Thanks to U.S. copyright laws, nothing has entered the public domain in nearly 40 years.
This year's new free public works include Anne Frank's diary, 'The Sound of Music,' and much, much more — unless you live in America.
Every year on Jan. 1, hundreds of copyrights enter the public domain like a New Year's gift to the world, making them free to use for absolutely any reason.
Let's back up a second. Copyrights cover the span of intellectual and creative properties — everything from movies, books, and songs to software, industrial designs, and scientific concepts.
But these protections don't last forever.
It's all about finding the balance between the rights of the creator and the benefits to the public interest. After all, where would we be if things like "Grimms' Fairy Tales" or the Bible or, ya know, computer programming languages were kept on a tight leash by a single company to distribute and profit from as they saw fit?
GIF from the (criminally underrated) film "The Brothers Grimm."
The specifics vary from country to country, but most copyrights expire 50 to 70 years after death or publication.
In countries like Canada, New Zealand, and the majority of Africa and Asia, this means anything made by anyone who died in 1965 is fair game. Books, movies, and music published that same year are also in the public domain.
This includes works from "The Waste Land" poet T.S. Eliot, "A Raisin in the Sun" author Lorraine Hansberry, the endlessly-quotable British Prime Minister Winston Churchill, and minister and human rights activist Malcolm X, as well as movies like "The Sound of Music" and "Thunderball."
GIF from "Thunderball." Also if we're being technical, Ian Fleming died in 1964, so the entire concept of "James Bond" is already public domain in these countries. They can remix and reuse him the same way people do Shakespeare.
And people in the European Union, Russia, or Brazil can now freely enjoy anything published in or created by someone who died in 1945.
Pretty cool that everyone in the EU is free to do what they please with the works of blues singer Blind Willie Johnson and former U.S. President Franklin Delano Roosevelt (so much mash-up potential!). There were also those few neat books like "Animal Farm" and "Pippi Longstocking" plus plays like "The Glass Menagerie" and "Carousel." (Those last two alone would save so much money for high school theater programs.)
GIF from the movie version of "Pippi Longstocking," which itself is still protected by copyright law in these countries, but at least that wouldn't stop you from making your own Pippi Longstocking movie or adapting the original stories into a new hip-hop concept album, or an interactive smartphone video game. The possibilities are endless!
But in America? Not so much. And it's been that way for 40 years.
Oh. Yeah. About that.
Back in 1976, Congress made some changes to U.S. copyright laws, retroactively extending the terms for recent expirations. Then in 1998, they went and did it again when the copyright for the debut animation of a certain mouse-eared corporate mascot was about to become public property.
The result? No copyrights have entered the public domain in the United States since 1978, and no open source intellectual properties will become available until 2019, when we'll finally have access to things from 1923. Yay?
GIF from "Steamboat Willie." Racist undertones aside, can you imagine what percentage of their revenue they would lose without being able to claim the singular ownership of Mickey Mouse? It would be at least like 0.02% of Disney's annual profits!
The U.S. is the only country that lets corporations protect copyrights like this. But Disney is not the only guilty party.
After a whole lot of legal back-and-forth, Sherlock Holmes only entered the public domain in the U.S. in June 2014; of course, none of this was an issue when there were two separate but equally popular Sherlock Holmes media properties.
And it wasn't until this past fall that the "Happy Birthday" song finally took its rightful place in the public domain, after Warner Music had claimed the rights to the song for years in order to keep charging for its use.
This is also why your waiters at TGI Fridays have to sing a different birthday song when you lie and tell them it's someone's birthday for the enjoyment of public embarrassment and the free ice cream sundae. You do that, too, right?
Meanwhile, Anne Frank's father was recently named as the co-author of "The Diary of a Young Girl" in order to extend the book's copyright by another 35 years — the twofold irony being that this claim kind of undermines the whole point of the book, and Hitler's copyright also ended this year and his works are now in the public domain.
That's right: the Anne Frank Foundation wants to keep the profits from her diary all to themselves, but "Mein Kampf" is freely available for anyone to produce, remix, or distribute.
Let that sink in for a moment.
However, copyright remix laws help ensure that things like this can exist.
These public domain works are more than just free, fun giveaways. They're the foundation of our culture.
The public domain is how we pass things down through generations — how ideas spread, proliferate, and grow into new and better things.
That being said, there are plenty of valid reasons for the existence of (limited) copyright laws. But there's also evidence that public domain properties are better for society, both culturally and economically.
This is what allows us to share knowledge on Wikipedia or retell and re-examine famous stories like "Snow White and the Seven Dwarfs." If we weren't able to take, adapt, and redistribute concepts and culture, we'd never have "Star Wars," or smartphone apps from independent developers, or this hilarious video of Vanilla Ice trying to justify his sampling of Queen's "Under Pressure."
When Ice told us to, "Stop! Collaborate and listen!" he was clearly referring to the the importance of public domain properties in perpetuating human culture; unfortunately, Queen is not in the public domain (yet). GIF via Kasper Hartwich/YouTube.
At the end of the day, everything is a remix.
And that's exactly what makes our culture so great — and why it's so important for America to follow the rest of the world's lead.
If you want to join the good fight for a more open culture, you can check out the Electronic Frontier Foundation or the American Library Association.



A Generation Jones teenager poses in her room.Image via Wikmedia Commons
An office kitchen.via
An angry man eating spaghetti.via 
At least it wasn't Bubbles.
You just know there's a person named Whiskey out there getting a kick out of this. 


An Irish woman went to the doctor for a routine eye exam. She left with bright neon green eyes.
It's not easy seeing green.
Did she get superpowers?
Going to the eye doctor can be a hassle and a pain. It's not just the routine issues and inconveniences that come along when making a doctor appointment, but sometimes the various devices being used to check your eyes' health feel invasive and uncomfortable. But at least at the end of the appointment, most of us don't look like we're turning into The Incredible Hulk. That wasn't the case for one Irish woman.
Photographer Margerita B. Wargola was just going in for a routine eye exam at the hospital but ended up leaving with her eyes a shocking, bright neon green.
At the doctor's office, the nurse practitioner was prepping Wargola for a test with a machine that Wargola had experienced before. Before the test started, Wargola presumed the nurse had dropped some saline into her eyes, as they were feeling dry. After she blinked, everything went yellow.
Wargola and the nurse initially panicked. Neither knew what was going on as Wargola suddenly had yellow vision and radioactive-looking green eyes. After the initial shock, both realized the issue: the nurse forgot to ask Wargola to remove her contact lenses before putting contrast drops in her eyes for the exam. Wargola and the nurse quickly removed the lenses from her eyes and washed them thoroughly with saline. Fortunately, Wargola's eyes were unharmed. Unfortunately, her contacts were permanently stained and she didn't bring a spare pair.
- YouTube youtube.com
Since she has poor vision, Wargola was forced to drive herself home after the eye exam wearing the neon-green contact lenses that make her look like a member of the Green Lantern Corps. She couldn't help but laugh at her predicament and recorded a video explaining it all on social media. Since then, her video has sparked a couple Reddit threads and collected a bunch of comments on Instagram:
“But the REAL question is: do you now have X-Ray vision?”
“You can just say you're a superhero.”
“I would make a few stops on the way home just to freak some people out!”
“I would have lived it up! Grab a coffee, do grocery shopping, walk around a shopping center.”
“This one would pair well with that girl who ate something with turmeric with her invisalign on and walked around Paris smiling at people with seemingly BRIGHT YELLOW TEETH.”
“I would save those for fancy special occasions! WOW!”
“Every time I'd stop I'd turn slowly and stare at the person in the car next to me.”
“Keep them. Tell people what to do. They’ll do your bidding.”
In a follow-up Instagram video, Wargola showed her followers that she was safe at home with normal eyes, showing that the damaged contact lenses were so stained that they turned the saline solution in her contacts case into a bright Gatorade yellow. She wasn't mad at the nurse and, in fact, plans on keeping the lenses to wear on St. Patrick's Day or some other special occasion.
While no harm was done and a good laugh was had, it's still best for doctors, nurses, and patients alike to double-check and ask or tell if contact lenses are being worn before each eye test. If not, there might be more than ultra-green eyes to worry about.