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Pop Culture

Viral post breaks down how those popular Lensa AI profiles are not as harmless as they seem

'AI art isn't cute.'

lensa app, lensa backlash
Gen Ishihara/Facebook

"AI art isn't cute."

Odds are you’ve probably seen those Lensa AI avatars floating around social media. You know, the app that turns even the most basic of selfies into fantasy art masterpieces? I wouldn’t be surprised if you have your own series of images filling up your photo bank right now. Who wouldn’t want to see themselves looking like a badass video game character or magical fairy alien?

While getting these images might seem like a bit of innocent, inexpensive fun, many are unaware that it comes at a heavy price to real digital artists whose work has been copied to make it happen. A now-viral Facebook and Instagram post, made by a couple of digital illustrators, explains how.


In a very thorough series of slides, Gen Ishihara and her fiance Jon Lam reveal that Lensa is easily able to render those professional looking images by using a Stable Diffusion model, which is more or less an open source (meaning free) program where users can type in a series of words and artificial intelligence will conjure up images based on those typed words. Type out a group of seemingly unrelated words like “ethereal,” “cat,” “comic style” and “rainbow,” and out will pop at least one cohesive, intricate piece of art. All in less than a minute. This foundation is what most mainstream AI art software operates on, by the way—not just Lensa.

lensa steals from artists

"...there's more than meets the eye"

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The problem here is that Stable Diffusion has been trained on yet another open source collection of data from a nonprofit called LAION. LAION has more than 5 billion publicly accessible images. If you can find it online, LAION has a picture of it, categorized as “research.”

Not only does this include copyrighted work, but also personal medical records, as well as disturbing images of violence and sexual abuse. But for the sake of not delving too far into darkness, we’ll focus on the copyright issue.

ai art

LAION's database includes copyrighted work, personal medical records and disturbing images of violence and sexual abuse.

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While LAION might be a nonprofit, Stable Diffusion is valued at $1 billion. And Lensa (which uses Stable Diffusion) has so far earned $29 million in consumer spending. Meanwhile, artists whose work can be found in that database have made zero.

“The Lensa app is a great way to get the general public comfortable with using the software and turn a blind eye to how the data was collected. The technology is so new that laws have not caught up with AI tech yet. But that doesn't make it okay,” the post read.

lensa app

"The Lensa app is a great way to get the general public comfortable with using the software and turn a blind eye to how the data was collected."

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Ishihara and Lam listed real artists who have been affected by Lensa’s use of data laundering, including Greg Rutkowski, whose “name has been used as a prompt around 93,000 times.” He even had his name attached to a piece of AI art that he did not create. Again, simply type in “Greg Rutkowski” along with whatever thing you want illustrated, and the program will create something drawn in his style.

You can see why someone who dedicated a good portion of their life to developing a skill that now can be replicated at a fraction of the effort—and without earning compensation—might not be a huge fan of these trends.

lensa magic avatars

Maybe it's more than harmless fun.

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The post then followed up by debunking several pro-AI statements, first pointing out that AI programs are being updated and improved so fast that distinguishing it from the work of human art is becoming impossible—meaning that it does in fact threaten the livelihood of a real artist who simply cannot compete with a machine.

Also shown was a poster created in Midjourney to promote the San Francisco Ballet’s upcoming “Nutcracker” performance, showing that AI media has indeed already begun to replace human jobs.

One of the most common arguments in the AI debate is that all art is derivative, since artists similarly draw inspiration from other sources. While this is true, Ishihara and Lam would contend that the organic process of blending “reference material, personal taste and life experiences to inform artistic decisions” is vastly different than a computer program depending on data that is existing artistic property and then used for commercial purposes without consent.

Adding further credibility to this viewpoint, there’s another post floating around the internet showing Lensa portraits where a warped version of the artist’s signature is still visible (seen below).

Rather than doing away with AI art altogether, what Ishihara, Lam and others are pushing for are better regulations for companies that allow for this technology to coexist with human artists.

This might be easier said than done, but some progress has already been made in that arena. The Federal Trade Commission (FTC), for example, has begun demanding that corporations destroy any algorithm or AI models built using personal information or data collected “in bad faith or illegally.”

Second, they want people to educate themselves. Several other artists agreed that people who have used apps like Lensa aren’t wrong for doing so, but that moving forward there needs to be awareness of how it affects real people. Really, this is pretty much the case for all seemingly miraculous advancements in technology.

And for the creators feeling hopeless by all this, Ishihara and Lam say “whatever you do, don’t stop creating,” adding that it’s more important than ever to not “give up on what you love.”

The conversation around the ethical implications of AI is complex. While posts like these might come across as a form of fear-mongering or finger-wagging, it’s important to gather multiple points of view in order to engage in nuanced conversations and move forward in a way that includes everyone’s well-being.

Identity

Celebrate International Women's Day with these stunning photos of female leaders changing the world

The portraits, taken by acclaimed photographer Nigel Barker, are part of CARE's "She Leads the World" campaign.

Images provided by CARE

Kadiatu (left), Zainab (right)

True

Women are breaking down barriers every day. They are transforming the world into a more equitable place with every scientific discovery, athletic feat, social justice reform, artistic endeavor, leadership role, and community outreach project.

And while these breakthroughs are happening all the time, International Women’s Day (Mar 8) is when we can all take time to acknowledge the collective progress, and celebrate how “She Leads the World.

This year, CARE, a leading global humanitarian organization dedicated to empowering women and girls, is celebrating International Women’s Day through the power of portraiture. CARE partnered with high-profile photographer Nigel Barker, best known for his work on “America’s Next Top Model,” to capture breathtaking images of seven remarkable women who have prevailed over countless obstacles to become leaders within their communities.

“Mabinty, Isatu, Adama, and Kadiatu represent so many women around the world overcoming incredible obstacles to lead their communities,” said Michelle Nunn, President and CEO of CARE USA.

Barker’s bold portraits, as part of CARE’s “She Leads The World” campaign, not only elevate each woman’s story, but also shine a spotlight on how CARE programs helped them get to where they are today.

About the women:

Mabinty

international womens day, care.org

Mabinty is a businesswoman and a member of a CARE savings circle along with a group of other women. She buys and sells groundnuts, rice, and fuel. She and her husband have created such a successful enterprise that Mabinty volunteers her time as a teacher in the local school. She was the first woman to teach there, prompting a second woman to do so. Her fellow teachers and students look up to Mabinty as the leader and educator she is.

Kadiatu

international womens day, care.org

Kadiatu supports herself through a small business selling food. She also volunteers at a health clinic in the neighboring village where she is a nursing student. She tests for malaria, works with infants, and joins her fellow staff in dancing and singing with the women who visit the clinic. She aspires to become a full-time nurse so she can treat and cure people. Today, she leads by example and with ambition.

Isatu

international womens day, care.org

When Isatu was three months pregnant, her husband left her, seeking his fortune in the gold mines. Now Isatu makes her own way, buying and selling food to support her four children. It is a struggle, but Isatu is determined to be a part of her community and a provider for her kids. A single mother of four is nothing if not a leader.

Zainab

international womens day, care.org

Zainab is the Nurse in Charge at the Maternal Child Health Outpost in her community. She is the only nurse in the surrounding area, and so she is responsible for the pre-natal health of the community’s mothers-to-be and for the safe delivery of their babies. In a country with one of the world’s worst maternal death rates, Zainab has not lost a single mother. The community rallies around Zainab and the work she does. She describes the women who visit the clinic as sisters. That feeling is clearly mutual.

Adama

international womens day, care.org

Adama is something few women are - a kehkeh driver. A kehkeh is a three-wheeled motorcycle taxi, known elsewhere as a tuktuk. Working in the Kissy neighborhood of Freetown, Adama is the primary breadwinner for her family, including her son. She keeps her riders safe in other ways, too, by selling condoms. With HIV threatening to increase its spread, this is a vital service to the community.

Ya Yaebo

international womens day, care.org

“Ya” is a term of respect for older, accomplished women. Ya Yaebo has earned that title as head of her local farmers group. But there is much more than that. She started as a Village Savings and Loan Association member and began putting money into her business. There is the groundnut farm, her team buys and sells rice, and own their own oil processing machine. They even supply seeds to the Ministry of Agriculture. She has used her success to the benefit of people in need in her community and is a vocal advocate for educating girls, not having gone beyond grade seven herself.

On Monday, March 4, CARE will host an exhibition of photography in New York City featuring these portraits, kicking off the multi-day “She Leads the World Campaign.

Learn more, view the portraits, and join CARE’s International Women's Day "She Leads the World" celebration at CARE.org/sheleads.


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Let's settle this silly-but-surprisingly-heated debate once and for all.

Elya/Wikimedia Commons

Should you hang the toilet paper roll over or under?



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