The nicest things that happened to Jon, Dany, and Arya on this week's 'Game of Thrones.'

Welcome to "A Song of Nice and Fire," Upworthy's weekly "Game of Thrones" recap series. When we decided to recap of the most brutal show on TV, we realized that brutality is not really in our wheelhouse, so we tasked writer Eric March with hunting for the good, kind, wholesome GoT moments like a needle in a haystack. Here's what he found.

I see you giving me that side-eye, The Hound. Photo by Helen Sloan/HBO.


OK. Let's do this.

Frankly, I don't blame you for being skeptical. I was, too, when I first sat down to write about all the nice things that happened in the Season 7 premiere of "Game of Thrones." Everything about it seemed impossible (other than coming up with a snazzy, punny series title).

Trying to find lovingkindness in a show known for epic backstabbing, front-stabbing, and all-sides-stabbing is like trying to find new-wave music on "Empire," conservative opinions on "The Daily Show," or whatever doesn't happen on "Suits" on "Suits" (I don't watch "Suits").

Niceness just doesn't seem to exist in Westeros. And where and when it does, it's really not the point.

But I'm going to make a good-faith attempt. And miraculously, there was plenty of charity and goodwill to come by in last night's "Dragonstone."

Indeed, the seventh season premiere of "Game of Thrones" was practically overflowing with decency, tenderness, and respect.

You just have to squint at it the right way.

Perhaps after a glass of Arbor red or two.

The parade of benevolence began right away in the cold open, where Arya Stark, disguised as the (actually now) late Walder Frey, serves the entire Frey family a lovely meal. How nice! Sure, the meal was actually vengeance for the deaths of Arya's mother and brother who were murdered by Frey at the infamous Red Wedding, and yes, the Freys' murdered relatives were (per last season's finale) most likely the primary protein on offer, and, OK, yeah, the wine was definitely poison, but a house's gotta eat, and what is she, stone-hearted? Some sort of Stonehearted Lady? C'mon.

She threw them a dinner party. That's nice!

You're welcome. Photo by Helen Sloan/HBO.

Later, Arya does guest-star Ed Sheeran (Ed Sheeran) and the Assorted Lannister Soldiers a solid by not slitting their throats (at least not before the camera cuts away — a man cannot simply assume) after they offer her a bite of rabbit as well as several humanizing character anecdotes.

Not bad for some improvised mercy from the world's tiniest assassin!

Down at King's Landing, Jaime respectfully gives the equilibrium-challenged Euron Greyjoy props for burning the Lannister ships during one war or another, while helping plan a marriage of convenience for Cersei.

When it's going great. Photo by Helen Sloan/HBO.

Following some perfunctory bad-guy-on-bad-guy sizing-up, Greyjoy leaves, promising to return with a gift for Cersei that he hopes will persuade her to marry him. It's a little less genuinely nice and a little more Nice Guy (TM), because she did say no (a tactic? Possibly), but still. Crossing my fingers for an Edible Arrangement.

Up north, Jon takes pity on the funny-looking children of the less-than-perfectly-loyal Harald Karstark and Smalljon Umber by not taking their castles away and giving them to random other people, much to Sansa's chagrin and Littlefinger's ever-squirrely "I told you so."

Jon then pulls his sister aside for a post-meeting debrief and actually appears to listen to her, which is far more considerate than Ned or Robb Stark were to any female human before they were de-headed. And hey, Jon is also persuaded to throw out thousands of years of male-dominated military tradition to conscript women into his ragtag zombie-fighting army! Whether it's out of desperation or the memory of being on the business end of Ygritte's bow and arrow is debatable, but Lyanna Mormont is into it, so I'm calling it a nice win for Westerosi gender parity (yasss kween #feminism #ladycasualties).

Perhaps the only nice thing about the montage of Sam's drudgery in Oldtown is that it doesn't go on forever, even if it does feel that way.

No, thanks to whatever sound designer brought that visceral grossness to life. (Seriously.) (SERIOUSLY.) (OK, but actually respect and good work.)

Yeah, me too, Sam. Photo by Helen Sloan/HBO.

Yet in between cleaning bedpans and dishing out curiously similar-in-appearance soup, Sam does manage to figure out where all the dragonglass in Westeros is (shockingly, the one place on the continent with "dragon" in the name) and courteously send Jon a letter about it.

Also that one archmaester believes Sam about the White Walkers! That's nice of him, and really nice for Sam, even if the archmaester won't do anything about it. "The Wall has stood through it all, and every winter that ever came has ended," he reassures Sam. And if "Game of Thrones" has taught me anything in six seasons, he's definitely right, nothing bad will happen, the Wall will definitely continue to stand, and all will be well.

Elsewhere, holed up in a foreboding-looking abandoned inn with Beric Dondarrion and Thoros of Myr, The Hound does kindness about as well as The Hound can do and holds a funeral for the previous tenants of the place — an unfortunately dead and be-skeletoned father and daughter.

Sure, the fact that he stole their silver way back in Season 4 is why the pair starved to death in the first place, but this is "Game of Thrones," not "This Is Us," and feeling really really bad after half-knowingly condemning someone to a slow, painful death earns you a solid 4/5 on the Westerosi "Man's Humanity to Fellow Man" Scale.

Even though The Hound couldn't remember the proper burial rites, the fact that he buried them at all wasn't just a nice thing to do, but a nice bit of continued character growth for a man once defined solely by his size, distinctive scars, and curious aptitude for piercing body parts with sharp metal objects.

Good gazing, everyone. Let's take 10. Photo by Macall B. Polay/HBO.

In the final minutes of the episode, Daenerys and Tyrion finally arrive at the ancient Targaryen fortress on Dragonstone (finally!) to catch up on six years of silent walking, gazing, choral "oohs," and purposeful sand-feeling. Their scenes were so brief and largely visual that there's not much to say here. I guess it was nice of the Unsullied to hold open a series of large doors for Daenerys as she strode majestically up the mountain toward her destiny? That was cool of them.

Whoo, we made it! That's it for week one. See you next week, when hopefully Jaime gives Cersei a puppy, Jon and Sansa watch old home movies together, and the Wall definitely doesn't come down. That's ridiculous.

Random Acts of Niceness:

  • It's nice to see that Cersei, Dany, and Sansa's clothes have gotten a lot more practical now that their plots don't revolve around looking cute for some dude.
  • Hey, Arya left those serving girls alive thanks to some clutch ironic performative sexism! Score one for innocent bystanders.
  • Good on probably-Jorah's arm for not giving Sam grayscale! (I think.)
  • Oh yeah, Bran! Meera apparently dragged him about 150 miles through the freezing tundra while he presumably pontificated wizardly about the Long Night the whole damn way. That is A+ forbearance.
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We're redefining what normal means in these uncertain times, and although this is different for all of us, love continues to transform us for the better.

Love is what united Marie-Claire and David Archbold, who met while taking a photography class. "We went into the darkroom to see what developed," they joke—and after a decade of marriage, they know firsthand the deep commitment and connection romantic love requires.

All photos courtesy of Marie-Claire and David Archbold

However, their relationship became even sweeter when they adopted James: a little boy with a huge heart.

In the United States alone, there are roughly 122,000 children awaiting adoption according to the latest report from the U.S Department of Health and Human Services. While the goal is always for a child to be parented by and stay with their biological family, that is not always a possibility. This is where adoption offers hope—not only does it create new families, it gives birth parents an avenue through which to see their child flourish when they are not able to parent. For the right families, it's a beautiful thing.

The Archbolds knew early on that adoption was an option for them. David has three daughters from a previous marriage, but knowing their family was not yet complete, the couple embarked on a two-year journey to find their match. When the adoption agency called and told them about James, they were elated. From the moment they met him, the Archbolds knew he was meant to be part of their family. David locked eyes with the brown-eyed baby and they stared at each other in quiet wonder for such a long time that the whole room fell silent. "He still looks at me like that," said David.

The connection was mutual and instantaneous—love at first sight. The Archbolds knew that James was meant to be a part of their family. However, they faced significant challenges requiring an even deeper level of commitment due to James' medical condition.

James was born with congenital hyperinsulinism, a rare condition that causes his body to overproduce insulin, and within 2 months of his birth, he had to have surgery to remove 90% of his pancreas. There was a steep learning curve for the Archbolds, but they were already in love, and knew they were committed to the ongoing care that'd be required of bringing James into their lives. After lots of research and encouragement from James' medical team, they finally brought their son home.

Today, three-year-old James is thriving, filled with infectious joy that bubbles over and touches every person who comes in contact with him. "Part of love is when people recognize that they need to be with each other," said his adoptive grandfather. And because the Archbolds opted for an open adoption, there are even more people to love and support James as he grows.

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Like millions of others, I tuned in last night to watch Oprah Winfrey's interview with (former) Prince Harry and Meghan Markle. Although watching "The Crown" has admittedly piqued my curiosity about the Royal Family, I've never had any particular interest in following the drama in real life. As inconsequential as the un-royaling of Harry and Meghan is to me personally, it's a historically and socially significant development.

The story touches so many hot buttons at once—power, wealth, tradition, sexism, racism, colonialism, family drama, freedom, security, and the media. But as I sat and watched the first hour of just Oprah and Meghan Markle talking, I was struck by the simple significance of what I was seeing.

Here were two Black women, one who had battled sexism and racism in her industry and broke countless barriers to create her own empire, and one who has battled racism and sexism to protect her babies, whose royal lineage can be traced back through 1,200 years of rule over the British Empire. And the conversation these women were having had the power to take down—or at least do real damage to—one of the longest-standing monarchies in the world.

Whoa.

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Tory Burch

Courtesy of Tory Burch

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This March marks one year since the start of the pandemic… and it's been an incredibly difficult year: Over 500,000 people have died and hundreds of thousands have lost their jobs. But the pandemic's economic downturn has been disproportionately affecting women because they are more likely to work in hard-hit industries, such as hospitality or entertainment, and many of them have been forced to leave their jobs due to the lack of childcare.

But throughout all that hardship, women have, over and over again, found ways to help one another and solve problems.

"Around the world, women have stepped up and found ways to help where it is needed most," says Tory Burch, an entrepreneur who started her own business in 2004.

Burch knows a thing or two about empowering women: After seeing the many obstacles that women in business face — even before the pandemic — she created the Tory Burch Foundation in 2009 to empower women entrepreneurs.

And now, for International Women's Day, her company is launching a global campaign with Upworthy to celebrate the women around the world who give back and create real change in their communities.

"I hope the creativity and resilience of these women, and the amazing ways they have found to have real impact, will inspire and energize others as much as they have me," Burch says.

This year's Empowered Women certainly are inspiring:

Shalini SamtaniCourtesy of Shalini Samtani

Take, for example, Shalini Samtani. When her daughter was diagnosed with a rare immune disorder, she spent a lot of time in the hospital, which caused her to quickly realize that there wasn't a single company in the toy industry servicing the physical or emotional needs of the 3 million hospitalized children across America every year. She was determined to change that — so she created The Spread the Joy Foundation to deliver free play kits to pediatric patients all around the country.

Varsha YajmanCourtesy of Varsha Yajman

Varsha Yajman is another one of this year's nominees. She is just 18 years old, and yet she has been diligently fighting to build awareness and action for climate justice for the last seven years by leading school strikes, working as a paralegal with Equity Generations Lawyers, and speaking to CEOs from Siemen's and several big Australian banks at AGMs.

Caitlin MurphyCourtesy of Caitlin Murphy

Caitlin Murphy, meanwhile, stepped up in a big way during the pandemic by pivoting her business — Global Gateway Logistics — to secure and transport over 2 million masks to hospitals and senior care facilities across the country. She also created the Gateway for Good program, which purchased and donated 10,000 KN95 masks for local small businesses, charities, cancer patients and their families, immunocompromised, and churches in the area.

Simone GordonCourtesy of Simone Gordon

Simone Gordon, a domestic violence survivor and single mom, wanted to pay it forward after she received help getting essentials and tuition assistance — so she created the Instagram account @TheBlackFairyGodMotherOfficial and nonprofit to provide direct assistance to families in need. During the pandemic alone, they have raised over $50,000 for families and they have provided emergency assistance — in the form of groceries — for numerous women and families of color.

Victoria SanusiCourtesy of Victoria Sanusi

Victoria Sanusi started Black Gals Livin' with her friend Jas and the podcast has been an incredibly powerful way of destigmatizing mental health for numerous listeners. The podcast quickly surpassed a million listens, was featured on Michaela Coel's "I May Destroy You," won podcast of the year at the Brown Sugar Awards, and was named one of Elle Magazine's best podcasts of 2020.

And Upworthy and the Tory Burch are just getting started. They are still searching the globe for more extraordinary women who are making an impact in their communities.

Do you know one? If you do, nominate her now. If she's selected, she could receive $5,000 to give to a nonprofit of her choice through the Tory Burch Foundation. Submissions are being accepted on a rolling basis — and one Empowered woman will be selected each month starting in April.

Nominate her now at www.toryburch.com/empoweredwomen.

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When 59 children died on Christmas Eve 1913, the world cried with the town of Calumet, Michigan.

Woody Guthrie sang about this little-known piece of history.

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AFL Labor Mini Series

A one-man drill operation

In July 1913, over 7,000 miners struck the C&H Copper Mining Company in Calumet, Michigan. It was largely the usual issues of people who worked for a big company during a time when capitalists ran roughshod over their workers — a time when monopolies were a way of life. Strikers' demands included pay raises, an end to child labor, and safer conditions including an end to one-man drill operations, as well as support beams in the mines (which mine owners didn't want because support beams were costly but miners killed in cave-ins “do not cost us anything.")

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Few child actors ever get to star in an award-winning film, much less win a prestigious award for their performance. That fact appeared to hit home for 8-year-old Alan Kim, as he broke down in tears accepting his Critics' Choice Award for Best Young Actor/Actress, making for one of the sweetest moments in awards show history.

Kim showed up to the awards (virtually, of course) decked out in a tuxedo, and his parents had even laid out a red carpet in their entryway to give him a taste of the real awards show experience. When his name was announced as the Critics' Choice winner for his role in the film "Minari," his reaction was priceless.

Grinning from ear to ear, Kim started off his acceptance speech by thanking "the critics who voted" and his family. But as soon as he started naming his family members, he burst into tears. "Oh my goodness, I'm crying," he said. Through sobs, he kept going with his list, naming members of the cast, the production company, and the crew that worked on the film.

"I hope I will be in other movies," he added. Then, the cutest—he pinched his own cheeks and asked, "Is this a dream? I hope it's not a dream."

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