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Dad who grew up poor perfectly explains why it’s so hard to shake the poverty mindset

Even when you're doing well, the mindset never seems to go away.

via Blake Kasemeier, used with permission.

Blake Kasemeier and his children.

A video created by Blake Kasemeier has made a lot of people feel seen because it perfectly explains the mindset people develop when they grow up poor. But it’s not just about remembering the hard times of the past. It describes how even though Kasemeier has overcome poverty as an adult, the effects of growing up financially disadvantaged still follow him to this day.

Kasemeier tells stories on social media about parenting, grief, growing up and where they sometimes collide. He documented the loss of his mom in the 2019 podcast series “Good Grief” and has written for some of the world’s leading health and fitness brands.

The video begins with Kasemeier admitting that when he was young, he'd always save half of his food until he got home "just in case." It was a symptom of living in a financially unstable family with a single mother who had him at 23 years old. To help them get by, she occasionally wrote "hot checks" at the grocery store and blasted a Counting Crows tape to cover up any scary sounds coming out of the car.


Even though sometimes it seemed like they wouldn't get by and it was “close most days” — "moms always find a way."

The video ends with a poignant stanza about the lasting effects of growing up in an economically unstable home.

“It sits inside of you. Kinda like a worry but a lot like a flame,” Kasemeier says. “These days, we are doing alright. Maybe the fire finally went out, but there is a part of me that will always taste the smoke.”

"The thing about being born rich or, rather, not poor, is that when you are broke, it feels like you are a tourist on a bad trip. A place that you don't belong," Kasemeier continues. "The thing about being born the other way around, is that as hard as you work to escape it, it's always gonna kinda feel like home

The post received some emotional reactions from people on Instagram.

"I feel the last sentence is the most profound of this video—and the underlying sense of entitlement many have vs the underlying sense of lack of self-worth others may have," thewitchofportobell0 wrote.

"Tasting the smoke is a great way to put this. Growing up this way really makes you look at some of your frugality and not norm habits in a new light. Hard to relearn," Jakemerten added.

Even though there were hardships growing up in an economically disadvantaged family, Kasemeier wouldn’t have it any other way.

“I am deeply grateful for the way I was raised,” he told Upworthy. “Unfortunately, everyone experiences some trauma in their upbringing—I wouldn't want to trade mine for someone else's. I grew up to be grateful for what I have and without a feeling of entitlement to success: I expected that everything that came to me was going to come through hard work and being kind to people and that has served me very well. It also allowed me to have a great deal of empathy for what everyone is going through.”

Kasemeier further explained the mindset to help those who weren’t raised in that environment better understand the mentality.

“I can tell you that what I experience is a feeling that the other shoe is going to drop, that when I'm up (financially), I don't expect it to last—that leads to a lot of imposter syndrome,” he told Upworthy. “There are little things—like constant anxiety that your card will decline when you go to check out at a grocery store (knowing full well that you have more than enough money). There are big things, like financial literacy.”

The video talks about economic insecurity, but is also touching tribute to his late mother, who, as he said in the post, found “a way.”

“She came from a tiny farm in rural Arkansas, moved to Hollywood where she met my dad and had me at 23 without a degree or any connections,” Kasemeier told Upworthy. “They had a shotgun wedding and divorced shortly after, my mom was left to navigate parenthood in a pretty challenging way—something I appreciate so much having kids of my own at a totally different place in my life than she was.”

On the surface, "My Favorite Murder" is just another true-crime podcast, a way for people to listen to the highlights of some of the darkest moments in human history.

It attracts listeners — dubbed "murderinos" by co-hosts Georgia Hardstark and Karen Kilgariff — who know things like which serial killer built a "murder castle" (H. H. Holmes) and which one dressed up as Pogo the Clown (John Wayne Gacy).

Image via iStock.


But there’s clearly more to the story when your fans start cross-stitching memorable quotes and making baked goods with Ted Bundy's face on them. The podcast attracts a certain kind of listener because it offers them the chance to do something they rarely get to do: have a good laugh about murder.

That’s right. "My Favorite Murder" is a comedy podcast.

Kilgariff (left) and Hardstark. Photo by Matt Winkelmeyer/Getty Images.

Blending horror and comedy may seem like an unlikely formula for success, but less than a year after it launched, Entertainment Weekly named it one of the 10 best podcasts of the year.

The desire to talk about true crime is rooted in more than fascination. It’s born from a need to use humor to cope with the horrors of the world.

"Look, I’m scared of dying so … all of this makes me feel better," Kilgariff admitted early on in the podcast. "It’s as if we could ward it off with just our positive verbal energies."

Image via iStock.

As the creator and executive producer of MTV’s "Sweet/Vicious," Jennifer Kaytin Robinson knows a little something about finding the humor in hard topics. Her show, which follows two female vigilantes who seek justice for victims of sexual assault and other crimes, is also a comedy (albeit a dark one).

"I don’t know what the world looks like anymore if people stop finding humor in what’s happening," Robinson says. "That’s not to say that you should normalize what’s happening, and that’s not to say it’s not serious and I’m not taking it seriously. I just think nothing can ever be sad all the time. It just can’t."

Although we can turn a blind eye to the injustices around us, there's a case to be made for acknowledging them and laughing when we can.  

Because the reality is horrible things will happen whether or not we’re paying attention.

And these things do happen.If the premise of "Sweet/Vicious" seems absurd to you, ask yourself why two college students — even fictional ones — would have to take this kind of action in the first place. It's not a stretch to believe two girls would get fed up and take matters into their own hands when we live in a country where 1 in 5 women and 1 in 16 men are sexually assaulted while in college and a time in which advocates are concerned about the future of Title IX protections under the current administration.

Image via "Sweet/Vicious"/MTV.

Grounding storylines in real issues is what makes shows like "Sweet/Vicious" so powerful. Doing so offers victims comfort because they get to see versions of their stories played out on screen. It gives them something to point to and say, "That happens. I know because it happened to me."

"One woman reached out to me on Twitter and told me she was assaulted (and I would never say this if it was a private message; this was a public message) and could never really talk to her dad about it," Robinson says. "And her father and her watch the show every week together ... she told him what happened, but she doesn’t have to get specific because they can just watch. He just understands. He knows."

By leaning into discomfort and finding humor in those experiences, we learn that feeling vulnerable doesn’t mean living in fear.

The creators of "My Favorite Murder" and "Sweet/Vicious" have seen how audience members have been able to regain control of their narratives and better understand their place in the world.

"The most amazing thing about the show is the amount of people who have reached out and said, 'Because of this show, I have gotten help, and I have felt worthy of getting help and deserving of a life, and I have been able to see that this doesn’t define me and isn’t my fault,'" Robinson says.

At the end of the day (or episode), humor offers us one way to take some power back in a world where many of us feel powerless.

And that’s nothing to laugh at.

On the worst night, when our 1-pound daughter was fading in the darkness of her incubator, my husband opened a book and began to read aloud.

"Chapter One: The Boy Who Lived."

He needed to say those words. I thought it was strange that he’d chosen the first book in a seven-volume series, a series that totals more than 4,000 pages, for a little girl who might not survive the night.


Juniper in the NICU. Photo by Cherie Diez. All photos used with Kelley Benham French's permission, except as noted.

"How about 'Goodnight Moon'?" I offered. "That’s a good book."

Tom saw it all more clearly than I did. He wanted Juniper, born barely viable at 23 weeks gestation, to hear a story about children who could fly. He wanted to read to her about a baby who survived the most powerful evil in the world because his mother stood by his crib and protected him with her life.

In our family, the Harry Potter books are dog-eared and worn.

My husband wanted to initiate our daughter into our tribe. My stepsons, Nat and Sam, grew up reading the books criss-cross applesauce underneath restaurant tables. They played Quidditch on rollerblades and made wands out of chopsticks and string. On their 11th birthdays, they began checking the mailbox for their invitations to Hogwarts, clinging to the hope it could all be real. J.K. Rowling’s stories, along with the Springsteen canon, made up our shared mythology.

Photo by Alex Wong/Newsmakers/Getty Images.

Now, as Tom held that faded book, the dust jacket long lost, he was reaching out to our daughter with a protective incantation of love and belonging.

Stories were invented to conjure meaning from randomness. They give us our history, even our identity. It made no sense that Juniper came crashing into the world 16 weeks early and the size of a kitten. It made no sense that machines could keep her alive or that she could be snatched away. It made no sense to parent a baby in a plastic box, but that was what we learned to do.

"Stories are a promise," Tom told me when he’d had time to think it through. "They are a promise that the ending is worth waiting for."

Juniper didn’t understand a word of the story, of course.

But she could tell us, by the monitor pinging at her bedside, that she loved the parts about Hermione and that she hated the gruff voice of Hagrid the half-giant.

Juniper in the NICU. Photo by Cherie Diez.

When Tom read to her, she breathed better, held her temperature better, seemed generally more content. Tom read every paragraph in a soothing, sing-song voice, and when he stopped, her oxygen levels would plummet and the alarms would blare.

"Keep reading!" the nurses would shout.

He was nearly finished with book one when Juniper had another awful night. We were rushing to the hospital when he started crying at the wheel. "What if she never hears the end of the story?" he said. "What if she never learns how it ends?"

Five years later, Juniper is a wild and joyful kindergartner. And one day this spring, while she was off at school, a large box arrived at our house.

The shipping label showed an address of Mailboxes, Etc. in Edinburgh. I waited until Juniper got home to open it.

"Is dat for me?" she asked. She didn’t notice my shaking hands.

I hadn’t told her that a month or so earlier I’d gotten a Twitter message from Jo Rowling. She said she’d heard about Juniper on an episode of Radiolab and had been jolted when she’d heard Harry’s name. She said that she’d cried and that she wanted to send us something.

When I saw the message from Rowling the first time, I screamed. Then I tried to seize the moment to tell her what she’d already given us. I’m sure I didn’t capture it.

I told her that her books brought our family together in midnight lines that snaked through Walmart, where we always bought four copies so we wouldn’t have to share. In our all-night family readings, we raced each other to finish but then slowed in the last chapters because we couldn’t stand for them to end.

When Juniper arrived and Tom started reading, those stories helped me see that being a parent wasn’t something I might get to do someday, it was something I could do right now, for however long it lasted. They helped Tom and I write the story of our own lives — of who we were in those long, wrenching months. They gave a generation of children the most powerful gift imaginable: the lessons of love and friendship and bravery and decency and the ability to apparate to a better place with the turn of a page. They gave our family its sacred text. They guided us through the dark.

I sent Rowling this photo:

Juniper, all grown up!

And now, I unwrapped Rowling’s books from the box, sent all the way from Scotland, and handed them to my daughter.

"She loves me," she said, because she already knew it. She hugged the books tight.

I opened the first book to the first page and read her what it said:

"To Juniper, The Girl Who Lived! With lots of love, J.K. Rowling."

A few months later, our own book was published. It tells the story of Juniper’s six months in that hospital, in that yawning neverland between the womb and the world. It’s about the science that made her possible and the love that saved her in the end.

Harry is in it, and Hermione and Ron and Ginny and Dobby and all the rest, because they were there with us as surely as the doctors and nurses and God himself.

When the book came out, we mailed one off to Scotland, to Rowling, signed by Juniper:

"To Jo, Who made us believe. With love and gratitude, Kelley, Tom, Juniper."

Now, our little girl sorts her chickens into the houses of Hogwarts. She voted for Hermione for president. At night, she tells me, she sees Hermione in her dreams.

Last night, we opened "Sorcerer’s Stone" and started the story all over again. This time, Juniper was old enough to follow every word.

Ahead of her lies the hippogriff and the golden snitch and the time-turner and a sprawling, dazzling world where girls are the smartest, the strangest people make the best friends, and you can’t judge someone until you see what they have seen. She will be reminded that no one gets through life alone, and children carry the strength inside them to right the world.

I hope she will remember that she has carried a bit of that magic with her, all this time.

Since July 2015, the Syrian mountain town of Madaya has been under siege by their own government.

40,000 people live there, and the government (mostly) allows people to move freely within the town limits. But with a few exceptions for emergency aid, no one has been allowed in or out of the mountainside town for more than a year, effectively turning the former resort town into an open-air prison.

Government officials have consistently denied travel visas to visitors, too, which means no one knows exactly what's going on within city limits — except that dozens of people have already starved to death and that it's all in retaliation for a few rebels in the town who opposed the brutal actions of the Assad regime.


The blockade leading into the city. Photo by Louai Beshara/AFP/Getty Images.

ABC News producer Rym Momtaz became obsessed with the city of Madaya early on.

She spent weeks working through her wide network of contacts (built up over years of war correspondence) to try to get news from the inside. Finally, she made contact with a mother of five who was trapped in Madaya.

At first, the woman feared for her life; she had a family to provide for, after all, and the Syrian government was not forgiving. But Momtaz gained the woman's trust over time, and the two began to communicate every day via encrypted text messages.

A family rushes to greet the aid trucks that arrived in January 2016. Photo by Stringer/AFP/Getty Images.

Momtaz started translating "Madaya Mom's" encrypted texts into English, chronicling the strife in an ongoing blog.

The woman, whose identity was kept secret to protect her and her family, shared the details of her life under siege — the furniture they burned for warmth; the bombs that rocked their schools and home; the scraps of food they struggled to keep down and sickness they endured from starvation; intimate details of her children's lives and passions; and all the other struggles of life during wartime.

The blog was shocking. It was heartfelt. It was real. But Momtaz worried that not even those bursts of words could do justice to the horrifying situation.

Photo by Louai Beshara/AFP/Getty Images.

Eventually, ABC teamed up with Marvel Entertainment to render the story of Madaya Mom in a way that people could actually see.

“[The Mother] agreed to speak with ABC because she wanted her story — and the story of her neighbors — to be known," explained ABC News digital executive producer Dan Silver. "However, with no visuals coming out of Madaya, our team spent a considerable amount of time imagining the ways we could illustrate her powerful journey."

Marvel tapped artist Dalibor Talajíc to bring Madaya Mom's words to life. Talajíc, who has previously illustrated "X-Men" and "Avengers," had his own experiences with armed conflicts in his native Yugoslavia and his current home country of Croatia.

"What I could relate to is this civilian point of view during the war because somebody else is fighting, and regardless of your actions, bombs are falling around, snipers are shooting around, and you just survive," he said in an interview with NPR.

Using Madaya Mom's own words, Talajíc turned the story into a stunning visual narrative.

He recreated the ruin and claustrophobia of life in wartime Syria in a stunning way.

“[Madaya Mom] is a huge fan of Spider-Man, and she could not believe that the people behind Spider-Man, Marvel, knew that she existed, knew her story and were interested in giving her story the same treatment they gave Spider-Man," Momtaz said in an interview with Fusion. "The only difference being Spider-Man is fiction and her story is unfortunately is … very real."

Check out the first few pages of the story below:

Images by Dalibor Talajic/ABC News/Marvel Entertainment, used with permission.

"January 19, 2016. Today our one meal was rice and bean soup. Our bodies are no longer used to eating. My children are hungry but are getting sick, severe stomach pains from the food because their bodies aren't able to digest and absorb the food because they were hungry for so long."

"When we wake up, we drink mint or thyme tea from the garden, with a little bit of sugar. It keeps the children from being hungry for a while."

The story of Madaya Mom is available for free online, and it's also an exclusive print comic. But the real-life Madaya Mom is still trapped under siege.

Right now, Madaya Mom's graphic narrative is the only way for the world to hear her story — though hopefully someday we will hear her voice directly from her mouth, too. Another aid convoy entered the city at the end of September, but the future is still unwritten for her and many like her.

For now, all we can do is share her harrowing story.