How good was Charlie Watts from The Rolling Stones? Martin Scorsese showed everyone in 2008.
via Wikimedia Commons

The world lost one of the biggest figures in music over the past 60 years with the passing of Rolling Stones' drummer Charlie Watts, 80, on Tuesday. Watts has been a part of every show The Stones have played since January 1963, although it was announced earlier this month he wouldn't be playing with the band on its upcoming No Filter Tour.

No cause has been given for his death.

Watts was an anomaly in a band that was known for its roguish behavior. He was an elegant, quiet man who preferred to wear tailored, classic suits as opposed to the rock 'n roll bad-boy look that typified the rest of the band.

His playing was never flashy but it was a major reason why the Stones had such a unique swing. "Charlie's got rock-solid time. His playing swings and his shuffles are great because of his comfort with jazz-ride patterns," Rob Wallis of drumming video originators Hudson Music, said according to Drum Magazine.

"Without him, The Stones would be a completely different-sounding band with a very different feel," he added.

Film Director and Stones' aficionado Martin Scorsese highlighted Watts' playing and presence in his 2008 concert film "Shine a Light." For the song "Jumpin' Jack Flash," the "Goodfellas" director turned the audience's perspective to Watts', giving us a unique look at how he's seen the world from the stage over the past five decades.

Charlie Watts / Jumpin' Jack Flash

Rest in peace, Charlie.

This article originally appeared on November 11, 2015

Remember those beloved Richard Scarry books from when you were a kid?

Like a lot of people, I grew up reading them. And now, I read them to my kids.

The best!

If that doesn't ring a bell, perhaps this character from the "Busytown" series will. Classic!

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Scarry was an incredibly prolific children's author and illustrator. He created over 250 books during his career. His books were loved across the world — over 100 million were sold in many languages.

But here's something you may not have known about these classics: They've been slowly changing over the years.

Don't panic! They've been changing in a good way.

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Photo by Maxim Hopman on Unsplash

The Sam Vimes "Boots" Theory of Socioeconomic Unfairness explains one way the rich get richer.

Any time conversations about wealth and poverty come up, people inevitably start talking about boots.

The standard phrase that comes up is "pull yourself up by your bootstraps," which is usually shorthand for "work harder and don't ask for or expect help." (The fact that the phrase was originally used sarcastically because pulling oneself up by one's bootstraps is literally, physically impossible is rarely acknowledged, but c'est la vie.) The idea that people who build wealth do so because they individually work harder than poor people is baked into the American consciousness and wrapped up in the ideal of the American dream.

A different take on boots and building wealth, however, paints a more accurate picture of what it takes to get out of poverty.

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"Snow White and the Seven Dwarfs" (1937) and actor Peter Dinklage.

On Tuesday, Upworthy reported that actor Peter Dinklage was unhappy with Disney’s decision to move forward with a live-action version of “Snow White and the Seven Drawfs” starring Rachel Zegler.

Dinklage praised Disney’s inclusive casting of the “West Side Story” actress, whose mother is of Colombian descent, but pointed out that, at the same time, the company was making a film that promotes damaging stereotypes about people with dwarfism.

"There's a lot of hypocrisy going on, I've gotta say, from being somebody who's a little bit unique," Dinklage told Marc Maron on his “WTF” podcast.

"Well, you know, it's really progressive to cast a—literally no offense to anybody, but I was a little taken aback by, they were very proud to cast a Latino actress as Snow White," Dinklage said, "but you're still telling the story of 'Snow White and the Seven Dwarfs.' Take a step back and look at what you're doing there.”

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