Walking past this artist's portraits will blow your mind, as one face transforms to another

Optical illusions are always fun to play with, and the paintings of Sergi Cadenas are no exception.
If you walk up to one of Cadenas's portraits from one direction, you'll see a face. If you walk up to it from the opposite direction, you'll also see a face—but a totally different one. Sometimes it's a young face that ages as you walk from one side to another, like this one:
Or this one:
Sometimes it's a face that has the...um...face part removed.
And sometimes it's a face that simply becomes another face.
He can even turn Marilyn Monroe into Albert Einstein.
You can see that the painting is created in verticle 3-D lines of some sort and surmise that the two different faces exist on opposite, angled sides of those lines. But how? It almost feels like magic, the way the paintings transform as you walk past them.
This image of one of Cadenas's paintings up against a mirror lets you see both sides of it at once, which is super cool.
What's particularly impressive about Cadenas's art is that he is a self-taught artist who didn't even become a painter until he was 30. He got the idea for his dual-image oil paintings from "flip images" he'd seen when he was a kid. He creates his works in his home studio in small village in the Catalonia region of Spain and uses friends, family, and neighbors as models. It takes him about a month to complete one of his paintings.
How does he create the dual images? He fills an icing bag with painter's paste and uses a decorator tip to create verticle relief lines with two 45 degree angles. (Watching a neighbor who was a pastry chef gave him the idea.) Then he sketches out the basic facial features with pencil before painting the different faces from the two different sides.
"You have to get used to the lines being broken and not continuous on the canvas," Cadenas said in an interview with dw.com. But other than that, it's like any other painting. He completes one side, then completes the other.
"It's the magic, the surprise effect that I like best," he said.
Much of Cadenas's work hangs in people's private collections, though some museums and galleries such as the Galeria Jordi Barnadas gallery in Barcelona have some of his pieces on display.
Artist Makes Portraits That Age As You Move Around Themwww.youtube.com
Such great creativity and innovation, not to mention sheer talent. Here's to the artists who enrich our world with their incredible work.
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Resurfaced video of French skier's groin incident has people giving the announcer a gold medal
"The boys took a beating on that one."
Downhill skiing is a sport rife with injuries, but not usually this kind.
A good commentator can make all the difference when watching sports, even when an event goes smoothly. But it's when something goes wrong that great announcers rise to the top. There's no better example of a great announcer in a surprise moment than when French skier Yannick Bertrand took a gate to the groin in a 2007 super-G race.
Competitive skiers fly down runs at incredible speeds, often exceeding 60 mph. Hitting something hard at that speed would definitely hurt, but hitting something hard with a particularly sensitive part of your body would be excruciating. So when Bertrand slammed right into a gate family-jewels-first, his high-pitched scream was unsurprising. What was surprising was the perfect commentary that immediately followed.
This is a clip you really just have to see and hear to fully appreciate:
- YouTube youtu.be
It's unclear who the announcer is, even after multiple Google inquiries, which is unfortunate because that gentleman deserves a medal. The commentary gets better with each repeated viewing, with highlights like:
"The gate the groin for Yannick Bertrand, and you could hear it. And if you're a man, you could feel it."
"Oh, the Frenchman. Oh-ho, monsieurrrrrr."
"The boys took a beating on that one."
"That guy needs a hug."
"Those are the moments that change your life if you're a man, I tell you what."
"When you crash through a gate, when you do it at high rate of speed, it's gonna hurt and it's going to leave a mark in most cases. And in this particular case, not the area where you want to leave a mark."
Imagine watching a man take a hit to the privates at 60 mph and having to make impromptu commentary straddling the line between professionalism and acknowledging the universal reality of what just happened. There are certain things you can't say on network television that you might feel compelled to say. There's a visceral element to this scenario that could easily be taken too far in the commentary, and the inherent humor element could be seen as insensitive and offensive if not handled just right.
The announcer nailed it. 10/10. No notes.
The clip frequently resurfaces during the Winter Olympic Games, though the incident didn't happen during an Olympic event. Yannick Bertrand was competing at the FIS World Cup super-G race in Kvitfjell, Norway in 2007, when the unfortunate accident occurred. Bertrand had competed at the Turin Olympics the year before, however, coming in 24th in the downhill and super-G events.
As painful as the gate to the groin clearly as, Bertrand did not appear to suffer any damage that kept him from the sport. In fact, he continued competing in international downhill and super-G races until 2014.
According to a 2018 study, Alpine skiing is a notoriously dangerous sport with a reported injury rate of 36.7 per 100 World Cup athletes per season. Of course, it's the knees and not the coin purse that are the most common casualty of ski racing, which we saw clearly in U.S. skier Lindsey Vonn's harrowing experiences at the 2026 Olympics. Vonn was competing with a torn ACL and ended up being helicoptered off of the mountain after an ugly crash that did additional damage to her legs, requiring multiple surgeries (though what caused the crash was reportedly unrelated to her ACL tear). Still, she says she has no regrets.
As Bertrand's return to the slopes shows, the risk of injury doesn't stop those who live for the thrill of victory, even when the agony of defeat hits them right in the rocks.