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Gwen Stefani's 'I'm Japanese' comments spark conversation on appropriation vs. appreciation

Creating space to celebrate cultures without appropriating that culture can be a fine line.

Gwen Stefani; Japanese; Allure interview; cultural appropriation; cultural appreciation

Gwen Stefani's comments spark conversation on appropriation.

If you haven't heard the news, Gwen Stefani, the former lead singer of pop rock band No Doubt, made comments in an interview with Allure Magazine that has the entire internet abuzz. Stefani was being interviewed by an Asian American writer Jesa Marie Calaor, who asked about the singer's current view of Harajuku Lovers, a perfume created by Stefani in 2008.

The answer to the question is what got people talking. It seems instead of reflecting on how the naming of the product may not have been appropriate, the singer went into detail about how she is Japanese. Stefani's father is Italian American and her mother is Irish American, while both of those identities are rich in culture, they are not Japanese.

But according to Stefani, hearing stories from her father who often traveled to Harajuku, a fashionable district of Tokyo, when he worked at Yamaha exposed her to Japanese culture. She explained to Allure that upon visiting Harajuku for herself, "I said, 'My God, I'm Japanese and I didn't know it.'" The singer wasn't done, she went on to say, "I am, you know."


There's a thin line between cultural appropriation and cultural appreciation that some people blur unintentionally. But it's never appropriate to assume a cultural identity that isn't your own. That's a hard line that most people seem to have a pretty good grasp on. Where things get tricky is when you enjoy a culture that isn't your own and want to partake in parts of that culture because they're fun, colorful or you simply feel connected to it.

There's nothing wrong with that until you pick it up and put it down like a costume. Britannica defines cultural appropriation as something that, "takes place when members of a majority group adopt cultural elements of a minority group in an exploitative, disrespectful, or stereotypical way."

In the context of Stefani, not only did she decide she was Japanese, she profited from stereotypical aspects of the culture without giving proper credit. When appreciating someone else's culture, it requires a thorough understanding of the culture itself and the practices of that culture. If there's an understanding of why things take place in a culture, then you're less likely to do something offensive to that culture.

While Stefani is facing backlash for her comments, it has opened the door for discourse around cultural appropriation and it seems some are still struggling to understand. Twitter user Sachiko Ishikawa brings up the prevalence of some white people thinking what Stefani said was OK while the Asian diaspora is saying how harmful it was.

Even in the article, Calaor called out Stefani's problematic response and how being Asian in America right now can be a frightening experience. Calaor pointed out the racial slurs and the fear of elders being attacked and killed, none of which Stefani has to worry about since her identity as Japanese is a choice.

The singer proclaims in the interview, when talking about her identifying with Latinx communities, "The music, the way the girls wore their makeup, the clothes they wore, that was my identity. Even though I'm an Italian American — Irish or whatever mutt that I am — that's who I became because those were my people, right?"

It seems that Stefani wasn't intending to be hurtful during the interview but she also didn't make any corrections when Allure attempted to clarify. So while appreciation was likely the goal, appropriation is what occurred.

Appreciation of culture is being respectful of your approach by educating yourself. If you're doing something that the culture you're borrowing from is made fun of or discriminated against for, then it's not appreciation. When members of the culture someone is borrowing from say something is appropriation, they're not sowing division. They're asking to be respected.

So while the Allure interview sparked a renewed interest in conversations about cultural appropriation versus appreciation, it's up to us to continue learning so the same missteps don't continue to happen.

Image via Canva

Many people from Generation X are comparing themselves to the Silent Generation.

Generation X, those born between 1965 and 1980, hold a unique place between Baby Boomers and Millennials. But its a previous generation that many are claiming to relate to even more: the Silent Generation.

In an online community of Gen Xers, a member named @bravenewwhorl shared with fellow Gen Xers about the similarities they share with the Silent Generation, those born between 1925 and 1945. "My parents were born before World War Two and my older siblings are younger boomers. Let’s hear it for the Silent Generation who were very much like us; went through the Depression, the war, took care of themselves and knew how to conserve resources," they wrote.

The user when on to add, "For example my mom scraped ALL the butter off the foil wrapper, and used every frying pan and leftover chicken bone as an opportunity to make soup."

 chicken soup, sicken bone, soup, hot soup, homemade soup Chicken Soup GIF  Giphy  

The post seemed to resonate with many Gen Xers, who also shared their thoughts and experiences that connect them to the Silent Generation. These are some of the best comments from Gen Xers on why they feel simpatico with the Silent Generation.

 no drama, drama, dramatic, low key, no fuss, generations No Drama Allblk GIF by WE tv  Giphy  

"My parents are Silent Gen. Very low key, no fuss or drama sorts of people." Dark-Empath-

"Mine too. That's basically their defining generational trait -- head down, work, and stay out of the way." stevemm70

"Oh the way my Dad could say nothing so very loudly. There are still things I wouldn't dream of doing now because his silence was so deafening. I am 56." Maleficent_Bit2033

"Mine were born during the war, but same. Extremely frugal and practical. Parents were way into reusing everything and not wasting. My mom still has a drawer full of Ziplock bags and sheets of tinfoil that have been used 10x. My dad drilled into me that social security probably will not be there for our generation, so save save save. Cars are tools, not investments. Drive it into the ground. My Honda is 20 years old, Dad!" Haunting-Berry1999

 frugal, frugality, practical, cheap, save No Way Wow GIF by RatePunk  Giphy  

"My parents are Silent Generation, and because I was born in the mid 60s, so are the parents of almost everyone I grew up with. I am tired of this narrative that all GenX parents were boomers; that is simply not true, especially for those of us born 1970 or earlier. My parents were always very concerned about economic security, both for themselves and their kids. They transferred that concern to my siblings and myself." Ineffable7980x

"I still put ham bones in the freezer (Great grandma thing) for the soup I never make. Maybe this time :)." motherofguinaepigz

"My parents' parents definitely conserved resources - would wash and reuse 'tin foil', made food carry over into 4 or 5 different meals, shopped wisely, were extremely frugal with money and tried to be financially savvy. For them, cars, clothes, and appliances were maintained and repaired and lasted for years and years. My parents inherited a lot of those traits by example, and it followed down to us, too. Cars, clothes, and appliances aren't made today the way they were 'back then', of course, but we still try to make it work. I know people who change cars, or get new appliances, or even remodel or move to a new house every several years, and that just doesn't make sense to me. I just hope upcoming generations maintain and improve the 'reduce, reuse, recycle' mindset we were taught." DrewHunterTn

 reduce, reuse, recycle, frugal, resources Reduce Climate Change GIF by INTO ACTION  Giphy  

"My grandparents were Silent Generation. I am young GenX (but still GenX ‘76). I wouldn’t be who I am today if it weren’t for my Silent Generation grandparents. They taught me a lot, and I feel more in touch with their generation than I’ve ever felt with Boomers. The boomers were such a let down; not great parents and worse grandparents." kemberflare

"My folks are both silent generation (both born in 41) and I'm a young gen x (born in 75, last of 3), and farm kids to boot. They taught me a lot of important things. You do what you want, but think it through because all actions have consequences. Don't waste money on frivolous stuff, but when you buy something big, buy quality and make it last. Most importantly, while they loved me and thought I was special, the world at large doesn't think about me at all. Also, my mom still washes out ziplock bags. I did not keep that lesson." No_Hedgehog_5406

"Mine are young Silent gen’s, so didn’t know the war strife, but their parents knew how to be frugal, could fix anything, and passed that down through the generations. My parents said they were too old to be hippies, but almost went to Woodstock. My dad got a PhD to stay out of Vietnam. Like others have said, very low key, very private, and didn’t live in the past at all. Compared to my friends’ parents, I wouldn’t trade them for anything else." ZuesMyGoose

This article originally appeared in May.

A woman is flirting with a gay man at a bar.

A gay man is getting some praise for the way he handled a straight woman at a bar who behaved rather entitled towards him. A Reddit user named KineticVibes was out with his friends when he noticed a woman trying to get his attention. “I (25M) was out with friends last night and we went to a bar. This girl made eye contact with me when I walked in, and I smiled at her. Me being a gay man, I thought nothing of it,” KineticVibes wrote.

The woman approached him after realizing he wasn’t reacting to her flirtations from across the bar. “About 20 minutes later, the same girl walks up to my friends and me, and it's clear she is very drunk. She says to me, ‘Do you want to buy me a drink?’ To which I replied, ‘No, sorry, I'm here just to hang with my friends,’” he continued.

A straight woman wouldn't stop hitting on a gay man

She was clearly taking an aggressive approach by walking up and asking him to buy her a drink. Why didn’t she just ask what he was drinking and buy him a drink instead? She also unintentionally put him in a very uncomfortable spot because he didn’t want to tell her he was gay.

 brunette woman, flirty woman, winking woman, attraction, brown-eyed woman A woman winking fliratiously.via Canva/Photos

Even though people are a lot more accepting of people’s sexuality today than in the not-too-distant past, you never know when a drunk person in the bar will have a problem with someone being gay and try to start a fight. “I am still not totally comfortable telling any old stranger on first meeting that I'm gay—so this seemed like the best course of action for me,” KineticVibes explained.

Even though he was polite, the girl continued to prod him.

“She looks rejected and a bit frustrated now behind her glossy eyes and says, ‘A pretty girl wants to drink with you and you say no?’ Now I'm getting frustrated, and I kind of snap and say, ‘Well, I'm gay, so pretty girls don't work on me.’”

“She snarkily laughs and says, ‘Well, if you ever decide to date women, let me know,’ to which I very snappily reply, ‘If you ever decide to become a man, let me know,’” KineticVibes said. The quick-witted response made his friends a bit uncomfortable.

 shocked woman, blonde woman, surprised woman, red dress, hands up A blonde woman is shocked. via Canva/Photos

“You could tell it embarrassed her and my friends all kind of got mad at me, saying that I should have patience and be nicer,” he concluded the story.

Was his response inappropriate?

But did he need to be nicer to the woman? She tried to make eye contact, but he didn’t respond. Then she asked him to buy her a drink, to which he said no, politely. She then doubled down and asked why he wouldn’t buy one for her because she was pretty. Just about everyone in the comments on the story thinks he did the right thing by responding to her snark with a bit of sass. "I would’ve bought you a drink after that. Handling with humor 10/10," one Redditor responded.

Others thought the woman acted entitled by demanding a drink and got what she deserved. "If she was a dude, people would call her an incel for behaving like she's entitled to anyone's attention. It's not cute when dudes do it. It's not cute when dudettes do it," another user wrote.

"This is what I came here to say... She reeks of entitlement! She put herself out there and got shot down and then doubled down. She may not be a man, but she's got a huge set of balls demanding a stranger pay her way," one more added.

"If she was a dude people would call her an incel for behaving like she's entitled to anyone's attention. It's not cute when dudes do it, it's not cute when dudettes do it," another commenter wrote. "You politely declined, she didn't take the rejection well and kept pushing which pretty much forced you to come out to a stranger, who then proceeded to disregard it. Yeah, I'd be pretty pissed too. You didn't say anything insulting to her as a person, and it was a fitting comeback so I see nothing wrong. She should've just stopped after the first 'no' and brought that on herself," a commenter wrote.

Let's say it together, everyone: No matter who you or what you want, No means no.

This article originally appeared last year. 

Photo by Dorothea Lange via Library of Congress

The woman from the famous Great Depression photo didn't know about her fame for 40 years.

Nearly everyone across the globe knows Florence Owens Thompson's face from newspapers, magazines, and history books. The young, destitute mother was the face of The Great Depression, her worried, suntanned face looking absolutely defeated as several of her children took comfort by resting on her thin frame. Thompson put a human face and emotion behind the very real struggle of the era, but she wasn't even aware of her role in helping to bring awareness to the effects of the Great Depression on families.

It turns out that Dorothea Lange, the photographer responsible for capturing the worry-stricken mother in the now-famous photo titled "Migrant Mother," told Thompson that the photos wouldn't be published. Of course, they subsequently were published in the San Francisco News. At the time the photo was taken, Thompson was supposedly only taking respite at the migrant campsite with her seven children after the family car broke down near the campsite. The photo was taken in March 1936 in Nipomo, California when Lange was concluding a month's long photography excursion documenting migrant farm labor.

 the great depression; Florence Thompson; Mona Lisa of the Great Depression; Mona Lisa; the depression; depression era Worried mother and children during the Great Depression era.Photo by Dorothea Lange via Library of Congress

"Migrant worker" was a term used in the 30s to describe poverty-stricken Americans who moved from town to town harvesting the crops for farmers. The pay was abysmal and not enough to sustain a family, but harvesting was what Thompson knew as she was born and raised in "Indian Territory," (now Oklahoma) on a farm. Her father was Choctaw and her mother was white. After the death of her husband, Thompson supported her children the best way she knew how: working long hours in the field.

"I'd hit that cotton field before daylight and stay out there until it got so dark I couldn't see," Thompson told NBC in 1979 a few years before her death.

 the great depression; Florence Thompson; Mona Lisa of the Great Depression; Mona Lisa; the depression; depression era A mother reflects with her children during the Great Depression.Photo by Dorthea Lange via Library of Congress

When talking about meeting Thompson, Lange wrote in her article titled "The Assignment I'll Never Forget: Migrant Mother," which appeared in Popular Photography, Feb. 1960, "I saw and approached the hungry and desperate mother, as if drawn by a magnet. I do not remember how I explained my presence or my camera to her, but I do remember she asked me no questions. I made five exposures, working closer and closer from the same direction. I did not ask her name or her history. She told me her age, that she was thirty-two. She said that they had been living on frozen vegetables from the surrounding fields, and birds that the children killed."

Lange goes on to surmise that Thompson cooperated because on some level she knew the photos would help, though from Thompson's account she had no idea the photos would make it to print. Without her knowledge, Thompson became known as "The Dustbowl Mona Lisa," which didn't translate into money in the poor family's pocket. In fact, according to a history buff who goes by @baewatch86 on TikTok, Thompson didn't find out she was famous until 40 years later after a journalist tracked her down in 1978 to ask how she felt about being a famous face of the depression.

It turns out Thompson wished her photo had never been taken since she never received any funds for her likeness being used. Baewatch explains, "because Dorothea Lange's work was funded by the federal government this photo was considered public domain and therefore Mrs. Florence and her family are not entitled to the royalties."

While the photo didn't provide direct financial compensation for Thompson, the virility of it helped to feed migrant farm workers. "When these photos were published, it immediately caught people's attention. The federal government sent food and other resources to those migrant camps to help the people that were there that were starving, they needed resources and this is the catalyst. This photo was the catalyst to the government intercepting and providing aid to people," Baewatch shares.

When Thompson's health declined with age, people rallied around to help pay her medical bills citing the importance of the 1936 photo in their own lives. The "Migrant Mother" passed away in 1983, just over a week after her 80th birthday. She was buried in California.

"Florence Leona Thompson, Migrant Mother. A legend of the strength of American motherhood," her gravestone reads.

Gen X went through an eclectic phase of musical obsessions.

Every Gen Xer remembers a small moment in time when swing music was extremely popular in the late '90s. Swing went from nonexistent to an alt-rock radio mainstay from 1996 to 1998 and then, it was gone in a flash.

During that time, young people rushed to their nearest dance studios to learn the Lindy Hop and bought up old-school, retro suits and fedoras. Swing clubs started popping up all over the country and MTV played swing-inspired videos such as "Hell" by Squirrel Nut Zippers, "Jump Jive an' Wail" by Brian Setzer Orchestra and "You and Me (and the Bottle Makes Three)" by Big Bad Voodoo Daddy.

Film editor Simone Smith asked Gen X to explain what the hell was going on in the late '90s that led to swing music making a huge comeback.

 

It's always hard to figure out how specific trends crop up, but according to Kenneth Partridge from Billboard, it began with the formation of Royal Crown Revue in 1989 by two members of the seminal L.A. punk band Youth Brigade. Royal Crown Revue's old-school '40s tough-guy aesthetic was something punks could relate to while also bringing back the danceable '40s sound.

The band had a Wednesday night residency at L.A.'s The Derby before turning it over to Big bad Voodoo Daddy, who were featured in Jon Favreau's 1996 surprise hit "Swingers."

"Swingers" was probably the most important moment in the swing revival. The film centered around friends who roam L.A. like a modern-day Rat Pack to a soundtrack featuring Dean Martin, Count Basie and Big Bad Voodoo Daddy.

  - YouTube  www.youtube.com  

Others attribute swing's rise in popularity to "A League of their Own," (1992) "Swing Kids" (1993) and "The Mask" (1994).

In 1998, The Gap brought swing to the mainstream with its "Khakis Swing" commercial, featuring good-looking young people Lindy-hopping to the sounds of Louis Prima.

On a psychological level, the swing craze seemed to be a pivot from the dreariness of grunge rock that began to fade from the public consciousness by around 1996. Some also think that the upbeat, fun music was a response to the return to the prosperity of Clinton-era America.

 

At the same time, rave culture, which was also centered around dancing and had an upbeat aesthetic, was becoming popular as well.

Some Gen Xers did their best to explain the phenomenon that felt like it came out of nowhere.

 

"Because it's 150% awesome and Gen Xers have better taste in music/ dance/ culture than any other generation and we dgaf what anybody thinks of us," wrote one commenter.

 

"Two more things: 1. The 90s had a broader affection for 40s/late 30s fashion, kind of like the 80s had for the 50s, and 2. The boomers would never shut up about how the 60s were the one true youth culture, which made it extra appealing to embrace their parents’ music over theirs," wrote another.

Swing music? it could have been worse.

 

Smith may be confused that there was a big swing craze in the '90s, but she should also know that it wasn't the only strange musical comeback of the era. What in the world was the whole Gregorian chant craze about?

 

This article originally appeared four years ago.

Half moons allow water to be retained for agriculture and even replenish the groundwater table.

When the Great Green Wall initiative began in 2007, it was just a vision of a big, beautiful wall of greenery spanning the width of Africa to keep the Sahara Desert from encroaching on the rest of the continent. Despite years of successes and failures, celebration and criticism, we can see the progress being made as an inspiring example of how local and global collaboration can help counter the effects of climate change.

Just a few years ago, the Sahel region at the northern edge of Senegal was a "barren wasteland" where nothing had grown for 40 years. But the United Nations World Food Programme (WFP) and local villagers teamed up to regreen the area, bringing back agriculture, improving the economy of the people who live there, and preventing the climate migration that desertification ultimately leads to.

 climate change, desertification, dry, global warming, barren A barren desert.Canva Photos

How do you hold back the world's largest hot desert?

According to Andrew Millison, a permaculture designer and instructor at Oregon State University, the Sahara desert has expanded by about 10% in the past 100 years. The idea behind the Great Green Wall is to build a barrier of vegetation to stop that expansion, which threatens the ecosystems and economies of the Sahel—the region south of the Sahara that separates the desert from the savanna.

In a video from February of 2024, Millison shared the collaborative nature and progress of one Great Green Wall project in Senegal, including the rejuvenation of 300,000 hectares (about the equivalent of 600,000 football fields) of seemingly unusable land.

  - YouTube  youtu.be  

 

"The process started with the community-based participatory planning," WFP program policy officer Bakalilou Diaby shares in the video. "By the end of this process, it was agreed that one of the major actions is the land reclamation or land recovery project."

At first, it took some time to convince the community that the regreening of the degraded landscape was even possible, but after learning about how to improve the land, "the people believe and they are convinced, and they are also committed," says Diaby.

The "forgotten" half-moon method of harvesting water

One of the keys to this particular regreening project is using long-forgotten techniques for harvesting water. When soil is crusted and sunbaked and hard as cement, rainwater doesn't penetrate and it's impossible for plants to take root. The solution? Half-moon shaped ditches dug in such a way that water flows into them on the straight side with an embankment built on the rounded side to hold the water in. Each half moon is four meters in diameter and takes about a day for one person to dig.

Local vegetation domesticated on the Sahel thousands of years ago, such as sorghum and millet, are planted in these half moons, rehabilitating the land and feeding the local community at the same time.

"This is nothing new—we have not invented a technology here," explains Sebastian Muller from the WFP resilience team. "The half moon technology is actually an endogenous technology to the Sahel and has been forgotten over time. We have rescued it from the past."

Not only does capturing water in the half moons help with the immediate need to grow food and contribute to the Great Green Wall, but 10%—15% of the water will actually soak into the ground to replenish the water table, creating a more sustainable agricultural process.

"That way we actually achieve a balance of water. So we are not depleting the water resources, but we're making sure that we keep enough water in the ground for future generations," says Muller.

Other crops such as okra and tomatoes are grown in horizontal horticulture beds, and between those ditches grow trenches with fruit trees in them.

 fruit trees, sustainable farming, agriculture, horticulture, regreening, climate change Fruit trees.Canva Photos

Engaging indigenous wisdom for sustainable farming

"This is just a very first step in this pilot," adds Muller. "We'll also be using other native species that will be planting in the pits that will drive the rejuvenation of the soil and the protection of the soil as the system starts growing into abundance and producing food and life for the people here."

According to Muller, the "syntropic farming" methods being employed were developed in Brazil and are based on global indigenous practices that mimic the way natural forests grow and thrive. These natural growing dynamics make agriculture more sustainable, continually replenishing the land rather than continually depleting it—truly a testament to global collaboration carried out at the local level with local community support.

"This project was really, really interesting because the World Food Programme wanted to demonstrate how you could take the most devastated areas and turn them back into resilient, food-producing locations," says Millison. "And they specifically placed their project on a very degraded landscape that had been taken down to bare, compacted earth."

If this desertified "wasteland" can be rejuvenated so successfully, it provides hope for recovering other land that many people might write off as useless or barren. As climate change continues to alter the Earth's landscape—literally—we'll need to keep working together both locally and globally to find solutions like the Great Green Wall and support their implementation.

You can learn more about successful permaculture practices on Andrew Millison's YouTube channel.

This article originally appeared in January.