upworthy

pop music

Pop Culture

Millennials are shook after learning how deep Hanson's 'MMMbop' lyrics actually were

You might want to grab a tissue.

Grapepinky/Wikimedia Commons

Hanson playing at the Melbourne Zoo in 2019

In 1997, the catchy earworm "MMMbop" by the brother trio Hanson spent three weeks at No. 1 on the Billboard charts. The band members were 16, 14 and 11 years old at the time, but even younger when they wrote it two years prior, and their hit song felt seemed to be a reflection of the optimism and innocence of their youth.

But the upbeat, do-woppy chorus—which is what most people remember about the song—belies how deep the rest of the song actually was. Many millennials are just now learning about the song's poignant-but-hard-to-make-out lyrics, and hoo boy do they hit hard during the full-on-adult years.

Millennial digital creator Erin Miller shared a video on Instagram that captures how it feels to find out that "MMMbop" is a song about the existential uncertainty of relationships and wondering who's still going to be there for us in our old age.

Yes, really. Watch:

Hanson's "MMMbop" is surprisingly deep.

If you go back and listen to the song, you'll forgive yourself for not recognizing any of these lyrics because it's genuinely hard to hear the words they're actually singing. But when you look up the lyrics, whoa.

People are shook and sharing their feelings in the comments.

"Holy shhhh... It's just Poetry Disguised as a throwaway pop song."

"You forgot my favorite part: 'Plant a seed, plant a flower, plant a rose. You can plant any one of those. Keep living to find out which one grows. It’s a secret, no one knows.' 🤯"

"Damn. Hanson coming in with the existential dread veiled under catchy major chords. It's giving the same vibes as Semi-Charmed Life by Third Eye Blind."

"*Runs to listen to the full original track and simultaneously read the lyrics*......... *Realizes this reel is accurate AF 😅🥲🥹🤣😂🤣😭* ...... Because 8 yr old me in 1997 thought this was the jolliest song EVER! 🤸🏽♀️😂"

via GIPHY

"Remove the arrow from my heart immediately. I will not recover from this!"

"Yes! the words are shockingly deep for a song whose refrain is gibberish."

"I’ve been singing this song for 25+ years - and know zero of the words. 😮"

Zac, the band's drummer and youngest of the three Hansons, explained that "MMMbop" itself means a snippet of time and acknowledged that the song is actually really sad.

"The thing about 'MMMBop' is, obviously, it's a made up word," he told MTV. "It means a frame of time, but it also intentionally kind of is lighthearted, I think, in a way that disguises some of the meaning. It's kind of sad. It's kind of sad to hear a young person singing, like, most things in life are gonna pass. Most of the things you're going through won't matter. Most of your friends are gonna leave you or be gone 'cause in an mmmbop, it's all gonna be over."

Yeah…thanks, Zac.

via GIPHY

The Hanson brothers were 14, 12 and 10 when they wrote "MMMbop."

The eldest Hanson, Isaac, shared with The Guardian in 2018 how the brothers came up with the song:

"I was 14, and my brothers Taylor and Zac were 12 and 10 respectively. We listened to a lot of doo-wop, which influenced the chorus of MMMBop. We were trying to write a part for another song and came up with this catchy hook, but it didn’t really fit. Much, much later, I said to the guys: “Remember that hook? It really sticks in your head. We need to find a way to use it.” Then, as we were getting ready for bed, we all sang it together in the bathroom.

A few days later, Taylor was sitting at the keyboard with an intense look on his face. 'I have an idea,' he said. 'We can make this song about life – and all the rejection we’re feeling.' And he played what became the first verse and a half of MMMBop: 'You have so many relationships in this life / Only one or two will last / You go through all the pain and strife / Then you turn your back and they’re gone so fast.'

The chorus might be effusive – 'Mmmbop, ba duba dop / Ba du bop, ba duba dop' – but the song is about how in an instant you will be old and grey, so you have to make decisions you feel good about before it is too late."

Pretty darn astute for kids who couldn't even drive yet. Sheesh.

The original tempo of "MMMbop" was more reflective of its meaning.

So why does the song have such an upbeat feel when it's about something so serious and profound? Isaac Hanson explained that the original version of the song was "slower and more brooding" but that version wasn't landing with record companies until one saw potential in it as a hit pop song and sped it up. Thus the version we all bop along to was born, and the rest is history.

Hanson is still making music and still performing their breakout hit more than 25 years later. If you're still processing the lyrics of "MMMbop" and need a little help, here's the trio sharing more about how they got their start and how the song became what it is:

- YouTubewww.youtube.com

From Your Site Articles
music
Culture

Kelly Clarkson and Ariana Grande's pop diva duel on Jimmy Fallon left people begging for more

@alex_abads/Twitter

Kelly Clarkson and Ariana Grande duked it out on Jimmy Fallon's 'The Tonight Show.'

There are pop stars, and then there are singers. While recording studio technology can make people sound like amazing singers, the proof is in their live performances.

Kelly Clarkson and Ariana Grande took it a whole step further on "The Tonight Show Starring Jimmy Fallon," delivering not only a jaw-dropping live performance but doing so in the form of revolving pop diva hits in an "impossible karaoke" showdown. In less than five minutes, they showed off their combined ability to nail pretty much anything, from imitating iconic singers' styles to belting out well-known songs with their own vocal stylings.

Watch this and try not to be impressed:

There's a reason Kelly Clarkson won the first season of "American Idol" and went on to become a multiplatinum recording artist. What's funny is seeing some people in the replies saying they didn't know she could sing like that. Yes. Yes she can. And she has since the beginning.

Check out this performance of Celine Dion's "I Surrender" during the first season of "American Idol." At this point, she was an amateur singer and her vocal chords were stressed after weeks of rehearsing and competing, and she still knocked it out of the park. Simon Cowell and Randy Jackson both said they'd put her in the same league as Whitney Houston, Mariah Carey and Celine Dion, and she's shown she deserves that classification over and over again since.

And Ariana Grande has made a name for herself for her ability to impersonate different singers while also sounding freaking amazing. Jimmy Fallon has had her on his show multiple times doing musical impressions. Check this one out from when she was just 21 years old. I mean, singing "The Wheels on the Bus" as Christina Aguilera? The woman can sing. Period.

So of course, having Kelly Clarkson and Ariana Grande singing together is a real treat. And they've gifted us with a delicious duet for the holiday season with a live performance of "Santa, Can't You Hear Me." Their voices complement one another so beautifully, with Grande's silvery sweetness and Clarkson's rich resonance. The amount of talent pouring forth from these ladies is simply unreal.

As Jimmy Fallon said, "How?"

From Your Site Articles
Related Articles Around the Web
arts
Family

Andy Grammer and his 4-year-old daughter Louisiana want your help writing lyrics for a new song

Andy Grammer/Instagram

Since his first hit single "Keep Your Head Up" in 2011, award-winning multi-platinum recording artist Andy Grammer has made a name for himself as the king of the feel-good anthem. From "Good to Be Alive (Hallelujah)" to "Honey, I'm Good" to "Back Home" and more, his positive, upbeat songs have blared on beaches and at backyard barbecues every summer.

So what does a singer who loves to perform in front of live audiences and is known for uplifting music do during an unexpectedly challenging year of global pandemic lockdown?

He goes inward.

Grammer told Upworthy that losing the ability to perform during the pandemic forced him to look at where his self-worth came from. "I thought I would have scored better, to be honest," he says. "Like, 'Oh, I get it from all the important, right places!' And then it's taken all away in one moment, and you're like, 'Oh, nope, I was getting a lot from that.'

"It's kind of cool to break all the way down and then hopefully put myself back together in a way that's a little more solid," he says.

And no worries—we're still going to get at least one anthem out of him for the summer. His new single, "Lease on Life," which will be released on June 28, is part of his new album that speaks to a lot of what we collectively experienced over the past year.

You can get a taste of the song here:


Grammer acknowledges that it was difficult to find positives in the pandemic, even for him. "Happy for happy's sake is not super authentic," he says. "The word 'positive' inherently is a little cheesy, I think. But if it is rebellious against negativity, it starts to gain some legs for me."

He points out that most of the "feel-good" songs he's famous for are actually grounded in a lot of pain, which is what makes them truly connect with a broad audience.

"If you hear a song like 'Keep Your Head Up,' it's not just like, 'Be happy!'" he says. "I wrote that song after my mom died. So like, I'm crushed, and in the face of that, choosing and finding a way to stay up. I think that's the grounding piece to optimism that makes it something that people believe in and that is true and sincere."

He says the key is always trying to write something that's true. "Because if you get it to be true, then it has this extra resonance to it. The quick analogy I use is that Isaac Newton wrote out what gravity was. He wrote it out for the first time, and everyone else was like, 'Gravity! I have gravity all the time! Oh my God, you super nailed it.' And I think every great song has something of that in it."

The other thing Grammer did during pandemic downtime was spend a lot of time with his two daughters, 4-year-old Louisiana and 1-year-old Izzy.

"Overall, that's been the huge win," he says. "It's just been an intense, awesome amount of time for someone like me who does travel quite a bit, to have this whole year. I haven't gotten on a plane once. And to just be, every single night, having the routine with these little girls, it's really, really special."

He and Louisiana are even working on their first collaborative musical project together. In partnership with Quaker Chewy and the American Camp Association, Grammer is crowdsourcing lyrics for a summer camp anthem that he and his preschooler are going to write together.

"It's been really hard for kids throughout the pandemic to not be able to play with other kids," Grammer says. "And so with summer coming and some things are opening up and kids can actually go to camp, we want to send as many kids as we possibly can to go to go play with each other."

Summer camp song lyrics can be submitted at chewycamptrack.com before June 30, 2021. For every lyric sent in, Quaker Chewy will donate $1, up to $200,000, to the American Camp Association's Send a Child to Camp Fund. Grammer will pick lyrics from those submitted, and the Chewy donations will be used to send up to 500 children to summer camp next year.

Grammer says having Louisiana help choose the lyrics will be a blast. "She sings a lot, and I think it's going to be really fun," he says. "It's one of the first songs I'm really going to do with her. Really fun."

After being in a "songwriting hibernation zone" during the pandemic, Grammer is excited to be back out. And we're excited for his new album to come out to see what kind of awesome, life-affirming music he shares with us next.

From Your Site Articles
Related Articles Around the Web
music
Wellness

The new Britney Spears documentary is making people completely re-think the pop star's life

Film Updates/Twitter, FX Networks/YouTube

I never thought I'd voluntarily watch a documentary about Britney Spears, much less recommend one. While her music is fine, celebrity culture does nothing for me and the news surrounding her always felt too tabloidy for my taste. Over the years, I've brushed off Spears' personal saga as clickbaity fame drama not worth my time and energy—a dismissal I now regret.

After seeing multiple people I admire and respect share how the New York Times' Britney Spears documentary impacted them, I decided to check it out. And all I can say is—holy crap. There's so much to her story that we should all be aware of, because so much of it involves all of us.

This post will contain spoilers, so if you'd rather just watch the documentary yourself, search for "The New York Times Presents: Framing Britney Spears" on Hulu. (You can sign up for a 7-day free trial if you don't have a subscription.)

The focus of "Framing Britney Spears" is the growing #FreeBritney movement—the push from Spears' fans to let her have control over her life. For the past 12 years, Spears' has had a court-appointed conservator of her person and her estate, meaning that she doesn't have agency over decisions about her life or her money. For nearly all of that time, her father Jamie has served that conservator—a fact that is strange in and of itself, since he hadn't played an active role in her life prior to her public breakdown.

Every documentary has a purpose, and this one clearly leads us in the direction of the #FreeBritney message. We're shown how capable she had been even when she was young and how she had always held the reins of her own career. We see how she's continued to be able to perform and work at a high level, despite the fact that she supposedly doesn't have the mental capacity to handle her own affairs.

There are plenty of revelations that point to people in her life manipulating the situation for their own gain. You have to wade through some kind of cringey connect-the-dots conspiracy thinking from obsessed fans in the documentary, but there are legitimate questions about why the conservatorship remains in place for someone who appears to have her wits about her. We don't have access to her medical records, but there are millions of people who live with mental health issues—even severe ones—and don't have the right to make decisions about their life taken away from them like this.

That's one element that should concern us all.

Another huge piece of the Britney story that I wasn't aware of was how absolutely relentless the paparazzi was with her from the get-go. Celebrities get followed and photographed all the time, of course, but with Britneys Spears it was literally all the time, up in her face, surrounding her car, swarming her every step she took.

And she was so young when this all started. While she clearly had the ambition to become a singer, she was a sweet, approachable young woman who didn't seem equipped to tell these grown men surrounding her with cameras and questions to back the eff off. At first, she seemed to enjoy the attention, but that luster only lasts so long. And these grown men with their cameras were so predatory, even while they talked nicey to her. Super icky.

Watching the constant flashing of cameras and bombardment of questions she endured nearly gave me a panic attack, and I'm a middle-aged adult. But because of society's insatiable appetite for the "sexy schoogirl," paparazzi could make up to $1 million per photo. So they hounded and hounded her, and the more drama in her life began to unfold, the worse it got.

Combine the paparazzi with the way the media treated her and, like I said, holy crap. The questions journalists and show hosts thought they could ask this young woman, the details of her private life they thought they were entitled to, and the cruelty they purposefully subjected her to is shocking. So many of the questions she was expected to answer wouldn't even be asked today, much less answered. (Can you imagine someone in today's media straight-up asking a teen girl if she was still a virgin? Or asking about her breast size?)

One of the things pointed out in the documentary is that there's a misogynistic infrastructure and apparatus ready and waiting to come for a woman if that's what our vulturous society decides to do. The media clearly plays a huge role in that, and they came for Britney in full force.

When Spears and Justin Timberlake broke up, Timberlake ended up controlling the media narrative, which basically made her seem like a slut. He even made a revenge music video with a look-alike of her—yuck.

Diane Sawyer said in a segment that Britney had disappointed mothers all over the country and pointed out that the wife of the governor of Maryland said she would shoot Britney Spears if she had the opportunity. She asked Britney what she thought about that, indicating that she had legitimate concerns as a mother.

Seriously? Saying she wanted to shoot her is just an expression of motherly concern?

After Britney married Kevin Federline and had her first baby, she was almost immediately painted as an unfit mother. And the paparazzi still wouldn't let up.

Matt Lauer asked her what she could do about the paparazzi, and she said, "I don't know. I don't know." Then she broke down crying. He asked her if getting them to stop hounding her was her biggest wish, and she said it was. At that point, she was 23 or 24 and had been dealing with this stuff for years.

By the time the documentary gets to Britney's infamous head-shaving (Britney asked a hairdresser to shave her head, and when they refused, she took the shears and did it herself) and her beating the side of a paparazzi's truck with an umbrella, those behaviors seemed less like a cry for help and more like a justified "eff y'all."

Of course, there are details about her mental health history that we are not privy to. She has had issues with substance abuse according to court documents, and there have been numerous reports of truly erratic behavior from various reputable outlets. It seems quite clear that she's in need of some kind of mental health treatment, but does that justify someone taking total control over her life and finances?

From this documentary, it appears many in Britney's life may not have her best interest at heart, or whose "best interest" shifted with the tens of millions of dollars she rakes in as a working pop star. And so many questions remain. Why does the conservatorship remain if she's as functional as she appears to be? Is she on board with the idea of a conservatorship in general, or did she just not want her dad to serve in that capacity?

Jamie no longer has total control—his own health issues in 2019 caused him to step down from being conservator of her person, and a court case in November made a bank representative co-conservator of her estate along with Jamie. But is all of that really still necessary?

And what about the media's complicity in all of this? Glamour Magazine has issued an apology to Britney Spears, writing on Instagram, "We are all to blame for what happened to Britney Spears—we may not have caused her downfall, but we funded it. And we can try to make up for that."

Spears' boyfriend of four years, Sam Asghari, doesn't appear in the documentary, but he made a rare statement criticizing Britney's father on Instagram after it came out, saying he has "zero respect" for Jamie and calling him "a dick." But this documentary also leaves one with a feeling of distrust for pretty much everyone close to Britney. There's just so much money at stake, too many people who have taken advantage, and too many unknowns to feel 100% good about anyone in her life at this point.

I walked away from this documentary with concerns about civil rights for people with mental illness, concerns about misogyny in the media, concerns about how our obsession with fame can literally destroy lives, and concerns about this individual woman's well-being.

It's worth watching, even if you're not a celebrity documentary watcher. Underneath the over-the-top fandom is an important story that needs to be told.

The New York Times Presents | Framing Britney Spears - Season 1 Ep. 6 Highlight | FXwww.youtube.com

And according to Page Six, we may be getting more of Britney's story from her own perspective, as she's reportedly working on a documentary about her life. That's one we'll all be on the lookout for.

From Your Site Articles
Related Articles Around the Web
mental health
Trending Stories