upworthy

authors

Wil Wheaton speaking to an audience at 2019 Wondercon.

When you find out an actor whose work you enjoy is blatantly racist and antisemitic in real life, does that realization ruin every movie they've been a part of?

What about an author who has expressed harmful opinions about a marginalized group? What about a smart, witty comedian who turns out to be a serial sexual assaulter? Where do you draw the line between a creator and their creation? As someone with his feet in both worlds, actor Wil Wheaton weighed in on that question and offered a refreshingly reasonable perspective back in 2021.

"Question: I have more of an opinion question for you. When fans of things hear about misconduct happening on sets/behind-the-scenes are they allowed to still enjoy the thing? Or should it be boycotted completely? Example: I've been a major fan of Buffy the Vampire Slayer since I was a teenager and it was currently airing. I really nerded out on it and when I lost my Dad at age 16. 'The Body' episode had me in such cathartic tears. Now we know about Joss Whedon. I haven't rewatched a single episode since his behavior came to light. As a fan, do I respectfully have to just box that away? Is it disrespectful of the actors that went through it to knowingly keep watching?"

And Wheaton offered this response, which he shared:

 

"Answer: I have been precisely where you are, right now. In fact, we were just talking about this a few days ago, as it relates to a guy who wrote a ton of music that was PROFOUND to me when I was a teenager. He wrote about being lonely and feeling unloved, and all the things I was feeling as a teenager.

He grew up to be a reprehensible bigot, and for years I couldn't listen to one of the most important bands in my life anymore.

But this week, someone pointed out that he was one member of a group that all worked together to make that thing that was so important to me. And the person he was when he wrote those lyrics is not the person he is today. And the person I was when I heard those lyrics doesn't deserve to be shoved into a box and put away, because that guy is a shit.

This is a long way of saying that Joss sure turned out to be garbage. Because of who my friends are, I know stuff that isn't in the public, and it's pretty horrible. He's just not a good person, and apparently never was a good person.

BUT! Buffy is more than him. It's all the actors and crew who made it. It's all the writers who aren't Joss. Joss is part of it, sure, and some of the episodes he wrote are terrific.

At least one of the episodes he wrote was deeply meaningful to you at a moment in your life when you'd experienced a loss I can only imagine. The person you are now, and the 16 year-old you were who just lost their dad, are more important than the piece of shit Joss Whedon revealed himself to be.

His bad behavior is on him. He has to live with it, and the consequences of it.

 Wil Wheaten, celebrity, wisdom, advice, knowledge Wil Wheaton | Wil Wheaton speaking at the 2012 Phoenix Comic… | Flickr www.flickr.com  

 

16-year-old you, who just lost their dad, shouldn't have to think about what a shit Joss Whedon is for even a second. That kid, and you, deserve to have that place to revisit when you need to go there.

I can't speak for the other actors, even the ones I know. But I will tell you, as an abuse survivor myself who never wanted to be in front of the camera when he was a kid: it's really okay for you to enjoy the work. The work is good and meaningful, and if nobody is going to watch it because of what one piece of shit did two decades ago, what was it all for?

I'm not the pope of chilitown, so take this for what it's worth: I believe that when some piece of art is deeply meaningful to a person, for whatever reason, that art doesn't belong to the person who created it, if it ever did. It belongs to the person who found something meaningful in the art.

If it feels right to you to put it away and never look at it again, that's totally valid. But if it brings you comfort, or joy, or healing, or just warm familiarity to bring it out and spend some time with it, that's totally valid, too.

I've written a lot of words. I hope some of them make sense and are helpful to you."

 Wil Wheaton, Star Trek, celebrity, wisdom, thoughts Wil Wheaton in Star Trek upload.wikimedia.org  

As with practically everything in this world, the question of whether art can or should be separated from the artist is complex. It involves philosophical questions about the nature of art—where it comes from and who it belongs to—as well as questions about how imperfect a person has to be for us to reject everything they create.

In 2023, The Atlantic published a poignant opinion piece by contributing writer Judith Shulevitz, in which she suggests that art does indeed transcend the (problematic) artist. Wheaton's response and overall take on the matter feels right, especially when we're regarding art that is collaboratively created.

This article originally appeared four years ago. It has been updated.

Eric Carle may be best known for his beloved children's classic, "A Very Hungry Caterpillar," but he actually created more than 70 children's books in his 91 years of life. His unique paper collage illustration style makes his books distinctive and instantly recognizable. With his passing this week, the world has lost not only an artist but a simply lovely human being, according to a delightful viral story shared by writer Lara B. Sharp on Facebook.

Sharp wrote:

"Eric Carle, the incredible children's book author, has passed away...

Many years ago my chonky cat Julian — I called him The Shmoo — was let out of my apartment by an irresponsible and perhaps, in hindsight, diabolical landlord of my rent-stabilized apartment in Williamsburg, Brooklyn. I was absolutely devastated, of course, so I posted homemade fliers: Have You Seen My Cat? — with several of The Shmoo's photos, and offering a substantial reward, ALL over the neighborhood.


The SchmooLara B. Sharp

Shortly after my fliers were up I received a phone call from a very concerned man telling me that HE was going out to look for my cat. Every day, for five days, morning and night, this unknown man called me to ask after my lost cat, and every day he reported back to me about his own search... He was so unbelievably kind to me, while I sobbed into my landline telephone... I told him that I had no education, and no career, and no family, and a boyfriend who was all Boy, and No friend... The Shmoo, my rescued dumpster cat, was my Everything... I talked and talked and talked about myself, and he endlessly listened...

Eventually, my extremely overweight cat was returned to me from the kitchen of the Italian restaurant a block away. He spent the whole time there, eating ravioli and meatballs. Aside from being four pounds heavier and stinking of roasted garlic and stewed tomatoes, he was fine.

The SchmooLara B. Sharp

The first person I called with the great news was the nice man on the phone!

He was as happy as I was about the return of The Shmoo, and he asked if he could meet him... Normally I'd be like, 'Nah bro, you ain't gettin' my address', but this unknown, older gentleman was so kind and so supportive of me - like the dad that I'd never had - that I said I'd love to meet him, and have him meet my fat, beloved kitty...

When he arrived, because I knew he loved cats, and not much else about him, and because I wanted to express my gratitude, I gave him a huge stuffed cat from FAO Schwartz as a gift, and after he met The Shmoo, as he was leaving, he handed me a thin envelope...

Inside, was a beautiful book, called 'Have You Seen My Cat', and it was signed by the author, Eric Carle.

The sensitive, selfless person who listened to my sobbing, for days on end, called me twice a day, and physically searched all of Williamsburg, Brooklyn, for my chubby lost cat, was the famous children's book author Eric Carle.

The revelation was so stunning to me that terminal shyness set in, and I never phoned him again.

To be treated like a daughter, when I'd never had a father, and by such an important person, who cared so much about a kitty that I loved so dearly, meant more to me than I was able to express at that time...

All these years later, it still means just as much. Many years later, when The Shmoo eventually passed away, I had him cremated with an Eric Carle postcard of 'The Very Hungry Caterpillar'.

I've never told this story before, because it was so precious of an experience that I kept it to myself.

I'm sharing it today, because I have so much love for him, and I always will, and because I can't stop thinking of him. I will never, ever forget him.

For five whole days, I had the world's greatest dad.

'Have You Seen MY Eric Carle?'"

People are loving Sharp's story, as it gives us a glimpse into the private character of the man most of us only know through his kids' books. What a lovely tribute to an author who not only brought joy into the lives of millions of families with his books, but who also took the time to help a stranger who needed support.

Rest in peace, Mr. Carle. Thank you for making our world a bit brighter while you were here.

From Your Site Articles
Related Articles Around the Web

What happens when you have a childhood dream to be a writer, but your test scores tell you it's not in the cards?

For Alexandra Penfold, she became a writer anyway — and a successful one at that. Penfold is a literary agent and the author of children's books like "All Are Welcome" and "We Are Brothers, We Are Friends."

In a viral tweet, Penfold shared an image of a self-evaluation she wrote in fourth grade. In scrawling cursive penmanship, it reads: "Writing. I love to write and I hope to become an athor [sic] someday."


Below that image, she shared a photo of her fourth-grade state writing assessment. It shows a score of 4 out of 8 and reads: "This student is minimally proficient in writing."

"This weekend I sorted through some papers my mom saved from my childhood," Penfold wrote. "The top one is my 4th grade self evaluation. The bottom, my 4th grade state test score."

Her final sentence makes an important point: "Random House published my 6th book last week. #MoreThanATest."

Standardized tests don't tell the whole story — and sometimes they tell an inaccurate one.

According to the Center for American Progress, which looked at 14 districts in seven states, some students in the U.S. take as many as 20 standardized tests each year with an average of 10 tests in third to eighth grade. While such assessments may be useful tools in some ways, far too much weight can be placed on them. Some very bright kids simply don't test well. Some skills develop later for some kids — without any effect on the quality of those skills in the long run.

Imagine if Penfold had taken her writing test score as some kind of gospel indicator of her ability. Far too many kids find themselves fretting over test scores, and far too many adults put too much stake in them.

Penfold's tweet reminds us that goals and hard work far outweigh measurable skill or talent.

If you are a parent or teacher of kids who worry about how they perform on standardized tests, show them Penfold's tweet. And then show them some of the responses to it as well. Kids need to hear stories of people who didn't do well on tests or who didn't appear to show great promise in a field they loved, but who ended up triumphing all the same.

For instance, this person who hadn't tested well and "was a clutz in the lab" and whose teacher tried to steer them away from science earned a doctorate in chemistry.

And this person who had tutors her whole life and whose principal told her mother she wouldn't go to college graduated from university with honors and become a published author. As she wrote, "You are the only person that's allowed to define you!"

A person's potential can't be measured in a test score.

A test is a limited method of measuring a limited set of criteria in a limited time period. Let's make sure kids understand that and teach them that what really counts is what they believe they can achieve and how hard they're willing to work. People like Alexandra Penfold prove it.

More

The 'How would a male author describe you?' Twitter challenge is a lot of fun.

"She had an ass like a plump popsicle and I deigned to admire her."

Can male authors write powerful, strong, and accurate female characters? Totally. Do many struggle with it? Well...

Author Gwen C. Katz was scrolling through Twitter, reading a thread about members of marginalized groups advocating for more work written by marginalized individuals. Of course, it went haywire — especially when a man just had to jump in to assure others that he was every bit as capable of writing an accurate female character as any woman.

"I think writers should be able to write from any perspective as long as they can pull it off. It takes research, skill, and creativity, but if a good writer can't do those things, he/she isn't a good writer, right?" he wrote. "My book is a first-person [point-of-view] and the [main character] is a woman. I'm definitely not a woman. But it works because I was able to pull it off. I reject someone saying I couldn't write a female [main character] because I'm a male, because, well, I just did. It's called writing."


Oh boy. Was he able to pull it off?

"I sauntered over, certain he noticed me. I'm hard to miss, I'd like to think — a little tall (but not too tall, a nice set of curves if I do say so myself, pants so impossibly tight that if I had a credit card in my back pocket you could read the expiration date. The rest of my outfit wasn't that remarkable, just a few old things I had lying around. You know how it is."

The thread (which you can read in its entirety here) included a few other choice passages from chapter one of this mystery book, but the point was made: Some guys just don't know how to write about women without being really weird about it.

Now, maybe you're saying to yourself, "Sure, but that's just one guy that nobody's heard of." Fair point. For another example, which was uncovered by writer Julia Carpenter, let's look to renowned author John Updike:

Excerpt from "The Witches of Eastwick" by John Updike.

It's not limited to books, either. Take, for instance, this 2016 Vanity Fair profile of actress Margot Robbie, which begins:

"America is so far gone, we have to go to Australia to find a girl next door. In case you’ve missed it, her name is Margot Robbie. She is 26 and beautiful, not in that otherworldly, catwalk way but in a minor knock-around key, a blue mood, a slow dance. She is blonde but dark at the roots. She is tall but only with the help of certain shoes. She can be sexy and composed even while naked but only in character."

To be sure, there's nothing necessarily wrong with describing people or characters as sexy (though, if you don't understand how women pee, maybe don't try to go into detail about that). It's just that this type of writing is so formulaic, so common.

Twitter users had a bit of fun with the format after Whitney Reynolds recently offered a challenge: "Describe yourself like a male author would."

The replies were absolutely epic, with thousands of people responding.

Thanks to a new chart from Electric Literature, creating your own personal description is as easy as spelling your name.

The result follows this format: "She had ____ like a ____ ____ and I ____ to ____ her."

For instance, if your name were Sarah, your description would read: "She had knockers like a silken princess and I longed to proposition her." If your name was Brittany, you'd get: "She had a bust like a shrill popsicle and I ached to fondle her."

Fun, right?

"The Twitter challenge originated in response to a man who was claiming that his female characters were so convincing, they proved that there's no need to elevate a wider range of voices. White male writers can do it all!" Electric Lit editor-in-chief Jess Zimmerman says. "But when writers take on characters they don't really understand or respect, what you end up with is a kind of puppet show: all the 'real people' look the same, and everyone else is just a weak, potentially offensive bit of 2D guesswork. This is not actually good for the state of literature! It's alienating to readers and impoverishing for books."

Zimmerman elaborates, clarifying that she knows it's #NotAllMen who do this, chalking the prevalence of the detached and unnecessarily sexualized descriptions as the result of a culture that never really asks men to see things from a woman's perspective.

"That's why the joke in our generator is that the woman is described according to the man's reactions: a lot of male writers, including famous ones, never get any closer to 'imagining a woman's experience' than 'imagining my experience of a woman.' But keen observation, empathy, and the ability to take on someone else's perspective are crucial novelist skills. Male novelists should relish the effort it takes to do better."

Let's all have a laugh, and for the authors in the audience, don't let your writing become an internet meme.