This art exhibition might be the most fun you've ever had in a museum.
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DICK'S Sporting Goods

Are athletes more like artists than we think?

Can coaches teach athletes to be critical thinkers through sport?

Dania Cabello and Yvan Iturriaga (wall installation) and Miguel “Bounce” Perez (mural) created “Nepantla.” Photo by Emily De La Torre, courtesy of SOMArts Cultural Center.


These are some of the questions artist, activist, and educator Dania Cabello asks in her new “Game Recognize Game” art exhibition on display at the SOMArts Cultural Center in San Francisco.

Representing a deep inquiry into the power and potential of sports as a cultural platform for social change, Cabello curated the exhibition in partnership with the Oakland Castlemont football team, Soccer Without Borders, and Senda Athletics.

To create an immersive, experiential environment for intergenerational, hands-on activities within the exhibit, audience members of all ages were encouraged to play inside the gallery walls.

Exhibition title wall with Cece Carpio’s piece “Huktingan (The Royal Rumble)” in the background. Photo by Emily De La Torre, courtesy of SOMArts Cultural Center.

The works from Cabello and fellow artists Arjuna Sayyed, Cece Carpio, Ed Ntiri, Yonas Tesfai, Miguel “Bounce” Perez, and Yvan Iturriaga explore the historical precedents and contemporary context for athletes like Colin Kaepernick who are leveraging sports as a platform for social change.

Interactive installations like as basketball hoops and soccer setups invite gallery visitors to discover how play can transform public spaces and break down the barriers that separate people.

From the walls of a gallery to the border wall, Cabello wants visitors to imagine play as a physical language that can create space for greater freedom.

We spoke with Cabello about why this unique exhibition matters — especially now:

What inspired this exhibition?

I’ve been working for many years at the intersection of social justice and sport. I teach physical education teachers at St. Mary’s College and do a break dance-soccer-tricks hybrid called freestyle soccer. There was this moment of practice where the theory and practice came together to create something I had never experienced before.

I wanted to create something that looks at our current political moment and how we look at oppression, especially how joy could be used as a form of resistance.

The name “Game Recognize Game” came from the idea there’s a shared value and shared way that my friends who are artists and I live and move in the world. Some are athletes and some are artists — but they’re playful in their art or playful in how they work.

We wanted the subjects to reflect us — not an “othering” that happens in art spaces. And we wanted to honor the past: athletes who have used their platform explicitly and also propose a new way to think about our physical movements and how that can be used.

Opening reception attendees at “Game Recognize Game” play against Cabello and Iturriaga’s “Nepantla” wall installation. Photo by Emily De La Torre, courtesy of SOMArts Cultural Center.

Why was it important to make the installation interactive?

I built the 50-foot installation with another contributing artist because, through our own research and studying the borders between Palestine and Israel (or the U.S. and Mexico), [we learned that] children will reimagine these barriers as a place to play.

The hope is that you don’t just come and kick and play as a metaphor, but actually think about how moving our bodies in playful ways in public spaces can create change. There’s really no structure — we’re not facilitating anything — the play just comes naturally.

What has the response been so far?

The response has blown me away.

There have been two different camps: One, those who had not previously thought of sport as a space of critical reflection, [and] that it was just reproducing violent masculinity.

And two: Those who understood sport but found a new liberating element to it. From every generation — babies crawling, elderly folks — they’re moving, dancing, drawing.

Opening night was a euphoric, joyful manifestation. You can’t really tell people to move like that. It just happened. I’ve also finally been getting offers to reach larger audiences and to work with sports organizations and others on policy change.

Soccer freestylers at the “Game Recognize Game” opening reception. Photo by Martín Xavi Macías, courtesy of SOMArts Cultural Center.

How can art break down barriers that sport cannot and vice versa?

Sport, in its purest form, is one of the most beautiful artistic expressions. There’s something inherently artistic about the movement of bodies. Playing and performing is extremely creative when you remove the lines and boundaries of sport.

For me, my work has been about not just highlighting that but rethinking how the artistic part can influence the instruction of sport.

Could it not just be Kaepernick using it to make a political statement, but all athletes being educated to be critical thinkers? And could coaches and athletes consider not just the act of playing, but the intention with which you’re playing, such that instruction is improved to prevent the perpetuation of gender inequality and other types of injustice?

There’s an artistic expression and performative part of play. Kaepernick inspired the narrative — and he’s an important figure — but it’s about us.

The change is going to come from us as the masses.

This story was produced as part of a campaign called "17 Days" with DICK'S Sporting Goods. These stories aim to shine a light on real occurrences of sports bringing people together.

Cats are notoriously weird. Everyone who's had cats knows that they each have their own unique quirks, idiosyncrasies, preferences, habits, and flat-out WTFness.

But even those of us who have experience with bizarre cat behavior are blown away by the antics this "cat dad" is able to get away with.

Kareem and Fifi are the cat parents of Chase, Skye, and Millie—literally the most chill kitties ever. They share their family life on TikTok as @dontstopmeowing, and their videos have been viewed millions of times. When you see them, you'll understand why.

Take Chase's spa days, for example. It may seem unreal at first, but watch what happens when Fifi tries to take away his cucumber slices.

When she puts them back on his eyes? WHAT?! What cat would let you put them on once, much less get mad when you take them off?

This cat. Chase is living his best life.

But apparently, it's not just Chase. Skye and Millie have also joined in "spaw day." How on earth does one couple end up with three hilariously malleable cats?

Oh, and if you think they must have been sedated or something, look at how wide awake they are during bath time. That's right, bath time. Most cats hate water, but apparently, these three couldn't care less. How?

They'll literally do anything. The Don't Stop Meowing channel is filled with videos like this. Cats wearing glasses. Cats wearing hats. Cats driving cars. It's unbelievable yet highly watchable entertainment.

If you're worried that Kareem gets all the love and Fifi constantly gets the shaft, that seems to be a bit for show. Look at Chase and Fifi's conversation about her leaving town for a business trip:

The whole channel is worth checking out. Ever seen a cat being carried in a baby carrier at the grocery store? A cat buckled into a car seat? Three cats sitting through storytime? It's all there. (Just a heads up: A few of the videos have explicit language, so parents might want to do a preview before watching with little ones.) You can follow the couple and their cats on all their social media channels, including Instagram and YouTube if TikTok isn't your thing, here.

If you weren't a cat person before, these videos might change your mind. Fair warning, however: Getting a cat because you want them to do things like this would be a mistake. Cats do what they want to do, and no one can predict what weird traits they will have. Even if you raise them from kittenhood, they're still unpredictable and weird.

And honestly, we wouldn't have them any other way.

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We're redefining what normal means in these uncertain times, and although this is different for all of us, love continues to transform us for the better.

Love is what united Marie-Claire and David Archbold, who met while taking a photography class. "We went into the darkroom to see what developed," they joke—and after a decade of marriage, they know firsthand the deep commitment and connection romantic love requires.

All photos courtesy of Marie-Claire and David Archbold

However, their relationship became even sweeter when they adopted James: a little boy with a huge heart.

In the United States alone, there are roughly 122,000 children awaiting adoption according to the latest report from the U.S Department of Health and Human Services. While the goal is always for a child to be parented by and stay with their biological family, that is not always a possibility. This is where adoption offers hope—not only does it create new families, it gives birth parents an avenue through which to see their child flourish when they are not able to parent. For the right families, it's a beautiful thing.

The Archbolds knew early on that adoption was an option for them. David has three daughters from a previous marriage, but knowing their family was not yet complete, the couple embarked on a two-year journey to find their match. When the adoption agency called and told them about James, they were elated. From the moment they met him, the Archbolds knew he was meant to be part of their family. David locked eyes with the brown-eyed baby and they stared at each other in quiet wonder for such a long time that the whole room fell silent. "He still looks at me like that," said David.

The connection was mutual and instantaneous—love at first sight. The Archbolds knew that James was meant to be a part of their family. However, they faced significant challenges requiring an even deeper level of commitment due to James' medical condition.

James was born with congenital hyperinsulinism, a rare condition that causes his body to overproduce insulin, and within 2 months of his birth, he had to have surgery to remove 90% of his pancreas. There was a steep learning curve for the Archbolds, but they were already in love, and knew they were committed to the ongoing care that'd be required of bringing James into their lives. After lots of research and encouragement from James' medical team, they finally brought their son home.

Today, three-year-old James is thriving, filled with infectious joy that bubbles over and touches every person who comes in contact with him. "Part of love is when people recognize that they need to be with each other," said his adoptive grandfather. And because the Archbolds opted for an open adoption, there are even more people to love and support James as he grows.

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You know that feeling you get when you walk into a classroom and see someone else's stuff on your desk?

OK, sure, there are no assigned seats, but you've been sitting at the same desk since the first day and everyone knows it.

So why does the guy who sits next to you put his phone, his book, his charger, his lunch, and his laptop in the space that's rightfully yours? It's annoying!

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There have been many iconic dance routines throughout film history, but how many have the honor being called "the greatest" by Fred Astaire himself?

Fayard and Harold Nicholas, known collectively as the Nicholas Brothers, were arguably the best at what they did during their heyday. Their coordinated tap routines are legendary, not only because they were great dancers, but because of their incredible ability to jump into the air and land in the splits. Repeatedly. From impressive heights.

Their most famous routine comes from the movie "Stormy Weather." As Cab Calloway sings "Jumpin' Jive," the Nicholas Brothers make the entire set their dance floor, hopping and tapping from podium to podium amongst the musicians, dancing up and down stairs and across the top of a piano.

But what makes this scene extra impressive is that they performed it without rehearsing it first and it was filmed in one take—no fancy editing room tricks to bring it all together. This fact was confirmed in a conversation with the brothers in a Chicago Tribune article in 1997, when they were both in their 70s:

"Would you believe that was one of the easiest things we ever did?" Harold told the paper.

"Did you know that we never even rehearsed that number?" added Fayard.

"When it came time to do that part, (choreographer) Nick Castle said: 'Just do it. Don`t rehearse it, just do it.' And so we did it—in one little take. And then he said: 'That's it—we can't do it any better than that.'"

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