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Pop Culture

1980s cultural icon Michael Winslow made an emotional comeback on 'America's Got Talent'

He walked away at the height of his fame to raise his children after his wife's sudden death.

via The Nerd Patrol / Flickr

Actor, comedian, and self-proclaimed "voicetramentalist," Michael Winslow was just about everywhere in the '80s. His incredible ability to make sound effects with his voice and uncanny beatboxing skills landed him the role of officer Larvell Jones in all seven "Police Academy" movies.

He also did voiceover work in "Gremlins" and appeared in Mel Brooks' "Spaceballs."

But Winslow was forced to scale back his career in 1993 after the death of his first wife Belinda Church. As a single father, he had to stop appearing in films so he could spend more time with his children.


He continued to star in the occasional commercial, perform stand-up comedy, and make guest appearances, but he didn't have the profile he once had.

Back in July of 2021, Winslow stepped back in the spotlight with a performance on "America's Got Talent." After some prodding from his son, he decided it would be the perfect venue to relaunch his career on television.

In the '80s, he was known as "The Man of 10,000 Sound Effects," but things have changed since then, he now claims to have "hundreds of thousands."

"Now, after raising my two kids, I'm in a different phase. I think this is my time," Winslow, 62, said on the episode. "And America's Got Talent is the place for me to show the world I still have something to offer, I still have some sounds to make. There's still room for a little more."

Judge Simon Cowell was excited to see Winslow when he took the stage. "We know you!" Cowell exclaimed. "I cannot tell you how thrilled I am that you are here!"

Winslow then gave a stunning performance where he impersonated the chimes on an airplane, beatboxed to Queen's "Another One Bites the Dust," and performed Jimi Hendrix's version of "The Star Spangled Banner." His performance was proof that after five decades in show business Winslow hasn't lost a step and, in fact, he may be at his peak.

After his performance, Winslow won a standing ovation from the audience and four "gigantic yeses" from the panel.

"My life has changed again for the better, and I've gotten another blessing," Winslow told Terry Crews after leaving the stage. America's Got Talent is the place for me to show I still have something to offer. I've still got some sounds to make, and there's still room for a little more."

Winslow is a great reminder that sometimes when celebrities seem to fade away, it isn't necessarily because they're washed up or past their prime. They are humans with real challenges just like the rest of us and real-world events can affect their career trajectories. It's great to see such a wonderful performer get another shot at the big time.

This article originally appeared on 07.14.21

Pop Culture

Taylor Swift praises 'gem' of a friend Beyoncé in a powerful display of female friendship

Swift was named Time's 2023 Person of the Year and used it to lift up other women.

photo by J.ébey/Wikipedia, photo by Angela George/Wikipedia

Tyalor Swift was recently names TIME's Person of the Year

On December 6, 2023, Taylor Swift was named TIME magazine’s Person of the Year, not only for her achievements as an entertainer, but as a changemaker.

In an exclusive interview with TIME, Swift spoke on a range of topics, including overcoming challenges in her career, navigating being “raised up and down the flagpole of public opinion” and key relationships that made her who she is today—one being her friendship with Beyoncé.

For years the media has made the two chart-topping artists out to be “frenemies” at best, a well-known catalyst moment being during the 2009 MTV Video Music Awards show when Ye, formerly Kanye West, interrupted a then 19-year-old Swift during her acceptance speech for Best Female Video to go on a tirade about how Beyoncé should have won.

However, both women would go on to challenge this narrative of rivalry with their support of one another, be it at other awards shows, networking events, online or making guest appearances at each other’s record-shattering concert film premieres.

And in her interview with TIME, Swift couldn’t help but gush over her fellow music icon.

“She’s the most precious gem of a person — warm and open and funny," she told TIME. “And she’s such a great disrupter of music-industry norms. She taught every artist how to flip the table and challenge archaic business practices.”

Swift then argued that any supposed rivalry between her and Beyoncé was merely a thinly veiled marketing ploy:

“There were so many stadium tours this summer, but the only ones that were compared were me and Beyoncé. Clearly, it’s very lucrative for the media and stan culture to pit two women against each other, even when those two artists in question refuse to participate in that discussion.”

But that needs to change.

"I've never felt like there was a need for female artists to be in competition. There's room for everyone to shine,” she said.

It’s such a simple statement, but a powerful one—one that epitomizes a real turning point for how female friendships are portrayed in the media. More and more (think back to Jamie Lee Curtis hyping up Michelle Yeoh for her Golden Globe win earlier this year) we are seeing female peers swap out jealousy for being supportive of one another and celebrating each other's successes. In a world that still often divides women, this kind of solidarity feels pivotal.

Swift continues to use her massive platform as a force for good—avocating for women and girls, challenging negative stereotypes and encouraging positivity. And especially this year, her work has inspired coming together in pure joy. It was for these reasons that TIMES’ Sam Jacobs said the magazine awarded her with the honor. Here’s to that well deserved recognition continued her message for generations to come.

Joy

Impressionist transforms into 20 celebrities with deep fake technology and it's wild

Watch Jim Meskimen transform both his voice and his face as he recites a poem about impressionists.

Deep fake VFX make Jim Meskimen's impressions all the more believable.

Actor and comedian Jim Meskimen is one of those actors who may look familiar to many but could probably only be named by a few. He has acted in movies such as "Apollo 13" and "There Will Be Blood" and TV shows such as "Friends" and "Castle," and has also done a wide range of voiceover work.

Meskimen's voice is one of his most honed tools. A master impressionist, he can imitate dozens of famous actors, from George Clooney to Jack Nicholson to Morgan Freeman. In fact, he's created a series of impressionist tutorials on YouTube to help others figure out how to do their own impressions of famous people.

But one video of Meskimen's that has gotten viral attention goes beyond just voice impressions. Using deep fake video technology (courtesy of video effects editor Shamook), Meskimen transforms not just his voice and mannerisms, but his actual face, to impersonate celebrities.


As he recites a poem he wrote about doing impressions, Meskimen slips seamlessly from one famous voice to another—and as he does so, his face also morphs into whichever celebrity he's doing, almost like magic.

It's super trippy, really cool and slightly terrifying to watch. Check out Meskimen's "A Deeper Look Into the Life of an Impressionist":

Impressive, no?

Aside from showcasing Meskimen's enviable abilities, the video highlights how easy it can be to dupe people with modern technology. Confusion over what's real and true is a pervasive problem as it is, but the ability to create video that makes it look like a real person is really saying something they never said adds a whole new layer to people's levels of distrust of all media.

In fact, MIT reported in 2019 that the problem with deep fake videos isn't merely the impact that the creation of convincing video dupes might have. Just the mere possibility that a video could be faked causes people to question whether any video they see is real, and that kind of generalized confusion is exactly what disinformation pushers want.

Meskimen's video, of course, isn't meant to be a statement or warning on deep fake tech, but rather a showcase of what can be done with it. VFX creator Shamook shared a split-screen video showing how he used the celebrities' faces to transform Meskimen's face, and it's pretty cool to see.

(By the way, if you're struggling to figure out who any of the famous people are, here's the list in order: John Malkovich, Colin Firth, Robert De Niro, Tommy Lee Jones, Nick Offerman, George Clooney, Christopher Walken, Anthony Hopkins, Dr. Phil, Nicholas Cage, Arnold Schwarzenegger, Morgan Freeman, Bryan Cranston, Christoph Waltz, Joe Pesci, Jack Nicholson, George W. Bush, Ian McKellen, Ron Howard, Robin Williams.)

Absolutely amazing what humans have figured out how to do, isn't it? Here's hoping that this kind of deep fake technology stays in the realm of entertainment where it belongs.

"Be my own damn hero."

It’s a heartbreaking reality for artists that sometimes, you put your heart and soul into something, with full hope that it will resonate and inspire others, only to see that idea vanish into thin air. This can be especially true for those who create professionally and have to deal with many factors outside their own control. And, really, even for those of us who don’t identify as artists, the gut-wrenching disappointment of having a dream snatched away is pretty universal.

But when disappointment strikes, perhaps one of the best things we can do is acknowledge the pain, appreciate the opportunity and move on with grace.

This seems to be the road taken for the creators of the would-be “Batgirl” film, which, on Aug. 2, was officially scrapped by Warner Bros, not to be streamed on any platform. Though several reasons have been allegedly attributed to the surprise decision—such as “poor test screenings”—The Hollywood Reporter noted that the film “was a casualty of new corporate strategy,” where the company opted to take a tax write-down rather than opt for any kind of release of the $90 million movie.

This news came as a shock for DC fans, who had not only been eagerly anticipating Michael Keaton’s return as Batman, but a career comeback for Brendan Fraser as well, not to mention a huge win for representation with Leslie Grace playing the titular role as Barbara Gordon.

Despite this news, Adil El Arbi and Bilall Fallah, the directing duo behind “Batgirl,” released a heartfelt statement on Instagram that ultimately chose a glass-half-full perspective.

“We are saddened and shocked by the news,” they wrote. “We still can’t believe it. As directors, it is critical that our work be shown to audiences, and while the film was far from finished, we wish that fans all over the world would have had the opportunity to see and embrace the final film themselves. Maybe one day they will insha’Allah.”

The pair went on to thank the ”amazing cast and crew” who “did a tremendous job and worked so hard to bring Batgirl to life. We are forever grateful to have been part of that team.“

Their post ended with: “In any case, as huge fans of Batman since we were little kids, it was a privilege and an honor to have been a part of the DCEU, even if it was for a brief moment. Batgirl For Life.”

Leslie Grace also showed an incredible amount of emotional resilience in her own Instagram post.

“I am proud of the love, hard work and intention all of our incredible cast and tireless crew put into this film over 7 months in Scotland. I feel blessed to have worked among absolute greats and forged relationships for a lifetime in the process! To every Batgirl fan - THANK YOU for the love and belief, allowing me to take on the cape and become, as Babs said best, ‘my own damn hero!’” the actress wrote.

Cultivating hope during a time of setbacks isn’t easy. But this was a great example of how it’s done. Odds are we’ll never see what could have been for this version of “Batgirl,” but Arbi, Fallah and Grace have definitely given us a glimpse of her unbeatable courage and optimism nonetheless in their responses.