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They saw refugees sleeping in tents. So they made them a home.

Thousands of refugees got stuck in Athens, but anarchists came to their rescue.

When Germany opened its borders to refugees during the summer of 2015, the flow of migrants moving through Athens turned to a flood.

Hundreds of thousands of people — mostly Syrians — passed through the city, usually leaving in a few days or weeks. Then, in March, the borders closed.

Now, around 10,000 people are stuck in Athens, unable to continue their journeys. Some live in hotels, but most have run out of money. They sleep in tents at the port, at an abandoned airport outside the city, or sometimes even on the street.


But in one of Athens’ bohemian neighborhoods, Exarchia, activists and artists have decided to help, using a resource they have plenty of: empty buildings.

“Squats” in Athens date back to the late '80s, when anarchists began setting up communal homes in abandoned buildings. They've since become something of a Greek tradition, accompanied by a community of people who know which buildings you can occupy without getting kicked out and how to set up electricity and plumbing.

Abeer, 40, arrived in Greece two months ago. Half of her family is in Leipzig, Germany. Here, she teaches refugee children English in a squat. Photo by Marcos Andronicou, used with permission.

Each squat is run by its own assembly, which usually makes decisions by consensus. They share a left-wing outlook and an anti-fascist attitude (something that means a lot in a country where a real fascist party, Golden Dawn, holds seats in parliament!)

In January 2016, when the borders began to close and more people were trapped, Athenians set up these squats to take in refugees.

The economic collapse of 2009 left more buildings available, so the first building to be occupied in 2016 was a former government building on Notara Street.

Activists cleaned up debris, fixed some plumbing, and welcomed the refugees most in need: families. The building now houses about 130 people, most of them women and children. In a classroom downstairs, children’s pictures show scenes of war and hopeful images of their future homes, and a big whiteboard shows a chart for the week’s chores. In a kitchen upstairs, a group of women are preparing food for the next meal while one floor up, men install another shower.

“Greeks have been refugees in many places,” said Phevos Simeonides, a young Athenian who’s involved with a bunch of different squats. “So even though there are some who are hostile to refugees, most have an instinct for solidarity with them.”

The founder of one squat feels this solidarity especially strongly: He’s Syrian himself.

Kastro Preta Dakduk, a painter, came to Greece 28 years ago from Syria. When the refugee crisis hit last summer, Kastro worked on the islands and in the port of Piraeus. At the makeshift camp at the port, he saw people with no money and no place to go, living in tents. Then he heard about an old school that had been abandoned for two years.

Children play in the formerly abandoned high school in central Athens, which has been transformed into a refugee hosting center by an autonomous group of volunteers and activists. Photo by Marcos Andronicou, used with permission.

“In Syria, where fights and war were happening, the schools were open for all the people to find a shelter,” he said.

So they chose this school to set up in. Squats are technically illegal — they usually haven’t done paperwork and don’t pay rent. But the Greek government generally leaves them alone because it’s so overwhelmed with refugees that they’re glad to have the help.

“We asked the municipal government about the school,” he said, “and they said no. We said, 'Thank you very much,' and the next day we came here.”

The four-story school was one of the biggest buildings in the city, and getting it ready for the refugees took a lot of hard work.

The water was on when they moved in, but the sewage line wasn’t connected, so for days they couldn’t use the showers or toilets and had to move porta-potties into the yard. But now the squat is working at full capacity, with 350 people living there, including 150 children.

One of the mottos of the squats is “self-organization,” which means that instead of taking orders from Greek organizers, residents do most of their own work.

This is important because it means that refugees get the chance to use their skills and training again.

Hamd, a 26-year-old from Damascus, has a degree in hotel management. As soon as he got to the school, he started working in the kitchen. At first, there was no working oven and few supplies, but piece by piece, he and Kastro got the equipment they needed.

Now the kitchen has six seatings a day, with a morning, afternoon, and night shift, and it goes through 22 kilograms of rice per meal, just for starters. When I was there, dinner was spicy chicken with rice and salad.

“Greeks have been refugees in many places.”

Hamd’s friend Hussein works in information technology in Syria, and at the school, he’s working to set up the Wi-Fi network. There’s even a security detail: three patrols per night with two people each to look out for smugglers or drug dealers.

The school building has come back to life – and it has turned back into a school, too.

Fatima, who was an Arabic teacher in Syria, teaches class every day from 5-7 p.m., and volunteers teach English classes as well. With little space inside, classes are often held in the courtyard, where students sit in neat rows, taking notes.

Abeer teaches Syrian, Afghan, and Iraqi children. She has Palestinian heritage but was born and grew up in Damascus. Photo by Marcos Andronicou, used with permission.

Other times it looks like recess, with younger kids running around and older ones playing basketball or leaning up against the wall and talking.

It’s still far from perfect. It’s hot and crowded, and few of the refugees know when, or if, they can get to Western Europe. But for now, the school is a welcome refuge.

“In other camps, it’s very bad,” Hamd told me. “No electricity, nothing. In this place, we can feel safe.”

Pop Culture

Artist uses AI to create ultra realistic portraits of celebrities who left us too soon

What would certain icons look like if nothing had happened to them?

Mercury would be 76 today.

Some icons have truly left this world too early. It’s a tragedy when anyone doesn’t make it to see old age, but when it happens to a well-known public figure, it’s like a bit of their art and legacy dies with them. What might Freddie Mercury have created if he were granted the gift of long life? Bruce Lee? Princess Diana?

Their futures might be mere musings of our imagination, but thanks to a lot of creativity (and a little tech) we can now get a glimpse into what these celebrities might have looked like when they were older.

Alper Yesiltas, an Istanbul-based lawyer and photographer, created a photography series titled “As If Nothing Happened,” which features eerily realistic portraits of long gone celebrities in their golden years. To make the images as real looking as possible, Yesiltas incorporated various photo editing programs such as Adobe Lightroom and VSCO, as well as the AI photo-enhancing software Remini.

“The hardest part of the creative process for me is making the image feel ‘real’ to me,” Yesiltas wrote about his passion project. “The moment I like the most is when I think the image in front of me looks as if it was taken by a photographer.”

Yesiltas’ meticulousness paid off, because the results are uncanny.

Along with each photo, Yesiltas writes a bittersweet message “wishing” how things might have gone differently … as if nothing happened.
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All images provided by Adewole Adamson

It begins with more inclusive conversations at a patient level

True

Adewole Adamson, MD, of the University of Texas, Austin, aims to create more equity in health care by gathering data from more diverse populations by using artificial intelligence (AI), a type of machine learning. Dr. Adamson’s work is funded by the American Cancer Society (ACS), an organization committed to advancing health equity through research priorities, programs and services for groups who have been marginalized.

Melanoma became a particular focus for Dr. Adamson after meeting Avery Smith, who lost his wife—a Black woman—to the deadly disease.

melanoma,  melanoma for dark skin Avery Smith (left) and Adamson (sidenote)

This personal encounter, coupled with multiple conversations with Black dermatology patients, drove Dr. Adamson to a concerning discovery: as advanced as AI is at detecting possible skin cancers, it is heavily biased.

To understand this bias, it helps to first know how AI works in the early detection of skin cancer, which Dr. Adamson explains in his paper for the New England Journal of Medicine (paywall). The process uses computers that rely on sets of accumulated data to learn what healthy or unhealthy skin looks like and then create an algorithm to predict diagnoses based on those data sets.

This process, known as supervised learning, could lead to huge benefits in preventive care.

After all, early detection is key to better outcomes. The problem is that the data sets don’t include enough information about darker skin tones. As Adamson put it, “everything is viewed through a ‘white lens.’”

“If you don’t teach the algorithm with a diverse set of images, then that algorithm won’t work out in the public that is diverse,” writes Adamson in a study he co-wrote with Smith (according to a story in The Atlantic). “So there’s risk, then, for people with skin of color to fall through the cracks.”

Tragically, Smith’s wife was diagnosed with melanoma too late and paid the ultimate price for it. And she was not an anomaly—though the disease is more common for White patients, Black cancer patients are far more likely to be diagnosed at later stages, causing a notable disparity in survival rates between non-Hispanics whites (90%) and non-Hispanic blacks (66%).

As a computer scientist, Smith suspected this racial bias and reached out to Adamson, hoping a Black dermatologist would have more diverse data sets. Though Adamson didn’t have what Smith was initially looking for, this realization ignited a personal mission to investigate and reduce disparities.

Now, Adamson uses the knowledge gained through his years of research to help advance the fight for health equity. To him, that means not only gaining a wider array of data sets, but also having more conversations with patients to understand how socioeconomic status impacts the level and efficiency of care.

“At the end of the day, what matters most is how we help patients at the patient level,” Adamson told Upworthy. “And how can you do that without knowing exactly what barriers they face?”

american cancer society, skin cacner treatment"What matters most is how we help patients at the patient level."https://www.kellydavidsonstudio.com/

The American Cancer Society believes everyone deserves a fair and just opportunity to prevent, find, treat, and survive cancer—regardless of how much money they make, the color of their skin, their sexual orientation, gender identity, their disability status, or where they live. Inclusive tools and resources on the Health Equity section of their website can be found here. For more information about skin cancer, visit cancer.org/skincancer.

via Dion Merrick / Facebook

This article originally appeared on 02.09.21


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"Can you move to the birthing ball so I can sleep in the bed?"

Holly the delivery nurse.

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Some of the comments are so wrong that she did something creative with them by turning them into “inspirational” quotes and setting them to “A Thousand Miles” by Vanessa Carlton on TikTok.

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