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14-yr-old Alabama boy blew AGT judges and audience away with soulful 'You Don't Own Me'

It just got better and better.

America's Got Talent/YouTube

Reid Thomas Wilson got the coveted Golden Buzzer for his AGT performance.

Ever since American Idol gave us the one-and-only Kelly Clarkson in its first season, modern talent competitions have become a staple of television viewing. We've seen so many incredible performers come through shows like "American Idol," "The Voice," and the "Got Talent" series, but there are still some singers who manage to surprise and delight audiences with their powerful, unique voices.

For instance, 14-year-old Reid Thomas Wilson.

Reid performed Lesley Gore's 1963 hit "You Don't Own Me" on "America's Got Talent," and it's safe to say no one expected the voice that came out of a boy from Alabama who's still in braces.

Gore was only 17 when she released "You Don't Own Me" and the song has been covered by artists such as Dusty Springfield, Joan Jett and Ann Wilson over the decades, but it's never sounded quite like this. It's no wonder Howie Mandel smashed that Golden Buzzer button, rocketing Reid to the live show round of the competition.

"Well, Reid, we weren't expecting that," said judge Simon Cowell. "You know, I shut my eyes for a moment when you were singing, just to listen to your voice, and then I opened them again and there's this sweet young kid."

Howie Mandel concurred. "I was bowled over because I was surprised…first of all, you're just a 14-year-old kid from Alabama, so I would imagine—I put myself in your position—you were very nervous. And you did come off incredibly nervous, that was a surprise."

As the judges and Reid's mother pointed out, Reid was very nervous at the beginning of the audition, but he ultimately knocked it out of the park.

When Cowell asked what singer he draws inspiration from, Reid said singing legend Aretha Franklin. "Your parents must have great taste in music," said Cowell, to which Reid simply and hilariously responded, "No."

Speaking of Aretha Franklin, Reid has had some experience with virality on social media for some of his at-home singing videos, including one where he sings Franklin's "Aint' No Way." Broadway great Lea Solanga commented on the video, "What on earth????? This kid is incredible!!!!!!!!" Another video in which Reid sang part of "The Impossible Dream" prompted a wave of big-name comments as well, such as Kristin Chenoweth telling him he should audition for her Broadway Boot Camp and Boy George commenting, "Write songs. Your voice deserves new songs."

People on AGT's TikTok of Reid's audition had nothing but praise for the young singer.

"The longer he sang ,the better he got!"

"His voice is very transatlantic vintage and it's AMAZING"

"Amazing voice control. This kid is going places!"

"You could see Simon listening closely and I love it when he does that. He’s picturing success I think."

"His clarity and control at 14 years old HOLY HECK!! he deserves that golden buzzer 😭"

Reid apparently comes from a talented family. His brother, Ryley Tate Wilson, was a competitor on "The Voice" in 2023 at age 16, making it to the semi-finals before being eliminated.

Reid is definitely one to watch, with this much talent at such a young age. Watch the full AGT audition and judges' comments here:

Reid Wilson Receives The GOLDEN BUZZER For "You Don't Own Me" | Auditions | AGT 2024www.youtube.com


This article originally appeared on 7.12.24

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Tom Cruise's much-needed advice for making movies look normal on TV is going viral again

He explains how to fix the "soap opera effect" that makes movies feel all wrong because it's not intuitive at all.

Photo credit: Gage Skidmore (left), Canva (right)

You don't have to suffer with the soap opera effect.

Have you ever gotten a new TV and tried to watch a movie, only to find that your fancy, high-definition television makes movies look like soap operas? Or maybe you've been at a friends house and noticed that their television makes movies look weird—somehow less real and yet more real at the same time—totally ruining the movie-watching experience?

Those of us who are fans of cinema-quality film can find ourselves driven mad trying to figure out what settings to change to make movies look normal. We're not the problem, though. Television manufacturers have made it notoriously hard and completely unintuitive to figure out how to change the default setting that creates the "soap opera effect."

Actor Tom Cruise and director Christopher McQuarrie created a PSA in 2018 explaining what causes movies to look so strange on newer TVs and how to change the settings to fix it. It comes down to "video interpolation" and "motion smoothing," but that doesn't mean much when you're looking through the settings of your TV to try make movies look like movies.

They offer a simple solution: Just Google "Turn off motion smoothing [insert your TV brand here]."

The reason they can't just give a blanket solution is because every TV manufacturer—Samsung, LG, Vizio, Sony, etc.—has a different name for the setting (TruMotion, Auto Motion Plus and so on), and the setting is found under different menus on different TVs. Splendid.

Why no one who manufactures and tests televisions noticed that the feature made movies look weird and why no one realized that turning the feature on as the default and then making it hard to find and change would be a problem are questions for the ages. The default settings might be great for sports viewing but for TV shows and movies, yuck.

If you're confused or curious about what exactly is happening to create the soap opera effect, Vulture has a brief but excellent explainer video:

- YouTubewww.youtube.com

As the video explains, it has to do with frames per second and the way televisions process the images at various frame rates. The motion smoothing feature is actually inserting extra frames in order to "smooth" the way motion looks on the screen, but the effect on movies just feels "wrong."

Having an example can help, but even in a side-by-side of a normal movie-watching experience vs. one with motion smoothing, the difference is hard to see, especially if you're on a mobile or computer screen. It's when you're experiencing the full larger screen movie experience that the difference is obvious, but here's a side-by-side comparison:

- YouTubewww.youtube.com

Oddly enough, people might assume that because the motion-smoothing effect seems to have a better "quality" and higher resolution that it's somehow better. For movies, it's really not. The way movies are created, they are designed to be viewed without that feature. Some people might prefer it, but for some of us watching a movie with motion smoothing is like the visual equivalent of fingernails across a chalkboard.

Thank you, Tom Cruise and Christopher McQuarrie for verifying that new TVs make movies look weird and attempting to save us from the abomination of it all.

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Finally, someone explains why we all need subtitles when watching TV

No, you're probably not losing your hearing.

Vox/YouTube

Finally, someone explains why we all need subtitles

It seems everyone needs subtitles nowadays in order to "hear" the television. This is something that has become more common over the past decade and it's caused people to question if their hearing is going bad or if perhaps actors have gotten lazy with enunciation.

So if you've been wondering if it's just you who needs subtitles in order to watch the latest marathon-worthy show, worry no more. Vox video producer Edward Vega interviewed dialogue editor Austin Olivia Kendrick to get to the bottom of why we can't seem to make out what the actors are saying anymore. It turns out it's technology's fault, and to get to how we got here, Vega and Kendrick took us back in time.

They first explained that way back when movies were first moving from silent film to spoken dialogue, actors had to enunciate and project loudly while speaking directly into a large microphone. If they spoke and moved like actors do today, it would sound almost as if someone were giving a drive-by soliloquy while circling the block. You'd only hear every other sentence or two.

But with today's technology, microphones are so small they can be strapped just about anywhere on an actor. This allows the actor to move about the set freely and speak at a normal volume without worrying that their words won't be picked up. So then why can't we hear them? Turns out it's super complicated…and also not.

"A lot of people will ask, 'Why don't you just turn the dialogue up?' Like, 'Just turn it up.' And...if only it were that simple," Kendrick said before explaining, "If you have your dialogue that's going to be at the same volume as an explosion that immediately follows it, the explosion is not going to feel as big. You need that contrast in volume in order to give your ear a sense of scale."

Sure, you may be thinking, well that kinda explains it, but why do the music and other cinematic noises sound like they're beating on your eardrum while the dialogue sounds like the actors are whispering every line? That doesn't seem very balanced. There's more to it, and again, it falls back onto technology.

In the video, they explain how our televisions are too thin to hold large speakers facing in the correct direction, and until this video, it didn't dawn on me that the speakers to my television are indeed in the back. No wonder we can't hear. The actors are quite literally talking to our walls.

And there's more. Check out the full explanation in the video:

This article originally appeared on 2.1.23

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Singer performs original song Prince himself wrote for her and leaves "AGT" judges astounded

Liv Warfield gave "America's Got Talent" audiences a special gem by The Purple One.

Flickr/Wikipedia, America's Got Talent/Youtube

Prince would be so proud.

The Olympics might be over, but we are far from done at marveling at elite-level humans at the top of their game.

“America’s Got Talent” returned from its two week hiatus with eleven incredible acts, but it was R&B singer Liv Warfield who stole the show with her rendition of “The Unexpected,” a song that just so happened to be written specifically for her by Prince. No big deal.

Warfield had already wowed audiences with her initial audition, which earned a Golden Buzzer from Simon Cowell. But this next performance had Cowell saying “If this was the Olympics for singing, you would have won the gold medal.”

Judges Sofia Vergara and Howie Mandel echoed similar praises. Vergara called Warfield’s set “perfection,” while Mandel, a self-proclaimed Prince fan, told Warfield that The Purple One “knew what he was doing when he gave you this gem. That was a million-dollar performance.”

And it’s not hard to see why Warfield got such high remarks. Beyond her unbelievable vocals was her undeniable star power…as well as her ability to transport us all back in time to the days of 70s rock n’ roll.

As one viewer put it, “If Prince and Janis Joplin had a baby = Liv Warfield!”

Just watch:

- YouTubewww.youtube.com

Warfield’s connection to Prince began in 2009, when she joined his New Power Generation band. Though she noted that “backing up Prince was a dream,” not to mention the fact that she’s already made several chart topping achievements on her own, she still felt like her ultimate potential had yet to be reached. Hence her “AGT” audition, and now her quarterfinal performance which Cowell declared a defining moment in her career.

“It felt to me like all those years you’ve been climbing the ladder to where you want to be, it all came out in those three minutes,” he said.

Indeed, what a testament to the power of steadily going after your dreams. Raw talent is great, but even with god given gifts, there’s still so much work that goes into being ready for big opportunities. No matter how this competition fares, Warfield is a winner through and through.

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