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Kwadwo Adae is more than just a painter — he's a community builder (and impeccable dresser).

For the last decade, Kwadwo (pronounced "K’way-jo") has run Adae Fine Art Academy in New Haven, Connecticut's historic Ninth Square, where he teaches art to children, teens, and adults.

But not everyone can make it to the classroom. So Kwadwo brings his art to them, taking his talents on the road in a mobile studio that visits mental health clinics and assisted living centers, creating communities and helping people heal through artistic expression.


He also paints murals, chatting with customers at his local bakery as he adds another flourish to the wall, or traveling across the world to create collaborative community pieces with underprivileged children.

"Art is a really powerful thing, and I don't think our society places enough value on what art can do," he told Upworthy. "There's the healing factor that's inherent in an artistic passion, and you cannot underestimate its power."

Kwadwo (in the rear, with that lovely paisley button-up) with students from Anjanisain Paryavaran Vidyalaya School in the Himalayas, where he travelled to help them make a mural on their school. All photos by Kwadwo Adae, used with permission.

In the summer of 2014, Kwadwo began to paint an image of Lady Justice posed with her iconic swords and scale.

A friend volunteered to model for him. He'd been doing a series of nude studies but was looking for a different way to challenge himself, rather than just painting a figure. A deity, perhaps, or some mythological figure...

It was serendipity that they settled on depicting her as Lady Justice.

A few weeks later, Michael Brown was killed by a police officer in Ferguson, Missouri.

In the aftermath, Kwadwo got involved with the Black Lives Matter movement, participating in peaceful demonstrations from New Haven to New York. But his painting fell to the wayside, languishing unfinished in his studio.

Kwadwo had wanted his Lady Justice to be different, something otherworldly and transcendent and righteous and frightening and recognizable, but somehow still inhuman — because justice, as he understood it, was not just reserved for humans.

But with each successive tragedy, he found himself questioning what, exactly, his Lady Justice stood for. "I was appalled and shocked and had this feeling about what justice means for me, as a black man living in this society. And I really struggled with that," he said.

Kwadwo and his in-process Lady Justice painting.

Every time another black American was slain, he would bring the painting back out, immortalizing their names on the back of the canvas.

"As the year passed and more and more men and women of color were executed by police, I would be filled [with] unhealthy levels of sadness, anger, and despair. The only constructive place to put these emotions was in this depiction of Lady Justice," he wrote in a Facebook post. "When I can no longer fit another name on the back of this painting, I will officially consider this piece complete."

But the list of names kept getting longer, and his painting began to fill him with disgust.

What started as a tribute now served as a sickening reminder of the terrible injustices that his family and friends dealt with every single day. He hid his Lady Justice in the back of his studio, focusing instead on an abstract series or a sprawling floral print.

At least, until another name was broadcast on the news.

The back canvas of Kwadwo's Lady Justice painting.

And then, on Dec. 18, 2015, he saw the flashing lights in his own rearview mirror.

Kwadwo said he was less than 100 yards from his house, on his way to the studio, when he was pulled over by a plainclothes state trooper, who approached the car with his weapon drawn.



His frightened mind flashed through every possible scenario, but there was one thought in particular that wouldn't leave his mind:

"Who would be the one to write my name in memoriam on the back of my own painting?"

Kwadwo wasn't killed. But he was taken into custody.

His alleged crime? Running a stop sign, and crossing the double yellow lines into traffic.

Although he was detained, the police released Kwadwo later that day, with a court date on Dec. 30.

The police report made sure to note Kwadwo's "fair/poor" attitude.

There was no mention of a weapon being drawn.

"When you are a black man in these United States, getting pulled over and seeing a gun drawn is analogous to having a near death experience. I am truly grateful to have a court date instead of a death certificate today," Kwadwo wrote.

12 days later, Kwadwo appeared in New Haven's Superior Court — and his neglected Lady Justice was finally complete.

He could have spent the interim days stewing in his anger or depression. But Kwadwo found a better way to channel his energy, and he committed himself to putting the finishing touches on the painting.

His Lady Justice was completed on the morning of his trial.

Kwadwo showed up in court and told his own side of the story — which stood in stark contrast to the officer's report. The case was ultimately thrown out and expunged from his record in exchange for a $25 donation to the Crime Victims Fund.

I've been spending so much time staring deeply into her blindness as of late; personally and patiently awaiting her eyes upon me in judgement. Although she is nearly complete in one sense, I shall be working on her in perpetuity. My dearest Lady Justice. #ladyjustice #lady #justice #art #painting #artist #artistlife #oilpainting #law #lawyer #swords #shields #scales #judge #jury #executioner #ladyinjustice #blind #blindfolded #visualart #antiviolence #policebrutality #blacklivesmatter #artstudio #painter
A photo posted by Kwadwo Adae (@kwadwo.adae) on

With his harrowing encounter behind him, Kwadwo is feeling freshly inspired as the new year begins — and his positive energy is infectious.

"I'm taking the emotional damage of the experience and trying to translate it into my art," he told me a week after his court date.

He's back to taking aikido classes again after an injury put him on the sidelines for the year. He points out the aikido swords in the hands of his Kali-esque painting and explains how aikido is about taking the aggressive force of your attacker and using that energy to redirect and end the conflict.

He's also been meditating. Sometimes in those quiet moments, Kwadwo's mind wanders to the man who arrested him that day. But there is no vengeance or vitriol in his thoughts — just forgiveness. "We're all trying to make the world a better place," Kwadwo says. "Even the cop who pulled me over is trying to make the world a better place in his own way. We're all trying to do our best. We just need to get better at empathizing with other people."

Joy

Nurse turns inappropriate things men say in the delivery room into ‘inspirational’ art

"Can you move to the birthing ball so I can sleep in the bed?"

Holly the delivery nurse.

After working six years as a labor and delivery nurse Holly, 30, has heard a lot of inappropriate remarks made by men while their partners are in labor. “Sometimes the moms think it’s funny—and if they think it’s funny, then I’ll laugh with them,” Holly told TODAY Parents. “But if they get upset, I’ll try to be the buffer. I’ll change the subject.”

Some of the comments are so wrong that she did something creative with them by turning them into “inspirational” quotes and setting them to “A Thousand Miles” by Vanessa Carlton on TikTok.

“Some partners are hard to live up to!” she jokingly captioned the video.

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All images provided by Adewole Adamson

It begins with more inclusive conversations at a patient level

True

Adewole Adamson, MD, of the University of Texas, Austin, aims to create more equity in health care by gathering data from more diverse populations by using artificial intelligence (AI), a type of machine learning. Dr. Adamson’s work is funded by the American Cancer Society (ACS), an organization committed to advancing health equity through research priorities, programs and services for groups who have been marginalized.

Melanoma became a particular focus for Dr. Adamson after meeting Avery Smith, who lost his wife—a Black woman—to the deadly disease.

melanoma,  melanoma for dark skin Avery Smith (left) and Adamson (sidenote)

This personal encounter, coupled with multiple conversations with Black dermatology patients, drove Dr. Adamson to a concerning discovery: as advanced as AI is at detecting possible skin cancers, it is heavily biased.

To understand this bias, it helps to first know how AI works in the early detection of skin cancer, which Dr. Adamson explains in his paper for the New England Journal of Medicine (paywall). The process uses computers that rely on sets of accumulated data to learn what healthy or unhealthy skin looks like and then create an algorithm to predict diagnoses based on those data sets.

This process, known as supervised learning, could lead to huge benefits in preventive care.

After all, early detection is key to better outcomes. The problem is that the data sets don’t include enough information about darker skin tones. As Adamson put it, “everything is viewed through a ‘white lens.’”

“If you don’t teach the algorithm with a diverse set of images, then that algorithm won’t work out in the public that is diverse,” writes Adamson in a study he co-wrote with Smith (according to a story in The Atlantic). “So there’s risk, then, for people with skin of color to fall through the cracks.”

Tragically, Smith’s wife was diagnosed with melanoma too late and paid the ultimate price for it. And she was not an anomaly—though the disease is more common for White patients, Black cancer patients are far more likely to be diagnosed at later stages, causing a notable disparity in survival rates between non-Hispanics whites (90%) and non-Hispanic blacks (66%).

As a computer scientist, Smith suspected this racial bias and reached out to Adamson, hoping a Black dermatologist would have more diverse data sets. Though Adamson didn’t have what Smith was initially looking for, this realization ignited a personal mission to investigate and reduce disparities.

Now, Adamson uses the knowledge gained through his years of research to help advance the fight for health equity. To him, that means not only gaining a wider array of data sets, but also having more conversations with patients to understand how socioeconomic status impacts the level and efficiency of care.

“At the end of the day, what matters most is how we help patients at the patient level,” Adamson told Upworthy. “And how can you do that without knowing exactly what barriers they face?”

american cancer society, skin cacner treatment"What matters most is how we help patients at the patient level."https://www.kellydavidsonstudio.com/

The American Cancer Society believes everyone deserves a fair and just opportunity to prevent, find, treat, and survive cancer—regardless of how much money they make, the color of their skin, their sexual orientation, gender identity, their disability status, or where they live. Inclusive tools and resources on the Health Equity section of their website can be found here. For more information about skin cancer, visit cancer.org/skincancer.

The mesmerizing lost art of darning knit fabric.

For most of human history, people had to make their own clothing by hand, and sewing skills were subsequently passed down from generation to generation. Because clothing was so time-consuming and labor-intensive to make, people also had to know how to repair clothing items that got torn or damaged in some way.

The invention of sewing and knitting machines changed the way we acquire clothing, and the skills people used to possess have largely gone by the wayside. If we get a hole in a sock nowadays, we toss it and replace it. Most of us have no idea how to darn a sock or fix a hole in any knit fabric. It's far easier for us to replace than to repair.

But there are still some among us who do have the skills to repair clothing in a way that makes it look like the rip, tear or hole never happened, and to watch them do it is mesmerizing.

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Pop Culture

Artist uses AI to create ultra realistic portraits of celebrities who left us too soon

What would certain icons look like if nothing had happened to them?

Mercury would be 76 today.

Some icons have truly left this world too early. It’s a tragedy when anyone doesn’t make it to see old age, but when it happens to a well-known public figure, it’s like a bit of their art and legacy dies with them. What might Freddie Mercury have created if he were granted the gift of long life? Bruce Lee? Princess Diana?

Their futures might be mere musings of our imagination, but thanks to a lot of creativity (and a little tech) we can now get a glimpse into what these celebrities might have looked like when they were older.

Alper Yesiltas, an Istanbul-based lawyer and photographer, created a photography series titled “As If Nothing Happened,” which features eerily realistic portraits of long gone celebrities in their golden years. To make the images as real looking as possible, Yesiltas incorporated various photo editing programs such as Adobe Lightroom and VSCO, as well as the AI photo-enhancing software Remini.

“The hardest part of the creative process for me is making the image feel ‘real’ to me,” Yesiltas wrote about his passion project. “The moment I like the most is when I think the image in front of me looks as if it was taken by a photographer.”

Yesiltas’ meticulousness paid off, because the results are uncanny.

Along with each photo, Yesiltas writes a bittersweet message “wishing” how things might have gone differently … as if nothing happened.
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