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Emma Thompson's bedroom scene in "Love Actually" is a performance for the ages.

The 2003 film Love Actually is probably best known for its controversial-ish cue card scene, where Andrew Lincoln's character professes his love for a Keira Knightley by silently showing her cue cards, including the famous (or infamous) line, "To me, you are perfect."

But there's another scene in the film that doesn't get nearly the recognition it deserves. It's well-regarded, but not nearly well-regarded enough.

It's been over 20 years since Alan Rickman broke Emma Thompson's heart by buying that little office tart a necklace in Love Actually, and some of us still haven't forgiven him.

With its overlapping love stories set during Christmastime, the film has become a holiday classic, despite some controversy on whether or not it's actually any good. Some people love it, some people hate it, but no one can deny that Thompson gives an Oscar-worthy performance in one utterly heart-wrecking scene.

emma thompson, alan rickman, love actually, film, hollywood, movies, acting, drama, hugh grant, andrew lincoln, keira knightley At Christmas, you tell the truth. Giphy

Of the eight "Love Actually" relationships, Harry and Karen (Rickman and Thompson, respectively) is the one that gives the film some serious gravitas. While other characters are pining or shooting their shot with varying levels of success, Harry is pulling a mid-life crisis affair with a modelesque coworker while Karen shuffles their children to and fro and keeps Harry's life running smoothly. We see him lie, we see her start to suspect, but the scene where she opens her Christmas present from Harry—a Joni Mitchell CD, not the necklace she had found hidden in his coat and thought was for her—is when we see Thompson's acting strengths in full view.

Like, phew.

What's so striking about the scene, however, is that it's not dramatic in a typical way. There's no external conflict happening—it's just Thompson excusing herself from the family to emotionally process what she's just discovered in secret. We see and feel her heartbreak—it's so visceral—but that's not what makes the scene so powerful. Heartbreak happens all the time in movies.

As Thompson explains in an interview with BBC Radio 1, it's the fact that she can't actually react the way she wants to that pulls at people's heartstrings so hard.

"I think it's just because everybody's been through something like it," Thompson says. "What I think really gets to them though is that she has to pull herself together. It's not that she's upset. That's, you know, ten a penny. But it's that she has to pull herself together."

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It's true. The conflict in the scene is between her wanting to break down and her wanting to keep her family's Christmas memories happy and intact. She is a devastated wife, but she's also a devoted mother who doesn't want to devastate her kids. We feel the tension between those two roles and the way she swallows up her grief in order to get her kids to their holiday concert right after finding out her marriage isn't what she thought it was.

When you think about it, it's incredibly poignant. And though not everyone loves the film, it's moments like this one that have helped it stand the test of time and stay on many people's holiday watch-list.

"I think it’s to do with the fact that we’re required in our lives to repress the things that we’re feeling," Thompson explained on TODAY. "So, you can be hit right between the eyes with some terrible piece of news, but you can’t react immediately because you’ve got your children there. It’s that thing of not showing — that’s why it hurts. That’s why it moves us."

Emma Thompson, love actually, acting, performance, emotional Emma Thompson nailed this scene. Giphy

"If she went, 'Oh my God! I thought you were going to give me a necklace! And now you've given it to somebody else,' we would not be moved, you know?" she continued. "We're moved because she just goes, 'I'm not gonna do it.' And then she makes the bed, the bed that sort of suddenly feels so empty of meaning. And then she goes down and goes, 'Hello, everyone! Let's go.' That's why people identify."

And the way she plays it is perfect. Any actor can cry, but it's her crying while trying not to cry and how she shows us her inner emotional turmoil without her ever saying a single word that's impressive.

If you've never seen "Love Actually" and want to see the Harry and Karen story, here are just their scenes.

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Some people have asked whether Harry actually physically cheated or not, but "Love Actually" script editor Emma Freud clarified that he did. "DEFINITELY had an affair," she wrote on X in 2015. "I begged richard just to make it a flirtation, but no. the whole way."

And did Harry and Karen stay together in the end? The film doesn't really make it clear, but at the screening Freud answered the question: “They stay together but home isn’t as happy as it once was.” Oof. There's just no non-heartbreaking answer to that question.

emma thompson, alan rickman, love actually, film, hollywood, movies, acting, drama, hugh grant, andrew lincoln, keira knightley No matter how you play it out, there's no Hollywood ending for Emma Thompson's character. Giphy

This is why we watch films, though, isn't it? To see our humanity reflected back to us? To feel what the characters feel? To have our hearts broken vicariously so we can have a good cry without going through the actual pain ourselves?

People usually watch romcoms for the romance and comedy and happy endings, though. So here's to Emma Thompson and Alan Rickman for giving us one of the most poignant scenes in cinema in one of the most unexpected places.

This article originally appeared last year. It has been updated.

Modern Families

Seth Rogen was asked a question about being childfree that men never hear. He answered honestly.

“I mean, a lot of people have kids before they even think about it, from what I've seen, honestly,” he said.

Seth Rogen on stage during the opening night of Collision 2019 at Enercare Center in Toronto, Canada.

Childless women in the public eye are often plagued by the question: “So, why don’t you have any children?” It’s a deeply personal question that cuts right to the bone, and there can be many answers. But, if the woman doesn’t want children and says so publicly, she is bound to face some judgment.

"[I don't] like [the pressure] that people put on me, on women—that you've failed yourself as a female because you haven't procreated. I don't think it's fair," Jennifer Aniston told Allure. "You may not have a child come out of your vagina, but that doesn't mean you aren't mothering—dogs, friends, friends' children."

On the Monday, March 6 episode of “The Diary Of A CEO” podcast, host Steven Bartlett asked actor Seth Rogen why he’s childless, and it was a rare moment where a man in the public eye was challenged on the topic. Rogen gave a thoughtful explanation for his and Lauren Miller’s decision to be child-free.

Rogen and Miller were married in 2011.

seth rogen, seth rogen kids, set rogen comicon, set rogen wife, seth rogen family, actorsSeth Rogen speaking at the 2016 San Diego Comic Con International, for "Preacher", at the San Diego Convention Center in San Diego, California.via Gage Skidmore/Wikimedia Commons

“There's a whole huge thing I'm not doing, which is raising children,” Rogen told Bartlett. The host attempted to play devil’s advocate and asked Rogen if he considered whether having children might have made him and his wife “happier.”

“I don't think it would,” Rogen responded.

Then, as if anticipating the question, the “Pineapple Express” star upended one of the arguments that people who have children often make: that people who don’t have children have no idea what it’s like.

“I've been around obviously a lot of children; I'm not ignorant to what it’s like…Everyone I know has kids. I'm 40, you know? I know,” Rogen said. “Some of my friends have had kids for decades. Some people want kids, some people don't want kids.” He added that many people seem to have kids without considering the issue.

“I mean, a lot of people have kids before they even think about it, from what I've seen, honestly,” he said. “You just are told, you go through life, you get married, you have kids—it’s what happens.” Rogen and his wife have only grown stronger in their decision and they believe that it has helped their relationship.

“Now, more than anything, the conversation is like, ‘Honestly, thank God we don’t have children,’” he continued. “We get to do whatever we want. We are in the prime of our lives. We are smarter than we've ever been, we understand ourselves more than we ever have, we have the capacity to achieve a level of work and a level of communication and care for one another, and a lifestyle we can live with one another that we've never been able to live before. And we can just do that, and we don't have to raise a child—which the world does not need right now,” Rogen concluded.

lauren miller, seth rogen, lauren miller husband, seth rogen wife, childfree, golden globesSeth Rogen and Lauren Miller at the 69th Annual Gold Gen Globes Awards.via JDeeringDavis/Wikimedia Commons

Rogen received a lot of pushback for his comments, and two years later, in an interview with Esquire, he addressed the criticism and doubled down on his decision. “People really had strong takes on it, being like, ‘F**k this f**king guy,'" he said. “Well, if you hate me that much, why do you want more of me?” He also addressed those who asked, "Who's going to care for you when you get older?"

“Is that why you’re having kids? Because I have two things to say: One, that’s very selfish to create a human so someone can take care of you. And two, just because you have a kid, I hate to break it to you, that doesn’t mean they’re going to do that,” he said.

Everyone has the right to choose whether or not to have children, and no one has the right to judge them. Rogen and Miller have thought their decision through and should be applauded for living how they see fit. It’s cool to see Rogen with such a thoughtful opinion on the matter. It’d be even cooler if celebrities never had to discuss the topic in the first place.

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This article originally appeared two years ago.

Celebrity

1930s actress gave up Hollywood at the peak of her career because she refused to 'pass' as white

The character that made her famous was ashamed of her heritage, but Fredi Washington was not.

1930s actress refused to 'pass' as white, so she quit Hollywood instead.

A lot has changed since the early to mid 1900s. We no longer see "whites only" signs tauntingly hanging above water fountains or outside of pools or restaurants. The only place you'll find a sign that says "No Blacks. No Mexicans. No dogs" now is inside of a civil rights museum, but this wasn't always the case.

Living in the 21st century it can be easy to forget that in our not too distant past, segregation, racism and discrimination was the norm. Discrimination was written into laws and it took brave people to stand up against a system that held them as second class citizens. It wasn't just the civil rights leaders we learn about in school that made a stand, it took people from all industries and walks of life to speak up even if it meant they may lose the little privileges they had.

Fredrika "Fredi" Carolyn Washington was one of those people that used her voice during a time when it would've been easier to stay quiet. Washington was an actress and dancer in the 1930s who catapulted to fame with her portrayal of Peola Johnson, the daughter of a Black housekeeper who decided to pass for white to obtain access to better opportunities and social standing in a segregated America in the 1934 film Imitation of Life.

Just like her character, Washington was so fair-skinned that she looked white to those who didn't know her, though that's where the similarities to her character ended. Though she had blue-grey eyes and light brown hair with a loose curl, she had no personal interest in pretending to be white even if doing so would greatly benefit her career and her life.

Washington explained to the Chicago Defender in 1935 at the height of her fame, “I have never tried to pass for white and never had any desire, I am proud of my race.” In Imitation of Life, I was showing how a girl might feel under the circumstances but I am not showing how I felt.”

After her success playing Peola, Washington faced a dilemma. In order for her career to keep thriving after her breakout hit, she was advised to pass as white to get more roles. At the time, Black women were type cast in servant roles like maids, cooks, or caregivers, but Washington was too fair-skinned to believably play those parts. If she wanted lead roles, she would need to pass as white since only white women were allowed to play lead romantic interests.

"Early in my career it was suggested that I might get further by passing as French or something exotic. But there was no way I could do that, feeling the way I do. I felt you do not have to be white to be good. I've spent most of my life trying to prove that to people who thought otherwise," Washington said in 1945.

Washington later starred in the 1937 film One Mile from Heaven, which was her first role since her success as Peola three years earlier. The actress had to use makeup to darken her skin for the role and, afterwards, she decided to walk away from Hollywood for good. Instead, Washington focused on African-American Civil Rights, even co-founding the Negro Actors Guild of America (NAG).

Washington expressed no regrets about her refusal to pass, saying, "But to pass, for economic or other advantages, would have meant that I swallowed, whole hog, the idea of Black inferiority. I did not think up this system, and I was not responsible for how I looked. I'm a Black woman and proud of it and I will fight injustices and encourage others to fight them until the day I die or until there is nothing to fight against."

While quite a few Black people with fairer complexions and racially ambiguous features chose to pass as white during segregation (and beyond), Washington wasn't alone in her refusal. Passing as white often meant completely alienating yourself from your family and friends, participating in the very treatment you were trying to avoid having inflicted on yourself, and living in fear of being found out. In fact, many Black authors of the Harlem Renaissance penned novels and essays about passing and its consequences, the most prominent of which being Passing by Nella Larsen (1929).

Washington rejected any idea of passing to make her life easier. Instead, she focused her efforts on bettering the lives of Black Americans through her co-founding of the NAG, her work with the NAACP, and lobbying for federal protections for Black people. She lived to be 90 years old.

Remember Brendan Fraser? 10 years ago, he was one of Hollywood's biggest stars. Then, he suddenly disappeared.


If you were a kid in the late '90s and early '00s, chances are you saw a Brendan Fraser movie. The comedy and action star catapulted to fame behind blockbusters like "The Mummy" franchise, "George of the Jungle," "Looney Tunes: Back in Action," and the Oscar-winning film "Crash."

But after 2008, he largely disappeared from major starring roles. His absence wasn't due to drugs, a sex-scandal, or illness — despite memes and even reported articles speculating about his career arc, with many blaming it on poor career choices.


Fraser revealed in a recent interview that an incident of sexual harassment led him to withdraw from his high-profile lifestyle.

Lately, the actor has gradually returned to more high-profile roles, and in an interview with GQ, he explained that the real reason he stepped back from the spotlight was because of being physically groped by Philip Berk, a former president of the Hollywood Foreign Press Association.

In his own book, Berk admitted to "pinching" Fraser in the buttocks after an event, but Fraser says the incident was much worse. "His left hand reaches around, grabs my ass cheek, and one of his fingers touches me in the taint. And he starts moving it around."

"I felt ill. I felt like a little kid," he told GQ. "I felt like there was a ball in my throat. I thought I was going to cry."

He said it's time to speak out, and other male victims of harassment are supporting him.

Berk has called the allegation a "total fabrication" but acknowledges he sent Fraser an apology letter after the incident when the actor complained to the HFPA. Fraser said he tried to bury his feelings about the incident, but he was moved into action after seeing actresses and actors speaking up at this year's Golden Globes.

“Am I still frightened? Absolutely. Do I feel like I need to say something? Absolutely. Have I wanted to many, many times? Absolutely. Have I stopped myself? Absolutely."

Despite his reservations, people seem to believe, and be genuinely moved by, Fraser's claim. Once the target of jokes, Fraser has become a catalyst for moving praise across social media.

He's also earned some public support from actor Terry Crews, who has publicly discussed experiencing a similar incident years ago.

"Brendan is amazingly courageous in telling this," Crews wrote on Twitter. "His assault experience is extremely similar to mine — ending with the assailant explaining away his actions. One man's 'horseplay' is another man's humiliation."

Victims of sexual harassment and assault often face deep shame and fear in speaking out. Speaking out takes courage.

Speaking out after experiencing harassment or assault can be an incredible challenge, often full of personal and professional risk. Though the majority of assaults are against women, men face their own similar challenges in overcoming shame, doubt, and repercussions for coming forward and speaking out. When men like Fraser and Crews speak out, they help clear the path for other men to come forward with their own stories.


This story originally appeared on 08.06.19