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The Princess Bride (left) Everything, Everywhere all at Once (center) The Godfather (right)

The 96th Academy Awards, better known as The Oscars, will be taking place in less than a week. Meaning some films will be recognized forever as the best of the best for 2024.

…But how many of us have sat down to watch an award winning, cult classic, incredibly popular movie, only to think…is everyone else watching what I'm watching? I don't get the hype!

You're not alone. Art, as we know, is subjective, and just because a movie is liked by many, it doesn't mean it will be liked by everyone.

When Reddit user u/imnachos asked: "What is a film you didn't really enjoy that everyone seemed to like?" their question got thousands of comments from less-than-enthused moviegoers. Some choices were to be expected, such as classics that maybe don't hold up so well with a modern lens. But then a few films that seem completely harmless and universally loved made the list.

Check out the titles below:


The Notebook

"I first watched this movie when I was like 15 and of course at that age you think it’s romantic and the most beautiful love story ever. As an adult that has now experienced young love and mature adult love…. If my high school boyfriend had ever shown up out of nowhere while I was with my fiancé/now husband he would have no hold over me lol. Like I get the premise is that their love is so strong and eternal and that they’re soulmates blah blah blah but they didn’t even give her a bad fiancé. The guy she was engaged to was handsome and super kind and successful lol but sure, go back to your grouchy hermit ex you haven’t spoken to in yearssss."

A Quiet Place

"'S'on, we can talk as loud as we want next to this waterfall. Now let’s go home to our creaky home with wood floors where we have to tiptoe and use sign language….' My guy… just move next to the waterfall!"

Avatar

"Unobtainium?? That’s the best name they could come up with?"

"You could argue that it's a story about how humans gathering natural resources are blind to the devastating effects of their greed... But no, that's just a literal description of the plot. Avatar takes the nuance and context and human characters out of real-world conflict and replaces everything with a one-dimensional min-max placeholder."

The Princess Bride

"Sorry folks, but 'The Princess Bride' blows. The only interesting thing about the movie was actually in the Andre the Giant documentary, detailing the pain Andre was in throughout the filming."

Everything Everywhere All at Once

One person lamented, "I had to take breaks to watch it because it was just too much going on."

To which someone quipped, "The title does warn you."

Saltburn

"I watched it last night and did not get the hype, just the ick."

Fast & Furious

"I find them all to be ridiculously stupid. Just awful."

The MCU

" I like comics but I despise the cinematic universe."

Barbie

"It was fine. I get it’s standing as a cultural phenomenon…But it’s not as great as what people were celebrating it as. But if people found enjoyment in it then that’s good for them."

The Godfather

"I think you would have had to see it when it came out. It paved the way for the modern mafia movies. Before it, there was nothing like it, and it was probably amazing at the time."

Oppenheimer

One person referenced a review of "Oppenheimer" by writer Sam Kriss, who called it:

“…bafflingly pointlessly soulless…Less an actual film than a three-hour-long trailer: just snapshots, stitched together, each scene lasting a few minutes at most, until you start to get something like motion sickness…You get the sense that Nolan isn’t really interested in much. Not nuclear physics, not the terrible responsibilities of the atomic age, or the romance of Communism, or the cruel machinery of the US government; in fact, he doesn’t even seem to care at all about J Robert Oppenheimer, as a man or a totem. What he cares about are the following: firstly, shoving as many scientists and politicians in front of our faces as possible, so we all appreciate how thoroughly he’s done his homework, and secondly, employing a Mirror-wannabe non-linear storytelling technique for no apparent reason whatsoever. It sucks.

Elf

"I hate 'Elf'. I can’t stand Will Ferrell. He’s not funny; he’s just loud."

Wonder Woman

"It was cool for a woman-led superhero film. But the plot was pretty mid."

You know what they say—everyone's a critic! But that's all the more reason why we need a variety of films, focusing on different perspectives, cultures, genres, you name it, so that there can be something for everyone.

Flying below the high-profile summer superhero flicks and the latest blockbusters brought to you by Disney, one unexpected film is hanging on to the noteworthy title of "most profitable film of 2017" (thus far):

Jordan Peele's "Get Out."


[rebelmouse-image 19532246 dam="1" original_size="750x544" caption="The writer and director of "Get Out," Jordan Peele. Photo by Valerie Macon/AFP/Getty Images." expand=1]The writer and director of "Get Out," Jordan Peele. Photo by Valerie Macon/AFP/Getty Images.

"Get Out" wasn't just critically acclaimed and beloved by audiences — it also raked in cash at the box office.

The horror flick, which brilliantly explores the nuances of race relations and racism in today's America, brought in over $250 million in ticket sales around the world, a number that far surpasses its production budget of a mere $4.5 million.

The return on investment for "Get Out" stands at a staggering 630%, according to The Wrap, which considered overall budgets and box office results of the top-grossing films of 2017 for its analysis.

[rebelmouse-image 19532247 dam="1" original_size="750x493" caption="Allison Williams and Daniel Kaluuya, who star in "Get Out." Photo by Valerie Macon/AFP/Getty Images." expand=1]Allison Williams and Daniel Kaluuya, who star in "Get Out." Photo by Valerie Macon/AFP/Getty Images.

To be clear, "Get Out" isn't the top-grossing film of 2017. That honor currently goes to "Beauty and the Beast," which brought in $1.26 billion worldwide.

"Beauty and the Beast," however, was created on a $160 million production budget and included a costly global marketing campaign. While its return on investment is still impressive, exceeding 400%, it pales in comparison to "Get Out."

Should we be surprised by "Get Out" standing at No. 1?

On one hand, any film that can pull in those box office numbers from a budget that small deserves a round of applause.

On the other hand, the historic success of "Get Out" comes amid growing demands that Hollywood recognize and respond to the impressive financial feats of films featuring stories about people other than straight, white men.

Stars of 2016's "Hidden Figures" (left to right) Octavia Spencer, Taraji P. Henson, and Janelle Monáe. Photo by Kris Connor/Getty Images for Academy of Motion Picture Arts and Sciences.

Hollywood tends to see blockbusters led by women, people of color, and other marginalized groups as rare exceptions to the rule.

But in the past few years, evidence has shown that's not really the case at all.

"Every time there’s a success [of a film with a mostly black cast], it gets swept under the rug,” Jeff Clanagan, president of Lionsgate’s Codeblack Films, told The Washington Post in regards to 2016's "Moonlight." "It's almost like there's an asterisk on it. They chalk it off as an anomaly.”

Last year, "Hidden Figures" — a film predominantly led by black women — was the highest-grossing Best Picture nominee at the Academy Awards. In July, "Girls Trip" (again, starring all women of color), exceeded box office expectations; it has pulled in over $76 million globally to date.

Surpassing "Guardians of the Galaxy Vol. 2" as this summer's highest-grossing blockbuster, "Wonder Woman" is nearing the $800 million mark in global box office sales.

[rebelmouse-image 19532249 dam="1" original_size="750x548" caption="Gal Gadot, star of "Wonder Woman." Photo by Theo Wargo/Getty Images." expand=1]Gal Gadot, star of "Wonder Woman." Photo by Theo Wargo/Getty Images.

Audiences are hungrier than ever to see diverse stories on the big screen. Why isn't Hollywood listening?

A new report by the University of Southern California's Annenberg School for Communication and Journalism paints a bleak picture in terms of media representation across the highest-grossing films of 2016.

The report, which analyzed the demographics of speaking and named characters in the year's 100 top films, found that marginalized groups — particularly women, racial minorities, and LGBTQ people — continue to be underrepresented. For Hispanic women and people with disabilities, the numbers were downright abysmal.

It's not so much that audiences are choosing not to see films featuring these characters — it's more that those movies aren't being produced in the first place by a film industry overwhelmingly run by older straight white men.  

"Diversity is not just something that just happens,” Katherine Pieper, a research scientist at USC, told the Associated Press of the study. “It’s something you have to think about and aim for as an objective and achieve."

The data suggests studio execs would be wise to get out of their boxes and start making films for a more diverse audience. It'd pay off in more ways than one.

Wonder Woman came to the rescue of a young fan at Comic-​Con — and honestly, it just got a little dusty in here. I'm cryin'.

A young girl, dressed as Wonder Woman, approached Gal Gadot in tears during a meet and greet with the "Justice League" cast. According to the girl's mom, children's author Christine Keller, the girl was so overcome with joy that she couldn't stop crying.

"There’s no reason to cry," Gadot can be heard telling the young fan in a video of the encounter, captured by Variety. "Here we are together."


"Your ability to cry is what makes you such a warrior," Ezra Miller, one of Gadot's "Justice League" co-stars chimed in. "Come join the Justice League whenever you get ready."

"These characters matter and can have a huge influence on young people," wrote Keller on her Facebook page. She's not alone in thinking that, either.

"What a great role model and genuine, nice person. My daughter will always remember this moment for the rest of her life. Thank you, Gal Gadot!"

Back in June, "Wonder Woman" director Patty Jenkins shared some awesome feedback she received from a kindergarten teacher.

Around the time of the film's release, actress Viola Davis posted a photo of her daughter dressed as the iconic character and has talked about how Wonder Woman helped inspire her to be brave and stand up to bullies when she was growing up.

Boys have plenty of iconic heroes they can see themselves in on the big screen: Batman, Superman, Spider-Man, 12 different iterations of The Doctor on "Doctor Who," and on and on. That's why when an awesomely badass character like Wonder Woman gets a chance (and absolutely nails it, by the way), it's worth taking note.

There's even more good news for Wonder Woman fans: In addition to the upcoming "Justice League" movie, Warner Bros. confirmed that there's going to be a "Wonder Woman" sequel.

Check out this Wonder Woman-focused "Justice League" sneak peek that debuted at Comic-Con. *makes loud, excited noises*

"Wonder Woman" is shattering box office records, but the effect the movie is having on one kindergarten class might be an even bigger victory.

Photo by Frazer Harrison/Getty Images.

On Sunday, "Wonder Woman" director Patty Jenkins tweeted a note her producer received from an elementary school teacher detailing 11 ways the movie has already created a new culture in the classroom.


It. Is. Glorious.

Some of the highlights include:

  • "On Monday, a boy who was obsessed with Iron Man told me he had asked his parents for a new Wonder Woman lunchbox."
  • "A little girl said 'When I grow up I want to speak hundreds of languages like Diana.'"
  • "Seven girls playing together during recess ... [said] that since they all wanted to be Wonder Woman, they had agreed to be Amazons and not fight but work together to defeat evil."
  • "On Wednesday, a girl came with a printed list of every single female superhero and her powers, to avoid any trouble when deciding roles at recess."
  • "A boy threw his candy wrapping [on] the floor and a 5-year-old girl screamed, 'DON'T POLLUTE YOU IDIOT, THAT IS WHY THERE ARE NO MEN IN TEMYSCIRA.'"

And this is just from one kindergarten classroom.

Predictably, people on Twitter were pretty charmed and inspired by the kindergarten classroom's adoration of the movie.

The note put many in touch with their inner superhero-loving child.

Others confirmed that the movie has been a smash — with children of all genders.

"Wonder Woman" gave the kindergarten girls a crash course in collaborative leadership — and that's not an accident.

While some studies have shown that superhero movies increase aggression among children, other experts have found that creative superhero play can teach kids to handle adversity without resorting to violence as well as critical negotiation skills.

Meanwhile, the film teaches boys a critical lesson about empathy.

Various studies have shown that consuming media that encourages viewers to identify with members of groups unlike themselves can lead viewers to develop empathy for those groups.

The movie's incredible symbolic value is becoming clear — and not to just young children.

Photo by Frazer Harrison/Getty Images.

Earlier this month, the Legion of Women Writers launched a fundraising campaign to send 70 high school-age girls to see the film.

In May, Austin's Alamo Drafthouse announced it would be holding women-only screenings of "Wonder Woman," and after backlash — and backlash to the backlash that was joined by Austin's mayor, among others — they decided to expand the screenings nationwide.

"Wonder Woman" is already changing the way American kids think about the types of heroes women can be and the spaces women can take up — and that's a good thing.

It might only be evident in one classroom for now, but there are classrooms just like it across the country and around the world.

And when the generation raised on Patty Jenkins' film grow up, what started out as a trickle could become a wave.

Like the Amazon warrior herself, there might be no stopping it.

A Brooklyn resident named Don Phelps added this lovely touch to the Fearless Girl of Wall Street.--via Alan Kistler https://twitter.com/SizzlerKistler

Posted by Heroic Girls on Sunday, June 11, 2017