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Felice House

When Felice House moved to Texas from Massachusetts, she quickly fell in love with "Western" culture.

Felice House stands in a hallway art galleryTimothy Douglas

House, a painter and artist, moved to Austin to study for her master's degree before becoming an assistant professor of painting at Texas A&M University.


At first, the culture shock was fun. House says she quickly became infatuated with the Western genre: the outfits, the cowboy boots, the music.

"But when I actually got around to watching Western movies," she adds, "I was horrified by the roles for ... anybody except white men basically."

The stoic renegades played by John Wayne, James Dean, and Clint Eastwood stood in stark contrast to the helpless damsels they shared the screen with. The empowered and the powerless.

House had spent much of her career painting women in ways that clashed with media representations, so she decided to tackle the male-dominated Western genre.

She put out a call for models and was quickly overwhelmed with women who wanted to participate.

Woman in cowboy gear with red bandanaFelice House

House says many of the models already knew which iconic cowboy they wanted to portray.

Woman in cowboy gear with pink shirt and red bandanaFelice House

Virginia Schmidt became "Virginia Eastwood."

Woman in old fashioned Western sceneFelice House

Then there was "Liakesha Dean."

Woman in cowboy hat and red bandanaFelice House

And "Rebekah Wayne."

Woman in cowboy hat with eye patch and yellow bandanaFelice House

House first photographed the models in Western getups, then painted from the images she captured.

Woman in cowboy hat riding a horse and reaching for holsterFelice House

She also says practicing the facial expressions and body language was the hardest part for the models.

Woman lounging cowboy gear and red bootsFelice House

"Women are kind of trained to make coy, approachable facial expressions," she says.

Woman in cowboy hat pointing pistolFelice House

Turning these women into iconic and powerful heroes meant stripping away any remnants of the "sexy cowgirl" trope.

Two women in cowboy hats and Western gear holding a rifleFelice House

The paintings themselves are larger than life. Roughly 1.25 times larger, to be specific.

Woman in cowboy hat and Sheriff star holding a pistolFelice House

"When you see them in person, people are surprised by the scale." People aren't used to women towering over them, House says.

Woman in old fashioned Western clothing with rifleFelice House

And that's exactly the point. House wanted to start a conversation about who is assigned power and how we view it.

Woman sitting in cowboy boots holding two pistolsFelice House

In that sense, the timing couldn't have been better. "Issues with gender and power in the U.S. are kind of in the forefront of people's minds, " she says.

Woman in old fashioned Western scene in cowboy gearFelice House

In the very beginning of the project, House says she simply digitally clipped one of the models heads and put it on John Wayne's body.

"It looked ridiculous," she says with a laugh. "But then I thought, what if I could find a way to give this same sense of power [that iconic male heroes have] to women?"

With a brush and a few massive canvases, she managed to do just that, and she hopes it'll make a few people think differently about how we define who can be a hero.

In the meantime, and despite her criticisms of the films of yesteryear, House says pop culture is getting better at representing women. Projects like this one definitely help.

After all, it was John Wayne himself who once said, "Tomorrow hopes we have learned something from yesterday."


This article originally appeared on 3.17.17



What are women up to when no one is watching?


Artwork courtesy of Sally Nixon, used with permission.

Well, take a look at Sally Nixon's illustrations and you'll see.



The subjects in her artwork aren't aware we're looking at them.

And that's the point. They're living in a world free from the pressures that exist in the real one.

"I like drawing girls doing their everyday routine — just hanging out, not worried about what others are thinking," Nixon told Upworthy. "They're usually alone or with other girls. Their guard is down."

Editor's note: An image below contains partial nudity.

Capturing her subjects in this liberated light wasn't intentional at first, she explained.

But when she started a 365-day challenge last April to create one art piece a day, the work started reflecting the nuances of her own life away from prying eyes — "I was kind of like, 'Oh, I'm brushing my teeth, so I'll draw that.'" — and a theme began to form.Her illustrations show how women look, away from the exhausting world where they're often judged more harshly than men.

You also might notice none of the girls in her illustrations are smiling.

According to Nixon, that's a deliberate choice.

"I don't sit around smiling to myself," Nixon said, noting the double standard that exists in thinking women should always appear cheerful.

"I've been told, 'You need to smile more.' It's so infuriating. I wanted to show the way girls actually look, comfortably."

The theme of friendship is also an important one in Nixon's drawings.

“I have four older sisters, so female friendship has always been a big part of my life," Nixon told The Huffington Post. “You gotta have someone to talk about periods with, and dudes just don't get it."

Creating relatable scenes was key to Nixon, too — from the details of women's lives to the physical shapes of their bodies.

“It's important that the women I draw aren't rail thin with huge boobs," Nixon said. “I think there are enough images of bodies like that out in the world. The ladies I draw typically have small-ish, droopy breasts and thick thighs. They're kind of lumpy but in an attractive way. Just like real people."

The women in Nixon's work aren't real, but she hopes their stories are.

"One of my absolute favorite comments [on my work] is, 'Oh my God, it's me!'" she explained of the depictions.

"There's a little bit of beauty in [everyday life] and I wanted to bring that out."

You can view more of Nixon's artwork on her website and check out her prints for purchase on Etsy.


This article originally appeared on 04.15.16








Canva, Raph_PH/Wikipedia

Lily Allen shared how her kids "ruined" her career. She is not alone.

“You can have it all.”

This has been a post-3rd wave feminism promise sworn to women. That you can have a big family, a high achieving career, a fulfilling relationship, a never-ending sense of purpose, no bad hair days, healthy lunches that make themselves, and so on and so on.

But many, many women will quickly dispel that myth. There is still measurable inequality between men and women when it comes to being able to advance in their careers and have children. Even the ones who do seem to “have it all” are the exception to the rule, and likely have sacrificed other aspects of their identity.

That goes for pop stars too, apparently. While appearing on an episode of the Radio Times Podcast, British singer Lily Allen spoke candidly about her own experience of not being able to move up in the music industry after becoming a mom.

Allen shot to prominence in 2006 thanks to her hit song “Smile.” Only two years later, she earned a nomination for best alternative music album at the 2008 Grammy Awards for debut album, "Alright Still.”

But instead, Allen followed in the footsteps of celebrities like Rick Moranis, and chose to focus on her children.

"Some people choose their career over their children, and that’s their prerogative," she explained. "My parents were quite absent when I was a kid, and I feel like that really left some nasty scars that I'm not willing to repeat on mine. I’m glad that I have done that, because I think they’re pretty well-rounded people.”

In other words: “My children ruined my career,” she joked, before adding “I love them and they complete me, but in terms of pop stardom, totally ruined it.”

Though Allen has no regrets, she brought up the story to address how unrealistic it is for most women to be able to do both, and being told otherwise by society is less-than-empowering.

"It really annoys me when people say you can have it all, because — quite frankly — you can’t."

Between pay inequality, difference in work life balance, corporate attitudes towards pregnancy leave, and already being less likely to advance than their male counterparts even without the factor of children (not to mention the world not fully being set up for two working parents with zero community support) it feels safe to assume that Allen is touching on something fairly universal here.

Though her pop star chapter might have reached a close, Allen seems to still be living a pretty cool life— from her swanky New York apartment with David Harbour to winning awards for her stage acting. So though she might not “have it all,” she certainly has some pretty cool things going for her.

Demetri Manabat/TikTok (shared with permission)

Demetri Manabat's "Barbie" poem makes a powerful statement.

Usually, when you hear a man say he doesn't want his son to play with dolls, you have a pretty good idea of what beliefs sit beneath the sentiment. It's not unreasonable to assume that some combination of misogyny, homophobia and problematic ideas about masculinity are at play in such an attitude.

That's why an unexpected turn in Demetri Manabat's spoken word poem, "Barbie," caught people's attention.

Manabat referred to "Barbie" as "a poem about dolls" in the caption of a TikTok video showing him performing it on stage. He opens the poem with a provocative statement: "My sons will never play with dolls. In fact, I refuse to let my sons play with dolls."

He goes on to explain that if he ever catches his son with a Barbie or a Bratz doll or a Polly Pocket or Cabbage Patch, he would set them straight, "knowing that's not how God intended" for men to act.


The audience sits quietly through all of this, and a heavy pause lets them stew in his words. But then the twist comes as Manabat explains the why behind his feelings about his sons playing with dolls, and it's one heck of a gut punch with an absolutely knock-out last line.

Watch, all the way to the end:

@demetrimanabat

“Barbie” A poem about dolls. I hope you enjoy. Much Much Love Always & Forever Demetri #barbie #poetry #doll #spokenword #writing #writer #lasvegas

Is it any wonder the video has been liked over nearly a million times in three days on TikTok alone?

People in the comments were as expressive about their feelings as some of the live audience members who called out during the poem.

"I was like booooy, you better be goin somewhere with this, and yall he WENT somewhere," wrote one commenter.

"This is one of those poems you have to stick around for. I hope millions stick around for it, sir," wrote another.

One commenter simply wrote "*deletes paragraph*" as a joke about how they were initially responding to the poem when it began. Another wrote "*trust the algorithm, trust the algorithm*" in a similar vein.

Lots of people shared the lines that hit them particularly hard.

"'My boys will not make toys out of women.' This is a very amazing and beautiful piece. More people need to hear it," wrote one person.

"'Treated like a woman well before she was one but never taken seriously long after she became one' has me in tears," shared another.

"'Stretch marks tattooed across her skin as a result of reaching so far across the universe she bridged heaven and earth.'" another wrote.

"'Is the child inside of her not dying, too' felt like everything just got knocked out of me. That was one of the strongest lines I've ever heard," shared nother.

Poetry has the power to speak truth in a way that helps us understand ourselves and our world better, and spoken word poetry in particular, with its rhythmic storytelling, is a powerful tool for synthesizing complex thoughts, beliefs and feelings. Manabat could have said, "Without understanding the true value of women in real life, boys playing with dolls could symbolize men seeing women as plastic playthings to be handled and controlled and casually tossed aside," but that wouldn't have been nearly as effective as the picture he painted with his poetry and that last line—"My boys will not make toys out of women, so I refuse to let them play with dolls until they actually understand the difference between the two." Phew.

Here's to the poets who put humanity into words, and here's to conscientious men who give voice to the struggle too many women have endured for generations.

You can follow Demetri Manbat on TikTok, Instagram, Facebook, YouTube, and X.