a man’s life slowly snuffed out, it really made people realize, like, I don’t like this. And also the Amy Cooper thing happening in the same time frame, and the Ahmaud Arbery thing happening in the same time frame. The combination of these things show we have a problem in America.

I can’t count the number of white people I’ve seen who didn’t know what Juneteenth was until three weeks ago. They didn’t even know it was a thing. (But you know about Columbus Day? What?) And the thing about Juneteenth and the 4th of July is I think Juneteenth is a more substantial holiday for people of color, because that’s the day that we were all free. We weren’t free on the 4th of July. We were still slaves. And you’re asking us to celebrate this holiday? When we were still slaves and being treated as 3/5 of a human being? I think we should be celebrating Juneteenth as the true Independence Day in America where all of our citizens were free. But that’s a rant for another day.

Q: You also have an Anti-racism Fight Club for kids. What’s that been like? And how has it been different approaching the topic with kids vs. adults?

A: I’ve done a few of them so far and it’s been unbelievable how great it’s been. The response has been overwhelming.

I have a few superpowers—but one of them is not art. But out of this doodle, I created these characters to try to explain the concepts of racism, white privilege, prejudice, all of these things that a kindergartener could understand. And based on the feedback so far, these parents are like, ‘I’ve never seen my kid sit still for one hour straight and be captivated in a training session.’ They’re completely blown away by how interesting their kids thought the content was, and how much they’ve learned from it.

And most importantly, how it sparks them to action. Because this is not just a ‘Hey this is what racism is,’ this is a ‘Hey, this what you can do right now to stop racism in your communities, your schools, your neighborhoods, everywhere.’ And I talk about tips on how to deal with racist family members, like Uncle Johnny who likes to say some racist stuff, things like that. First it gives them an understanding of what it is, so they can identify when things are racist. And then what to do when they’re confronted with those things.

The course has been unbelievably positive. People love it and the kids keep coming back for more. Parents are asking, ‘When’s the next one? When’s the next one?’ Parents are saying kids don’t usually get excited about learning stuff unless it’s like a video game type thing, but to sit and have an adult talk to them? That’s something that most kids don’t enjoy so much, but these kids love it. So I think I’m onto something.

Richards leading a fist raise (pre-pandemic, obviously) Doyin Richards

Q: What kind of questions do kids ask you?

A: This one kid, a 7-year-old white boy, was like, ‘I feel ashamed to be white right now.’ It wasn’t a question, it was a statement. But I just told him, ‘Look, being white is something you should be very proud of. It’s not a bad thing. The only issue is if you don’t recognize the power that you have in your whiteness to impact change for people of color.’ And then I dropped the famous Spiderman reference, when Uncle Ben said, ‘With great power comes great responsibility.’ And then I told the kid, ‘Look, you have immense power just in your whiteness, and if you use that power for the greater good, it’s like a superpower. If you use that, you can impact the lives of so many people of color in a positive way.’ And then he was so excited because he didn’t realize, ‘Oh my gosh, I’m like a superhero.’ I have a way of interacting with kids by using metaphors and stories like that to break down complex issues and make it simple and palatable for the youth of America.

Q: You also open up 30 minutes at the end of the adult sessions and you say, ‘Ask me anything you’ve always wanted to ask a Black man.’ What made you decide to open yourself up like that? Because that could invite some rather uncomfortable questions for you to have to answer.

A: I haven’t been doing it every week because things have been so crazy, but I also do an ‘Ask Me Anything’ on my Facebook page. Ask me anything, literally. I get all kinds of batshit crazy questions, but I answer them. And the thing that I do to make it safe is I make sure they’re anonymous questions so people can ask them without fear of being outed.

One lady was like, ‘Don’t you think the term Karen is as bad as the n-word?’ Like uh, lady, listen. Until people are beating you half to death while calling you Karen, and ripping your children away from you, raping you, doing all of these horrible things to you, then we can talk. But until then, being called ‘Karen’ is about as bad as being called a ‘nincompoop.’ Like, I’m not hearing that. But yeah, I get those questions, I answer them, and I’m gracious with it.

But as far as why do I do this, I’ve been getting so many DMs and questions about ‘How can I be a better white person?’ And I was like, this is crazy. I’m answering questions and it’s just tiring. So I was like, I’m just going to create a course.

I wanted to make the price point somewhat accessible. And I think $49 is accessible. If I made it $99 people wouldn’t have wanted to come because it’s too expensive, and if I made it $29, people would be like, ‘Oh really, $29 for all this? This must be shitty.’ $49 is right in the middle, so it works out well.

I also give them what I call a Fistbook, which is my version of a handbook (since it’s a fight club) which gives the participants some tangible resources that they can refer back to on their anti-racism journey.

But yeah, I do it because I feel like I have the ability, as a training development specialist and as a anti-racist Black man in America, to create a course that is powerful and can make a ton of difference. So far, so good. This is just the beginning.

Q: What’s been the most surprising thing to you as you’ve gone through these first Anti-Racism Fight Club trainings?

A: The amount of people who have just said how much they love it. I haven’t gotten one piece of negative feedback, which in this day and age is crazy, especially when you’re telling white people how to act. Like, it’s just inherent in their whiteness—’How dare you tell me how to act!’—but that didn’t happen. I didn’t have any of those issues. And that to me is crazy in this day and age. So I feel like I am onto something, and it makes me so happy to see the energy and the enthusiasm of white people to own their stuff and get better, and a willingness to get better, so that to me is amazing. And I feel so, so good about it. It gives me hope.

One of my participants during the Q and A session asked me, “What gives you hope?” and I said, “All of the good white people who understand that they need to be active and not passive when it comes to anti-racism. It’s not enough to say, ‘I’m not racist.’ You have to be anti-racist, which is an active activity. And that gives me hope that more people are realizing it.’

A: That is a great question. Yeah, it’s exhausting. After a session, sometimes I cry, sometimes I take a nap…it is just, it’s like running three marathons. It’s so emotionally taxing to dive into the depths and the insidiousness of racism, trying to tear it apart and break it apart, and while you’re doing it you see how awful and disgusting it is. And then when you’re done and everyone’s off the call, you know, a lot of them feel really empowered, and I feel good that I’m helping to empower people. But I also realize that, man, this is taking some stuff out of me.

When I click the End Meeting button, I just slump in my chair for a good five minutes. Like I said, sometimes I cry, sometimes I go to my bed and take a nap. It’s just…it’s a lot. And the thing about it is when I go through the course, I’m not just talking in monotones, I am very animated. I am in it, I’m active. People say it’s the best 90 minutes they’ve had in their life. It just flies by because it’s full of energy and action, but 90 minutes of being ‘on’ like that when talking about something so emotionally heavy, it just completely drains me. So yeah, it’s no joke. But, you know, it’s important work, and I’m glad to be the one to do it.

Q: What do you want people to take away from this training? What do you hope will be their next step?

A: To really do the work of owning the fact that they are racist. That’s the first step. Own the fact that you are racist. And I think the problem is it’s like a Pavlov’s dog thing, when they hear the word ‘racist’ they go straight to Confederate flags and white hoods and the n-word. And that’s not it. I mean yes, that is it—that’s the like the cartoonish level of racism—but the subtle version of racism is the micro aggressions, the systemic racism that’s everywhere that white people benefit from. Things like that that they have to dig deep and see, ‘Where am I benefiting from racism in my own life, and what can I do to ensure that people of color that I care about or that are coming up after me don’t have to suffer the way that people of color are suffering right now?’ That the hard work that they have to do. That’s the first thing.

And then from there, it comes down to the anti-racist work—the ‘active activity’ as I like to call it—of really getting into it and saying, ‘This is something in my community that needs to be changed, this is something in my school that needs to be changed, this is something in my family that needs to be changed.’ Like Uncle Johnny, who may be racist…maybe making it so that he can’t come by at Christmas if he’s going to be spouting all this nonsense about people of color.

These are difficult, difficult things to do. This is not easy. It’s not for the faint of heart. It’s hard, hard work. And what a lot of people who enjoy and benefit from racism bank on is the fact that white people will be like, ‘This is so much work to fix, like why do I even bother?” Again, equating it to emptying the ocean with a spoon…the goal is to get everyone to get a spoon and then we start seeing some big time progress. That’s the goal.

Richards has ARFC sessions coming up. You can visit his Facebook page or website to learn more and register.

  • She had three packs of meat left and no money for groceries. Her landlord’s response has been shared half a million times.
    A woman chats on FaceTime while her young child watchesPhoto credit: Canva
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    She had three packs of meat left and no money for groceries. Her landlord’s response has been shared half a million times.

    When Alan called his tenant Christina to say skip April’s rent, she thought that was the end of it. It wasn’t.

    In April 2020, Christina Marie was doing the math that millions of families were doing that spring, and the numbers weren’t adding up. A mother of four in Saginaw, Michigan, she was struggling to cover her bills as the pandemic ground everyday life to a halt. She had three packs of meat in her fridge and knew she’d need to make a grocery run soon, which meant going out during one of the most frightening early months of the outbreak. Then her landlord called.

    His name was Alan, and he had something to tell her: don’t worry about rent this month. They’d figure it out later.

    “SOOO My landlord Alan called me earlier and told me not to worry about rent this month and we will worry about it later i said okay!” Christina wrote in a Facebook post that would eventually rack up more than 500,000 reactions. She was grateful, she explained, and that was that. Or so she thought.

    During the call, Alan had also asked her a simple question: did she have food? She told him about the meat, mentioned she needed to get to the store. He told her to be safe and hung up.

    A little while later, her phone buzzed. It was a text from Alan, asking her to go check her front porch.

    She opened the door to find 16 bags of groceries waiting for her. Cartons of milk, potatoes, diapers and more, quietly left without any fanfare. Alan had decided she shouldn’t have to go out at all.

    “I couldn’t tell you how I feel right now for him to do this for my family my heart is so touched GOD BLESS YOU,” she wrote, alongside a photo of her porch overflowing with bags.

    According to Goalcast, Alan had been inspired by another landlord, Nathan Nichols, who had publicly announced he was giving his tenants a rent-free April because of the “serious financial hardship” the pandemic was causing for hourly and service workers. Nichols had also put out a call to other landlords: “I ask any other landlords out there to take a serious look at your own situation and consider giving your tenants some rent relief as well.” Alan took that to heart, and then went further.

    The post spread fast. Commenters poured in from across the country, many of them saying what a lot of people were thinking. “Better keep him as your landlord because it is really hard to find a good hearted person like that,” wrote Balentin Torres. Mivida Loca added, “It’s nice to know that we can stick together during such times and that there are decent human beings like that around.”

    Others were more direct: they wished Alan was their landlord too.

    The story keeps resurfacing because it captures something people were hungry for in those early, disorienting weeks of the pandemic, and still look for now. Not a grand gesture from a famous face or a corporation with a PR team, but one person quietly deciding that someone else’s situation was his business too, and doing something about it.

    This article originally appeared earlier this year.

  • Gen Z thinks capital letters are just ‘too intense.’ And a linguist agrees.
    Gen Z prefers typing in all lowercase.Photo credit: Canva

    Gen Z has developed many quirks that have come to define the generation. From “work minimalism” to “soft socializing” to their unique slang, they’re redefining their experience in the world.

    They’ve also adopted their own views on grammar and punctuation. Many Gen Zers claim that using periods in texts is “aggressive.” The generation has also seemingly done away with capital letters, arguing that it “feels too intense.”

    If you’ve ever texted with a Gen Zer, you may notice that they forgo capital letters and keep their typing all lowercase. But why?

    Linguist Tom Scott addresses it in a video about Gen Z’s unconventional views on grammar.

    Why Gen Z prefers lowercase letters

    According to Scott, for Gen Z, it’s deeper than just bucking a long-standing grammar rule. It comes down to their lived experience in the digital age.

    “We don’t speak to everyone in our lives in the exact same way,” he explains, noting that with bosses our speech becomes more formal, while with friends and family it becomes more casual. “We change our way of speaking depending on the identity that we’re trying to project.”

    He notes that our voices have different registers and intonations, and that different varieties of language—and the way our voices rise and fall in tone to convey meaning—are used in different situations. The same goes for the written word, aka text messages.

    In writing, capital letters simply indicate the beginning of a sentence and proper nouns, such as “A man named John traveled to London to see the Queen.”

    “While that might make a paragraph easier to read, we don’t flag that at all when we speak,” Scott explains. “So in informal conversations, those that feel like speaking, we don’t need capital letters.”

    @dylanjpalladino

    Can someone explain this to me? From the most recent podcast episode, we talk about Gen Z not using capitals letters and also how the terms millennial, boomer and Gen z were created by Johnson and Johnson to sell you more soap. #podcast #podcasts #comedy #genz #millennial

    ♬ original sound – Dylan J Palladino

    The digital influence on Gen Z’s lowercase typing

    In online communities, capital letters convey something else: tone.

    “All-caps became shouting [CAN YOU HEAR ME?]. So lowercase is calm, normal conversation,” says Scott. “Remove the capitalization and you get this sort of aloof, don’t-really-care tone that works well for dead pan humor and irony.”

    Scott adds that some people think all-lowercase typing is lazy, but intentionally typing in all lowercase requires changing settings and putting in extra effort to delete capitalized letters that get autocorrected, thus debunking that theory.

    All-lowercase is a stylistic effect that Gen Z has adopted and used consistently, which Scott emphasizes means it’s understood within the group.

    Gen Z responds

    On Reddit, many Gen Zers explained why they prefer typing in all lowercase:

    “We don’t type everything in lowercase. We know damn well how formal capitalization works. Can use periods too, thank you very much! The usage of no capitals is mainly a thing in informal contexts, and comes from when autocapitalization didn’t exist; when it was genuinely faster to type without them. It has developed into a social tool – along with rigid punctuation standards – to mark informal speech apart from formal.”

    “Because it makes the text messages overly serious. Many of my peers find it rude if you text the way I’m texting now with proper punctuation and capitalization.”

    “Because the boomers took the ALL UPPER CASE.”

    “i write in lowercase when it comes to keeping things casual but then switch to a more formalized sentence structure in situations where i have to be serious.”

  • A hundred years ago, everyone wore hats. In 1960, they suddenly stopped. Here’s why.
    When did everyone stop wearing hats?Photo credit: via Warmbru Curiosity/YouTube
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    A hundred years ago, everyone wore hats. In 1960, they suddenly stopped. Here’s why.

    Old footage from the ’50s shows men, women, and children wearing hats everywhere they go.

    It was everywhere. Men, women, and even children did it every time they left the house. If you see old newsreel footage of men in the office or on commuter trains from the advent of the motion picture camera to the early ‘60s, nearly everyone is wearing a hat. Hats were just as common for women in that era. For a woman to go out without a hat in the first half of the 20th century was akin to going out without clothes.

    The funny thing is that everyone’s headgear is so similar in the old-timey footage that it makes previous generations look like big-time conformists. Then, in the early ‘60s, everything changed, and men and women started to go out in public with their hair exposed. Why did such a big aspect of fashion seem to change overnight?

    Warmbru Curiosity investigated the question recently in a popular YouTube video. Warmbru’s channel is a lighthearted look at some of the more unusual people and events from our history and how they have influenced the world in which we live.

     

    Why did people stop wearing hats?

    Warmbru says fashion changed dramatically after World War II, when people in developed countries began to care less about expressing their social status. “This was especially true among the younger generation the rise of youth culture in the 1950s and 1960s emphasized rebellion against traditional norms, including formal dress codes,” the YouTuber says.

    Mad Men, Don Draper, Jon Hamm, hats, mens fashion, men's hats, 1950s
    Don Draper from AMC’s Image via

    Another big reason for the change in fashion was technology. Cars became the preferred mode of transportation for many after World War II and indoor environments became more hospitable. “People spent far less time exposed to the elements as people increasingly moved to urban areas and started using cars,” Warmbru says. “The practicality of wearing hats diminishes. Hats can be cumbersome in cars and on public transport, improvements in heating and air conditioning reduce the need for hats to provide warmth.”

    Warmbru adds that President John F. Kennedy, elected in 1960, rarely wore a hat and his decision to go bareheaded became associated with modernity. Further, in 1963, the mop-topped Beatles proudly flaunted their hatless heads as they shook them while singing, “Wooooo.” Hat-wearing among women began to decline around the same time as the restrictive and complex headgear clashed with the burgeoning women’s liberation movement.

    Kennedy, John F. Kennedy, Jackie Kennedy, hats, men, men's fashion, 1960's, 1950's

    John F. Kennedy with his family Image via Wikicommons

    The decline in hat purchases meant that manufacturers closed and the headgear became harder to come by. This reduced availability further contributed to the decline in hat-wearing. As fewer people wore hats, there became a greater demand for high-quality hair products and services. “Why spend a fortune at the hairdressers or the barbers just to cover the end result with a hat?” Warmbru asks.

    Ultimately, there were many reasons why people stopped wearing hats. It appears that it was a combination of technology, influential people such as Kennedy and The Beatles, and the overwhelming mood of change that swept most of the Western world in the 1960s. But if one thing is true about fashion, it goes in cycles. So, it seems that hats may be ready for their big comeback.

     

    This article originally appeared two years ago. It has been updated.

  • She was fired for taking 10 minutes to reply to emails. Then she made sure they’d regret it.
    A frustrated employee is typing on her computerPhoto credit: Canva

    She had been on the job for four months when she was pulled without warning into a meeting with her manager, HR, and legal. Effective immediately, she was fired. The reason given: she took ten minutes to respond to emails.

    “That was a bullsh*t reason,” she wrote in a post to Reddit’s r/MaliciousCompliance that has since racked up more than 19,000 upvotes. “To be honest, I was furious.”

    The job itself had never been easy. She’d been hired as a speaker coordinator for a company that planned large conferences, and from the start, as she described it to Bored Panda, there was no onboarding, no training, and no clear point of contact. “I was simply given the log-in info for a couple of different websites and told to get to work.” She was the only person in the role. All the institutional knowledge about speakers, schedules, and upcoming events lived entirely with her.

    Audience listening to a speaker at a conference. Photo credit: Canva

    Her manager spoke limited English, which made communication difficult in ways that weren’t anyone’s fault but created real problems. When she once asked her manager for a call to clarify something, the response came back: “No cranne. Self skills is a must. I am bird without head.” It took her several days to piece together that her manager was trying to say she was overwhelmed and needed her employee to be more self-sufficient.

    She adapted, figured things out, and by her own account, kept the speakers happy. Then came the meeting, the firing, and the reason that didn’t add up. Ten minutes to reply to an email. No written warning. No verbal warning. Nothing.

    During the exit interview, HR asked her to hand over her files and walk them through where things stood with an upcoming event scheduled in 17 days. She reached into her bag and pulled out her copy of the NDA she’d signed when she started.

    As she told it on Reddit, she pointed to a specific clause: as a former employer, they were now prohibited from receiving confidential information about the position under the terms of the very agreement they’d had her sign. “As per my NDA, I am not to discuss intimate details or share documents relating to this position with any employer, past or future. Since this firing was effective immediately, you are now a former employer and I am bound by my NDA.”

    A non-disclosure agreement (NDA). Photo credit: Canva

    HR pushed back. She held firm. Legal was brought in. Legal read the clause and confirmed she was correct.

    The event, by her account, was a disaster. More than half the speakers pulled out once communication broke down. Her former manager nearly lost her job over it. The employee, for her part, closed her Reddit post with the mocking subject line that had gotten her fired in the first place: “All because I ~tAKe ToO lONg tO ResPoND tO EMaILS~”

    The story resonated because it captures something many workers recognize: the particular frustration of being let go without cause, without warning, and without recourse, and the rare satisfaction of finding that the company had, in this case, handed her exactly the recourse she needed. Save your contracts. Read the fine print. Sometimes the NDA works both ways.

    This article originally appeared earlier this year.

  • They evicted her after 40 years to claim her hand-painted murals. Her parting gift was perfect.
    A woman paints a mural indoors Photo credit: Canva
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    They evicted her after 40 years to claim her hand-painted murals. Her parting gift was perfect.

    The landlord’s family evicted her to claim her artwork, but a neighbor with a paint sprayer had a different idea.

    For nearly four decades, a retired art teacher had been turning her rental house into something extraordinary. Every wall inside held hand-painted murals, Disney movies and fairy tales rendered floor to ceiling, the kind of place that people in the neighborhood knew by reputation. Outside, she’d added a cottage facade. Inside, it was unlike anything else on the street.

    She had no lease. The original landlord had given her a verbal agreement that the art on the walls wouldn’t be a problem, and she’d been there since the mid-1980s with an informal understanding that the house might one day be hers.

    Then the original landlord died. His son inherited the property, came to inspect it with his daughter, and they fell in love with what they saw. According to a post shared to Reddit’s r/pettyrevenge by a neighbor, u/ZZZ-Top, the family decided the art house should go to the daughter. Without a lease, the tenant had limited options. The murals she’d painted, the very thing that made the property desirable, were used as justification to push her out.

    “She was devastated,” the neighbor wrote.

    But she landed on her feet. Friends helped her find a property in another state at the last minute, one with a full art studio on the ground floor. The question of what to leave behind was where things got interesting.

    She had originally planned to leave the murals intact. Then her neighbor, a friend who had been wanting to practice using a powered paint sprayer, made her an offer: he would restore the house to what he called “Rebecca standards” for free. As he explained in the post, “Rebecca standards” is neighborhood shorthand for the look of a flipped house: everything painted in the same flat white and depressing grey, every surface generic, every trace of personality gone. The landlord’s family had evicted her specifically to get the murals. Rebecca standards would make that impossible.

    A woman paints a mural on a wall. Photo credit: Canva

    She agreed.

    Her furniture went into storage. Her neighbor let her stay in his guest house in exchange for one new mural on his living room wall. Then the work began. As the Someecards account of the story details, the painter friend sanded every wall in the house until the murals became nothing but blotchy color ghosts. Then came the Kilz primer, sprayed wall to wall. Then the grey. Wood paneling, trim, switch covers, outlet covers, counters, cabinets. All of it the same flat, lifeless shade. “The house looked dead inside when I went in to check it out,” the neighbor wrote. “It was weird not seeing all the murals.”

    Outside, a landscaping friend cleared the cottage facade and the plants, replacing everything with gravel, sand, and a single boulder.

    A few days after she left, the neighbor noticed the house was still empty. He asked around. Some U-Haul trucks had shown up earlier in the week, he was told, but none of them had been unloaded. Nobody had moved in.

    The post drew over 38,000 upvotes and hundreds of comments from people who understood exactly what had happened. “They could have easily asked her for a commission to do the same murals in their own home,” one commenter wrote, “but chose to kick her out instead.” Another kept it simpler: “Kick me out? My art goes with me. Enjoy the blank walls.”

    For anyone renting without a written lease, the story carries a quieter lesson. Verbal agreements offer almost no protection when ownership changes hands. The woman lost her home of 40 years because of a handshake arrangement with someone who was no longer alive to honor it. She found a better situation in the end, one with a proper studio and walls she actually owns. But the path there didn’t have to be that hard.

    This article originally appeared earlier this year.

  • A Wisconsin senior painted 44 portraits of classmates she’d drifted from. Their reactions when they received them say everything.
    A young woman smiles at a portraitPhoto credit: Canva
    ,

    A Wisconsin senior painted 44 portraits of classmates she’d drifted from. Their reactions when they received them say everything.

    Before graduation, she quietly painted a portrait of every classmate she’d ever known and given them away.

    Molly Schafer had a secret she’d been keeping all year.

    Every day at Waunakee High School in Wisconsin, she’d walk past classmates in the halls, people she’d known since elementary school, and they had no idea what she was doing in the corner of the school library after the final bell, or in the studio she’d set up at home. She was painting their portraits. All of them.

    “It was almost kind of like evil shenanigans that were going on,” she told the NW Indiana Times. “You have no idea what I’m doing. You have no clue what I’m making.”

    basketball, gym, sports
    A high school basketball game. Photo credit: Canva

    Schafer had been outgoing in elementary and middle school, but social anxiety reshaped her high school years. She drifted from her peers, found a circle of older students, and watched that circle graduate and leave while she stayed behind. “I’ve never really known anyone in my senior class,” she told hngnews.com. “And I’ve just been so alone.” One moment captured the feeling precisely: she was photographing a basketball game for Warrior Media, the school’s sports streaming channel, when she slipped and fell. Every student in the gym turned to look. Nobody asked if she was okay.

    But the photography gave her something she hadn’t expected. A catalog. Thousands of shots of her classmates mid-game, mid-leap, mid-effort, faces alive with concentration and competition. When it came time for her AP Art final, she knew what she wanted to do with them.

    Starting in the fall of 2024, she began painting. She’d work at school, then go home and paint for another four or five hours in the studio she’d built in her garage. She originally planned 50 portraits, reduced it to 45, and finished with 44, each one based on her own sports photography, each one a classmate she’d known once and wanted to know again. By graduation, she’d spent approximately 600 hours across all of them, as reported by CBS News in a Steve Hartman “On the Road” segment that aired in June 2025.

    The paintings were portraits in the truest sense. Not posed, not generic, but specific people caught in specific moments, rendered with the kind of attention that takes months to accumulate. Each one was a gift.

    “I wanted to be seen,” she told Fox47. “I wanted to reconnect with these people who I haven’t talked to in years, and I wanted to show them that even though they’ve been such a small part of my life, they’ve stuck with me.”

    The reactions, when she handed them out, ranged from stunned to emotional. “It’s one of the coolest things I’ve ever seen someone do, especially for someone you aren’t that close with,” one classmate told CBS News. Another admitted: “We did have that friendship, and I didn’t put forth the work to keep it.” A third said: “All of us probably feel a little regret for not paying more attention.” Senior Brady Barman, one of the recipients, said that it simply felt good “to feel appreciated by someone else.”

    Schafer’s art teacher, Beth Crook De Valdez, watched the whole project unfold. “Watching her go through that process and seeing her internal reflection about this project she came up with really fills your heart,” she said.

    After the CBS segment aired, commission requests started arriving. More than 100 of them from people who had seen what she could do and wanted her to do it for them.

    Schafer’s own takeaway was characteristically direct. “You can’t go through life thinking that you don’t have friends because they don’t like you, because that’s not the case,” she said. “People aren’t thinking that hard about you. It’s all in your head. You just have to try.”

    She spent 600 hours proving it.

    This article originally appeared earlier this year.

  • Video of two brothers Irish step dancing to Beyoncé’s country hit ‘Texas Hold ‘Em’ is pure delight
    The Gardiner Brothers stepping in time to Beyoncé's "Texas Hold 'Em."Photo credit: Gardiner Brothers/TikTok (with permission)

    In early February 2024, Beyoncé rocked the music world by releasing a surprise new album of country tunes. The album, Renaissance: Act II, includes a song called “Texas Hold ‘Em,” which shot up the country charts—with a few bumps along the way—and landed Queen Bey at the No.1 spot.

    As the first Black female artist to have a song hit No. 1 on Billboard’s country music charts, Beyoncé once again proved her popularity, versatility, and ability to break barriers without missing a beat. In one fell swoop, she got people who had zero interest in country music to give it a second look, forced country music fans to broaden their own ideas about what country music looks like, prompted conversations about bending and blending musical genres and styles, and gave the Internet a crash course on the Black roots of country music.

    And she inspired the Gardiner Brothers to add yet another element to the mix—Irish step dance.

    In a TikTok that’s been viewed over 42 million times, the Gardiner Brothers don cowboy hats while they step in time to “Texas Hold ‘Em,” much to the delight of viewers everywhere.

    Watch:

    Michael and Matthew Gardiner are professional Irish-American step dancers and choreographers who have gained international fame with their award-winning performances. They’ve also built a following of millions on social media with videos like this one, where they dance to popular songs, usually in an outdoor environment.

    The melding of Irish dance with country music sung by a Black American female artist may seem unlikely, but it could be viewed merely as country music coming back to its roots. As mentioned, country music has roots in Black culture and tradition. One major staple of the country music genre, the banjo, was created by enslaved Africans and their descendants during the colonial era, according to The Smithsonian. The genre also has deep roots in the ballad tradition of the Irish, English and Scottish settlers in the Appalachian region of the U.S. Despite modern country music’s struggle to break free from “music for white people” stereotypes, it’s much more diverse than many realize or care to admit, and Queen Bey is simply following tradition.

    banjo, country music, country, roots, genre
    Man playing banjo. Canva Photos

    People are loving the blending of genres and culture that the TikTok exemplifies.

    “Never thought I’d see Irish step dancing while Beyoncé sings country,” wrote on commenter. “My life is complete. ♥️”

    “So happy Beyoncé dropped this song and exposed my timeline to diversified talent ,” wrote another.

    “Beyoncé brought the world together with this song ,” offered another person.

    “Ayeeee Irish Dancing has entered the BeyHive chatroom… WELCOME!! ” exclaimed another.

    “I don’t think I can explain how many of my interests are intersecting here,” wrote one commenter, reflecting what several others shared as well.

    The Beyoncé/Gardiner Brothers combo and the reactions to it are a good reminder that none of us fit into one box of interest or identity. We’re all an eclectic mix of tastes and styles, so we can almost always find a way to connect with others over something we enjoy. What better way to be reminded of that fact than through an unexpected mashup that blends the magic of music with the delight of dance? Truly, the arts are a powerful uniting force we should utilize more often.

    And for an extra bit of fun, the Gardiner Brothers also shared their bloopers from filming the video. Turns out stepping in the rain isn’t as easy as they make it look.

     

    This article originally appeared last year. It has been updated.

  • 17 Gen X candies kids of the ’80s are still pining for
    Gen X misses the candy they grew up with in the 1980s.Photo credit: Reddit/Longjumping-Shoe7805/welding_guy_from_LI/ajslinger

    Gen X (people born between 1965 and 1980) grew up eating some pretty incredible foods. From classic casseroles and meatloaf to old-school sandwich combos, food in the ’80s was filled with delicious staples.

    Gen X also had a major sweet tooth. In the ’80s, they were munching on unique candy from drugstores and corner shops. Many Gen Xers argue that candy in the ’80s was the best, including comedian Karen Morgan—whose bit about ’80s candy being “mean to children” resonated with Gen Xers on Reddit.

    “We had candy like Atomic Fireballs. You couldn’t eat that! It was who could leave it in your mouth the longest before you spit it out,” she quips.

    More Gen Xers shared their favorite candies from the ’80s that they miss most. Although some are still around, most don’t taste the same—and many have been discontinued.

    From sour varieties and chewy classics to chocolate bars and pure sugar treats, these are some of the best nostalgic candies Gen X hasn’t forgotten.

    Willy Wonka’s DinaSour Eggs

    “Soo many great memories seeing this box! I wish they would bring them back!!” — blue_eyed_girlie

    “I liked getting to the sour center.” — robgrab

    “Duuude remember these and loved them! There was an urban legend in my neighborhood that there was some of these that had a candy shaped dinasour inside…. Never got one! ( never made it to the cherry tree in pitfall either!) lol.” — right_bank_cafe

    Mr. Bones

    “I loved that candy!! I had so many coffins all over my room!” — FlawedWoman

    “OMG I completely forgot about this candy! We ate it to quick to make a skeleton 😂😂.” — PaleontologistSad316

    Fun Dip

    “My little brother always liked the powder better so if we both got a pack of fun dip I’d give him the powder and he’d give me the candy stick. 😆” — Happy_Leg-2063

    “The Lik-a-Stix from the Fun Dip. I just threw the powder away.” — non3ck

    “I wish they still had the lime.” — bubblehead772

    Johnny Apple Treats

    “Johnny Appletreats were my favorite😋” — Longjumping-Shoe7805

    “I’ve been looking everywhere for apple treats. They are like f*cking CRACK.” — truthteller5

    Alexander The Grape

    “Alexander!!!!!!! So good.” — cwvandalfan

    “I ate all of these but probably Alexander The Grape most of all.” — Grand_Snow_2637

    Cherry Clan

    “I really loved the cherry clan!!!!” — McKitNassty

    “Cherry Clan were the best. 🍒” — Krystalmyth

    Marathon

    “This is THE answer. I sure miss them.” — Beanholiostyle

    “I both loved these and forgot about them. Now I have a craving for one.” —Ok_Experience_8194

    “Marathon Bar (stealer of fillings).” — JCo1968

    Tangy Taffy

    “Best part was freezing them, then you could bang them on a table and they would shatter then you had little pieces of them to eat.” — Chewcudda42

    “Tangy Taffy. So much better than Laffy Taffy IMO.” — User Unknown

    Reggie!

    “Ooh, those were so good…like an oversized chocolate turtle, but more savory.” — throw123454321purple

    “They were awesome. Pretty much was just a round Baby Ruth but sooooo good.” — jmf0828

    @hellosweetscandy

    Replying to @Delia’s Nail Studio LLC Lets take a look at some candy that was popular in the 1980s! #hellosweetscandy #candyshop #candystore #candy #nostalgia #nostalgic #retro #1980s #wny #smallbusiness

    ♬ 80’s nostalgic synth pop(1140622) – Studio Bach

    Willy Wonka’s Oompas

    “Oompa’s by Willy Wonka. Ginormous half chocolate half peanut butter M&M’s…….” — Ledophile

    “Peanut Butter Oompas… they were similar to peanut butter M&Ms, but tasted better.” — Interesting-Night740

    BarNone

    “Bar None. Like a cross between a Twix and KitKat.” — Katriina_B

    Milk Shake

    “There used to be a candy bar called Milkshake. They at I remember it would have been slightly between an Uno Bar and a Three Musketeers. It has a taste of a chocolate malted milkshake. They were delicious but did not last long that I remember.” — Salt_Ingenuity_720

    PB Max

    “I swear when I talk to my kids about the PB max, I feel like one of those old cartoons where you’re saying ‘back in my day’ 😂 by far the best peanut butter candy bar ever.” — New-Car-3759

    “These are discontinued but they were so good! Well my young mind used to think they were good lol.” — Pink_Pixie00

    Atomic FireBall

    “Atomic Fireballs, I used to love those things!” — AzureGriffon

    “When I quit smoking, I used these to get through it. Then I had an Atomic Fireball addiction. Thankfully, that was a much easier habit to break.” — ThresherGDI

    Whatchamacallit

    “Whatchamacallits are my favorite candy bar, hands down. They are definitely different size wise and also the taste, but they are still pretty good. Rarely do things stay the same, but it’s especially bad when it’s your favorite candy.” — yellow_forsythia

    “When Whatchamacallit first came out, it was a bar of crispy rice covered in chocolate. I LOVED it. Then they decided to ‘improve’ it by adding caramel. I didn’t like it as much anymore, but still bought it because it was still a good candy bar.” — Alman54

    “🎶Whatchoo say? Whatchamacallit! 🎶 Can still remember the song from the commercial.” — demonOS_

    Skor

    “I had a Skor bar the other day and it just hit SO right.” — Luvsseattle

    “Skor. I remember when those things came out that they positioned them as upscale candy bars. My great-grandmother loved them because they made her feel fancy.” — jimb575

    Oh Henry!

    “This was one of my favs in 5th grade going to the candy store after school.” — banana_fana_1234

    “Oh, made my mouth water I miss those😧.” — Wuddlecat

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