Nat Geo's 'Blink' tracks a family finding beauty while facing blindness as they travel the globe
“Let's go all in and fill their visual memory with as much beauty as we can."
“Blink,” a new film by National Geographic Documentary Films shows how a family with four children, three of whom are going blind, embraces life in the face of an uncertain future. It’s a testament to the resilience of the Lemay-Pelletier family but also a reminder for all of us to seize the day because all our futures are uncertain.
Edith Lemay and Sébastien Pelletier are the parents of Mia, a 13-year-old girl, and three boys: Léo, 11, Colin, 9, and Laurent, 7. Over the last six years, they’ve learned that Mia and the two youngest boys have retinitis pigmentosa, a rare genetic disease in which the cells of the retina slowly die. As the disease progresses, the person develops “tunnel vision” that shrinks until very little vision remains.
The diagnosis devastated the parents. "The hardest part with the diagnosis was inaction. There's nothing they can do about it. There's no treatment,” Edith says in the film.
However, even though the parents couldn’t affect the progress of the disease, they could give their children’s senses an epic experience that would benefit them for a lifetime.
“We don’t know how fast it’s going to go, but we expect them to be completely blind by mid-life,” said the parents. Mia’s impairment advisor suggested they fill her visual memory with pictures from books. “I thought, I’m not going to show her an elephant in a book; I’m going to take her to see a real elephant,” Edith explains in the film. “And I’m going to fill her visual memory with the best, most beautiful images I can.”
The Pelletier family (from left): Mia, Sebastien, Colin, Edith Lemay, Laurent and Leo inKuujjuaq, Canada.via National Geographic/Katie Orlinsky
This realization led to an inspiring year-long journey across 24 countries, during which every family member experienced something on their bucket list. Mia swam with dolphins, Edith rode a hot-air balloon in Cappadocia, and Léo saw elephants on safari.
Colin realized his dream of sleeping on a moving train while Sébastien saw the historic site of Angkor Wat.
“We were focusing on sights,” explains Pelletier. “We were also focusing a lot on fauna and flora. We’ve seen incredible animals in Africa but also elsewhere. So we were really trying to make them see things that they wouldn’t have seen at home and have the most incredible experiences.”
Cameras followed the family for 76 days as they traveled to far-flung locales, including Namibia, Mongolia, Egypt, Laos, Nepal and Turkey. Along the way, the family made friends with local people and wildlife. In a heartbreaking scene, the boys wept as the family had to leave behind a dog named Bella he befriended in the mountains of Nepal.
But the film isn't just about the wonders of nature and family camaraderie. The family's trip becomes a “nightmare” when they are trapped in a cable car suspended hundreds of feet above the Ecuadorian forest for over 10 hours.
Leo, Laurent, Edith, Colin, Mia, and Sebastien look out at the mountains in the Annapurna range.via MRC/Jean-Sébastien Francoeur
As expected, NatGeo’s cinematographers beautifully capture the family's journey, and in the case of “Blink,” this majestic vision is of even greater importance. In some of the film's quietest moments, we see the children taking in the world's wonders, from the vast White Desert in Egypt to a fearless butterfly in Nepal, with the full knowledge that their sight will fail one day.
Along the way, the family took as many pictures as possible to reinforce the memories they made on their adventure. “Maybe they’ll be able to look at the photographs and the pictures and they will bring back those stories, those memories, of the family together,” Edith says.
But the film is about more than travel adventures and the pain of grief; ultimately, it’s about family.
“By balancing [the parents’ grief] with a more innocent and joyous tale of childlike wonder and discovery, we felt we could go beyond a mere catalog of locations and capture something universal,” the directors Edmund Stenson and Daniel Roher, said in a statement. “Keeping our camera at kid-height and intimately close to the family, we aimed to immerse the audience in the observational realities of their daily life, as well as the subtle relationships between each of them. This is a film built on looks, gestures and tiny details—the very fabric of our relationships with one another.”
Ultimately, “Blink” is a great film to see with your loved ones because it’s a beautiful reminder to appreciate the wonders of our world, the gift of our senses and the beauty of family.
The film will open in over 150 theaters in the U.S. and Canada beginning Oct. 4 and will debut on National Geographic Channel and stream on Disney+ and Hulu later this year. Visit the “Blink” website for more information.
Remember when Michael Cohen threatened a reporter? Jim Carrey definitely does.
If you hadn't heard, Jim Carrey likes to paint.
Swapping out the hustle and bustle of Hollywood for a more quiet life of canvases and color swatches, Carrey's been making all kinds of statements via his paint brush. But in recent months, the iconic actor has taken a liking to reimagining the figures we often see splashed across front pages and news chyrons: high-profile members of President Donald Trump's orbit.
Photo by Christopher Polk/Getty Images for AFI.
Now, a new caricature created by Carrey is making waves again.
The subject is Trump's personal lawyer, Michael Cohen. And the depiction ... isn't too flattering.
The painting includes words wrapped around the lawyer's head you may have missed at first glance.
Ensnaring Cohen's turquoise face is a quote from Trump's personal lawyer: "I’m warning you, tread very lightly because what I’m going to do to you is gonna be fucking disgusting."
The slightly edited-down quote was part of a larger threat Cohen made to The Daily Beast back in 2015, when Trump was the front-runner to be the GOP nominee for president. During an interview with Cohen, the media outlet brought up an allegation from the president's ex-wife, Ivana Trump, that the then-candidate had once raped her while they were married.
Cohen, rattled by the subject matter, basically blew up. Here is the quote Carrey incorporated into his painting in full context (emphasis added):
Photo by Drew Angerer/Getty Images.
While Carrey hasn't specified why he chose that particular quote, Cohen's attack on the free press is especially telling in lieu of recent news.
The home, hotel room, and offices of Trump's self-proclaimed "fix-it guy" were raided by the FBI earlier this month, casting doubt on Cohen's innocence in shielding the president from ongoing investigations into his business dealings and alleged extra-marital affairs.
Just days after the raid, with the eyes of the country on his every move, Cohen dropped libel suits against BuzzFeed and Fusion GPS for their roles in publishing the so-called Steele dossier, which connected Trump to Moscow through various unconfirmed claims.
It appears Cohen's bark is worse than his bite when it comes to his disdain for the free press.
Cohen's not the only one in Trump's world who's taken a hit from Carrey's paintbrush.
In March, the actor shared a painting of an angry, open-mouthed press secretary Sarah Huckabee Sanders.
Some slammed the caricature as sexist. But others defended Carrey's work, as the style of the painting fell in line with the actor's other works, and unflattering depictions of powerful people have often been used as a tool for political commentary — regardless of the subject's gender.
Between the time Huckabee Sanders' portrait went viral and his latest recreation of Cohen, Carrey painted several other Trump allies as well.
Like Scott Pruitt, the president's embattled EPA chief.
And Trump's new controversial and very hawkish national security adviser, John Bolton.
Even Fox News host — and, incredibly, client of Cohen's — Sean Hannity got a shout-out from Carrey.
Carrey's creations are brash, unapologetic, and as candid as they come. They may not be your cup of artistry tea — regardless of where you lie on the political spectrum — and that's OK.
But the actor's commentary on Cohen's threats to the free press are critical to keep in mind for every Republican, Democrat, and independent alike. After all, it was George W. Bush who once said media is "indispensable to democracy."
"We need the media to hold people like me to account," the former president told NBC News last year — breaking with Trump's move barring several news organizations from White House press briefings.
A free press is American as apple pie. And if it takes a Canadian actor to remind us of that, so be it.