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What I want you to talk about when you talk about the Orlando shooting.

Last weekend, there was a shooting in a gay night club. I've felt this feeling before.

What I want you to talk about when you talk about the Orlando shooting.
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Modern Love

I remember this feeling.

I am 18, and I am at a stoplight. A pickup truck pulls up next to me in the turn lane. I glance; inside the truck are three or four guys, my high school classmates. It’s June. Their windows are down, they are listening to classic rock, and they are wearing undershirts in the heat. I know they’ve seen me, so I timidly wave hello.


Photo via iStock.

Did they wave back or did they laugh and call me a faggot? It doesn’t matter. The light turns green, and I go. The truck swerves out of the turn lane to go straight, and follows me closely. Here’s where I feel it.

My heart beats faster and faster and my knuckles are white on the steering wheel. If I drive home, they will know where I live, and if I drive to a friend’s house and that friend isn’t home, I’ll be alone with them — either way, I risk not even making it to the door. But if I keep driving, they could run me off the road. I have to stop, but I can’t find a safe place.

Finally, shaking, I decide on a gas station. And as I approach the parking lot, I glance in my rearview mirror: The truck turns away and disappears, as if none of this ever happened.

I grew up in Missouri, close to St. Louis, but far enough away that I could play Marco Polo in a wheat field.

When I came out of the closet, I knew of no other gay kids in my high school’s student body of 1,000. I was a senior then, and it was terrifying. Because when I was a freshman, I saw the story of Matthew Shepard’s torture and murder on the TV news. It happened to a kid like me in a town like mine, and I never forgot: It could happen to me too.

When I saw news of the massacre in Orlando, I could see that truck swerving in my rearview mirror again.

I imagine many queer people felt the same way.

The window of a gay bar in Brussels. Photo by Siska Gremmelprez for AFP/Getty Images.

For us, this is different from other all-too-frequent mass shootings, and it is not the same as other terror attacks. This attack was meant to remind queer people, specifically, that despite all of the progress of the last two decades, we can still be made to feel that we exist only at the mercy of others. It was designed to humiliate as much as it was to exterminate — to trick us into believing our breath is a luxury rather than a right.

Queer folks know better than to buy into this. Our diversity can be dizzying — we are intersections of trans, bi, lesbian, gay, gender-non-conforming, black, Latinx, white, Muslim, Christian, Jewish, and so many other identities. But one thread ties all of us together: We know the importance of asserting our humanity. And despite all the risks, we’ll keep doing it.

Our elected officials might be tempted, as any of us might be, to treat this shooting as a gun rights issue alone or as an issue of terrorism or national security.

It is certainly those things: Calls for reforming gun policy, and calls for love instead of terror are valid. But this attack did not occur randomly; it was not aimed at the general public. It was aimed at queer people. And addressing it as though the identities of the victims are of tertiary importance — identities for which real people bled to death — is more than dishonest. It’s a new kind of erasure, a quieter kind of violence.

Flowers at a memorial in Seoul, South Korea. Photo by Chung Sung-Jun for Getty Images.

There are politicians who fight their hardest to steal the dignity of trans people, who fought against my right to marry, and who ignore the epidemic of homelessness among queer youth of color. Watch now as they pirouette gracefully: They will say an attack on gay Americans is an attack on all Americans. They will say this should strengthen our resolve to arm every schoolteacher. They will use it to justify pouring money and lives into the war on ISIS. It is our civic duty to hold them accountable for this hypocrisy.

If I sound angry, it’s because I am.

For my entire life, I have heard from public servants, faith leaders, and even some friends and family members that my existence is an inconvenience — or an abhorrence. Imagine it.

Now imagine real violence done to people who dare exist like me. And imagine it going unspoken or being used for political gain. Imagine what it would feel like to have someone who hates you suddenly force you to take their hand in fellowship.

A year ago this month, the U.S. Supreme Court guaranteed gay people the right to marry all across the country.

I celebrated with my fiancé. I saw rainbows everywhere, online and off. I was buoyed by the outpouring of love, pride, and positivity that followed.

I thought that — just maybe — that shaky 18-year-old, knuckles white on the steering wheel, had finally found the safety he deserved. Imagine being wrong about that.

You’d be angry too.

Cats are notoriously weird. Everyone who's had cats knows that they each have their own unique quirks, idiosyncrasies, preferences, habits, and flat-out WTFness.

But even those of us who have experience with bizarre cat behavior are blown away by the antics this "cat dad" is able to get away with.

Kareem and Fifi are the cat parents of Chase, Skye, and Millie—literally the most chill kitties ever. They share their family life on TikTok as @dontstopmeowing, and their videos have been viewed millions of times. When you see them, you'll understand why.

Take Chase's spa days, for example. It may seem unreal at first, but watch what happens when Fifi tries to take away his cucumber slices.

When she puts them back on his eyes? WHAT?! What cat would let you put them on once, much less get mad when you take them off?

This cat. Chase is living his best life.

But apparently, it's not just Chase. Skye and Millie have also joined in "spaw day." How on earth does one couple end up with three hilariously malleable cats?

Oh, and if you think they must have been sedated or something, look at how wide awake they are during bath time. That's right, bath time. Most cats hate water, but apparently, these three couldn't care less. How?

They'll literally do anything. The Don't Stop Meowing channel is filled with videos like this. Cats wearing glasses. Cats wearing hats. Cats driving cars. It's unbelievable yet highly watchable entertainment.

If you're worried that Kareem gets all the love and Fifi constantly gets the shaft, that seems to be a bit for show. Look at Chase and Fifi's conversation about her leaving town for a business trip:

The whole channel is worth checking out. Ever seen a cat being carried in a baby carrier at the grocery store? A cat buckled into a car seat? Three cats sitting through storytime? It's all there. (Just a heads up: A few of the videos have explicit language, so parents might want to do a preview before watching with little ones.) You can follow the couple and their cats on all their social media channels, including Instagram and YouTube if TikTok isn't your thing, here.

If you weren't a cat person before, these videos might change your mind. Fair warning, however: Getting a cat because you want them to do things like this would be a mistake. Cats do what they want to do, and no one can predict what weird traits they will have. Even if you raise them from kittenhood, they're still unpredictable and weird.

And honestly, we wouldn't have them any other way.

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We're redefining what normal means in these uncertain times, and although this is different for all of us, love continues to transform us for the better.

Love is what united Marie-Claire and David Archbold, who met while taking a photography class. "We went into the darkroom to see what developed," they joke—and after a decade of marriage, they know firsthand the deep commitment and connection romantic love requires.

All photos courtesy of Marie-Claire and David Archbold

However, their relationship became even sweeter when they adopted James: a little boy with a huge heart.

In the United States alone, there are roughly 122,000 children awaiting adoption according to the latest report from the U.S Department of Health and Human Services. While the goal is always for a child to be parented by and stay with their biological family, that is not always a possibility. This is where adoption offers hope—not only does it create new families, it gives birth parents an avenue through which to see their child flourish when they are not able to parent. For the right families, it's a beautiful thing.

The Archbolds knew early on that adoption was an option for them. David has three daughters from a previous marriage, but knowing their family was not yet complete, the couple embarked on a two-year journey to find their match. When the adoption agency called and told them about James, they were elated. From the moment they met him, the Archbolds knew he was meant to be part of their family. David locked eyes with the brown-eyed baby and they stared at each other in quiet wonder for such a long time that the whole room fell silent. "He still looks at me like that," said David.

The connection was mutual and instantaneous—love at first sight. The Archbolds knew that James was meant to be a part of their family. However, they faced significant challenges requiring an even deeper level of commitment due to James' medical condition.

James was born with congenital hyperinsulinism, a rare condition that causes his body to overproduce insulin, and within 2 months of his birth, he had to have surgery to remove 90% of his pancreas. There was a steep learning curve for the Archbolds, but they were already in love, and knew they were committed to the ongoing care that'd be required of bringing James into their lives. After lots of research and encouragement from James' medical team, they finally brought their son home.

Today, three-year-old James is thriving, filled with infectious joy that bubbles over and touches every person who comes in contact with him. "Part of love is when people recognize that they need to be with each other," said his adoptive grandfather. And because the Archbolds opted for an open adoption, there are even more people to love and support James as he grows.

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When Donato Di Camillo was a kid, his family couldn't afford film for their Polaroid camera.

So instead, he ran around the house with a film-less camera pretending to be a hotshot photographer on an African safari, mimicking the heroes behind iconic photos he saw in the discarded National Geographic magazines his dad grabbed for him out of the garbage.

Years later, when Di Camillo found himself in prison after collecting a lengthy rap sheet of thefts, he discovered a library full of those same magazines.

While other inmates were working out or getting into trouble, he pored over old issues of National Geographic, Life, and Time.

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There have been many iconic dance routines throughout film history, but how many have the honor being called "the greatest" by Fred Astaire himself?

Fayard and Harold Nicholas, known collectively as the Nicholas Brothers, were arguably the best at what they did during their heyday. Their coordinated tap routines are legendary, not only because they were great dancers, but because of their incredible ability to jump into the air and land in the splits. Repeatedly. From impressive heights.

Their most famous routine comes from the movie "Stormy Weather." As Cab Calloway sings "Jumpin' Jive," the Nicholas Brothers make the entire set their dance floor, hopping and tapping from podium to podium amongst the musicians, dancing up and down stairs and across the top of a piano.

But what makes this scene extra impressive is that they performed it without rehearsing it first and it was filmed in one take—no fancy editing room tricks to bring it all together. This fact was confirmed in a conversation with the brothers in a Chicago Tribune article in 1997, when they were both in their 70s:

"Would you believe that was one of the easiest things we ever did?" Harold told the paper.

"Did you know that we never even rehearsed that number?" added Fayard.

"When it came time to do that part, (choreographer) Nick Castle said: 'Just do it. Don`t rehearse it, just do it.' And so we did it—in one little take. And then he said: 'That's it—we can't do it any better than that.'"

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