+

Joey Pollari says he was almost certain he didn't get the part in blockbuster teen film "Love, Simon."

During the audition, he embarrassingly mispronounced a word, stumbled nervously through his lines, and came dressed looking the part of the role he was auditioning for: a Waffle House employee. He was the only actor auditioning who did so.

It appears the waiter look didn't end up hurting his chances too much, though. The 23-year-old from Minnesota landed the role of "Lyle" in "Love, Simon" — Greg Berlanti's groundbreaking film based on Becky Albertalli's 2015 bestselling novel, "Simon vs. the Homo Sapiens Agenda."


[rebelmouse-image 19532209 dam="1" original_size="500x181" caption="Pollari as Lyle (the Waffle House worker) in "Love, Simon." GIF via "Love, Simon."" expand=1]Pollari as Lyle (the Waffle House worker) in "Love, Simon." GIF via "Love, Simon."

In the film, Lyle plays a potential love interest to Simon, and there's a real possibility he's also "Blue" — a pseudonym for the gay classmate Simon is corresponding with romantically online.

"Love, Simon" is Hollywood's first major studio-produced teen rom-com featuring a gay lead.

Its big budget and wide release meant most young LGBTQ people across the country could see "Simon" at their local theater. That's never been the case with an LGBTQ-themed movie for teens before.

While the film opened to modest box office results after its March 16 premiere, a top rating from Cinemascore, rave reviews, and successful word-of-mouth slowly turned "Love, Simon" into a success in more ways than one.

For Pollari — who came out as gay at age 18, and had experienced bullying because of his sexual orientation — the film's themes hit especially close to home.

Photo by Luke Fontana.

I sat down with Pollari to discuss the film's success, positive fan reactions, and the audition fail that totally wasn't.

On the moment it truly sunk in that "Simon" was a film like no other:

I probably learned it way too late. [laughs] I think it wasn’t until I saw the movie in a pre-screening that I thought, "Oh, this is weird, isn’t it? I’m watching a gay narrative on a major studio lot. 20th Century Fox made this. No one had to strong-arm them into getting it made, and it’s not fringe." That’s when it really hit me and dawned on me that a big step was being made.

On his personal similarities to — and differences with — Simon:  

Our stories are somewhat related, in that the environment was productive for coming out — and by that, I mean supportive. But Simon and I were pretty different, I would say. I was a pretty fabulous kid. [laughs] I don’t think many people were surprised [to learn I was gay]. So that experience was different. I got bullied here and there for people thinking that I was gay. I see myself in Simon, but I see myself in Ethan, too, [actor] Clark Moore’s character.

On "Love, Simon's" impressive word-of-mouth heating up the box office:

It’s really nice that people are responding to it and want to go see it again, and are telling someone else to go see it. It shows that the people really want this movie and they want their friends to see it.

If we’re looking at it in an industry sense and financial sense, it’s doing really well, and maybe will help support more [LGBTQ-themed] movies getting made.

Photo by Rodin Eckenroth/Getty Images.

On fans reacting to the historic nature of the film:

A couple people have reached out — more than a couple — saying they either came out [as LGBTQ] because of the movie, or expressing their gratitude. You know, feeling appreciative they can see themselves in any way, shape, or form on the big screen.

Or, older people reaching out and saying, "I wish I had this movie when I was a teenager, but I’m happy to have it now." People have been really generous with it. I think that’s been the coolest part of the whole experience — how people have been responding to it.

On thinking he totally botched his audition for "Love, Simon":

I thought the whole thing was a stumble through. [laughs] I was the only one dressed in something that resembled a Waffle House uniform. I was like, "I’m so stupid, wearing this stupid uniform." It was a hat and collared shirt, tucked into pants. And I was there and thought, "You are such a nerd." [laughs] "Why are you here?"

I went to the audition thinking I was just going to be me during it. And then I was really being me when I pronounced "Hanukkah" wrong. I was nervous. It was a whole thing. I called my manager afterward and was like, "Well, that’s one for the books, onto the next!"

SPOILER QUESTION AND ANSWER BELOW.

On fans hoping Lyle was really Blue at the end of the film:

I did have some people who were rooting for Lyle to be up there on the Ferris wheel. Mostly my family, to be completely honest. [laughs]  

Check out Joey Pollari — in all of his Waffle House uniform glory — in a trailer for "Love, Simon," below:

This interview has been condensed and edited for clarity.

Pop Culture

Artist uses AI to create ultra realistic portraits of celebrities who left us too soon

What would certain icons look like if nothing had happened to them?

Mercury would be 76 today.

Some icons have truly left this world too early. It’s a tragedy when anyone doesn’t make it to see old age, but when it happens to a well-known public figure, it’s like a bit of their art and legacy dies with them. What might Freddie Mercury have created if he were granted the gift of long life? Bruce Lee? Princess Diana?

Their futures might be mere musings of our imagination, but thanks to a lot of creativity (and a little tech) we can now get a glimpse into what these celebrities might have looked like when they were older.

Alper Yesiltas, an Istanbul-based lawyer and photographer, created a photography series titled “As If Nothing Happened,” which features eerily realistic portraits of long gone celebrities in their golden years. To make the images as real looking as possible, Yesiltas incorporated various photo editing programs such as Adobe Lightroom and VSCO, as well as the AI photo-enhancing software Remini.

“The hardest part of the creative process for me is making the image feel ‘real’ to me,” Yesiltas wrote about his passion project. “The moment I like the most is when I think the image in front of me looks as if it was taken by a photographer.”

Yesiltas’ meticulousness paid off, because the results are uncanny.

Along with each photo, Yesiltas writes a bittersweet message “wishing” how things might have gone differently … as if nothing happened.
Keep ReadingShow less
All images provided by Adewole Adamson

It begins with more inclusive conversations at a patient level

True

Adewole Adamson, MD, of the University of Texas, Austin, aims to create more equity in health care by gathering data from more diverse populations by using artificial intelligence (AI), a type of machine learning. Dr. Adamson’s work is funded by the American Cancer Society (ACS), an organization committed to advancing health equity through research priorities, programs and services for groups who have been marginalized.

Melanoma became a particular focus for Dr. Adamson after meeting Avery Smith, who lost his wife—a Black woman—to the deadly disease.

melanoma,  melanoma for dark skin Avery Smith (left) and Adamson (sidenote)

This personal encounter, coupled with multiple conversations with Black dermatology patients, drove Dr. Adamson to a concerning discovery: as advanced as AI is at detecting possible skin cancers, it is heavily biased.

To understand this bias, it helps to first know how AI works in the early detection of skin cancer, which Dr. Adamson explains in his paper for the New England Journal of Medicine (paywall). The process uses computers that rely on sets of accumulated data to learn what healthy or unhealthy skin looks like and then create an algorithm to predict diagnoses based on those data sets.

This process, known as supervised learning, could lead to huge benefits in preventive care.

After all, early detection is key to better outcomes. The problem is that the data sets don’t include enough information about darker skin tones. As Adamson put it, “everything is viewed through a ‘white lens.’”

“If you don’t teach the algorithm with a diverse set of images, then that algorithm won’t work out in the public that is diverse,” writes Adamson in a study he co-wrote with Smith (according to a story in The Atlantic). “So there’s risk, then, for people with skin of color to fall through the cracks.”

Tragically, Smith’s wife was diagnosed with melanoma too late and paid the ultimate price for it. And she was not an anomaly—though the disease is more common for White patients, Black cancer patients are far more likely to be diagnosed at later stages, causing a notable disparity in survival rates between non-Hispanics whites (90%) and non-Hispanic blacks (66%).

As a computer scientist, Smith suspected this racial bias and reached out to Adamson, hoping a Black dermatologist would have more diverse data sets. Though Adamson didn’t have what Smith was initially looking for, this realization ignited a personal mission to investigate and reduce disparities.

Now, Adamson uses the knowledge gained through his years of research to help advance the fight for health equity. To him, that means not only gaining a wider array of data sets, but also having more conversations with patients to understand how socioeconomic status impacts the level and efficiency of care.

“At the end of the day, what matters most is how we help patients at the patient level,” Adamson told Upworthy. “And how can you do that without knowing exactly what barriers they face?”

american cancer society, skin cacner treatment"What matters most is how we help patients at the patient level."https://www.kellydavidsonstudio.com/

The American Cancer Society believes everyone deserves a fair and just opportunity to prevent, find, treat, and survive cancer—regardless of how much money they make, the color of their skin, their sexual orientation, gender identity, their disability status, or where they live. Inclusive tools and resources on the Health Equity section of their website can be found here. For more information about skin cancer, visit cancer.org/skincancer.

via Dion Merrick / Facebook

This article originally appeared on 02.09.21


At 1:30 am on Monday morning an AMBER Alert went out in southern Louisiana about a missing 10-year-old girl from New Iberia. It was believed she had been kidnapped and driven away in a 2012 silver Nissan Altima.

A few hours later at 7 am, Dion Merrick and Brandon Antoine, sanitation workers for Pelican Waste, were on their daily route when they noticed a vehicle that fit the description in the alert.

Keep ReadingShow less
Joy

Nurse turns inappropriate things men say in the delivery room into ‘inspirational’ art

"Can you move to the birthing ball so I can sleep in the bed?"

Holly the delivery nurse.

After working six years as a labor and delivery nurse Holly, 30, has heard a lot of inappropriate remarks made by men while their partners are in labor. “Sometimes the moms think it’s funny—and if they think it’s funny, then I’ll laugh with them,” Holly told TODAY Parents. “But if they get upset, I’ll try to be the buffer. I’ll change the subject.”

Some of the comments are so wrong that she did something creative with them by turning them into “inspirational” quotes and setting them to “A Thousand Miles” by Vanessa Carlton on TikTok.

“Some partners are hard to live up to!” she jokingly captioned the video.

Keep ReadingShow less