A-ha's 'Take on Me' gets a delightfully epic facelift in metal band's 'on the spot' cover
There are plenty of surprises—and, yes, some incredible high notes.
A progressive-metal band created an epic "on the spot" cover of a-ha's synth-pop classic "Take on Me."
If you were to compile a short list of "pop songs you should never, under any circumstances," attempt to cover, a-ha’s 1985 synth-pop classic "Take on Me" would surely make the cut. And there are multiple reasons for that. One, it’s difficult to imagine that song without its era-specific keyboard sparkle. Plus, there are few humans who can recreate Morten Harket’s impressively high falsetto on the chorus ("I’ll be gone / In a day or twoooooooo")—even just physically, without even factoring in emotion or originality.
But Leprous, the massively underrated prog-metal band from Norway, absolutely crushed that musical assignment, reimagining the track from top to bottom. It’s all part of Musora’s YouTube series Covers on the Spot, where bands are presented with songs and asked to quickly remake them in their own style. Many of the most fascinating experiments—like the folk duo who tackled System of a Down’s nu-metal anthem "Toxicity"—have relied on contrasting styles. This is no exception.
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Ron Jackson, the show’s host and the platform’s content director, outlined the process early in the video: "It’s going to be your challenge to transform that song into a Leprous track. You can do whatever you want—change rhythms, chords, lyrics tempos—but at the end of the day, it has to be uniquely yours." He even asked the band which genre would "scare" them the most, and singer Einar Solberg replied, "Something too close to home." Ironically, that’s exactly what they got—just not in the way they expected. A-ha are also Norwegian—a fact that Jackson didn’t even realize before filming the piece. (Leprous drummer Baard Kolstad even noted that "some of the [a-ha] guys" were his dad’s neighbor.)
Did Norway factor into the success of their cover? Who knows? But Leprous certainly put their stamp on "Take on Me," and the video offers a fascinating behind-the-curtain glimpse into their band dynamic. Each member of the sextet tosses out rhythmic variation, structural ideas, options for how to amplify the song’s core drama and make it fit their own aesthetic. In a bizarre way, it shows how much DNA their own genre shares with classic synth-pop—both are aiming for the grandiose.
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Their biggest dilemma is how to tackle the "happy"-sounding synthesizer hook from the verses, which they translate over to a muted, more melancholy electric guitar line. "I love watching bands work," says Jackson, observing how they play off each other and how Solberg plays a role of big-picture organizer. The final product is stunning—a bit more menacing than a-ha, certainly way more complex, but capturing the essential cathartic spirit that drives the original tune. And, spoiler alert: Solberg nails all of those intimidating high notes, adding some operatic melisma and vibrato here and there. "I loved it," the frontman says after they finish playing. "It was intense but amazing." (For what it’s worth, he’s technically not a newcomer to a-ha world, having covered the band’s "Manhattan Skyline" with musician Ihsahn in 2020.)
Existing fans were enchanted: "It’s settled [then], Leprous needs to put out an 80's cover album," someone wrote in the comments. And they even made plenty of new ones: "Well NOW I have to listen to everything Leprous has ever done," added another. Luckily, the band officially released the song to streaming platforms, helping spread the word—even beyond the 356,000 (and counting) YouTube views. Another beautiful element to Leprous’s cover: It’s an incredible salute to Harket, who revealed in June that he’s been diagnosed with Parkinson’s disease.
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