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The 12 most badass action films with powerful female leads

“I will fight — for those who cannot fight for themselves.”

Hollywood is finally moving closer to equality. The past few years have seen a growing number of films starring, written by and directed by women. There's still a lot of progress yet to be made, of course. But there's one area where women have been kicking butt and taking names for decades: action films.

Ironically, action films are stereotyped as the launching pad of the manliest of manly men: Schwarzenegger, The Rock, Clint Eastwood, Sylvester Stallone and so on. But some of the biggest action hits, both critically and commercially, are led by women. You might have seen some criticism that some of the more recent female-led action films aren't very good. And that's true. Like any Hollywood genre, when you roll the dice enough times, you get some losers. Part of equality inevitably means that not every film featuring women is going to be an all-time classic. But those winners do exist and we've put together a list to show that some of the very best action movies ever made put women front and center.

If you're looking to expand your home video library for the holidays or just searching for a great holiday playlist while taking out some healthy aggression, here are 12 of our all-time favorite films featuring strong women.

No. 12: Kill Bill Vol. 1 (2003)

Quentin Tarantino has a complicated relationship with some of his female actors, especially Uma Thurman, who criticized the director's disregard for her personal safety during the making of the Kill Bill films. But there's no denying Kill Bill Vol. 1 is a tour de force that brought QT back into Hollywood's good graces after the box office setback of Jackie Brown (another kickass female-led film, btw). The Bride's tale of revenge is riveting, violent and even funny at times. It's impossible not to look at, as Thurman leaves a bloody trail in her quest for justice against the evil Bill. The action peaks in an insane battle between The Bride and the Crazy 88 but the entire movie is a re-watchable blast from start to finish and will help kill the time until the dynamic duo reunites for Kill Bill 3!

Watch it now: Kill Bill Vol. 1, $3.99; on Amazon


No. 11 The Hunger Games (2012)


Jennifer Lawrence is an Oscar winner and social media icon. But she first connected with mass audiences in her role as Katniss Everdeen. The entire Hunger Games trilogy was a smash hit but the first entry in the series remains our personal favorite. Not everything has aged perfectly since the film first premiered. While we love Josh Hutcherson in Future Man, he's a little short for a Stormtrooper, as another iconic female lead once famously said. Nonetheless, J-Law carries this film on her charisma and completely sells her journey from humble daughter to deadly revolutionary.

Watch it now, $3.99; on Amazon


No. 10 Captain Marvel (2019)

Brie Larson is one of most talented young actors in Hollywood today. So, when she signed up to join the Marvel Cinematic Universe, fans were understandably excited. And Captain Marvel did not disappoint. The film is already one of the most financially successful in the Marvel franchise and Larson's character Carol Danvers was able to seamlessly take a leading role in an already massive cast of proven winners. The movie was subject to some controversy because of Larson's outspoken advocacy on social issues and some of the ensuing backlash from vocal minorities on social media. Now that there's been enough time for that noise to pass, we're left with the movie itself to judge. And it's simply a blast. Larson has natural chemistry on-screen with Samuel L. Jackson that leads to plenty of laughs. Jude Law makes a compelling foil for Captain Marvel and the film is full of surprising and fun twists. The Marvel Cinematic Universe is stronger with Brie Larson in it and this is a film we'll be watching on repeat while we wait for the next installment.

Watch it now, $14.99 with bonus content; on Amazon


No. 9 La Femme Nikita (1990)

The 1990 action thriller from director Luc Besson was ahead of its time both stylistically and, of course, in its story centered around Nikita. The story has been remixed, copied and redone so many times, we've lost count. But this one still has so much going for it. If you like Marvel's Black Widow, or pretty much any Angelina Jolie action film, you'll love this one. The less said the better, as its plot and incredible action sequences are better kept in all their surprising glory. That said, this one is a hard rated "R," so don't show it to your daughters or their friends until they are age-appropriate!

Watch the original trailer here


No. 8 Crouching Tiger, Hidden Dragon (2000)

It's hard to properly explain just how influential Crouching Tiger, Hidden Dragon was upon its release. But consider just some of its accomplishments: An international film that was both a box-office smash and an awards contender. These days, we're a bit more accustomed to our action and superhero films also being genuinely "good" films, but that was rarely the case when Crouching Tiger first premiered. It's revolutionary fighting "wire work" continues to influence action films nearly 20 years later and Michelle Yeoh has gone on to several leading roles in other Hollywood films and TV shows including Crazy Rich Asians, Star Trek: Discovery, and the forthcoming Avatar sequels with female action star pioneer James Cameron. It's all a circle, folks.

Watch it now, $6.99; on Amazon

No. 7 Edge of Tomorrow (2014)

To most people, this is a Tom Cruise vehicle. But the real action star of the film is clearly co-star Emily Blunt. She's everything we've come to expect out of a typical Cruise role: confident, no-nonsense and ready for whatever the impossible mission requires. Their chemistry in this film is perfect, with Cruise playing off Blunt's mastery with his own anxious ticks, paranoia, chicanery and fear-driven choices. When Blunt's character Rita is forced to take Cruise's Cage under her wing, the sparks fly in a riveting, action-packed film that has a really unique and emotional story to boot. Rumors of a sequel and/or prequel (trust us, it's part of the film's charm) continue to circulate but this feels like more of a one-off gem for both Blunt and Cruise. We'd be first in line to see them pair up on the screen a second time, but only if Blunt stays in charge.

Watch it now, $7.99 with bonus features; on Amazon


No. 6 Wonder Woman (2017)

Wonder Woman is a great metaphor for the state of superhero movies. Marvel films are the dominant force and they are almost entirely centered around male characters. Then, along came this unexpected megahit from DC Comics starring Gal Gadot, who had previously made her mark in smaller supporting roles in films like the Fast and the Furious series. And Gadot is nothing short of a revelation as Wonder Woman, a film that rocked the box office and won over critics alike. Wonder Woman is a perfect bridge for women who are reluctant to watch superhero films and for guys who are hesitant to watch a film led by a strong woman. Diana is everything we want out of our heroes and she has a great supporting partner in Chris Pine's Steve Trevor. Director Patty Jenkins captures the action and emotional arcs in vivid colors and crisp action sequences. Wonder Woman truly raised the bar for women in superhero films and for the genre in general.

Watch it now, $7.99; on Amazon

No. 5 The Force Awakens (2015)

Oh, how time flies. It's only been four years since Star Wars returned to the big screen. And it's easy to forget what a big deal this film was. It shattered the domestic box office record and silenced most of the critics who thought the George Lucas prequel trilogy was a serious letdown. And the whole thing hinges on the performance of Daily Ridley's young Jedi in training, Rey. Yes, millions of us showed up to catch a glimpse of Luke Skywalker, Princess Leia and Han Solo back on the big screen, but director J.J. Abrams was clear this would be a story about the next generation of galaxy heroes and he didn't disappoint. Despite some backlash over whether Rey was "too strong" in the Force, this movie and its sequel The Last Jedi were both massive hits. And re-watching The Force Awakens is a reminder of what a journey Rey has already gone on before her trilogy is even complete.

Watch it now, $12.99 with bonus features; on Amazon


No. 4 Rogue One (2016)

The strongest of the non-Skywalker Star Wars film, Rogue One continues to grow in audience appreciation over time. Jyn Erso is a classic Star Wars character while also feeling entirely new. Her journey as a reluctant member of the nascent Rebel Alliance is highly relatable and emotionally satisfying. And unlike so many other prequels, Rogue One brilliantly queues up the original Star Wars trilogy in a surprising and heart-racing fashion. Rogue One is the most "adult" of the Star Wars films but never feels gloomy despite high stakes and ultimately tragic story. It's also one of the most re-watchable movies of the past decade and would make a fine addition to your home library. The Force is strong with this one.

Watch it now, $3.99; on Amazon

No. 3 Terminator 2: Judgment Day (1991)

And now we're in true action epic territory. Much like with Edge of Tomorrow, it's easy to mistakenly assume this is an Arnold Schwarzenegger movie. After all, his Terminator is all over the marketing and has become a timeless global icon. Arnie's T-800 is the only character to appear in all films, including the increasingly weak sauce sequels and spinoffs. But purists know there are really only two Terminator films and Linda Hamilton's Sarah Conner is the star of both. In the first film, Conner is a frightened woman on the run who discovers her inner strength through her comrade, savior and future lover Kyle Reese. It's a tender romance hidden in the confines of a action-horror masterpiece. By 1991, director and writer James Cameron decided to push the budget, story and female empowerment to an entirely new level. When we catch up with Sarah Conner she's a broken woman. No one believes her story about the futuristic killing machine out to destroy humanity, not even her young son, John. It's a set-up that is reminiscent of so many action films previously starring men. But the simple gender twist puts an entirely new meaning into the proceedings. In the same way that Conner learns to be tough in the first film, she rediscovers her vulnerability through her son John but not before kicking an extreme amount of ass along the way. Despite being very much a product of its time, Terminator 2 has aged nearly perfectly after almost three decades, something even the best of films can rarely say. The fact that this applies to a film heralded for its special effects, is even more surprising. And that's all because it's anchored in the incredible story of Sarah Conner. Arnold may "be back" but Sarah Conner isn't going anywhere.

Buy it now, $9.99 Special Edition; on Amazon

No. 2 Aliens (1986)

Sigourney Weaver was nominated for an Academy Award for her performance as Ripley in the Alien sequel, also written and directed by James Cameron. Like Sarah Conner, Ripley has transformed physically but carries deep scars of emotional vulnerability. In its own powerful way, Aliens is a textbook guide to countering gender norms and sexism. Ripley is never judged for being a woman. She's judged for her personal capabilities and wow is Ripley ever capable. Aliens is a film that spawned a dozen catch-phrases and countless other signature visuals and plot elements that have been shameless copies by other filmmakers over the past 30+ years. If you've never seen Aliens, it might almost feel familiar because you've probably seen so many of its elements in lesser films that came later. But it's themes are timeless: corporate greed run amock and a hero standing alone in the face of doubt against seemingly insurmountable odds. The superior Director's Cut is over two and a half hours but rest-assured this isn't the Irishman. We challenge you to put on Aliens and see if you're able to stop before it's over. Some film critics prefer the original and we're here for Alien any time, anywhere. But put us in the camp of preferring the sequel when it comes to pure storytelling, that re-watchable factor and the sheer mastery of craft on display. It simply doesn't get better than this.

Watch it now, $3.99; on Amazon

No. 1 Mad Max: Fury Road (2015)

Nominated for 11 Academy Awards, this isn't just the best female-led action movie ever, it's one of the best films of the 21st century, period. The fact that it's the fourth entry in a loosely connected series of action films previously starring Mel Gibson is even more impressive. And let's not forget this film came out at a time when Tom Hardy was on top of the world. But anyone who sees Fury Road will quickly realize this film absolutely belongs to Charlize Theron and the band of "mothers" she's set out to protect from the radiation laden war boys who want to use them as baby factories to populate their dying world. On the surface, Fury Road is a two-hour action sequence, full of cars, guns and, yes, guitars with flame throwers on them. We're here for you, Duff. But it's almost a subtle and satisfying master class in feminism that breaks and reshapes so many cinematic tropes that it's nearly impossible to keep count. Fury Road is the kind of film that will be taught in universities for decades to come but can also be thrown on at any respectable midnight movie screening. It's the purest form of pop culture as art, commentary and cinema. It's a shame that it didn't take home the top prize for Best Picture but it's also obviously the one that will be remembered as the best movie of the year as it endures the test of time. An absolute classic and the perfect popcorn film with layers of depth for anyone looking for a great time (with great women) at the movies.

Watch it now, $3.99; on Amazon


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This article originally appeared on 12.12.19

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After the divisive 'Star Wars' sequels, a former Lucasfilm insider re-evaluates The Phantom Menace

Everyone's life has a "Luke Skywalker moment" – when something completely unexpected happens that hurls you from the life you knew into one you didn't think was possible, and you take your first step into a larger world.

For me, it came in December 2002, when a friend told me about a job he had been interviewing for, but which he decided he couldn't take. He and his wife were moving back to their hometown, and he thought I would be perfect for the role. He submitted my resume; I got a call the next day, a week after that I was interviewing, and five days later I got an offer to join Lucasfilm Ltd., initially to manage international publicity and ultimately to work as director of entertainment publicity.

Star Wars had already been one of the defining moments of my childhood (including my own 10-minute-long, Super 8 "remake"), now it was going to change my adult life. For six years, I made my professional home at Lucasfilm, and had the enormously good fortune to spend time with George Lucas, who entertained questions from journalists, fans, researchers and employees with unmatched patience and genuine interest.

As we all worked on the production and release of what we assumed was the final Star Wars film – Episode III Revenge of the Sith – I listened to many discussions of the origins and ideas behind Star Wars. Eventually, I came to think of Star Wars movies less as entertainment and more as work, and I spent a not-insignificant amount of time defending the Star Wars prequels. On the day I left Lucasfilm, a TV producer I know joked, "Now you don't have to keep insisting that those movies are good anymore."

I never really had to insist on that, and always did believe it. But once I left Lucasfilm in 2009, I never watched any of the first six Star Wars films from start to finish. The stay-at-home world of coronavirus changed that, and I allowed myself to watch Star Wars: Episode I The Phantom Menace … and discovered that I appreciated it more than I ever thought possible.


Star Wars Episode I: The Phantom Menace - Trailerwww.youtube.com


When it was released in 1999, I saw The Phantom Menace a half-dozen times in theaters and was bemused by each screening. Since 1977, I had only occasionally wondered what the "war" in Star Wars was all about, and why an intergalactic civil war had raged. The Phantom Menace promised an explanation, and gave one – but it wasn't at all what anyone expected: Princess Leia had stolen secret plans, Darth Vader had killed Obi-Wan Kenobi, Luke Skywalker had blown up the Death Star, Yoda had trained Luke, Han had been frozen in carbonite, all because trade routes were unfairly taxed?

That sense of disbelief was long-lasting, and by the time I started working at Lucasfilm four years after The Phantom Menace was released, it hadn't abated. The questions of Episode I loomed over everything we did, and were still on my mind when I re-watched The Phantom Menace through different eyes.

It was impossible not to hear the mildly exasperated chuckle in George Lucas's voice whenever he answered questions about what it all meant. He always maintained a patient insistence that it had not been a mistake to tell the world that the roots of Star Wars were indeed in political bureaucracy and microscopic organisms.

To watch Star Wars: Episode I The Phantom Menace again is to realize a truth: George Lucas was absolutely right to do it the way he did. When given complete artistic freedom (he was spending his own money, after all) to tell the Star Wars story he wanted to tell, he remained true to his extraordinary vision of a mythology rooted in the foibles and imperfections of our own world.


Director Jim Henson (left) and Lucas working on Labyrinth in 1986


The Phantom Menace is a film stuffed – perhaps overstuffed – with ideas, so many that it is hard to keep up with them. Though it is far from a perfect film, with stilted dialogue and sometimes uncomfortable acting, it is never a dull or boring movie. And as arcane as "the taxation of trade routes to outlying star systems" may seem, so are the origins of all wars – even the unbelievable one we're in now, which began not with a bat or pangolin, but with bureaucratic, political decisions that stretch back years.

Mundane actions have massive consequences, and The Phantom Menace still surprises by looking at some of those actions closely. Even the opening scene, with its discussion of blockades, negotiations, ambassadors and senators stands in opposition to the slam-bang openings of the first three Star Wars movies.

The first half of The Phantom Menace can seem drawn out and dry, yet Lucas's script is doing much more than simply setting up the action that will lead to the discovery of Anakin Skywalker. It's also establishing a complicated world view, one in which politics as a whole is not to be trusted, but is the only imperfect option for getting anything done. Sound familiar?

Bear in mind that within the first couple of minutes of the original Star Wars, we've already learned about a civil war, an Imperial senate, and, a bit later, an "Old Republic." While he could have chosen a more action-oriented, mindless backstory, George Lucas uses The Phantom Menace to begin showing how that republic became an empire, how a politician became a tyrant, and how the senate allowed it all to happen.

In that regard, The Phantom Menace is a more consequential and intriguing film than any of the most recent sequels. It's also pointedly, proudly a George Lucas film. Its sprawling story, which is always splitting its time between two or three different plot lines, bears much more resemblance to Lucas's earliest features – THX-1138 and American Graffiti – than any of the Star Wars films Lucas didn't direct. Watching The Phantom Menace, it's easy to see Lucas's love of the craft of moviemaking come to the fore.


DARTH MAUL - Complete Lightsaber Fight - Star Wars : The Phantom Menacewww.youtube.com


The Phantom Menace is equally a rumination on the cultural significance of mythology – when Anakin Skywalker's mother Shmi struggles to explain what she means about her son's conception and birth the film is also observing how the mythology of cultures around the globe share the same underpinnings. If Star Wars: Episode IV A New Hope found inspiration in Joseph Campbell's ideas of comparative mythology, The Phantom Menace is a master's thesis in the teachings.

One of its most central ideas is one of the concepts most derided by fans: midichlorians. With the benefit of having heard George Lucas talk over and over about the concept of an underlying physical connection with the Force, I've come to think of midichlorians as the most intriguing aspect of the entire Star Wars saga. They are destiny made manifest, a bold attempt to explain why some people, given the same opportunities, passions and training, achieve more than others. They do not undermine the concept of the Force, but help explain why not everyone becomes a hero.


Star Wars: Phantom Menace - What Are Midichlorians (Movie Clip)www.youtube.com


Thy also speak to a concept that George Lucas would bring up over and over: the ubiquity of myths. For some reason, people around the world, separated by time and distance, have developed similar myths. Their stories and their religions bear remarkable resemblance to each other. Could it be something within us that motivates these beliefs?

Ultimately, The Phantom Menace becomes a rousing action film, though never a straightforward one. To get us to its final 45 minutes, Lucas concocted a story filled with switches and reverses, betrayals and false allies. It all leads to a grand finale in which at least four different battles are happening simultaneously. Lucas' skill as a filmmaker ensures we always know where we are throughout this massive conclusion, even if we aren't entirely sure of the ever-changing identity of one core character.

Though its midichlorian-induced hangover effect put fans on the defensive for years, a rewatch of The Phantom Menace proves the furor over the film may have been overdone. The more you watch The Phantom Menace, and the more you look at how it's put together, listen to its dialogue and even its music, the more you realize that it has a great deal to say – not just about Star Wars but about our endless need for stories that help us make sense of a non-sensical world.

John Singh is a writer and entertainment-industry veteran who began his career as a newspaper journalist and has also worked at Disney, Lucasfilm Ltd., DreamWorks Animation and on a variety of films and TV series.

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Virtual Disney tripping is even wilder with these 360°style theme park rides

You may already have spent some time exploring the exquisite, intricate video walkthroughs of Disney theme parks, but be sure you're sitting down for this bit of news – and that you keep your arms, hands, legs and feet inside the vehicle at all times.

Your mobile device, a set of ear buds for some extra you-are-there-ness and just a little bit of imagination make it possible to take 360-degree, immersive rides on some of your favorite attractions; if you've got a portable VR viewer for your device, you can even go on incredible virtual-reality rides. (Should you choose to remain seated at all times, you can even watch them on your laptop, using your mouse or trackpad to control the view.)

It's all possible thanks to YouTube channel Virtual Disney World – plus, of course, some Disney Imagineering. The creators of Virtual Disney World have been astonishingly thorough and up-to-date – not to mention bi-coastal – so even if you weren't able to get a boarding group for Rise of the Resistance before Disney theme parks worldwide were forced to close, or to ride Mickey & Minnie's Runaway Railway in the mere 11 days it operated before the shutdown, here's your chance.


360º Tour of Star Wars Galaxy's Edge at Disney's Hollywood Studioswww.youtube.com


Prefer something a little more classic? You can choose from The Haunted Mansion at Walt Disney World or Disneyland and compare the not-insignificant differences – or even check out the ever-controversial Haunted Mansion Holiday from Disneyland, which re-themes the dark ride to The Nightmare Before Christmas for four months each year. There are even some 360° walkthroughs of Disney resorts, and a couple of the most popular rides at Universal Orlando – if you didn't want to wait in line 10 hours for Hagrid's Magical Creatures Motorbike Adventures, here's your chance to see what all the fuss was about.


360º Ride on Haunted Mansion Holidaywww.youtube.com


Even better, if you've got back or neck problems, high blood pressure, are prone to motion sickness or you're an expectant mother … it's not a problem at all!

Here's a quick rundown of some of the best of the 360° videos from Disney theme parks.

* Mickey & Minnie's Runaway Railway – Few people have had a chance to experience this centerpiece attraction of the Disney Hollywood Studios: Disney's parks closed a week and a half after it debuted. Now you can see the frenetic, cartoon-themed wackiness for yourself. (https://www.youtube.com/watch?v=Jaf4Vbj4ClA)

* The Great Movie Ride – Here's the super-elaborate, Audio Animatronics-filled dark ride that called the Chinese Theater at Disney Hollywood Studios home from 1989 to 2017. Pay special attention to the Wicked Witch in the Wizard of Oz sequence; for years, she was the most advanced animatronics figure Disney ever created. (https://www.youtube.com/watch?v=Jaf4Vbj4ClA)

* Mad Tea Party – Here's an extra dose of 360° craziness: spin while you spin and get yourself extra dizzy on the Magic Kingdom version of the "tea cups." The original ride at Disneyland was one of the opening-day attractions on July 17, 1955. (https://www.youtube.com/watch?v=4ouofPAuSxI)

* Spaceship Earth – The iconic geodesic sphere of EPCOT houses this 15-minute ride (about 10 minutes are included in this ridethrough, not including the personalized, interactive descent). The slow-moving dark ride through human history and the evolution of communications has been reworked three times in EPCOT's 38-year history and is about to undergo another big, as-yet-unrevealed change. (https://www.youtube.com/watch?v=iSIs3cCdlhc)

But Virtual Disney World isn't the only 360° game in Disney's town. The YouTube channel ResortTV1 also offers 360 videos of attractions, including the incomparable Kilimanjaro Safari at Disney's Animal Kingdom. By far the largest single Disney attraction at more than 110 acres (35 acres more than Disneyland itself), it's also one of the most stunning.

Disneyland fans won't be left out, because Dream Disney 360 offers this wraparound ride on Big Thunder Mountain Railroad, which opened in California in September 1979 (more than a year before the Walt Disney World version), so hang on to your hats and glasses, 'cause this here's the wildest ride on the Internet!

John Singh is a writer and entertainment-industry veteran who began his career as a newspaper journalist and has also worked at Disney, Lucasfilm Ltd., DreamWorks Animation and on a variety of films and TV series.

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Online archive has over 1,100 films you can watch for free. Here's 10 of the best picks.

via Giphy and Bill Hunt / Twitter

If you've exhausted your Netflix playlist while self-isolating or are simply looking for some out-of-the-box entertainment ideas, Open Culture has over 1150 films you can watch for free, most of them are streamable to your TV via Chromecast or Airdrop.

Many of them are older films that have become public domain, but that doesn't mean they're not wonderful to watch. The site has a huge selection of documentaries, westerns, '30s and '40s film noir, Hitcock films, and Oscar-winners.

Open Culture also has free lectures, eBooks, K-12 educational materials, and business classes.

Browsing the website is basically like hanging out at your local library.

Eleven-hundred movies are a lot to browse through, so here are 10 recommendations to get you started.

via TCM / Twitter

"Charade" (1963) — Audrey Hepburn's career was short, but just about everything she did was pure magic. In this comedic thriller, Hepburn plays a widow being chased by several men who want a fortune her husband stole during the war. The only person she can trust is a suave, mysterious man played by Cary Grant.

"The 39 Steps" (1935) —One of Alfred Hitchcock's early masterpieces, "The 39 Steps" is a classic wrong-man thriller about a guy who stumbles upon a conspiracy that thrusts him into a hectic chase across Scottish moors.

via Wikimedia Commons

"The Stranger" (1946) — Orson Welles directed and stars in this film about an ex-Nazi who hides out in a small town masquerading as a teacher. But when one of his old German associates rolls into town, he has to resort to desperate measures to hide his secret. The iconic Edward G. Robinson also stars in this classic.

via Wikimedia Commons

"Plan 9 from Outer Space (1959)" — Ed Wood is often regarded as the worst filmmaker in history and was immortalized in a 1994 biopic starring Johnny Depp and directed by Tim Burton. "Plan 9 from Outer Space," a film about grave digging space aliens, is often cited as Wood's signature cinematic achievement. Bela Lugosi has a small role in the film.


via Medium

"The Giving Tree" (1973) — This animated adaptation of Shel Silverstein's heart-wrenching tale of a boy and a tree is narrated by the author. Anyone who grew up in the '70s and '80s probably remembers watching it in school.

via Wikimedia Commons

"The Complete Star Wars Filmumentaries" (1977 to 1983) — Three documentary-commentaries of the original "Star Wars" trilogy are a must-see for any true nerd. The documentaries feature deleted scenes, alternate takes, bloopers, original on set audio recordings and a huge amount of commentary from cast and crew.

via YouTube

"Heavy Metal Parking Lot" (1986) — This short documentary about young heavy metal fans gathered for a tailgate party outside the Capital Centre in Landover, Maryland before a Judas Priest concert became a cult classic in the '90s.

via Wikimedia Commons

"Reefer Madness" (1936) — This so-bad-its-good film was meant to scare kids in the '30s about smoking marijuana. It follows the melodramatic events that ensue when high-school students are lured by pushers to try marijuana—from a hit and run accident, to manslaughter, suicide, attempted rape, hallucinations, and descent into madness from marijuana addiction. In the '70s it became a cult classic with potheads as an unintentional satire.

via Wikimedia Commons

"His Girl Friday" (1940)— Howard Hawks directed this fast-talking comedy about a reporter (Rosalind Russell) and her editor/ ex-husband (Cary Grant) who uses an alluring scoop to keep her from marrying another man. Russell's portrayal of a strong, smart woman has been praised for being decades ahead of its time.

via Wikimedia Commons

"The Man with the The Golden Arm" (1955)— Frank Sinatra was nominated for an Academy Award for his portrayal of an ex-heroin addict attempting to stay clean after being released from prison. The film is best remembered for a harrowing scene in which Sinatra tries to go cold turkey.

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