Simon Cowell gets drilled for mocking ‘AGT’ cellists who want to be dentists, not stars

Their response was perfect.

agt all stars
Photo credit: America’s Got Talent/Youtube"You can’t just say, 'I want to be a dentist,'” judge Simon Cowell told the duo.

Back in 2014, cello-playing brothers Emil and Dariel wowed “America’s Got Talent” audiences with their cello rendition of Jimi Hendrix’s “Purple Haze,” even becoming finalists for the season.

After getting invited back to participate in “America’s Got Talent: All Stars,” the duo once again rocked the house with an epic cover of “Take On Me.” This classic A-ha tune has been covered a lot, so the fact that these two gave it fresh new life is no easy feat.

However, judge Simon Cowell remained unimpressed.


While he admitted that “the track is great,” he ultimately dubbed the performers as “boring.” And when the two cellists shared that they were actually pursuing a career in dentistry, not stardom, Cowell became visibly flustered, even going so far as to mime stabbing himself in the chest with a pen.

“This is not enough. There must be a dream. Something that’s inspired you. You can’t just say, ‘I want to be a dentist,’” the judge lamented.

“Wow… We are so humbled by the heartfelt outpouring of support you have shown us since the airing of our performance on AGT All Stars,” the duo wrote. “[It] warms our hearts and reminds us why we set out to perform in the first place.”

While they explained how their story was “sadly cut in the edit”—leaving out an anecdote about learning to play cello and pursue the American Dream from their immigrant grandfather, as well as their intention to “light a spark of inspiration in the hearts of the kids that are labeled as ‘outcasts’ or ‘uncool’” through their music—the main purpose of their statement was to address Cowell’s “derogatory comments towards our lifelong dream of becoming dentists.”

It’s lengthy, but worth a read. They held nothing back.

Dear Simon,

Hopefully, this message finds you well. The purpose of this letter is not to direct any negativity towards you, rather we hope this will serve as an eye-opener to the impact of your words. On Monday, January 23rd, the episode in which you called us out and went out of your way to belittle us for pursuing a career in dentistry debuted. On behalf of the outpouring of current and aspiring health care professionals from around the world who have reached out in response to your comments making a mockery of our choice to pursue a career in dentistry, we demand you take responsibility for your actions and issue a formal apology to the more than 700,000 dentists around the world who are committed to serving their communities.

Since we were little kids, aside from being classically trained cellists, we had the dream of following in our dad’s footsteps to become dentists. Coming from a family of three generations of dental professionals beginning in Kiev, Ukraine, this profession runs in our blood. This profession means more to us than a line of work; it’s our family lineage and calling. We are proud of our decision to pursue a craft that will allow us to positively impact people’s lives. The dental profession is hard at work every day with the mission of helping people attain the health and confidence they desire.

In response to why we decided to be a part of your show, we are well-attuned to the fact that you’re not searching for America’s Next Top Dentist. But you/your producers invited us, as finalists from Season 9, to perform among the ‘best of the best’ to share what we have been up to since the last time the world saw us. What an honor to be considered ‘All Stars,’ we thought. We presupposed this is far different from a typical AGT audition. After much deliberation, we ultimately decided to carve time out of our busy school schedules and perform due to the show’s wide reach with the hopes that someone watching us will think they too could feel cool playing an instrument that was never traditionally considered as such.

We love playing music together, especially rock n’ roll. Always have and always will. But we have no intention of making a career out of music. This may be atypical for someone in your line of work, but there are those individuals in the world who find a noble purpose outside of pursuing ‘stardom,’ not that there is anything wrong with that.

Please know this: Your words do not offend us, as they have no bearing on our life’s trajectory. They do, however, have weight and consequences on the decisions of young, aspiring health care professionals listening to you that may think twice about pursuing a noble career in caring for others. We are proud to be dental professionals and will not pretend otherwise, no matter how many times your producers attempt to rewrite our story. Above all, we are proud to dedicate our lives to building people up instead of putting them down. We were expecting that your disparaging remarks would make air, after experiencing the beatdown in person. But we did not expect the footage to be so heavily manipulated from what actually happened. Thankfully, most viewers saw right through that, but there are still those that place value behind what a man of your privileged stature says, which is why you, Simon, should consider thinking twice before you speak. Thank you for your valuable time.

Best wishes,

Emil & Dariel”

Perhaps they have a point. While it might not make for good television (which is entirely debatable), there is nothing wrong with having an artistic passion and focusing on what could be labeled as a more “humble” profession. Not everyone wants to make their art into a career. That doesn’t make the art any less important. And, as the statement pointed out, there is nothing undignified about wanting to help people. What’s really inspiring here isn’t Emil and Dariel’s musical talents, or even seeing them stand up for their beliefs. It’s that they have decided, no matter what they do in life, to be a force for good in the world. That’s an act that never gets boring.

  • 56 years after it first debuted, Robert Plant  performs a majestic version of ‘Ramble On’
    Photo credit: Raph_ph, Ella Mullins/FlickrRobert Plant, then and now.
    ,

    56 years after it first debuted, Robert Plant performs a majestic version of ‘Ramble On’

    “It’s why this man is on the shortest of short lists of the best front men of all time.”

    In 1969, Juggy Sound Studio in New York City was forever changed. That year, Led Zeppelin recorded part of their album Led Zeppelin II there, including the song “Ramble On,” the album’s seventh track. Co-written by frontman Robert Plant and guitarist Jimmy Page, who also produced the track, the song has remained a staple of the band’s extraordinarily rocking catalog for more than half a century.

    So when Plant, at the ripe young age of 77, casually strolled onto the set of The Late Show with Stephen Colbert and flawlessly belted out the song, fans took notice. Yes, his face has more wrinkles—time will do that to a person. But it’s time itself that has made the lyrics to this song all the more meaningful.

    “Like he wrote it this morning”

    X user Guitar Gods Unleashed shared the video, writing, “‘Ramble On’ is 56 years old, and Robert Plant just walked onto The Late Show and made it sound like he wrote it this morning.”

    The comments feel fitting for such a powerhouse performance.

    “You see aging rock stars trying to replay their youth,” one X user wrote. “Then you have Robert Plant being Robert Plant, and it rivals the original from half a century ago. Just incredible.”

    Another fan shared just how brilliant the performance was.

    “To craft a new arrangement of a rock classic – a completely new composition – centered around the limitations your aging 80-year-old voice… and create something still so artistic and beautiful… it’s why this man is on the shortest of short lists of the best front men of all time,” they wrote.

    The Lord of the Rings

    Another user pointed out that the lyrics reference J.R.R. Tolkien’s beloved The Lord of the Rings, which was later adapted into films.

    “I like that ‘Ramble On’ has Lord of the Rings references from back when Robert was reading the book series,” they wrote. “I had no idea what Lord of the Rings was back when I first became a fan of the song, but eventually I said, ‘wait…did he mention Gollum and Mordor?’”

    In a piece for Far Out Magazine, Jack Whatley explored how bands are influenced by authors.

    “The singer [Robert Plant] used moments throughout the lyrics to express his connection; lines like ‘the darkest depths of Mordor’ and ‘Gollum and the evil one’ are both doffs of the caps to the writer,” Whatley wrote. “Many artists have made references to great literature in their time; whether it is The Beatles and C.S. Lewis’ influence on ‘I Am The Walrus’ or The Cure’s nod to Albert Camus.”

    The lyrics

    The lyrics are hauntingly beautiful and even more impactful now that Plant is older.

    “Leaves are fallin’ all around
    It’s time I was on my way
    Thanks to you, I’m much obliged
    For such a pleasant stay

    But now it’s time for me to go
    The autumn moon lights my way
    For now, I smell the rain, and with it, pain
    And it’s headed my way

    Ah, sometimes I grow so tired
    But I know I’ve got one thing I’ve got to do

    Ramble on
    And now’s the time, the time is now
    Sing my song
    I’m goin’ ’round the world, I gotta find my girl

    On my way
    I’ve been this way ten years to the day
    I’m gonna ramble on
    Gotta find the queen of all my dreams

    Got no time for spreadin’ roots
    The time has come to be gone
    Though our health, we drank a thousand times
    It’s time to ramble on

    Ramble on
    And now’s the time, the time is now
    Sing my song
    I’m goin’ ’round the world, I gotta find my girl

    On my way
    I’ve been this way ten years to the day
    I’m gonna ramble on
    Gotta find the queen of all my dreams

    I ain’t tellin’ no lie

    Mine’s a tale that can’t be told
    My freedom I hold dear
    How years ago in days of old
    When magic filled the air

    ‘Twas in the darkest depths of Mordor
    I met a girl so fair
    But Gollum and the evil one
    Crept up and slipped away with her, her, her, her, her, yeah

    And ain’t nothin’ I can do, no
    I guess I’ll keep on

    Ramblin’, I’m gonna say
    Sing my song, I’ve gotta find my baby
    I’m gonna ramble on, sing my song
    Gonna work my way, gonna ramble on
    Gonna ramble on, yeah-yeah”

  • Michael J. Fox has the best response after CNN accidentally prompts death scare
    Photo credit: Chuck Kennedy (Pete for America)/ WikipediaMichael J Fox is not, in fact, dead.

    Michael J. Fox is very much alive. And so is his wit. 

    CNN had created a remembrance video for the Back to the Future star, titled “Remembering the life of Michael J. Fox.” Now, it’s fairly standard practice for news outlets to make these sorts of posthumous tributes in advance. But publishing them before the celebrity actually passes away? Not so much. 

    And yet, on Tuesday, April 7, that’s what happened. But when Fox saw the accidental announcement of his death, he met it with a bit of philosophical humor.

    On Threads, Fox wrote, “How do you react when you turn on the TV and CNN is reporting your death? Do you…A) switch to MNSBC, or whatever they are calling themselves these days, (B) Pour scolding hot water on your lap, if it hurts your fine, (C) Call your wife, hopefully she’s concerned but reassuring, (D) Relax, they do this once every year, (E) Ask yourself wtf ?” 

    @realmikejfox Threads

    Ending with just a dash of self-deprecation, he concluded, “I thought the world was ending, but apparently it’s just me and I’m ok. Love, Mike.”

    As to be expected, fans were quick to “yes and” Fox’s sense of humor. 

    “Go outside and ask the first person you come across: ‘Can you see me?’ Glad you’re ok btw!” wrote one person.

    Meanwhile, actor Kathy Griffin quipped, “You’re a helluva ghost.”

    In CNN’s defense, the tribute, however premature, did respectfully honor Fox’s legacy not only as a beloved actor, but also as an active Parkinson’s advocate. 

    According to Entertainment Weekly, the narrator in the now-deleted video said of Fox:  “He came into our living rooms on the small screen each week as Alex P. Keaton [on Family Ties] and eventually onto the big screen as Marty McFly in [Back to the Future]. But Michael J. Fox had a compelling third act as a Parkinson’s sufferer and stem cell research advocate.”

    “His most lasting role may have been as a tireless voice against Parkinson’s, a performance the Academy of Motion Pictures Arts and Sciences honored with the Jean Hersholt Humanitarian Award in 2022,” the clip went on. “In the end, Fox came to understand that his battle against the disease brought out the best in him.”

    A CNN spokesperson also stated: “The package was published in error; we have removed it from our platforms and send our apologies to Michael J. Fox and his family.”


    On Wednesday, Fox’s rep assured TMZ that “Michael is doing great.”

    So great, in fact, that he was out and about in Los Angeles speaking on a panel for the Apple TV series Shrinking, in which he filmed a three-episode guest arc playing a character who also deals with Parkinson’s disease. The guest spot marked his first on-screen appearance since 2020. Harrison Ford, who also plays a character with Parkinson’s on the show, regarded Fox as “an extraordinarily powerful person” after meeting and working with him on set. 

    So, Michael J. Fox is still kickin’. And he’s still meeting each moment with a tremendous amount of humility and humor, lifting our spirits as he does it. 

  • Watch dancers with ‘insane core strength’ appear to float in mid-air for iconic AGT audition
    Photo credit: America’s Got Talent/YouTubeSofia Vergara's jaw dropping while watching dance audition

    “America’s Got Talent” auditions have given us all manner of dance performances, from expressive individuals to impressive group numbers that got the judges praising and the audience roaring. But AIRFOOTWORKS’ gravity-defying, core-busting dance routine, performed in 2024, is one that will surely go down as one of the greatest dance performances in AGT history.

    As the music began, no one knew what the apparatus made of poles and bars surrounding the dancers was for. But it soon became apparent that they would use it to lift themselves off the ground. What started with a simple pull-up, however, turned into an incredible synchronized dance to Justin Bieber’s “Where Are U Now” in which the dancers synchronized their movements without their feet even touching the ground.

    AIRFOOTWORKS dancing to Justin Bieber on AGT 

    The dancers, who hail from Japan, were mentored by Kenichi Ebina, who won AGT Season 8 in 2013. Their performance earned them a standing ovation from all four judges and the audience.

    “Everything about the performance was perfect,” said judge Sofia Vergara.

    “It was so creative and so different—and so difficult, by the way,” said judge Simon Cowell. “So you have a great mentor. However, even if you’ve got a great mentor, you’ve still got to be able to do what your mentor helps you to do. And you did it immaculately.”

    AGT fans agree with the judges 

    People in the comments were equally blown away.

    “How do people find out they have talents like this??? ✋ “

    “My toxic trait is thinking I can do this without any difficulty .”

    “Insane core strength.”

    “OBSESSED with this audition.”

    “What kind of core strength is this… flawless,

    Many people were disappointed that none of the judges hit the Golden Buzzer.

    “Why no Golden Buzzer?!?!?! If I’ve seen any act more deserving of it, I can’t recall. These guys were AWESOME!!!!!!!”

    Did they run out of golden buzzers? This is worthy.”

    “THEY DESERVED THE GOLDEN BUZZER!”

    “This performance absolutely deserved a golden buzzer. It was just spectacular.”

    “Can only assume all the judges were so enthralled and mesmerized by this performance they forgot there was a golden buzzer.”

    The ‘Golden’ performance

    AIRFOOTWORKS did, in fact, earn a Golden Buzzer from Howie Mandel during the Quarterfinals sending them directly to the finale, where the group performed to an EDM mix by Steve Aoki. While they didn’t receive enough votes to win the entire competition, they have certainly earned AGT royalty status.

    Since their AGT run, AIRFOOTWORKS have continued to take the world stage – reaching the finals of talent competitions in France and Italy, and performing at the Royal Variety Performance in the UK.

    For more talent auditions, you can follow America’s Got Talent on YouTube and TikTok.

    This article originally appeared 2 years ago. It has been updated.

  • Netherland-based dance troupe performs epic routine to “Somebody That I Used to Know”
    Photo credit: Sergio Reis/YoutubeThe costumes, the choreo, the camera work…just, wow.

    Odds are you’ve heard Wally de Backer, aka Gotye, and his song “Somebody That I Used to Know.” It’s the Australian musician’s biggest commercial hit, selling more than 20 million copies since its release in 2011, making it one of the best-selling digital singles of all time. Not to mention it inspired several amazing covers, which you might have also stumbled upon.

    The music video, in its poignant simplicity, is every bit as iconic. Gotye stands naked facing the camera, as featured singer Kimbra faces him. As they sing, they are slowly “painted” into and out of the background of geometric shapes using stop motion animation. There’s a very Wes Anderson feel to it that adds so much to the story told in the song, making it all the more memorable.

    This dance troupe was up to the task

     All this to say…it would be a challenge to recreate the magic that’s so inherent in the original. And yet, Netherland-based dance troupe CDK clearly understood the assignment with their highly stylized movement performance set to the well-known art pop ballad.

    As thousands of viewers were quick to note, it’s not just the incredible dance moves that made this performance so captivating. It’s the killer combination of choreography, camerawork and costumes that make the piece impossible to turn away from.

    “This is pure art,” one person wrote. While another added, “I think I’m going to watch it everyday for the rest of my life.”

    Watch CDK’s Stunning Performance Here

    This group is clearly at the top of their game, simply by how easy they make it all look (like, I’ve already convinced myself that I can pull off those moves). But what’s more evident is that they enjoy what they’re doing to the nth degree. Over on their Instagram page, you’ll find equally mesmerizing routines set to Billie Eilish, Nicki Minaj, and more.

     

    Some fun facts about the song and its legacy

    1: Gotye allows small independent projects, like student films—and probably this dance piece—to use his music free of charge. “If someone wants to use it commercially I look at what the budget is and the creativity of the project,” he said, according to News.com.

    2: CDK isn’t the only group to have recently breathed new life into the song. Also in 2024, an electronic remix of the song titled “Somebody (2024),” created by electronic music producers Chris Lake, Fisher, and Sante Sansone, debuted. Much like its predecessor, “Somebody (2024) topped the charts.

    This article originally appeared two years ago. It has been updated.

  • Marriage counselor uses viral ‘Love on the Spectrum’ moment to explain triggers in relationships
    Photo credit: @expedition_marriage/InstagramMadison Marilla and Tyler White on Love on the Spectrum.

    During an episode from the latest season of Love on the Spectrum, Netflix’s heartwarming, critically acclaimed reality series that follows autistic individuals navigating the complexities of relationships, two fan favorites—Madison Marilla and her now fiancée, Tyler White—shared a moment that many couples face regardless of neurodivergence: emotional triggers. 

    As the two approached their date location, a fan can be heard saying, “Maddie! I love you!” This visibly affected Marilla, who explained that her autism causes “black and white thinking.” So hearing a nickname, like “Maddie,” causes her to feel “anxious and thrown off.” In fact, she noted it’s one of her “biggest sensitivities.” 

    In an Instagram post, marriage counselors Chris & Jamie Bailey break down how the couple’s handling of the situation was a prime example for anyone who witnesses their significant other getting triggered. 

    Chris and Jamie noted that in the clip, White stayed calm, moved towards Madison, validated her feelings without judgment, stayed present in the situation, listened to understand, and then, after Madison was able to express herself, he reassured her that they are a team and that he is there for her.

    And for her part, Madison “chose to process what was happening instead of reacting.” She also reminded herself that “it was going to be ok” and “moved forward” rather than ruminate. 

    All relationships deal with triggers

    While relationships involving autism or other forms of neurodiversity have their own unique set of challenges, Chris and Jamie noted that every couple will at some point face triggers. When that happens, each partner has a “responsibility.” The triggered person is responsible for their emotional regulation, while the non-triggered person is responsible for offering support. Both Tyler and Madison exemplified what can go right when each partner takes on their individual responsibility—especially staying present. 

    “What couples often miss is the simplicity of just remaining with your spouse during a trigger, “ Chris and Jamie added. 

    Judging by the comments, the Baileys were clearly not the only ones who felt Madison and Tyler offered a “masterclass in emotional regulation and communication.”

    “This was incredibly impressive. The way she worked through a trigger, the way he supported her and validated it. Well done everyone. We could all learn from this. ❤️”

    “Responding before reacting is something every single person I’ve ever met has struggled with. I love how hard she’s working to stay aware of her mind, heart and body and how best to keep them regulated in these really difficult situations.

    “This was such an incredible thing to witness. I’m so grateful for Madison’s ability to be vulnerable through this and to allow the world the opportunity to learn from her 😭 I needed this today!

    “These two humans are pure good. They totally get each other and provide such a safe space.”

    “I love that Tyler didn’t even try to hug her or touch her and he let Madison’s nervous system calm down first. Full respect!!”

    Expert-backed methods for dealing with emotional triggers in a relationship

    For your own triggers, awareness is the first step. Many people notice physical cues before anything else. It might be a racing heart, a tight chest, or a sudden urge to withdraw or lash out. Naming what is happening, even silently, can help create space between the feeling and the reaction. Simple grounding techniques, like slowing your breathing, focusing on your senses, or giving yourself permission to pause, can make a meaningful difference. Just as Madison demonstrated, reminding yourself that the moment will pass can help shift your nervous system out of alarm mode.

    When it comes to supporting a partner who is triggered, the goal isn’t to fix the feeling, but to help create safety. That often looks like staying calm, listening without interrupting, and validating what they are experiencing, even if you do not fully understand it. Avoid rushing them, minimizing their reaction, or immediately offering solutions. Instead, gentle reassurance and presence can go much further than advice.

    Of course, this kind of mutual support works best when both people are willing to take ownership of their emotional patterns over time. Conversations outside of triggered moments can help partners learn each other’s sensitivities, boundaries, and preferred ways of being supported. 

    As Madison and Tyler remind us, when both people are willing to meet each other with awareness and care, even the most uncomfortable moments can become opportunities for deeper connection.

  • U.S. women’s rugby player dropped the mic on viewer who mocked her BMI
    Photo credit: @ilonamaher/Instagram“BMI doesn’t tell you what I can do.”

    It seems like at least once a year, the debate over BMI (body mass index) resurfaces. Experts are quick to point out that it’s a flawed system: at best, it ignores key factors that shape a person’s body composition; at worst, it creates real health consequences, influencing eligibility for weight loss medications, insurance rates, joint-replacement surgery and fertility treatment. Then the conversation fades, life moves on and not much changes.

    And yet, despite the constant debunking, the belief in BMI still marches on. This time, it was hurled at the USA rugby star and Olympian Ilona Maher. More specifically, someone commented “I bet that person has a 30% BMI” on one of Maher’s TikTok videos.

    Could this person have simply been pointing out the inherent flaw of BMI and that Maher, an elite athlete, would be considered “overweight” using this system? Perhaps. But this is the internet we’re dealing with, so Maher (and others) interpreted it to be an insult.

    Under that context, Maher wasn’t having it, and chose “not to just ignore the haters.”

    A troll got taken to school about BMI

    “Hi, thank you for this comment. I think you were trying to roast me, but this is actually a fact. I do have a BMI of 30. Well, 29.3 to be exact,” Maher said in response video…which became something of a roast itself.

    Maher talked about how she had been considered “overweight” her entire life, and even recalled being “so embarrassed” to turn in a physical form to the office which had “overweight” written on it.

    “I chatted with my dietitian, because I go off facts, and not just what pops up here. You know, like you do.” she quipped while tapping her temples.

    What the numbers actually tell us

    Maher is 5-ft.-10-in. and 200 lbs, which is considered “overweight” by BMI standards. But as she explained, about 170 of those 200 pounds are “lean muscle mass.”

    “Do that math in your head…you probably can’t,” Maher said sarcastically.

    It’s easy to see through this example how bogus BMI really is, especially for athletes.

    Essentially, “BMI doesn’t tell you what I can do.”

    “It doesn’t tell you what I can do on the field. How fit I am. It’s just a couple of numbers put together,” she said. “It doesn’t tell you how much muscle I have, or anything like that.”

    Maher concluded by faux lamenting, “I do have a BMI of 30. I am considered overweight. But alas, I am going to the Olympics, and you’re not.” Maher went on to win a silver medal at the 2024 Paris Olympics.

    u.s. women's rugby, jill biden, 2024 olympics ilona maher
    The U.S. women’s rugby team with First Lady Jill Biden and members of the U.S. delegation to the 2024 Summer Olympic Games The White House/Public Domain

    Why This Hit Home for So Many People

    While Maher’s clapback was certainly satisfying, it also provided some much needed reassurance to folks. So many commented on how this outdated concept has affected (or still effects) their own body image or that of a loved one.

    How can I get my teenage daughter with a high BMI (but fit!) to understand this?! She feels shamed even at the doctor for her BMI.”

    “Dancer here, I’ll never forget at 13 being told I had the BMI of 24 of ‘overweight.’ I broke down and the nurse said it didn’t mean anything and all I could think was then WHY are you making me do this?!”

    A registered dietitian explains why BMI is so flawed. YouTube

    “I had to ask the doctor’s office to put a note on my child’s file to not bring up/talk about BMI in her check ups. It isn’t an accurate representation of health!”

    “Thank you for sharing your weight, bc seeing lbs numbers in different bodies has been so helpful in me loving mine. I’m nowhere near an athlete’s body but damn, the numbers really do us in.”

    Until a more affordable solution pops up, BMI will continue to rear its ugly head in doctor’s offices and in our psyches. Maybe this is a reminder that our bodies are so much more than height and weight every now and again is a good thing. And if it comes from an Olympian…even better.

    Maher also shut down any notions that her BMI was high due to anything other than muscle with a Sports Illustrated cover shoot in August of 2024. Um, yeah.

    Thin and fit are not the same thing. Thank you, Ilona Maher, for the powerful reminder.

    This article originally appeared two years ago. It has been updated.

  • Emma Thompson’s witty, heartfelt tribute to Alan Rickman is truly one for the ages
    Photo credit: Elena Ternovaja (left), Marie-Lan Nguyen (right) via Wiki Commons(L) Emma Thompson; (R) Alan Rickman
    ,

    Emma Thompson’s witty, heartfelt tribute to Alan Rickman is truly one for the ages

    May we all have a friend who shares our quirks this lovingly and articulately.

    Actor Alan Rickman gave us so many memorable characters, from the terrorist Hans Gruber in Die Hard to the oft ill-tempered antihero Severus Snape in the Harry Potter films, to the unfaithful husband who broke Emma Thompson’s heart in Love Actually.

    Though he was often cast as a villain, Rickman’s distinctive voice and irresistible screen presence made audiences love him. He brought a unique human touch even to his most odious bad guy characters, a quality that makes perfect sense when you hear Thompson, his friend and co-star in seven films, talk about his character in real life.

    In a moving tribute upon the release of his diaries in October 2022, Thompson shared insights into the virtues and quirks that made Rickman “blissfully contradictory.”

    Alan Rickman, actor, autographs, famous, photo
    Alan Rickman signing autographsu00a0at the Brooklyn Academy of Music, January 2011. Photo Credit: Marie-Lan Nguyen via Wikimedia Commons

    Thompson is at the top of her award-winning writer game here, and her words about Alan Rickman are filled with heart, wit, respect, admiration and love. It’s truly a eulogy for the ages.

    Watch (or read the full transcript below): 

     

    People love Thompson’s tribute to her friend and some have even shared their own stories of their encounters with Alan Rickman:

    “A close friend of mine bumped into him in a theatre in London many years ago. My friend instantly recognised Mr Rickman and from nowhere, instantly found the courage to ask him for his autograph. Having neither pen nor paper for this, he asked Mr Rickman if he would mind waiting a moment whilst he collected the items from somewhere, anywhere! The moment became at least 10 minutes or so, and when my friend ran back to a now empty theatre foyer, he noticed one solitary figure. Mr Rickman had waited patiently for my friend to give him what he asked for.”

    “I was lucky enough to work with him on a film. At lunchtime I joined the line for a meal and as I payed and went to turn to look for a table, someone knocked into me from behind and my drink went flying. I turned and it was Alan, he apologized put his hand on my shoulder and said let me get you another. He came back with a cup of tea and I was so overwhelmed. I was shocked how he was so down to earth and a real gentleman.”

    “I meet him once in Boots and said hello, he realised it was a reflex to recognising a known face. He picked up an item we both were looking at, smiled and said “well hello there are we going to arm wrestle for this?” That deep tone rendered me mute, I realised it was Mr Rickman and instantly denied needing this forgotten thing, apologised for well nothing really, smiled and backed away. He was a giant of a fellow on and off the stage and will be missed.”

    “Everything she said is true. I was fortunate to have dinner with him and his wife and his drama teacher. He was charming and friendly and shared some great ideas about directing, which I use today in my theater group. He is missed by many.”

    Indeed he is.

    Here’s the full transcript of Thompson’s tribute:

    “The most remarkable thing about the first days after Alan died was the number of actors, poets, musicians, playwrights and directors who wanted to express their gratitude for all the help he’d given them. I don’t think I know anyone in this business who has championed more aspiring artists nor unerringly perceived so many great ones before they became great. Quite a number said, latterly, that they’d been too shy to thank him personally. They had found it hard to approach him. And of all the contradictions in my blissfully contradictory friend (hold on, Thompson), this is perhaps the greatest this combination of profoundly nurturing and imperturbably distant.

    He was not, of course, distant. He was alarmingly present at all times the inscrutability was partly a protective shield. If anyone did approach him with anything like gratitude or even just a question, they would be greeted with a depth of sweetness that no one who didn’t know him could even guess at. And he was not, of course, unflappable. I could flap him like nobody’s business and when I did he was fierce with me and it did me no end of good.

    He was generous and challenging, dangerous and comical, sexy and androgynous, virile and peculiar, temperamental and languid, fastidious and casual, the list could go on. I’m sure you can add to it. There was something of the sage about him, and had he had more confidence and been at all corruptible, he could probably have started his own religion.

    His taste in all things from sausages to furnishings appeared to me anyway to be impeccable. His generosity of spirit was unsurpassed and he had so much time for people I used to wonder if he ever slept or ever got time for himself. A word not traditionally associated with Alan is gleeful, but when he was genuinely amused he was absolutely the essence of glee. There would be a holding back as the moment built, and then a sudden leaning forward and a swinging around of the torso as a vast, impish grin flowered, sometimes accompanied by an inarticulate shout of laughter. It was almost as if he was surprised by himself. It was my life’s mission to provide those moments. I remember Imelda Staunton nearly killing him by telling him a story about my mother and an unfortunate incident with some hashish—it’s a really good story, I won’t tell it now—I’ve never seen him laugh more before or since. It was a bit like watching someone tickling the Sphinx.

    One Christmas Eve party I had a sprig of mistletoe hanging up at home, and I was loitering under it and turned to find Alan bearing down on me. I lifted up my chin hopefully. He smiled and approached. I puckered. He leaned in under the mistletoe and a sudden change came over his face. His eyes started to glitter and his nostrils to quiver. He lifted up a hand, reached in, and pulled a longish hair out of my chin. ‘Ow!’ I said. ‘That’s an incipient beard,’ he said, handing me the hair and walking off.

    That was the thing about Alan—you never knew if you were going to be kissed or unsettled, but you couldn’t wait to see what would come next. And the trouble with death is that there is no next. There’s only what was, and for that, I am profoundly and heartbrokenly grateful. So the last thing we did together was change a plug on a standard lamp in his hospital room. The task went the same way as everything we have ever done together. I had a go. He told me to try something else. I tried. It didn’t work, so he had a go. I got impatient. I took it from him. I tried it again. It still wasn’t right. We both got slightly irritable, then he patiently took it all apart again and got the right lead into the right hole. I screwed it in with a screwdriver. We complained about how fiddly it was, and then we had a cup of tea. Took us at least half an hour, this thing, and he said after, ‘Well it’s a good thing I decided not to become an electrician.’

    I’m still heartbroken that Alan’s gone, but these diaries bring back so much of what I remember of him. There is that sweetness I mentioned, his generosity, his champion of others, his fierce, critical eye, his intelligence, his humor. He was the ultimate ally in life, art, and politics. I trusted him absolutely. He was, above all things, a rare and unique human being and we shall not see his like again.”

    Alan Rickman, actor, fans, famous, photo
    Alan Rickman posing for a fan at the Brooklyn Academy of Music, January 2011. Photo credit: Marie-Lan Nguyen via Wikimedia Commons

    This article originally appeared two years ago. It has been updated.

  • A surprisingly impressive dancing dog duo brought the house down on ‘America’s Got Talent’
    Photo credit: America’s Got Talent/YouTubeRoni Sagi and her dog, Rhythm, love to dance together.

    What dog owner wouldn’t want to jam out to Queen with their pup while the world watches? Of course, our version probably wouldn’t be nearly as impressive as what Roni Sagi and her black and white border collie, aptly named Rhythm, did for America’s Got Talent in August 2024.

    First off, audiences knew they’d instantly be in for a treat when Sagi and Rhythm recreated the band’s famous pose for “Bohemian Rhapsody.” But it only got better from there in a routine that featured a mash-up of “Bohemian Rhapsody” and “Don’t Stop Me Now.”

    Roni and Rhythm performing to Queen.

    The dance duo wowed judges and audiences alike with synchronized steps, turns, flips, and even a cool bridge pose trick (seriously, this was a dog owner’s dream come to life). Simon Cowell jokingly asked “How do we know the dog is a real dog?” because Rhythm was just that good. The duo went on to finish as runners-up in the Season 19 finale, with Simon Cowell calling their semifinal performance a perfect “10.”

    Roni and Rhythm in the AGT semi finals.

    Rhythm is a dancer

    Sagi would later end up sharing that Rhythm earned his name from an early age, already tapping his little feet on her bed at only 6 weeks old. By that point, Sagi had already had experience training therapy dogs, which undoubtedly gave her a good foundation for working with her little “tornado storm.”

    Perhaps it shouldn’t come as that much of a surprise that Rhythm is so gifted. After all, border collies are notorious for being able to pick up skills quickly, and there have been several border collies that have broken world records—including records for intelligence, balance, and skateboarding (yes, really).

    But Sagi seems to credit their chemistry less on Rhythm’s species traits, and more on his individual personality. “It’s so much fun to have a partner that wants [to perform] as much as you,” she said. “He wants to do it all, and he wants to do it now, and he wants to do it as good as he can.”

    High praise in the comments section

    “This was the most amazing dog act I’ve seen!” one person wrote.

    “That precious dog Rhythm is SO talented and smart!!! I don’t understand how he knows what to do when his back is to her?!! This dog is truly dancing and just extremely talented!!!” added another.

    Another said, “This dog is the most energetic and enthusiastic I’ve ever seen.”

    Of course, Rhythm wasn’t getting all the love. One person wrote, “I don’t usually like dog acts, but this was impressive. Roni is very creative with what she does and obviously a great dancer herself and trainer.”

    “Unbelievable…those steps omg.”

    “It’s how the dog is ACTUALLY running around HAPPY!”

    “That doggie deserves a million treats. Fantastic!”

    “Yet I have to say to my dog sit 87 times before he actually sits, probably also from being tired of standing not because I said it.”

    Even when they’re just rehearsing and dancing together at home, watching Rhythm and his human move together so harmoniously is truly incredible to watch:

    Maybe we can’t get all dogs to perform quite on this level, but it does show us just how amazing man’s best friend really is.

    You can follow Roni Sagi and Rhythm on Instagram.

    This article originally appeared two years ago. It has been updated.

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