The group turning religious leaders into LGBTQ rights crusaders in Kenya

This piece was first published on Reasons to Be Cheerful and is part of the SoJo Exchange from the Solutions Journalism Network, a nonprofit organization dedicated to rigorous reporting about responses to social problems. Penda* did not feel worthy of a seat at the table with the 15 religious leaders she found herself nervously sitting…

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ArrayPhoto credit: Reasons to Be Cheerful

This piece was first published on Reasons to Be Cheerful and is part of the SoJo Exchange from the Solutions Journalism Network, a nonprofit organization dedicated to rigorous reporting about responses to social problems.

Penda* did not feel worthy of a seat at the table with the 15 religious leaders she found herself nervously sitting across from, seven of them Christian, eight of them Muslim.

“Before I attended that forum, I knew that I was a sinner,” she recalls. “I didn’t think it was possible for me to go near a church. I didn’t even think that I could have a conversation with a religious leader.”

Yet in 2014, Penda, a masculine-presenting lesbian, found herself in conversation with these faith leaders, all of whom believed — and in many cases preached — that homosexuality is evil. But this was no ordinary conversation. At Penda’s side were three other people: a Kenyan gay man, a sex worker and someone living with HIV. None of the faith leaders knew these details. That information was held back — until just the right moment presented itself.

The forum was part of a strategic faith engagement session organized by Persons Marginalized and Aggrieved in Kenya (PEMA Kenya), a sexual and gender minority group in the coastal city of Mombasa. In Kenya, where the LGBTQ community is a frequent target of conservative religious leaders, who preach discrimination and sometimes even violence against them, PEMA Kenya takes an unusual approach: it works to “convert” faith leaders to the gay rights cause by introducing them to LGBTQ people, face to face, to build empathy, compassion and understanding.


The carefully orchestrated encounters require the utmost care — for all involved. “We don’t aim to ‘sensitize’ religious leaders,” says Lydia Atemba, a member of the faith engagement team. “We also prepare and equip our community to participate in dialogue with them. We try to bridge the gap on both sides.”

The most unlikely allies

The five-day event attended by Penda and the 15 religious leaders was ostensibly to discuss barriers to health care faced by marginalized people who have HIV. For the first three days of the forum, no explicit mention of homosexuality was uttered.

“We [then] brought other queer members into the sessions and they spoke with the religious leaders,” says Pastor McOveh, a queer pastor who helps to facilitate the program. (He requested his first name not be used.)

Penda was one of them. Now 44, she calmly shared her experience as a lesbian living in Mombasa. She had moved there in 2010, leaving behind the ruins of Kitale, a cosmopolitan town in Kenya that was struggling to recover from the 2007 election crisis. She described to them how she was verbally abused, and how she had been forced to sever ties with her spirituality because of faith leaders preaching anti-gay violence and discrimination.

“I have had troubles reconciling my sexuality and faith,” she told the group.

She says sharing her personal story was surprisingly effective. The faith leaders’ beliefs weren’t instantly transformed, but, she says, “I think I saw a lot of compassion in some of them.”

She was right. One of the conservative religious leaders in attendance that day was Pastor John Kambo. A pastor at the Independent Pentecostal Church of Kenya, Kambo was well known for his public attacks on the LGBTQ community. He once declared that “the gender and sexual minorities, especially in worship places, are cursed sinners and will go to hell.”

This wasn’t Kambo’s first PEMA session. The organization had been holding discussions with him for four years, gradually drawing him onto their side. “It was just follow-up meetings — continuous engagement overtime [to] change the way [he] sees things,” recalls Ishmael Bahati, PEMA Kenya’s executive director and co-founder. During this period, Kambo began reflecting on what the Bible says about love. According to transcripts from PEMA Kenya, he ultimately said that “continuous participation in these trainings opened my mind and I realized that we are all human beings.” The meeting with Penda was his last as an outsider — afterwards, he joined PEMA Kenya as an active, dedicated member, and remained one until his death last month.

In the end, Kambo became an unlikely friend to the queer community. He underwent PEMA’s Training of Trainers, which taught him how to carefully discuss LGBTQ concerns with his fellow faith leaders. But his conversion came at a price. He was excommunicated from the church for three years, and his marriage hit the skids. He continued to be an ally, however, and in 2018 he became the first religious leader to be nominated as a “Human Rights Defender” by the National Coalition of Human Rights Defenders — Kenya.

That same year, Kambo invited Pastor Benhadad Mutua Kithome to a PEMA discussion. “PEMA Kenya produced good notes, and they were helping us very much,” Kithome says of that meeting. “Some pastors were not agreeing with them — they were just agreeing with what the scriptures say. The way Sodom and Gomorrah was. The way, because of homosexuality, people were punished. But because of this training, some pastors, especially me, came to understand.”

Athumani Abdullah Mohammed, an Ustaz (Islamic teacher) whose view of queer people changed gradually after partaking in a PEMA session in 2018, had a similar experience.

“When I got a chance to engage, it was not easy because… I work with conservative organizations,” he says. “The whole gospel I was hearing was against ‘this people,’ as they called them. I thank my brother Ishmael because he was so persistent. He brought me on board. The funny thing is, the first meeting we held was not a good meeting. I was so against everything they were saying, but he saw something in me which I couldn’t see by myself. And he kept on engaging me. Now, I learned to listen and I opened myself to listen. I listen to what I want to hear — and what I don’t want to hear.”

Converting a culture

The coastal city of Mombasa is a conservative place. Religion is at its core, and local faith leaders wield outsized influence, often preaching violence against the queer community.

“Rhetoric vilifying LGBT people, much of it by religious leaders, is particularly pronounced on [Kenya’s] coast, and shapes public perceptions,” according to a Human Rights Watch report.

This was the environment into which PEMA Kenya launched in 2008. Started as a health and social wellbeing community for gay and bisexual men following the tragic death of a gay man in Mombasa — he became sick and was abandoned by his family — the group later expanded to accommodate other gender and sexual minority groups. Then, in 2010, a call to “flush out gays” by two major religious groups — the Council of Imams and Preachers of Kenya (CIPK) and the National Council of Churches of Kenya (NCCK) — led to a spate of attacks on queer people.

The violence became a catalyzing moment for PEMA Kenya. “We thought that it is a good time to have a dialogue with the religious leaders,” recalls Bahati, “to see if we can have a lasting solution for the attacks.”

The organization appears to be making progress toward that goal. Until five years ago, Bahati says, Ramadan, which concluded this month, was a particularly dangerous time for queer people in Kenya’s coastal region. A U.S. government report supports this observation, concluding that “the highest incidences of violence in the Kenyan Coast, which has a largely Muslim population, are reported during Ramadan.”

For this reason, organizations like PEMA used to focus on simply keeping LGBTQ people safe from harm during these weeks. “Most organizations were looking for funds to relocate people, to support people” during this period, says Bahati.

But this year’s Ramadan has been different. Attacks on queer folks are down, Bahati reports. “Things have really changed.” He believes PEMA’s years of meticulous relationship building are beginning to bear fruit. To date, PEMA has trained 619 religious leaders, 246 of which are still active members in the network. These members are crucial to spreading the acceptance of queerness in their congregations and communities in Mombasa and across Kenya. They also facilitate events alongside queer pastors and Ustaz, and review the group’s strategic faith engagement manual, Facing Our Fears.

According to Jide Macaulay, an openly gay British-Nigerian priest, the influence religious leaders hold over public perception makes them invaluable allies. In his experience, building radical queer institutions in a place like Mombasa just isn’t effective. This is something he learned first-hand — in 2006, Macaulay founded House of Rainbow, the first queer church in Nigeria. It was considered an affront to the societal and religious norm, and met with hostility. It lasted only two years.

“My largest focus was on the [queer] community, not necessarily on the rest of the society,” he says. “We didn’t take time to educate the society. House of Rainbow would have benefitted if we had allies within the community. [It] would have benefitted if we started maybe as a support group rather than a full-blown church.”

Now, like PEMA Kenya, House of Rainbow has evolved to make engagement with Christian and Islamic faith leaders the core of its mission, holding forums in Malawi, Zambia, the Democratic Republic of Congo, South Africa, Lesotho, Botswana, Zimbabwe and Ghana.

What the scriptures say

Bahati’s expertise as an Islamic scholar comes in handy. For instance, he notes that the role of language is key to winning converts to an inclusive community.

During PEMA’s strategic meetings, faith leaders are introduced, carefully and tactfully, to humanizing language. “You see, the word homosexual, lesbian, gay, bisexual, transgender, queer are not bad words,” says Macaulay. “Society has made them scary.” PEMA’s facilitators explain appropriate usage, context and meanings, and the harmful implications of using such language as slurs.

“What we say is that language is not innocent,” says McOveh, the gay pastor. “Most of the time we realize that faith leaders use language unknowingly.”

Of course, simply teaching more sensitive language is only the first step. In the Bible and Quran, certain verses and stories are still used to justify homophobic slurs and attacks.

“You realize that scriptures have different interpretations,” says McOveh, “so we try to find common ground to tell them that, see, there is this which is provided by the religion and this which is given as perception.” Macaulay echoes this point. “Looking at the Bible, there’s a history of bad theology, mistranslation, and that mistranslation has caused many churches not to understand that homosexuality is not a sin. Homosexuality is not like robbery or theft. Homosexuality is like being Black. Homosexuality is like being albino. There are things that you just cannot change…Homosexuality is not a crime and it should never be criminalized.”

While groups like PEMA Kenya and House of Rainbow have battled systemic homophobia in society, their efforts are still “a drop of water in the ocean,” says Macaulay.

Homosexuality remains illegal in Kenya. The Penal Code explicitly criminalizes it, and a conviction can carry a prison sentence of up to 14 years. Petitions filed in Nairobi and Mombasa high courts in 2019 to rule these laws unconstitutional were both dismissed this year. Appeals have been filed, but according to Michael Kioko, a lawyer and LGBTQ advocate, it would take a long time to get a ruling.

“We’ll have to wait for years to see whether the court of appeal will declare those provisions unconstitutional, and they may not,” he says.

32 out of 52 African countries criminalize same-sex relations, with punishment ranging from death to lengthy prison terms. In some ways, these laws lend legitimacy to perpetrators of homophobic violence and discrimination.

The pandemic has presented PEMA Kenya with yet another challenge. The delicate work of working with new religious leaders can be risky, and the discussions can only take place in a secure location, says Mohammed.

“You cannot talk to people about these things in their area,” he says. “You need to be very particular when it comes to safety because it’s a lot of voices which are talking against this and people are willing to kill.” Holding discussions with participants in an undisclosed location is safer, but it requires funding which PEMA has spent on taking care of needy community members during the lockdown.

Still, the efforts of PEMA Kenya’s faith leaders continue to foster a safer city for a lot of queer people in Mombasa — in the streets, in the churches and mosques, and in their own homes. “[Now] someone can walk for a kilometer without being attacked,” says Penda with relief. “Those were things that were not very much happening back then.”

*Name has been changed to protect the person’s identity.


  • 101-year-old woman answers kids’ questions about the old days in this delightful clip
    An elderly woman walks on the beach. Another older woman holds a child.Photo credit: Canva

    In a compilation that has resurfaced and gone viral (yet again) on social media, a 101-year-old woman named Alice is seen meeting a gaggle of young children, all eager to see the world through the lens of her long life.

    The group is called HiHo Kids, and they’re part of an online content platform that features children learning and playing. Their Facebook page emphasizes the importance of embracing youth: “Every kid – including the one inside each of us – needs imagination and curiosity about the world. HiHo promotes empathy through play.”

    No question is too big, too silly, or too small for Alice. The young tikes are, as children tend to be, truly earnest, and Alice seems happy to share what her life has been like for more than a century. In a montage, various children sit across from her. One asks, “What are we here to talk about?” Alice answers with honesty and humor: “Well, I think it might be how old I am.”

    This is, of course, followed by the question, “How old are you?” Alice replies, “I’m in my 101st year.”

    After a brief discussion about where Alice grew up, a boy named Micah asks about life back in the old days. Alice answers, “We didn’t have radio. No television. We didn’t have telephones when I was a little girl. There were not any trucks. They had wagons, and horses pulled them.”

    What was the world like?

    One young girl asked whether the world was in such turmoil. “Back then, did you see any wars?” Alice maintained her honest approach. “I did, and I was in a war. I was in the Second World War. We worked on decoding and encoding machines. Very secret work. The officers had guns, and they said if you told any of the secrets, they would shoot you dead.”

    Micah looks a bit nervous, so Alice reassures him. “But nobody got shot.” He seems relieved. “Good,” he says, smiling and nodding.

    To lighten things up a bit, a young girl asks, “What did you do for fun?” Alice fondly recalls, “I had dolls and blocks. But I really liked ‘boys’ things.’ Marbles and tops. And I thought boys were much luckier than girls. We had to wear skirts and stockings, even in the coldest weather.”

    Clara questions this: “Girls couldn’t wear pants?” Alice affirms, “That’s right.” Clara concludes that it’s simply not fair.

    Favorite insect

    Though Alice is now retired, she lights up when talking about her past work as a biology professor. “If you look at my shirt, you’ll see some of the things I taught about.” She points to a few insect brooches on her pale blue button-down, including a spider. When asked about her favorite insect, Alice doesn’t hesitate: “Ants. I did research on ants.”

    Clara could talk about ants all day. She explains that although they’re tiny, they’re incredibly strong. “They can carry something big, like a banana. Even three of them can, even though they’re this tiny.” Alice is impressed by her knowledge. “You’re very good—and you’re only six years old!”

    Micah asks what Alice likes to do for fun. “Well, right now I’m watching the Olympics. I write books, and I do puzzles. I enjoy email. I write to a lot of my friends. I even play Scrabble. Also, I try to get exercise every day.”

    She tells the kids she’s grateful to still have a working mind and body. “Some old people aren’t very well anymore. Some of them can’t remember things. Some of them have to have somebody help them. But I can do everything myself.” Micah exclaims, “That’s good! That means you’re really old, but you’re really good at it.”

    The rest of the conversation is quite moving. Alice is asked what the hardest part of getting older is. “You miss people. And especially when you live over 100 years. Most of the people I ever knew, and in my family, are dead.”

    Not afraid of dying

    This leads to a beautiful question: “Are you afraid of dying?” Alice is most certainly not. “No, I’m not afraid of dying. I feel very healthy and happy. My doctor said, ‘Maybe you’ll just die in your sleep.’ So I’m not afraid, because I have a good life.”

    Finally, quite possibly the most important question of the session: “What is the secret to living a long life?” Alice answers, “Being happy, working hard, getting exercise, doing things for yourself, not expecting other people to do everything for you. Those things help you live a long time.”

    The comments under the Facebook reel, where this was also posted, are full of praise.

    One commenter wrote, “As a geriatric nurse, Alice’s brain is freaking amazing for 101. Shoot, it’s amazing for most of my 70-80 year olds. Amazing.”

    Another agreed with Alice’s life: “She was a freaking decoder! These kids don’t even know the titan they’re sitting across from them. This is so cool!”

    And of course, people loved Alice’s interactions with the sweet children. “You can tell she loves to teach,” a commenter wrote. “She’s absolutely magical with the children. What a gift to introduce these kids to Alice.”

  • Why didn’t people smile in old-timey photographs? Smiling meant something different back then.
    Photos of a man and woman from the 1800sPhoto credit: Public Domain

    If you’ve ever perused photographs from the 19th and early 20th century, you’ve likely noticed how serious everyone looked. If there’s a hint of a smile at all, it’s oh-so-slight. But more often than not, our ancestors looked like they were sitting for a sepia-toned mug shot or being held for ransom or something. Why didn’t people smile in photographs? Was life just so hard back then that nobody smiled? Were dour, sour expressions just the norm?

    Most often, people’s serious faces in old photographs are blamed on the long exposure time of early cameras, and that’s true. Taking a photo was not an instant event like it is now; people had to sit still for many minutes in the 1800s to have their photo taken.

    Ever try holding a smile for only one full minute? It’s surprisingly difficult and very quickly becomes unnatural. A smile is a quick reaction, not a constant state of expression. Even people we think of as “smiley” aren’t toting around full-toothed smiles for minutes on end. When you had to be still for several minutes to get your photo taken, there was just no way you were going to hold a smile for that long.

    But there are other reasons besides long exposure times that people didn’t smile in early photographs.

    mona lisa, leonardo da vinci, classic paintings, famous smiles, art
    Mona LisaPhoto credit: Public domain

    The non-smiling precedent had already been set by centuries of painted portraits

    The long exposure times for early photos may have contributed to serious facial expressions, but so did the painted portraits that came before them. Look at all of the portraits of famous people throughout history prior to cameras. Sitting to be painted took hours, so smiling was out of the question. Other than the smallest of lip curls like the Mona Lisa, people didn’t smile for painted portraits, so why would people suddenly think it normal to flash their pearly whites (which were not at all pearly white back then) for a photographed one? It simply wasn’t how it was done.

    A smirk? Sometimes. A full-on smile? Practically never.

    old photos, black and white photos, 1800s photos, no-smile photos, no smiles in photo
    Algerian immigrant to the United States. Photographed on Ellis Island. Photo credit: Augustus F. Sherman via William Williams/Wikimedia Commons

    Smiling usually indicated that you were a fool or a drunkard

    Our perceptions of smiling have changed dramatically since the 1800s. In explaining why smiling was considered taboo in portraits and early photos, art historian Nicholas Jeeves wrote in Public Domain Review:

    “Smiling also has a large number of discrete cultural and historical significances, few of them in line with our modern perceptions of it being a physical signal of warmth, enjoyment, or indeed of happiness. By the 17th century in Europe it was a well-established fact that the only people who smiled broadly, in life and in art, were the poor, the lewd, the drunk, the innocent, and the entertainment […] Showing the teeth was for the upper classes a more-or-less formal breach of etiquette.”

    drunks, classic painting, owls, malle babbe, paintings
    "Malle Babbe" by Frans HalsPhoto credit: Frans Hals via Public domain

    In other words, to the Western sensibility, smiling was seen as undignified. If a painter did put a smile on the subject of a portrait, it was a notable departure from the norm, a deliberate stylistic choice that conveyed something about the artist or the subject.

    Smiling simply didn’t work well in old portraits

    Even the artists who attempted it had less-than-ideal results. It turns out that smiling is such a lively, fleeting expression that the artistically static nature of painted portraits didn’t lend itself well to showcasing it. Paintings that did have subjects smiling made them look weird or disturbing or drunk. Simply put, painting a genuine, natural smile didn’t work well in portraits of old.

    As a result, the perception that smiling was an indication of lewdness or impropriety stuck for quite a while, even after Kodak created snapshot cameras that didn’t have the long exposure time problem. Even happy occasions had people nary a hint of joy in the photographs that documented them.

    Another reason why people didn’t smile in old photos is that dental hygiene wasn’t the same as it is today, and people may have been self-conscious about their teeth. “People had lousy teeth, if they had teeth at all, which militated against opening your mouth in social settings,” Angus Trumble, the director of the National Portrait Gallery in Canberra, Australia, and author of A Brief History of the Smile, said, according to Time.

    old photos, black and white photos, 1800s photos, no-smile photos, no smiles in photo
    Even wedding party photos didn’t appear to be joyful occasions. Photo credit: Wikimedia Commons

    Then along came movies, which may have changed the whole picture

    So how did we end up coming around to grinning ear to ear for photos? Interestingly enough, it may have been the advent of motion pictures that pushed us towards smiling being the norm.

    Photos could have captured people’s natural smiles earlier—we had the technology for taking instant photos—but culturally, smiling wasn’t widely favored for photos until the 1920s. One theory about that timing is that the explosion of movies enabled us to see emotions of all kinds playing out on screen, documenting the fleeting expressions that portraits had failed to capture. Culturally, it became normalized to capture, display and see all kinds of emotions on people’s faces. As we got more used to that, photo portraits began portraying people in a range of expression rather than trying to create a neutral image of a person’s face.

    Changing our own perceptions of old photo portraits to view them as neutral rather than grumpy or serious can help us remember that people back then were not a bunch of sourpusses, but people who experienced as wide a range of emotion as we do, including joy and mirth. Unfortunately, we just rarely get to see them in that state before the 1920s.

    This article originally appeared last year.

  • ‘You better than that’: Door camera shows woman stopping package thief with tough love
    A Black woman (left) and packages on a stoop (right).Photo credit: Canva
    ,

    ‘You better than that’: Door camera shows woman stopping package thief with tough love

    She turned a tense moment into an unforgettable display of empathy.

    In a moment when most people might respond with anger and discipline, one Philadelphia woman chose instead to lead with compassion.

    On March 6, Bernadette Williams noticed a stranger across the street near a neighbor’s porch. As seen on Williams’ doorbell camera, a woman with a partial face covering appeared to reach for a delivered package. It was the kind of scene that immediately raises alarm, and Williams responded without hesitation.

    ‘What are you doing? Put that back! Put that back!’

    The woman quickly dropped the package. For a brief moment, the situation hung in the balance. It could have turned into a confrontation, a threat, or a call to the police. But then Williams made a choice that shifted the entire tone of the encounter.

    “I said, ‘She’s in trouble. How can I make a bad situation better?’ You have to be a part of the solution,” she later told WPVI

    Rather than continuing to call out the woman, Williams began speaking to her in a completely different way. As her voice softened, her message changed from warning to encouragement.

    “You better than that. Get some help. I love you. God loves you,” she told the woman.

    Then came the offer that has stayed with so many people who have heard the story. Reaching into her pocket, Williams told the stranger, “I’ll give you some money. Here’s $7, here’s $7.” It was all she had, and she gave it up willingly. 

    package thief, kindness, Philadelphia
    Close-up of hands offering money. Photo credit: Canva

    The exchange was brief, but its impact was clear

    As WPVI reported, the woman apologized and thanked her before leaving. Williams said she could see something had shifted in her expression.

    “Her eyes of ‘I’m sorry.’ That was in her heart, and that’s what I read. I hope that she will be fine, and I have faith that she will be fine.”

    For Williams, the decision was not about ignoring wrongdoing, but about recognizing what might be underneath it. Instead of seeing a thief, she saw someone who might be struggling.

    “She started realizing ‘I am somebody,’” Williams said. “She started realizing that ‘There is somebody out here that cares.’”

    package thief, kindness, Philadelphia
    A close-up of eyes. Photo credit: Canva

    That perspective comes from years of living in the same neighborhood and feeling connected to the people in it. Williams believes that communities are shaped by how people choose to respond to one another, especially in difficult moments.

    “We are a part of this community, and we can make our community better,” she told WPVI.

    The big takeaway

    There’s a common assumption that accountability must come with harshness. This story shows that it doesn’t always have to. The would-be thief is held accountable while maintaining everyone’s dignity, making a different choice in the future far more likely.

    While it’s impossible to know what happens next for the woman in the video, what remains is the example Williams set by actively choosing humanity when most would not.

  • Ethan Hawke beautifully explains why AI art can’t replace imperfect human creativity
    Ethan Hawke gets philosophical about art and creativity.Photo credit: Elena Ternovaja/Wikimedia Commons

    As AI plays an increasing role in our world, questions about its appropriate use abound. There’s no doubt that technology has the potential to improve our lives dramatically. But the way we choose to use it can also impact us in ways we may not fully appreciate.

    For instance, how might AI impact our relationship with human creativity? Ethan Hawke was asked about the idea that “AI is the future of art,” and how he would argue that human creativity matters. People are loving his thoughts.

    Ethan Hawke on AI art versus reality

    “Nature is reality,” he said. “And when you get away from reality, you get lost. Human creativity is nature manifest in us. It is happening in us.”

    Then he gave an example of why AI art will never be able to replicate a piece of art created by a human.

    “AI could make an amazing portrait of the Sundance Film Festival, and it’ll be incredible,” he said. “Or my 14-year-old could color her impression of it. And the thing about my 14-year-old’s is it’s not perfect. It’s hers. It’s unique to a moment in time and a place. And it’s inimitable because it’s coming from her, and she is beautiful. And it’s not the painting; it’s the energy behind the painting.”

    “What makes a poem great is not this collection of words,” he continued. “It’s the energy behind the poem. Dance can be…you see people who can barely dance, and you can cry at the joy happening with the music. Because they’re alive right now and they won’t be forever. And when we start making things being about perfection, you’re just belittling the experience of life. You’re just totally ceding your humanity.”

    Hawke concluded, “It makes me sad, but it also makes me excited, because I don’t want to do that. I’m not going to do that.”

    So many people resonated with his response in the comments:

    “This is so beautiful and so true ~ everything he says is so profound and I’m here for this thinking…. we’ve become a weird world of social media perfection.”

    “I love how he got 🥲 talking about the imperfections created by hand from his daughter. What a beautiful way of describing creativity.”

    “Can he just write a philosophy book already? We all know we’d read it.”

    @ethanhawke always saying what the world needs to hear. Thank you sir! Thank you for defending the magic of NATURE and defending the MAGIC of humanity. More of this ENERGY and CONSCIOUSNESS ❤️❤️❤️.”

    “This feels less like an anti-AI take and more like a pro-human one.”

    AI isn’t going anywhere, time to choose the role it plays in society

    That last comment hits the nail on the head. Whether you love it, hate it, or aren’t sure how to feel about it, AI is here. The conversations we have about it, and how we consciously choose to engage with it, matter. There’s a lot to consider on that front, ethically, educationally, environmentally, and more.

    But one thing those considerations are forcing us to do is to examine the value of human creativity. Not the dollar amounts we can assign to it, but the inherent value of the energy behind an artist’s unique expression. Generative AI will never be able to replace human creativity, no matter how “perfectly” it may replicate it. The real beauty of art is the singularity of the human spirit and the unique energy an artist brings to it.

    As Hawke said, we can choose not to cede our humanity in the age of AI—and we can be excited about that choice because the beauty of human creativity is absolutely worth celebrating.

  • Pop music’s most famous phone number now connects callers to a cancer support helpline
    Jenny's number can now help cancer patients.Photo credit: TutoneJJ/YouTube & Canva

    Since the 1980s, one particular phone number has earwormed its way into pop culture’s collective memory. That number? 867-5309 (which you probably just sang in your head). Today, however, that memorable number doesn’t belong to Jenny anymore. Thanks to Tommy Tutone’s frontman, dialing it now connects cancer patients to a support group.

    Tommy Heath, the lead singer of Tommy Tutone, teamed up with the Cancer Support Community to secure the number for its free support helpline. In an exclusive interview with People, Heath shared how cancer has affected him as he’s gotten older, noting that he is dealing with “minor” skin cancer himself.

    “I have some family members who are struggling with cancer,” he told People. “I’m out on tour with a lot of bands and suddenly somebody’s not there.” 

    The song’s prank-filled past

    The song “867-5309/Jenny” reached No. 4 on the Billboard Hot 100 in 1982. However, its catchy, memorable chorus led to a wave of stories beyond music. It also sparked years of prank calls, with people asking for “Jenny” whenever they dialed the number—both during the song’s heyday in the 1980s and decades later.

    The Cancer Support Community’s hotline provides expert support from trained specialists who offer personal guidance, information, and a listening ear for cancer patients. Having such a recognizable phone number helps ensure people know exactly which number to dial for help. After learning this, Heath stepped in, wanting to give back after getting so much from the number that made him famous.

    “I need to give back to the community, the people who have supported me all these years,” he told People. “I’m going to do what I can…I’d be happy if this was an enduring legacy, and made people smile and give them hope.”

    Now, when someone dials the number using the 272 area code (or “CSC,” for “Cancer Support Community”), it connects them to a professional who can help people with cancer.

    At 78, Heath is still going strong, performing live. And yes, he still happily plays and sings “867-5309/Jenny” for the crowds that support him.

    If you need additional or specialized support in your battle against cancer, visiting the American Cancer Society’s website can help. Searching for and connecting with professionals there can provide patients with additional resources, including in-person, local support.

  • Grocery store’s produce section concerts give indie musicians a live venue. People want more.
    A band plays in the produce section of Fiesta Fresh Market. Photo credit: Fiesta Fresh Market/YouTube
    ,

    Grocery store’s produce section concerts give indie musicians a live venue. People want more.

    “We need this right now in the world…Real humans doing real human things.”

    On the outside, Fiesta Fresh Market looks like just another neighborhood grocery store in New Castle, Delaware. Inside the produce section, however, customers can listen to local bands perform their latest songs live and in person. These “Mercadito Sessions” have since evolved from a simple community offering into a full-fledged live music event.

    While grocery stores and live music don’t typically mix, at Fiesta Fresh Market, it’s part of the family. The Aguilar Garcia family, who run the store, have music in their roots—especially co-owner José Luis Aguilar Garcia, who works in the music industry.

    In the hope of helping Mexican American bands gain more exposure, José and his family offered their produce section as a space for Latin musicians to perform for customers. They were inspired by National Public Radio’s “Tiny Desk Concerts,” which feature artists performing live in a confined space.

    These produce section mini-concerts, dubbed “The Mercadito Sessions,” initially puzzled customers. Over time, however, shoppers came to welcome and enjoy the live music, with some even visiting just for the performances. Then, posts on the store’s social media featuring the bands began to go viral.

    “The idea is to highlight independent artists from the area,” José told CBS Philadelphia. “Because it’s getting more attention online, people are excited. They’ll ask when we’re doing the next one.”

    Commenters on the store’s Instagram celebrated the market’s concert concept:

    “This is so cool. Not everyone wants to go to bars and/or have to stay up late to hear live music. I love this so much.”

    “Honestly this is the absolute coolest thing ever.”

    “Amazing music scenes going on everywhere, love the magic being shared.”

    “We need this right now in the world…Real humans doing real human things.”

    “Such an innovative and creative idea! 🥹💫”

    @fiestafreshmarket

    Just put the bananas in the bag bro @erre6ixx

    ♬ original sound – Fiesta Fresh Market

    While the Mercadito Sessions showcase Mexican regional music, they are open to any genre. As the series gained attention online, many bands reached out to Fiesta Fresh Market to get booked. Several acts have come to perform and record as customers pick out fresh fruits and vegetables.

    Concerts for the community, by the community

    Musicians and customers alike say these concerts provide a sense of community among Latin Americans living in Delaware. They not only celebrate their culture, but also showcase it to others in New Castle.

    “It gives us a platform to portray who we really are,” musician Jesús Beltran Méndez told CBS Philadelphia. “There’s a lot of misconceptions about who we are. There are bad people. There are good people. We are just human.”

    @fiestafreshmarket

    @Los K-Bros “Ya No Me Llames” (Unreleased) live desde Fiesta Fresh Market

    ♬ original sound – Fiesta Fresh Market

    Demand for the music has grown so much that the grocery store is now hosting and promoting a full-fledged concert event. What was once a place to buy groceries has become a spotlight for the community—all by offering a small space in an aisle.

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