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A woman captured an epic, 90-minute parking standoff that anyone from L.A. will totally understand.

A woman captured an epic, 90-minute parking standoff that anyone from L.A. will totally understand.
via Marc Cooper / Flickr

L.A. people have a reputation for being a bit more laid back than people in other major cities. And why not? The weather is great, the weed is legal, and now it's one of the safest big cities in America.

But when we get in our cars everything goes out the window. To survive in L.A. traffic you have to be alert, cunning, and not give a flying f**k about anyone or anything. As Axl Rose once said, “Welcome to the jungle baby, you’re gonna die.”

On the streets of L.A. everything is personal.

Although the following standoff between two drivers seems like two people being utterly childish over a parking spot, if you’re from L.A. you'll get it.

The hunt for a good parking spot can be maddening, and once you claim your spot with your blinker, nobody better encroach on your territory.

It all started in L.A.’s Koreatown, the mid point between downtown and Hollywood. A black car drove past an open spot and tried to reverse into it, but a silver car pulled up behind to prevent the black car from backing in.

This stared a standoff that would go on for 90 minutes. Thankfully, this battle of the wills was caught on video by Twitter user chicken tikka mariah.

It all began at 6:35 pm, the tail end of rush hour.

6:40 pm: The hazard lights go on.

6:46 pm: Nobody's budging.

6:48: The standoff has forced cars attempting to pass to drive into oncoming traffic.

6:53: Even though a spot has opened across the street, these guys ain't budging. It stopped being about parking a long time ago.

7:08: Even though they're being honked at, the combatants won't budge. This is a game of will.

7:16: The symphony of horns blow louder.

7:19: The stalemate continues.

7:28: The sun has set on the City of Angeles, but these two aren't moving.

7:30: We've hit the hour mark. Don't these people have families?

7:30-ish: The Prius in front of the black car pulls out, revealing an open spot. The black car pulls in.

7:30-ish: The silver car pulls in behind the black car.

7:30-ish: The cars turn off their hazard lights, but no one is getting out of their car. This isn't over folks.

7:30-ish: Even though they have spots, no one is getting out. Are they afraid there will be a fight?

7:51: For 20 minutes both drivers haven't left their cars.

7:50-ish: Chicken tikka mariah questions her role in the fight.

7:50-ish: The driver in the silver car exits, ending this existential game of chicken.

Chicken tikka marsha left a note on the silver car asking for both sides of the story.

"Your resistance is inspiring," she wrote. "Thank you for an hour & a half of entertainment. I'll never forget you. I hope you and black car can be friends after this. — A Koreatown neighbor."

She also left her contact info so she can get the inside scoop.

She then wrote a letter to the victor, black car.

Three days later, chicken tikka mariah revealed a twist.

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National Geographic Documentary Films
National Geographic Documentary Films
Family

Nat Geo's 'Blink' tracks a family finding beauty while facing blindness as they travel the globe

“Let's go all in and fill their visual memory with as much beauty as we can."

via Edith Lemay/NatGeo

Mia, Leo, Colin, and Laurent Pelletier pose on top of their camper van in front of adouble rainbow while in Mongolia.

True

“Blink,” a new film by National Geographic Documentary Films shows how a family with four children, three of whom are going blind, embraces life in the face of an uncertain future. It’s a testament to the resilience of the Lemay-Pelletier family but also a reminder for all of us to seize the day because all our futures are uncertain.

Edith Lemay and Sébastien Pelletier are the parents of Mia, a 13-year-old girl, and three boys: Léo, 11, Colin, 9, and Laurent, 7. Over the last six years, they’ve learned that Mia and the two youngest boys have retinitis pigmentosa, a rare genetic disease in which the cells of the retina slowly die. As the disease progresses, the person develops “tunnel vision” that shrinks until very little vision remains.

The diagnosis devastated the parents. "The hardest part with the diagnosis was inaction. There's nothing they can do about it. There's no treatment,” Edith says in the film.

However, even though the parents couldn’t affect the progress of the disease, they could give their children’s senses an epic experience that would benefit them for a lifetime.

“We don’t know how fast it’s going to go, but we expect them to be completely blind by mid-life,” said the parents. Mia’s impairment advisor suggested they fill her visual memory with pictures from books. “I thought, I’m not going to show her an elephant in a book; I’m going to take her to see a real elephant,” Edith explains in the film. “And I’m going to fill her visual memory with the best, most beautiful images I can.”

The Pelletier family (from left): Mia, Sebastien, Colin, Edith Lemay, Laurent and Leo inKuujjuaq, Canada.via National Geographic/Katie Orlinsky

This realization led to an inspiring year-long journey across 24 countries, during which every family member experienced something on their bucket list. Mia swam with dolphins, Edith rode a hot-air balloon in Cappadocia, and Léo saw elephants on safari.

Colin realized his dream of sleeping on a moving train while Sébastien saw the historic site of Angkor Wat.

“We were focusing on sights,” explains Pelletier. “We were also focusing a lot on fauna and flora. We’ve seen incredible animals in Africa but also elsewhere. So we were really trying to make them see things that they wouldn’t have seen at home and have the most incredible experiences.”

Cameras followed the family for 76 days as they traveled to far-flung locales, including Namibia, Mongolia, Egypt, Laos, Nepal and Turkey. Along the way, the family made friends with local people and wildlife. In a heartbreaking scene, the boys wept as the family had to leave behind a dog named Bella he befriended in the mountains of Nepal.

But the film isn't just about the wonders of nature and family camaraderie. The family's trip becomes a “nightmare” when they are trapped in a cable car suspended hundreds of feet above the Ecuadorian forest for over 10 hours.

annapurna range, blink, nat geoLeo, Laurent, Edith, Colin, Mia, and Sebastien look out at the mountains in the Annapurna range.via MRC/Jean-Sébastien Francoeur

As expected, NatGeo’s cinematographers beautifully capture the family's journey, and in the case of “Blink,” this majestic vision is of even greater importance. In some of the film's quietest moments, we see the children taking in the world's wonders, from the vast White Desert in Egypt to a fearless butterfly in Nepal, with the full knowledge that their sight will fail one day.

Along the way, the family took as many pictures as possible to reinforce the memories they made on their adventure. “Maybe they’ll be able to look at the photographs and the pictures and they will bring back those stories, those memories, of the family together,” Edith says.

But the film is about more than travel adventures and the pain of grief; ultimately, it’s about family.

“By balancing [the parents’ grief] with a more innocent and joyous tale of childlike wonder and discovery, we felt we could go beyond a mere catalog of locations and capture something universal,” the directors Edmund Stenson and Daniel Roher, said in a statement. “Keeping our camera at kid-height and intimately close to the family, we aimed to immerse the audience in the observational realities of their daily life, as well as the subtle relationships between each of them. This is a film built on looks, gestures and tiny details—the very fabric of our relationships with one another.”

Ultimately, “Blink” is a great film to see with your loved ones because it’s a beautiful reminder to appreciate the wonders of our world, the gift of our senses and the beauty of family.

The film will open in over 150 theaters in the U.S. and Canada beginning Oct. 4 and will debut on National Geographic Channel and stream on Disney+ and Hulu later this year. Visit the “Blink” website for more information.

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People applauded after Mark Wahlberg confronted the DJ at his daughter's dance party

Dad to the rescue.

via TheEllenShow / YouTube

Mark Wahlberg on "The Ellen Show."

Actor Mark Wahlberg recently attended a daddy-daughter dance with his 10-year-old, Grace. Sadly, Grace had no interest in seeing her father strutting his stuff on the dance floor.

"I didn't get one dance," Wahlberg told Ellen DeGeneres. "And I told her we were going to do the whole big circle and I was going to go off. And she said, 'Dad, if you embarrass me, I will never talk to you again.' But what she did do is she hung out with me."

No matter who your dad is, especially if you're a 10-year-old-girl, you have zero desire to see him dance in front of your friends.

But the parents at the dance probably would have had a blast seeing Wahlberg bust out some of his old-school '90s Marky Mark moves.

However, Wahlberg couldn't help but leave his mark on the music being played at the dance.

Let's not forget, he didn't get famous for his acting but for showing off his abs in the "Good Vibrations" video.

Being that Wahlberg's time as a pop star was three decades ago, he couldn't believe it when he heard the music being played at the dance.

"[Grace] sat there on the edge of the stage, by the DJ. And then I'm sitting there with one other dad and I'm like, 'This is not an edited version of this song. There are explicit lyrics being played at a school dance for girls and I'm like no good,'" he said.

"I told the DJ and he's like, 'Oh, I thought it was.' I said, 'What are you doing?' I'm hearing F-bombs and this and that's not okay," Wahlberg said.

He's right. There's no place for music with explicit lyrics at a dance for 10-year-old children.

Wahlberg says the DJ didn't know he wasn't playing the edited version, but it's probably more likely that he didn't even realize the song was a problem. Pop music these days is filled with a numbing amount of violent and misogynistic lyrics.

A recent study from the University of Missouri found that nearly one-third of pop songs contain lyrics that degrade or demean women by portraying them as submissive or sexually objectified.

Currently, three of the top five songs on the Billboard Top 40 contain the word "bitch." One of them is sung in Korean.

It's odd that Americans have become more sensitive to misogyny in pop culture in films, television, and comedy, but still have a huge cultural blind-spot when it comes to music.

That's not a good thing, especially when pop music is marketed to teenagers.

"We know that music has a strong impact on young people and how they view their role in society," said Cynthia Frisby, a professor in the Missouri School of Journalism.

"Unlike rap or hip-hop, pop music tends to have a bubbly, uplifting sound that is meant to draw listeners in," Frisby continued. "But that can be problematic if the lyrics beneath the sound are promoting violence and misogynistic behavior."

Let's face it, pop stars are role models. Their examples show young people what to wear and how to behave. That's not to say that kids will blindly follow someone just because they like their music. But it has an undeniable effect.

Wahlberg, and any parent who monitors what their kids are listening to, deserve credit for protecting the minds and hearts of their kids.

Frisby has some great advice for parents concerned about negative imagery in pop music.

"Ask your daughters and sons what songs they like to listen to and have conversations about how the songs might impact their identity," Frisby said.

"For example, many songs might make young girls feel like they have to look and act provocative in order to get a boy to like them, when that isn't necessarily the case. If children and teens understand that what they are hearing isn't healthy behavior, then they might be more likely to challenge what they hear on the radio."

He's right. There's no place for music with explicit lyrics at a dance for 10-year-old children.

Wahlberg says the DJ didn't know he wasn't playing the edited version, but it's probably more likely that he didn't even realize the song was a problem. Pop music these days is filled with a numbing amount of violent and misogynistic lyrics.

A recent study from the University of Missouri found that nearly one-third of pop songs contain lyrics that degrade or demean women by portraying them as submissive or sexually objectified.

Currently, three of the top five songs on the Billboard Top 40 contain the word "bitch." One of them is sung in Korean.

It's odd that Americans have become more sensitive to misogyny in pop culture in films, television, and comedy, but still have a huge cultural blind-spot when it comes to music.

That's not a good thing, especially when pop music is marketed to teenagers.

"We know that music has a strong impact on young people and how they view their role in society," said Cynthia Frisby, a professor in the Missouri School of Journalism.

"Unlike rap or hip-hop, pop music tends to have a bubbly, uplifting sound that is meant to draw listeners in," Frisby continued. "But that can be problematic if the lyrics beneath the sound are promoting violence and misogynistic behavior."

Let's face it, pop stars are role models. Their examples show young people what to wear and how to behave. That's not to say that kids will blindly follow someone just because they like their music. But it has an undeniable effect.

Wahlberg, and any parent who monitors what their kids are listening to, deserve credit for protecting the minds and hearts of their kids.

Frisby has some great advice for parents concerned about negative imagery in pop music.

"Ask your daughters and sons what songs they like to listen to and have conversations about how the songs might impact their identity," Frisby said.

"For example, many songs might make young girls feel like they have to look and act provocative in order to get a boy to like them, when that isn't necessarily the case. If children and teens understand that what they are hearing isn't healthy behavior, then they might be more likely to challenge what they hear on the radio."


This article originally appeared on 03.03.20

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A drunk man was filmed harassing an immigrant on a train. The woman next to him responded in the most British way.

"People like you bring shame to this country."

via Metro / YouTube


British man goes on racist rant at polish man for drinking on train | Metro.co.ukwww.youtube.com

A woman on a London train deserves praise for the great way she handled and argument between two drunk men back in 2019. In fact, it's a message that still perfectly resonates today.

The video begins with a nationalistic British man in a suit chastising a man of Polish-Russian decent in the seat next to him for drinking a beer on the train. "You are in Britain, you listen to the rules," he said while wagging his finger. "You abide by the rules or you get out."

The man with the beer asked the suited man to leave the train to address the issue. Then threatened to spit on him.

The man in the suit responded in a smug, condescending manner, saying, "I'll explain to you so you can understand," inferring that a man from outside of Britain couldn't grasp simple rules. "You see those rules up there, the ones that say you don't drink alcohol?"

"I'm not the only one!" the man with the beer responded. "You are yourself drunk, you idiot!"


via Metro / YouTube

Anyone who has ever been to London knows that people routinely break the no-drinking rule on the train. So the man in the suit was clearly looking for trouble when he asked the man to stop drinking.

After being told to call the police if he cares so much, the British man decided he had the right to order the other man around simply because he was born in another country.

"I was born and bred here, you've come into this country. You abide by these rules," he continued. "'Abide by English laws or get out.

"I am a Polish boy from Russia and will fuck you," the man with the beer said angrily and then said the man in the suit should be "in the toilet."

via Metro / YouTube

Then, out of nowhere a woman sitting across from the fighting drunks played judge, jury, and executioner by putting a perfect end to the fight.

"I just wanted to say, yes you should not be drinking here," she said to the man with the beer.

Then, she looked at the man in the suit. "But you have no right to talk to somebody like that, and to use their nationality against them. It is wrong… Using his race against him is disgusting. And because of your behavior I don't want to sit here. People like you bring shame to this country."

Then she walked into another train car.

And the Polish man took a big swig of beer.

via Metro / YouTube


This article originally appeared on 7.31.19

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Gen X is the 'most stressed' generation alive but they're also the best at handling it

The 'Coolest Generation" is making it work.

via Wikimedia Commons

Generation X, people born between 1965 and 1979, are America's goofy middle children sandwiched between the much larger Baby Boomer and Millennial generations. Gen X prides itself on being individualistic, nonconformists committed to a D.I.Y. ethic whether that means writing a punk 'zine or launching a tech start-up.

(If you just asked yourself "What's a 'zine?" you're clearly not a member of Gen X.)

It's a generation marked by an aloof cool where any personal slight can be written off with a "whatever" that's deathly afraid of taking anything too seriously. It's a generation that was so put off by the corporate, commercial culture of the '80s it rebelled by wearing second-hand clothes and ironically embracing low-brow '70s culture.


It's the generation of hip-hop, Tiger Woods, Quentin Tarrantino, the re-birth of punk rock, John Cusak movies, and Atari.

A big reason Gen X is so self-reliant is that it's the generation hardest hit by divorce. According to a 2004 marketing study it "went through its all-important, formative years as one of the least parented, least nurtured generations in U.S. history."

Gen X was the first generation that experienced both parents working outside the home. But, unfortunately, at the same time, childcare centers and afterschool programs had not yet emerged to a significant extent.

Now, the "Coolest Generation" finds itself somewhere between 42 and 56 and is hitting middle age. Unfortunately, that means it's now the most stressed generation in America. Although, in true Gen X fashion, many refuse to let anyone see they're stressed.

An extensive study by Penn State showed that stress began to hit Gen X sometime in the last decade. The 2012 study discovered that Gen X had an average stress level of 5.8 (out of ten) while Millennials (3.4) and Baby Boomers (4.4) were a lot calmer.

A study from earlier this month shows that the trend hasn't changed. In 2021, 22% of Gen Xers admitted to daily struggles with stress followed by Millenials (17%), Gen Z (14%), and Baby Boomers (8%).

A big reason for the stress is having to take care of multiple generations. Many Gen Xers have to care for their aging parents as well as their children who are just starting to make their way in the world.

Gen X may have aged its way into the most stressful part of its life, but things could be a lot worse. There's no group of people better equipped to deal with stress. When executives at Nike studied Gen X it found the generation's hallmarks are "flexibility," "innovation," and "adaptability." "They have developed strong survival skills and the ability to handle anything that comes their way," the study says.

Gen Xers may think that's just a bunch of corporate B.S. However, it's true. Gen X grew up during the AIDS epidemic, the end of the Cold War, the Challenger disaster, the late '80s and early '90s crime wave, 9/11, the Great Recession, COVID-19, and managed to survive after "My So-Called Life" was canceled.

We've survived tough times and we'll make it through these as well. Just got to follow the advice of Gen X's poet laureate, Tupac Shakur: "And it's crazy, it seems it'll never let up, but please, you got to keep your head up."

We can also look forward to grabbing a big box of popcorn and enjoying the massive Millennial meltdown that happens when they hit middle age. It's not going to be pretty.


This article originally appeared on 4.8.21

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German residents bought all of town's beer before white supremacists arrive for 'Shield and Sword Festival.'

"We wanted to dry the Nazis out."

Twitter

If you're a white supremacist, I imagine drinking beer (or any other alcoholic beverage) is a nice way to relax and tune out the fact that you're a terrible person who's helping set human progress back at a rate the bubonic plague would be proud of. But for some self-professed white supremacists, it wasn't quite so easy on a June weekend in Germany back in 2019.

According to Newsweek, the hundreds of neo-Nazis who flocked to the "Shield and Sword Festival" in Ostritz found themselves uncomfortably dry when a court imposed a liquor ban at their gathering of hateful bigots who also like to listen to awful music together. The ban's aim was to prevent any violence that might erupt (you know it would...) and the police confiscated more than a thousand gallons of alcohol from those attending the weekend-long event. They even posted pictures on Twitter of the alcohol they'd removed from participants.




But that's only half the story.

Residents of the town of Ostritz, who've had to deal with the bigots before (they threw the same festival last year on Hitler's birthday), knew that the ban wouldn't stop the festival-goers from trying to obtain more alcohol while in town. So the townspeople got together a week before the festival and devised a plan which would truly make the white supremacists focus on how terrible neo-Nazi music is: They bought up the entire town's beer supply.

"We wanted to dry the Nazis out," Georg Salditt, a local activist, told reporters. "We thought, if an alcohol ban is coming, we'll empty the shelves at the Penny [supermarket]."

"For us it's important to send the message from Ostritz that there are people here who won't tolerate this, who say 'we have different values here, we're setting an example..." an unidentified local woman told ZDF Television.

At the same time the festival was going on, residents also staged two counter-protests and put on a "Peace Festival" to drive home the point that bigotry wasn't welcome. If the festival is held in the same town again next year, ticket-buyers should be aware that Ostritz isn't playing around when it says that white supremacists aren't welcome.

There's some good news, too: Aside from the fact that residents aren't afraid to send the message that they're intolerant of intolerance, attendance to the far-right music festival has drastically decreased in the past year. In 2018, 1,200 people attended, according to the BBC. This year? Approximately 500-600. Here's hoping the festival won't have a return engagement next year.


This article originally appeared on 6.24.19

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What my emotionally abusive childhood taught me about parenting

"My mother and father attended all of my productions and plays in school. They never missed a single honors luncheon and saw me get all of my attendance awards. But behind closed doors, things were different."

Image by Ulrike Mai from Pixabay

From the outside looking in, I had the picture perfect childhood. I lived in a four-bedroom house with a dog and a fenced-in backyard. I wore department store clothes and Stride Rite kicks, and I had the latest and greatest clothes and toys. From Barbie and Cabbage Patch Dolls to a Nintendo, Super Nintendo, Gameboy, and SEGA Genesis, I had it all.

I also had two loving* parents. My mother and father attended all of my productions and plays in school. They never missed a single honors luncheon and saw me get all of my attendance awards.

But behind closed doors, things were different. They were different, and my mother was a nightmare. She mentally, emotionally, and verbally abused me for years.

Of course, I didn't know it. Not initially. Not until the damage was already done, but that is because—like most abusers—her mistreatment began as manipulation. She loved me, coddled me, and held me close. She would say things like "Mommy loves you. Mommy needs you. You don't want Mommy to be sad, do you? Do this and I'll be happy."

She made me believe I couldn't trust anyone. My childhood was full of silence, shame, and secrets. She separated me from my friends. She told me I couldn't go out or have playdates. I was never allowed to have company over, and then she began putting me down.

I was bad. I was stupid. I was a "disappointment" and a "failure."

Things only got worse. Sometime between my twelfth birthday and my thirteenth, the yelling began. Both I and my house shook from the noise and fear. By my fourteenth birthday, my mother's insults were laced with expletives. Sometimes she tried to hit me or hold me down, and because I was groomed from a young age, I felt helpless.

I was scared, isolated, depressed, and alone. I lived in fear. I walked on eggshells in my prison, aka my home.

The good news is that (eventually) I got out. When I graduated high school, I moved myself and my meager belongs 100 miles and two states away. But the damage was done. At 36, I still struggle with self-confidence. Trust is an issue, as is my reaction to criticism—actual and implied—and I have very few friends.

But my abusive childhood also taught me a lot about parenting. I know what my kids need, what they want, and what they deserve, and for that I am thankful. I consider myself #blessed.

Make no mistake: I know that sounds odd and twisted, and in a way it is, and yet it also makes perfect sense because my broken and neglectful childhood made me a mother who loves deeply and fully. I wear my heart on my sleeve. I give my children what they need most: my time, ear, patience, and support.

My broken childhood taught me to lead by experience. I, for example, have trust issues because my trust was betrayed (and because I was told to keep others beyond my reach), so I make it a point to push my own boundaries when my children are around. I want them to see what I didn't. I want them to rely on others in a way I never could.

And my broken childhood taught me what I shouldn't say. I rarely use the words "can't" or "don't." I praise my daughter on a regular basis. I focus on her achievements and not her failures or shortcomings, and when she "acts up" or makes a mistake I choose my words wisely. I seperate her feelings from her behaviors, i.e. "It is okay to be upset. I would be frustrated too. But acting out is not a healthy way of dealing with your feelings."

I also tell her how I am feeling. Why? Because growing up I was told things like "stop crying" and "calm down" and these directives didn't just cause me pain and anxiety, they kept me from processing my emotions.

I still struggle to say much more than "I'm fine" or "I'm okay."

So while I am not happy I grew up in a distant home, a neglectful home, and an emotionally and verbally abusive home, I am happy that my daughter will not because my experience taught me what my children need and don't need. My experience taught me how I can—and why I need to—break the cycle.


This article originally appeared on 9.4.20

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