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Meet Carrie Mae Weems, the artist who first fought back against the male gaze.

"You have to make what you want to see in the world. That is basically your obligation if you're an artist."

When photographer Carrie Ann Weems didn't see herself represented in the art world, she took it upon herself to create that representation.

Image by Carrie Mae Weems, courtesy of the artist and Jack Shainman Gallery, New York.

The 63-year-old artist opened up about her important career in a recent Lenny interview,explaining that her black-and-white photos — especially her simple yet incredibly powerful "Kitchen Table Series," completed in 1990 — portrayed her as she wants to be seen, not how others wanted her to be seen.


In her photos, Weems is in charge, representing her life as she sees fit. It's a beautiful example of self-expression.

She explains in the interview:

"I realized at a certain moment that I could not count on white men to construct images of myself that I would find appealing or useful or meaningful or complex. I can't count on anybody else but me to deliver on my own promise to myself. I love Fellini. I love Woody Allen. I love the Coen brothers, but they're not interested in my black ass."

​Image by Carrie Mae Weems, courtesy of the artist and Jack Shainman Gallery, New York.

"I needed to speak to and across the ways in which women had been discussed in film, theater, and photography. I needed to speak of representation and systems."

Weems is most famous for challenging the dreaded male gaze with her photos.

She noticed that men took photos of themselves that were "deeply frontal," while women were often turned to the side in photographs, or had some of their face obscured. So she made the choice to represent herself in her work face-on, something that had rarely been done before by a woman. She tediously set up a camera, processed and printed the film, figured out what she had done wrong, and did it all over again the next day.

In her work, especially the "Kitchen Table" series, you can see her vulnerably revealing itself — in her kitchen and beyond. Weems makes a powerful statement about being present, fearless, and in control in her art.

Eventually, her work set a new standard for visual storytelling by exploring subjectivity in both domestic spaces and public spaces.

Weems isn't alone in her struggle to find herself represented as a woman in the world, especially in art and especially as a woman of color.

Other renowned female artists have joined Weems in this fight throughout the years, famously taking control of representation by making themselves the subjects of their work, too.

Cindy Sherman, for example, famously transforms herself into people from all walks of life — male or female. She relies solely on herself to create these images that challenge us to think about class, race, and gender. Marina Abramović, often referred to as the "grandmother of performance art," is also known for her gutsy risks in the art world, like her project "The Artist Is Present" where she sat across from strangers for hours at a time, sharing silence with them.

These women continually push the boundaries of what it means to be a female artist today. They are meticulous and deliberate, while constructing images of their reality as a woman in the world. There's no hiding behind their work because most of the time, they are their work.

​Image by Carrie Mae Weems, courtesy of the artist and Jack Shainman Gallery, New York.

Carrie Mae Weems boldly laid the groundwork for female artists today.

"I always thought about the pictures of myself as not necessarily of myself but as an entity, a form that could express something that needed to be expressed," she told Lenny.

She created a platform for unapologetic honesty and empowerment, and we can never have too much of that.

I often take for granted how easily I can take a selfie and send a depiction of myself out into the world. But that hasn't always been the case. When Weems started working, she was intentional and precise. She wanted women everywhere to be seen for who they really were. She was a bold risk-taker. And she changed things in a big way.

This is what happens when you stand up for yourself in a world that doesn't seem to have room for you. It's risky. It's terrifying. But it's worth it. Thank you for your boldness, Carrie!

Joy

1991 blooper clip of Robin Williams and Elmo is a wholesome nugget of comedic genius

Robin Williams is still bringing smiles to faces after all these years.

Robin Williams and Elmo (Kevin Clash) bloopers.

The late Robin Williams could make picking out socks funny, so pairing him with the fuzzy red monster Elmo was bound to be pure wholesome gold. Honestly, how the puppeteer, Kevin Clash, didn’t completely break character and bust out laughing is a miracle. In this short outtake clip, you get to see Williams crack a few jokes in his signature style while Elmo tries desperately to keep it together.

Williams has been a household name since what seems like the beginning of time, and before his death in 2014, he would make frequent appearances on "Sesame Street." The late actor played so many roles that if you were ask 10 different people what their favorite was, you’d likely get 10 different answers. But for the kids who spent their childhoods watching PBS, they got to see him being silly with his favorite monsters and a giant yellow canary. At least I think Big Bird is a canary.

When he stopped by "Sesame Street" for the special “Big Bird's Birthday or Let Me Eat Cake” in 1991, he was there to show Elmo all of the wonderful things you could do with a stick. Williams turns the stick into a hockey stick and a baton before losing his composure and walking off camera. The entire time, Elmo looks enthralled … if puppets can look enthralled. He’s definitely paying attention before slumping over at the realization that Williams goofed a line. But the actor comes back to continue the scene before Elmo slinks down inside his box after getting Williams’ name wrong, which causes his human co-star to take his stick and leave.

The little blooper reel is so cute and pure that it makes you feel good for a few minutes. For an additional boost of serotonin, check out this other (perfectly executed) clip about conflict that Williams did with the two-headed monster. He certainly had a way of engaging his audience, so it makes sense that even after all of these years, he's still greatly missed.

Noe Hernandez and Maria Carrillo, the owners of Noel Barber Shop in Anaheim, California.

Jordyn Poulter was the youngest member of the U.S. women’s volleyball team, which took home the gold medal at the Tokyo Olympics last year. She was named the best setter at the Tokyo games and has been a member of the team since 2018.

Unfortunately, according to a report from ABC 7 News, her gold medal was stolen from her car in a parking garage in Anaheim, California, on May 25.

It was taken along with her passport, which she kept in her glove compartment. While storing a gold medal in your car probably isn’t the best idea, she did it to keep it by her side while fulfilling the hectic schedule of an Olympian.

"We live this crazy life of living so many different places. So many of us play overseas, then go home, then come out here and train,” Poulter said, according to ABC 7. "So I keep the medal on me (to show) friends and family I haven't seen in a while, or just people in the community who want to see the medal. Everyone feels connected to it when they meet an Olympian, and it's such a cool thing to share with people."

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Memories of childhood get lodged in the brain, emerging when you least expect.

There are certain pleasurable sights, smells, sounds and tastes that fade into the rear-view mirror as we grow from being children to adults. But on a rare occasion, we’ll come across them again and it's like a portion of our brain that’s been hidden for years expresses itself, creating a huge jolt of joy.

It’s wonderful to experience this type of nostalgia but it often leaves a bittersweet feeling because we know there are countless more sensations that may never come into our consciousness again.

Nostalgia is fleeting and that's a good thing because it’s best not to live in the past. But it does remind us that the wonderful feeling of freedom, creativity and fun from our childhood can still be experienced as we age.

A Reddit user by the name of agentMICHAELscarnTLM posed a question to the online forum that dredged up countless memories and experiences that many had long forgotten. He asked a simple question, “What’s something you can bring up right now to unlock some childhood nostalgia for the rest of us?”

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