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Ever heard of 'drapetomania'? Why every American needs to learn about this 'disease'

Dr. Cartwright's 1815 explanation of the "malady" and its "cure" sheds a disturbing light on the "kind" treatment some enslaved people received.

Public Domain

Dr. Samuel Cartwright invented an entire mental illness to explain why Black slaves repeatedly ran away.

If you've never heard of drapetomania, you're not alone. It's a disease that doesn't exist anymore. In fact, it didn't even exist when it was coined, but plenty of people in the Antebellum South believed that it did.

After all, a renowned, well-respected doctor defined "drapetomania"—combining the Greek words for "runaway" and "madness"—as "the disease causing Negroes to run away" in 1851.

Dr. Samuel Cartwright was the first president of the Mississippi State Medical Society and a leading expert on diseases and medicine in the Southern states in the mid-1800s. He was also an unapologetic white supremacist. In a short paper titled, "Diseases and Peculiarities of the Negro Race," Cartwright managed to pathologize the normal human desire to not be enslaved and even prescribed a "remedy" for it.

To be frank, Cartwright's explanation of drapteomania, its causes and its cures is a nauseating read, but it's also an important one. Slavery minimizers often try to argue that "not all masters treated their slaves badly," insinuating that the enslaved person's experience wasn't always terrible (as if being enslaved in and of itself is not terrible). But reading a doctor explain how to cure the "disease" of wanting to escape slavery highlights how even "care" and "kindness" toward enslaved people were often deeply steeped in racism.

I'm sharing the four paragraphs that explain drapetomania in their entirety because reading primary documents is a big part of a full education. (If you want the TL;DR version, it's basically, "Holy blatant white supremacy, Batman.")

Again, this came from one of the most renowned doctors in the American South at the time:



"DRAPETOMANIA, OR THE DISEASE CAUSING NEGROES TO RUN AWAY.

It is unknown to our medical authorities, although its diagnostic symptom, the absconding from service, is well known to our planters and overseers...In noticing a disease not heretofore classed among the long list of maladies that man is subject to, it was necessary to have a new term to express it. The cause in the most of cases, that induces the negro to run away from service, is as much a disease of the mind as any other species of mental alienation, and much more curable, as a general rule. With the advantages of proper medical advice, strictly followed, this troublesome practice that many negroes have of running away, can be almost entirely prevented, although the slaves be located on the borders of a free state, within a stone's throw of the abolitionists.

If the white man attempts to oppose the Deity's will, by trying to make the negro anything else than 'the submissive knee-bender,' (which the Almighty declared he should be,) by trying to raise him to a level with himself, or by putting himself on an equality with the negro; or if he abuses the power which God has given him over his fellow-man, by being cruel to him, or punishing him in anger, or by neglecting to protect him from the wanton abuses of his fellow-servants and all others, or by denying him the usual comforts and necessaries of life, the negro will run away; but if he keeps him in the position that we learn from the Scriptures he was intended to occupy, that is, the position of submission; and if his master or overseer be kind and gracious in his hearing towards him, without condescension, and at the sane time ministers to his physical wants, and protects him from abuses, the negro is spell-bound, and cannot run away.

According to my experience, the 'genu flexit'--the awe and reverence, must be exacted from them, or they will despise their masters, become rude and ungovernable, and run away. On Mason and Dixon's line, two classes of persons were apt to lose their negroes: those who made themselves too familiar with them, treating them as equals, and making little or no distinction in regard to color; and, on the other hand, those who treated them cruelly, denied them the common necessaries of life, neglected to protect them against the abuses of others, or frightened them by a blustering manner of approach, when about to punish them for misdemeanors. Before the negroes run away, unless they are frightened or panic-struck, they become sulky and dissatisfied. The cause of this sulkiness and dissatisfaction should be inquired into and removed, or they are apt to run away or fall into the negro consumption. When sulky and dissatisfied without cause, the experience of those on the line and elsewhere, was decidedly in favor of whipping them out of it, as a preventive measure against absconding, or other bad conduct. It was called whipping the devil out of them.

If treated kindly, well fed and clothed, with fuel enough to keep a small fire burning all night--separated into families, each family having its own house--not permitted to run about at night to visit their neighbors, to receive visits or use intoxicating liquors, and not overworked or exposed too much to the weather, they are very easily governed--more so than any other people in the world. When all this is done, if any one of more of them, at any time, are inclined to raise their heads to a level with their master or overseer, humanity and their own good require that they should be punished until they fall into that submissive state which it was intended for them to occupy in all after-time, when their progenitor received the name of Canaan or 'submissive knee-bender.' They have only to be kept in that state and treated like children, with care, kindness, attention and humanity, to prevent and cure them from running away."

Apparently, the idea that an enslaved person might want to escape because they value their own liberty—literally the idea the U.S. was founded on—never crossed the doctor's mind. Clearly, the "Give me liberty or give me death" rallying cry didn't apply to Black people.

But what's most striking about this paper is how grossly manipulative it is. First, the claim that white supremacy is God's will, which is always disturbing to see written plainly, and then the calculations of exactly how nice you have to be to your slaves in order to "cure" them of the "malady" of wanting to run away from you while still keeping them "submissive" and "governable." The dehumanization of Black Americans, even while talking about treating them with "humanity," is striking.

The other big kicker: This was a medical doctor, so a highly educated man. And it's not like he had zero experience or education outside of the South, either—he attended medical school at the University of Pennsylvania. Often, we associate racism with ignorance, which is a logical (and often accurate) connection. But this doctor's words are a reminder that, for some people, racism is a conscious decision arrived at through twisted, academic-ish reasoning.

It's also a reminder that we live in strange times. We have the entirety of human knowledge at our fingertips and all the resources to understand the horrors of race-based chattel slavery in the U.S., and yet we also have state authorities trying to limit what can be taught about slavery in schools. Even when an accurate history of slavery is taught, the idea that runaway slaves were thought to be suffering from mental illness might only be given a sentence or two in a history book. But diving in deeper, seeing where the idea came from and understanding how it was perpetuated by educated, respected members of medical institutions is really eye-opening.

And it's exactly the kind of thing that should not be ignored, minimized or excluded from education about the U.S. and its history.

Hey! Here's a thing many Americans don't — but should — know:

[rebelmouse-image 19534219 dam="1" original_size="839x991" caption="All illustrations by Levi Hastings and Josh Trujillo. Comic published in full on The Nib." expand=1]All illustrations by Levi Hastings and Josh Trujillo. Comic published in full on The Nib.

That's right! A gay dude played a pivotal role in America's independence.

Friedrich Wilhelm August Heinrich Ferdinand Steuben — known in the history books as Baron von Steuben — was one of America's most prominent and influential military officials during its war for independence. He was also gay.


"Every kid grows up looking for role models," says Levi Hastings, who created the comic images in this article alongside fellow artist Josh Trujillo. (The comic is published in full on The Nib.) "Queer people have changed the world since the beginning of time and there is no excuse to hide that fact."

Von Steuben, originally from Prussia, made a name for himself fighting in Europe's Seven Years' War. After the conflict, however, his queerness got him kicked out of Germany, where homosexuality had been criminalized. (I guess it didn't matter how much of a badass he was on the battlefield — a guy who likes guys was just a no-go.)

Benjamin Franklin wasn't hung up on von Steuben's taste for the fellas, though.

Franklin, an American, was in Paris searching out bright and promising military talent to help the embattled rebels defeat the British. (And by "embattled," I mean struggling hardcore — seriously, the Americans were in dire shape.)

Even though Franklin was aware of von Steuben's controversial past, he also knew von Steuben's military know-how could be vital in helping the Continental Army pull off an upset. So he wrote to George Washington, pushing the nation's future first president to consider von Steuben's accomplishments.

And voila! Washington liked what he learned, so Von Steuben cruised stateside to join the revolution.

Von Steuben quickly became a critical leader who helped the Americans turn a corner in the war.

He was a fierce fighter and drill master, sure. But von Steuben's genius was most visible in how he kept military camps up and running, and its men in tip-top shape. He streamlined basic protocols — like how to set up camp and ensure the area remains clean and disease-free — which played a crucial role in saving resources and keeping men alive.

He was a (literal) life-saver. And his leadership is why some historians have dubbed him "the father of the American military."

Also, he barely spoke any English! (Shoutout to those handy translators in America's earliest, most vulnerable years.)

Artwork full on The Nib.

Von Steuben's ideas on camp operations and personnel management eventually made it to print in the "Blue Book" — a set of standards adopted by the U.S. Army. Incredibly, many of its same ideas are still used today.

After the Revolutionary War, von Steuben lived out his final days on a nice property in Valley Forge given to him by a grateful Washington.

There, I imagine he napped his afternoons away and enjoyed the company of his ... um ... "sons."

Yes, von Steuben — who never married or had biological children — officially adopted Gen. (and future U.S. Sen.) William North, as well as Capt. Benjamin Walker, with whom he had an "extraordinarily intense emotional relationship." Laws — and certainly our understanding of LGBTQ relationships — were a bit different back then.

By now you may be thinking, "OK, so one of our military leaders was gay. Who cares?"

But von Steuben's identity as a queer man — which, in many ways, has been brushed over or erased entirely — really does matter.

"For every Von Stueben, there are a thousand other queer people we forget about," Hastings says. We often don't realize it, but LGBTQ people helped shape history throughout the ages in ways both big and small. "There's so much work to do, but I hope our comics help expand our understanding of history."

"Especially now, we have to celebrate the achievements of queer figures," Trujillo adds. "There are those that will purposefully overlook us, or try to forget that we exist at all. It's vital everyone recognizes that we're here, we have always been here, and we always will be here."

Captivated by von Steuben's story? Same. You can check out the whole comic that tells the story of his role in the Revolutionary War over at The Nib. You can also watch von Steuben's story — told in hilariously drunken fashion — on Comedy Central's "Drunk History" below:

Do you want a college experience filled with dope music, black culture, and Beyoncé as the dean of all that is black excellence?

You should sign up for Beyoncé University.  

Photo by Kevin Winter/Getty Images for Coachella.


We got to take a class during this year's Coachella festival. The incredible singer and performer, also known as "Queen Bey," became the first black woman to headline a Coachella music festival. Naturally, her life performance oozed with pure, unparalleled black excellence. And the internet audience? Well, they were pretty damn floored.  

Between the incredible vocals, remarkable costumes, and dance moves that would've made the King of Pop jealous, her performance illustrates the epitome of hard work and perfection that she is. But even beyond the theatrics, the entire root of Beyoncé’s performance was based in a powerful central part of black culture.      

Beyoncé used her concert performance to pay homage to historically black colleges and universities, a staple of black culture and education.

Photo by Larry Busacca/Getty Images for Coachella.

We knew Beyoncé wasn’t playing around when she kicked off her performance with "Lift Every Voice and Sing," the black national anthem written by James Weldon Johnson and set to music by his brother John Rosamond Johnson. But audiences were in awe at an entire set and musical foundation dedicated to the music and culture of HBCUs.

In theory, HBCUs were really one of the first "safe spaces" for black people to be educated. Established after the Civil War, HBCUs began popping up largely in the South when predominantly white institutions impeded black students from enrolling in their institutions. Black academics and scholars like Booker T. Washington and Mary McLeod Bethune helped establish these institutions so black students could safely pursue higher education and obtain the resulting possible opportunities.    

In these HBCUs, black culture continued to develop and flourish. Sororities and fraternities like Delta Sigma Theta and Alpha Phi Alpha were developed to support black women and men, and marching bands, dancing crews, and Greek life step shows became a core cultural staple at football games, dances, and other recreational events.    

Photo by Kevin Winter/Getty Images for Coachella.

With budget cuts and systematic racism, HBCUs have struggled with funding, enrollment, and other challenges to keep the institution and culture alive. But, HBCUs still matter. As black students look toward educational communities that are both safe and empowering, the HBCU structure is more culturally relevant than ever. Beyoncé's visible used of black women dancers, HBCU marching bands, and an adorable play of (safe) Greek hazing was heartwarming and empowering for black communities around the country.

My parents were educated at an HBCU, and marching bands were as much a part of my life as American football. But, it was always in the confines of predominantly black spaces. Beyoncé’s performance — in front of a largely white crowd — was about as rich and authentic as it gets. The fact that it was broadcast for the world to see was awesome, and a great example of how important cultural pride can be.

If Bey University is anything like Beyoncé's show, where do we sign up?

True
New Orleans Tourism

On the southern shores of America, where the Mississippi River meets the Gulf, New Orleans was already a bustling port settlement by 1718.

That was more than 50 years before the Declaration of Independence was signed.

And yet, New Orleans not only existed, but it was open for business, playing host to one of the largest and busiest ports in the New World — as well as all the goods and culture that came flooding in along with it. Salt, lumber, fur, fish, produce, and more — including, of course, coffee.


[rebelmouse-image 19530716 dam="1" original_size="800x595" caption="Image by A. Mondelli and William J. Bennett/Wikimedia Commons." expand=1]Image by A. Mondelli and William J. Bennett/Wikimedia Commons.

While coffee didn’t become really popular in America as a whole until the Boston Tea Party sent colonists in search of a new breakfast beverage, in New Orleans it basically came with the territory. And over time, coffee grew from just a warm cup of caffeine into a cultural staple. As the swamps and bayous evolved, coffee remained, fueling the colonists, traders, builders, soldiers, pirates, criminals, and gentry of The City that Care Forgot.

Much of coffee’s history in the South has been forgotten by anyone but those who remain there participating in it still. But the path that coffee has carved through New Orleans is as fascinating as the city itself.

[rebelmouse-image 19530717 dam="1" original_size="640x426" caption="Image by jen/Flickr." expand=1]Image by jen/Flickr.

From the very earliest moments in New Orleans history, coffee was as much a part of the city as anything else.

New Orleans was founded in 1718 by Jean Baptiste Le Moyne, the governor of French Louisiana, who settled it as a trading outpost on the crescent of high ground resting above the mouth of the Mississippi. And when Le Moyne and his French explorers reached the river, they brought coffee with them.

Coffee had arrived in Europe in the 16th century, brought there by Turkish slaves, so Europeans had developed a taste for it. Colonizers took it along with them anywhere they went to aid in staying awake on long nights of watch and exploration that the New World might bring.

Image via iStock.

After they settled "Nouvelle Orleans" and opened it for trade, goods started flowing in and out not just among Europeans, but also from the Caribbean and Latin America. It wasn't long before coffee beans were among the products coming from Cuba, Brazil, and beyond.

Coffee remained in New Orleans throughout 300 years of transformation, and in the process, it did some transforming of its own.

It quickly became a staple beverage to the colony, powering the long hours and tireless trading that kept the port city open for business. As cultures and tastes shifted with time, so did the coffee recipe — which is how New Orleans ended up with the distinctive chicory recipe it is famous for today.

[rebelmouse-image 19530719 dam="1" original_size="2048x1367" caption="Image by Steven Guzzardi/Flickr." expand=1]Image by Steven Guzzardi/Flickr.

This recipe dates back to 1808, when Napoleon instituted the Continental Blockade, preventing France from getting most of its coffee. Their supply dwindling, the French started adding a locally grown plant called chicory to their drink in order to add to its flavor. Ultimately, many developed a taste for it even after the blockade was lifted and coffee trade resumed.

When French colonists continued to arrive in Louisiana, many still favored the chicory recipe, and the tradition became widespread at coffee stands and cafés in New Orleans.

[rebelmouse-image 19530720 dam="1" original_size="750x500" caption="Photo by Alex Jones/Unsplash." expand=1]Photo by Alex Jones/Unsplash.

Now, Café du Monde is world-renowned for its chicory coffee, which is served at the restaurant alongside pastries called beignets — fried dough sprinkled with powdered sugar. People flock from all over the world to try the combo at Café du Monde — so many, in fact, that the restaurant serves little else.

[rebelmouse-image 19530721 dam="1" original_size="1024x680" caption="Image by vxla/Flickr." expand=1]Image by vxla/Flickr.

But coffee culture in New Orleans reaches beyond the chicory recipe. Some even claim the "coffee break" was invented there.

In Lyle Saxon's 1928 book "Fabulous New Orleans," he describes the way businessmen in the city had developed a habit of getting coffee together at the beginning or end of a meeting.

"It is no unusual thing for a businessman to say casually: 'Well, let's go and get a cup of coffee,' as a visitor in his office is making ready to depart," he says. "It is a little thing perhaps, this drinking of coffee at odd times, but it is very characteristic of the city itself. Men in New Orleans give more thought to the business of living than men in other American cities."

[rebelmouse-image 19530722 dam="1" original_size="750x422" caption="Photo by Tim Wright/Unsplash." expand=1]Photo by Tim Wright/Unsplash.

Though no one knows for sure whether it was invented there, the coffee break was certainly strongly characteristic of commerce in New Orleans and helped contribute to coffee's prominence at the front of the city's culture.

Another unique thing that New Orleans-ers do is the "café brûlot," a difficult and theatrical take on an after-dinner coffee.

Image via Paul Broussard and NewOrleansOnline.com, used with permission.

It involves a long, spiraled orange peel, a lemon peel cut into strips, sugar, cloves, cinnamon, cognac or brandy, and black coffee.

Oh, and it's also set on fire.

Antoine's Restaurant, the oldest in New Orleans, claims that Antoine's son Jules invented the drink sometime in the 1890s, and it still serves it today.

[rebelmouse-image 19530724 dam="1" original_size="1024x742" caption="Image via Salix/Wikimedia Commons." expand=1]Image via Salix/Wikimedia Commons.

In every form, New Orleans' coffee embodies the spirit of the city itself, reflecting 300 years of history in each sip.

Whether it's true chicory coffee, a warm French café au lait, or a flaming café brûlot, these takes on the classic drink are set apart from the rest in their definitively, decidedly New Orleans nature.