Even facial recognition software is racially biased. But that may be about to change.

Across the country, millions of people are in an uproar about racism in policing and law enforcement as a whole – however one of the more sinister and overlooked aspects of racism in policing is found in the very place where human bias is supposed to be notably absent. Facial recognition, the technology used for…

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Across the country, millions of people are in an uproar about racism in policing and law enforcement as a whole – however one of the more sinister and overlooked aspects of racism in policing is found in the very place where human bias is supposed to be notably absent.

Facial recognition, the technology used for surveillance in many communities nationwide, has now become a major point of discussion for many who are deeply concerned that the inherent bias of its algorithm is not racially impartial.

Used for observation, tracking, and in many cases prosecution – facial recognition has been in use by many agencies for well over 20 years. There’s just one glaring error – it is mostly accurate when it is profiling white men.


Studies by M.I.T. and NIST have found that because of a lack of diversity in the databases the technology uses as a baseline, the systems are flawed from the start. Having a broken database to work from, the rates of misidentification are in danger of destroying countless lives due to a computing bias that doesn’t have a large enough reference pool from which to analyze data.

This month, Microsoft, Amazon, and IBM announced they would stop or pause their facial recognition offerings for law enforcement. However, many of the technology companies that law enforcement utilize aren’t as recognizable as Amazon. Some of them are lesser known outfits like Clearview AI, Cognitec, NEC, and Vigilant Solutions.

The fact that the protests have reignited the conversation regarding facial recognition is an interesting development, as protests themselves are a main source of data-gathering for the systems themselves. Protests, along with general collection points (social media, phone unlocking, security camera capture, image scraping).

Joy Buolamwini, a Ghanaian-American computer scientist and digital activist based at the MIT Media Lab, founded the Algorithmic Justice League to “create a world with more ethical and inclusive technology”. Her work over the past few years has helped to bring attention to the issue of the racial bias in the system.

Speaking to The Guardian, Buolamwini explains, “When I was a computer science undergraduate I was working on social robotics – the robots use computer vision to detect the humans they socialize with. I discovered I had a hard time being detected by the robot compared to lighter-skinned people. At the time I thought this was a one-off thing and that people would fix this. Later I was in Hong Kong for an entrepreneur event where I tried out another social robot and ran into similar problems. I asked about the code that they used and it turned out we’d used the same open-source code for face detection – this is where I started to get a sense that unconscious bias might feed into the technology that we create. But again I assumed people would fix this. So I was very surprised to come to the Media Lab about half a decade later as a graduate student, and run into the same problem. I found wearing a white mask worked better than using my actual face.

Buolamwini continues, “This is when I thought, you’ve known about this for some time, maybe it’s time to speak up … Within the facial recognition community you have benchmark data sets which are meant to show the performance of various algorithms so you can compare them. There is an assumption that if you do well on the benchmarks then you’re doing well overall. But we haven’t questioned the representativeness of the benchmarks, so if we do well on that benchmark we give ourselves a false notion of progress.”

Many have raised this concern in the past, however it has taken a wave of demonstrations nationally to bring the issue back into conversation for tech companies reexamining their relationships with how they build and distribute products – especially as it relates to law enforcement.

Another early whistleblower concerning racial bias in AI was Calypso AI, a software company that “builds software products that solve complex AI risks for national security and highly-regulated industries”.

Speaking with Davey Gibian, Chief Business Officer at Calypso AI, he revealed that Calypso had already been working on a comprehensive anti-bias tool for their systems over the past few months that is launching imminently.

Describing the overall issues related to facial recognition bias, Gibian explains, “There are two primary issues when it comes to racial profiling and police specific bias, one is data collection and data availability. The data available is based on things that have already happened – so police are looking for criminals by looking at data of who has already been booked. However, because police primarily target minority communities, that creates an inherent data bias model that predicts minorities will commit the most crime. The second primary issue is that even if you are aware of bias – simply stripping out race alone doesn’t help. You actually have to address the other elements related to the race data. For example, the geo-coordinates, the context of the capture, mugshots, the neighborhoods where people live, and other indicators from open source data, like spending habits, articles of clothing associated with minority and marginalized communities. All of these factors contribute to bias models, which leads police to use preexisting bias to designate criminals. So, because these are feedback loops in AI – it’s going to over-index racial bias.”

Put simply, he says, “Existing police data is biased because police are biased – models trained on that bias will be biased. Bias begets bias.”

When planning their approach to combat this deeply rooted issue in the system, Calypso decided to go for transparency instead of the murky steps many other outfits have opted for.

Speaking matter-of-factly, Gibian continues, “There aren’t enough tools to ensure that correlated indicators of race are stripped out of models. Our entire mission is to accelerate trusted AI into societal benefit – basically, we want to use AI for good. A massive barrier is the ethical and non-technical impact of AI and bias is one of the largest concerns we have. Because of this we’ve baked in an automated bias-detection tool into our software to ensure that any organization deploying a model can check for inherent bias, and can know not only if the data is biased, but how to mitigate against that. We believe that these bias scores should be shared with the public anytime AI is used in a public sector.”

As the Black Lives Matter protests continue and the movement moves from the streets to policy change, what remains to be seen is whether the large corporations that are publicly pledging support will follow the example of smaller companies like Calypso AI, Arthur AI, Fiddler, Modzy and others who are looking into bias in AI systems – and whether they will implement permanent solutions that make facial recognition a truly impartial, unbiased tool for the future.

It is worth noting that the Department of Defense recently released new guidance that explicitly requires that any AI used must not be biased.

Despite these positive movements towards a better technology overall, Gibian warns, “There’s a huge amount of benefit that AI can bring to make a more equitable society – but there are also pitfalls as a result of the original human bias. If we don’t avoid that – AI could accelerate a less equitable and more disenfranchised future.”

  • ‘You better than that’: Door camera shows woman stopping package thief with tough love
    A Black woman (left) and packages on a stoop (right).Photo credit: Canva
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    ‘You better than that’: Door camera shows woman stopping package thief with tough love

    She turned a tense moment into an unforgettable display of empathy.

    In a moment when most people might respond with anger and discipline, one Philadelphia woman chose instead to lead with compassion.

    On March 6, Bernadette Williams noticed a stranger across the street near a neighbor’s porch. As seen on Williams’ doorbell camera, a woman with a partial face covering appeared to reach for a delivered package. It was the kind of scene that immediately raises alarm, and Williams responded without hesitation.

    ‘What are you doing? Put that back! Put that back!’

    The woman quickly dropped the package. For a brief moment, the situation hung in the balance. It could have turned into a confrontation, a threat, or a call to the police. But then Williams made a choice that shifted the entire tone of the encounter.

    “I said, ‘She’s in trouble. How can I make a bad situation better?’ You have to be a part of the solution,” she later told WPVI

    Rather than continuing to call out the woman, Williams began speaking to her in a completely different way. As her voice softened, her message changed from warning to encouragement.

    “You better than that. Get some help. I love you. God loves you,” she told the woman.

    Then came the offer that has stayed with so many people who have heard the story. Reaching into her pocket, Williams told the stranger, “I’ll give you some money. Here’s $7, here’s $7.” It was all she had, and she gave it up willingly. 

    package thief, kindness, Philadelphia
    Close-up of hands offering money. Photo credit: Canva

    The exchange was brief, but its impact was clear

    As WPVI reported, the woman apologized and thanked her before leaving. Williams said she could see something had shifted in her expression.

    “Her eyes of ‘I’m sorry.’ That was in her heart, and that’s what I read. I hope that she will be fine, and I have faith that she will be fine.”

    For Williams, the decision was not about ignoring wrongdoing, but about recognizing what might be underneath it. Instead of seeing a thief, she saw someone who might be struggling.

    “She started realizing ‘I am somebody,’” Williams said. “She started realizing that ‘There is somebody out here that cares.’”

    package thief, kindness, Philadelphia
    A close-up of eyes. Photo credit: Canva

    That perspective comes from years of living in the same neighborhood and feeling connected to the people in it. Williams believes that communities are shaped by how people choose to respond to one another, especially in difficult moments.

    “We are a part of this community, and we can make our community better,” she told WPVI.

    The big takeaway

    There’s a common assumption that accountability must come with harshness. This story shows that it doesn’t always have to. The would-be thief is held accountable while maintaining everyone’s dignity, making a different choice in the future far more likely.

    While it’s impossible to know what happens next for the woman in the video, what remains is the example Williams set by actively choosing humanity when most would not.

  • Ethan Hawke beautifully explains why AI art can’t replace imperfect human creativity
    Ethan Hawke gets philosophical about art and creativity.Photo credit: Elena Ternovaja/Wikimedia Commons

    As AI plays an increasing role in our world, questions about its appropriate use abound. There’s no doubt that technology has the potential to improve our lives dramatically. But the way we choose to use it can also impact us in ways we may not fully appreciate.

    For instance, how might AI impact our relationship with human creativity? Ethan Hawke was asked about the idea that “AI is the future of art,” and how he would argue that human creativity matters. People are loving his thoughts.

    Ethan Hawke on AI art versus reality

    “Nature is reality,” he said. “And when you get away from reality, you get lost. Human creativity is nature manifest in us. It is happening in us.”

    Then he gave an example of why AI art will never be able to replicate a piece of art created by a human.

    “AI could make an amazing portrait of the Sundance Film Festival, and it’ll be incredible,” he said. “Or my 14-year-old could color her impression of it. And the thing about my 14-year-old’s is it’s not perfect. It’s hers. It’s unique to a moment in time and a place. And it’s inimitable because it’s coming from her, and she is beautiful. And it’s not the painting; it’s the energy behind the painting.”

    “What makes a poem great is not this collection of words,” he continued. “It’s the energy behind the poem. Dance can be…you see people who can barely dance, and you can cry at the joy happening with the music. Because they’re alive right now and they won’t be forever. And when we start making things being about perfection, you’re just belittling the experience of life. You’re just totally ceding your humanity.”

    Hawke concluded, “It makes me sad, but it also makes me excited, because I don’t want to do that. I’m not going to do that.”

    So many people resonated with his response in the comments:

    “This is so beautiful and so true ~ everything he says is so profound and I’m here for this thinking…. we’ve become a weird world of social media perfection.”

    “I love how he got 🥲 talking about the imperfections created by hand from his daughter. What a beautiful way of describing creativity.”

    “Can he just write a philosophy book already? We all know we’d read it.”

    @ethanhawke always saying what the world needs to hear. Thank you sir! Thank you for defending the magic of NATURE and defending the MAGIC of humanity. More of this ENERGY and CONSCIOUSNESS ❤️❤️❤️.”

    “This feels less like an anti-AI take and more like a pro-human one.”

    AI isn’t going anywhere, time to choose the role it plays in society

    That last comment hits the nail on the head. Whether you love it, hate it, or aren’t sure how to feel about it, AI is here. The conversations we have about it, and how we consciously choose to engage with it, matter. There’s a lot to consider on that front, ethically, educationally, environmentally, and more.

    But one thing those considerations are forcing us to do is to examine the value of human creativity. Not the dollar amounts we can assign to it, but the inherent value of the energy behind an artist’s unique expression. Generative AI will never be able to replace human creativity, no matter how “perfectly” it may replicate it. The real beauty of art is the singularity of the human spirit and the unique energy an artist brings to it.

    As Hawke said, we can choose not to cede our humanity in the age of AI—and we can be excited about that choice because the beauty of human creativity is absolutely worth celebrating.

  • Pop music’s most famous phone number now connects callers to a cancer support helpline
    Jenny's number can now help cancer patients.Photo credit: TutoneJJ/YouTube & Canva

    Since the 1980s, one particular phone number has earwormed its way into pop culture’s collective memory. That number? 867-5309 (which you probably just sang in your head). Today, however, that memorable number doesn’t belong to Jenny anymore. Thanks to Tommy Tutone’s frontman, dialing it now connects cancer patients to a support group.

    Tommy Heath, the lead singer of Tommy Tutone, teamed up with the Cancer Support Community to secure the number for its free support helpline. In an exclusive interview with People, Heath shared how cancer has affected him as he’s gotten older, noting that he is dealing with “minor” skin cancer himself.

    “I have some family members who are struggling with cancer,” he told People. “I’m out on tour with a lot of bands and suddenly somebody’s not there.” 

    The song’s prank-filled past

    The song “867-5309/Jenny” reached No. 4 on the Billboard Hot 100 in 1982. However, its catchy, memorable chorus led to a wave of stories beyond music. It also sparked years of prank calls, with people asking for “Jenny” whenever they dialed the number—both during the song’s heyday in the 1980s and decades later.

    The Cancer Support Community’s hotline provides expert support from trained specialists who offer personal guidance, information, and a listening ear for cancer patients. Having such a recognizable phone number helps ensure people know exactly which number to dial for help. After learning this, Heath stepped in, wanting to give back after getting so much from the number that made him famous.

    “I need to give back to the community, the people who have supported me all these years,” he told People. “I’m going to do what I can…I’d be happy if this was an enduring legacy, and made people smile and give them hope.”

    Now, when someone dials the number using the 272 area code (or “CSC,” for “Cancer Support Community”), it connects them to a professional who can help people with cancer.

    At 78, Heath is still going strong, performing live. And yes, he still happily plays and sings “867-5309/Jenny” for the crowds that support him.

    If you need additional or specialized support in your battle against cancer, visiting the American Cancer Society’s website can help. Searching for and connecting with professionals there can provide patients with additional resources, including in-person, local support.

  • Grocery store’s produce section concerts give indie musicians a live venue. People want more.
    A band plays in the produce section of Fiesta Fresh Market. Photo credit: Fiesta Fresh Market/YouTube
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    Grocery store’s produce section concerts give indie musicians a live venue. People want more.

    “We need this right now in the world…Real humans doing real human things.”

    On the outside, Fiesta Fresh Market looks like just another neighborhood grocery store in New Castle, Delaware. Inside the produce section, however, customers can listen to local bands perform their latest songs live and in person. These “Mercadito Sessions” have since evolved from a simple community offering into a full-fledged live music event.

    While grocery stores and live music don’t typically mix, at Fiesta Fresh Market, it’s part of the family. The Aguilar Garcia family, who run the store, have music in their roots—especially co-owner José Luis Aguilar Garcia, who works in the music industry.

    In the hope of helping Mexican American bands gain more exposure, José and his family offered their produce section as a space for Latin musicians to perform for customers. They were inspired by National Public Radio’s “Tiny Desk Concerts,” which feature artists performing live in a confined space.

    These produce section mini-concerts, dubbed “The Mercadito Sessions,” initially puzzled customers. Over time, however, shoppers came to welcome and enjoy the live music, with some even visiting just for the performances. Then, posts on the store’s social media featuring the bands began to go viral.

    “The idea is to highlight independent artists from the area,” José told CBS Philadelphia. “Because it’s getting more attention online, people are excited. They’ll ask when we’re doing the next one.”

    Commenters on the store’s Instagram celebrated the market’s concert concept:

    “This is so cool. Not everyone wants to go to bars and/or have to stay up late to hear live music. I love this so much.”

    “Honestly this is the absolute coolest thing ever.”

    “Amazing music scenes going on everywhere, love the magic being shared.”

    “We need this right now in the world…Real humans doing real human things.”

    “Such an innovative and creative idea! 🥹💫”

    @fiestafreshmarket

    Just put the bananas in the bag bro @erre6ixx

    ♬ original sound – Fiesta Fresh Market

    While the Mercadito Sessions showcase Mexican regional music, they are open to any genre. As the series gained attention online, many bands reached out to Fiesta Fresh Market to get booked. Several acts have come to perform and record as customers pick out fresh fruits and vegetables.

    Concerts for the community, by the community

    Musicians and customers alike say these concerts provide a sense of community among Latin Americans living in Delaware. They not only celebrate their culture, but also showcase it to others in New Castle.

    “It gives us a platform to portray who we really are,” musician Jesús Beltran Méndez told CBS Philadelphia. “There’s a lot of misconceptions about who we are. There are bad people. There are good people. We are just human.”

    @fiestafreshmarket

    @Los K-Bros “Ya No Me Llames” (Unreleased) live desde Fiesta Fresh Market

    ♬ original sound – Fiesta Fresh Market

    Demand for the music has grown so much that the grocery store is now hosting and promoting a full-fledged concert event. What was once a place to buy groceries has become a spotlight for the community—all by offering a small space in an aisle.

  • A ‘gentleman’ reveals 4 reasons why men suddenly stopped wearing fancy hats in the ’60s
    Men wearing hats speak in the 1930s.Photo credit: Mitchell Library, State Library of New South Wales/Wikimedia Commons
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    A ‘gentleman’ reveals 4 reasons why men suddenly stopped wearing fancy hats in the ’60s

    Men and women once went out wearing hats, and then suddenly, they disappeared.

    One of the most striking things about real-life footage of Americans from the advent of the camera until around 1970 is that nearly all men, and many women, are wearing hats. In footage from the 1940s, for example, men boarding the subway to go to work are almost always seen in fedoras, trilbys, or homburgs. Earlier clips show them in bowlers and top hats.

    It’s as if, before TV turned color, Americans were a nation of conformists who all dressed the same way. So how did men across the Western world go from wearing hats every day for decades to suddenly going bareheaded? Preston Schlueter of the Gentleman’s Gazette outlines four reasons in a YouTube video with more than 2 million views.

    Four reasons why men stopped wearing hats

    1. Climate control

    “One of the biggest reasons for the loss of hat-wearing is likely that we now have better control over our indoor climate than we used to,” Schlueter says. “This is also why men can now go in and out of doors wearing sometimes fewer than two layers of clothing, and why things like gloves and scarves aren’t as popular as they used to be.”

    2. Social class

    “Social class was an incredibly important aspect of Western society, and people were absolutely expected to know their place,” Schlueter says. “But, after the horrors of war brought every social class just a bit closer, we began to focus more on the individual, rather than on the class in which they resided. As a result, then, the practice of wearing clothing and, particularly, hats to signify yourself as part of a distinct group has become largely extinct.”

    hats, vintage hats, old-timey fashion, top hat
    A man and woman wearing hats at the turn of the century. Photo credit: Adományozó/Wikimedia Commons

    3. Highways and cars

    Back in the day, when transportation consisted of subway cars, trolley cars, horse-drawn buggies, or horseback travel, there was plenty of headroom, even for someone wearing a top hat. However, with the advent of the automobile, headroom in vehicles changed drastically.

    “Look up at the ceiling in your own car. How much headroom do you have there? The answer is probably not much, perhaps even for a relatively soft or short hat style,” Schlueter says. “Simply put, modern cars aren’t built to accommodate the hat styles of old.”

    bogart, bacall, the big sleep, classic films, movie stills
    Lauren Bacall and Humphrey Bogart in The Big Sleep. Photo credit: Warner Bros./Wikimedia Commons

    4. The Internet

    “In the last decade and a half or so, hats like the fedora and trilby have gained an increasingly negative reputation thanks to Internet memes from websites like 4chan, Reddit, and Tumblr,” Schlueter says. “Indeed, for some younger members of our audience, when we mention fedoras, they might first think of the infamous ‘tips fedora’ meme. Because there are now thousands of these easily spreadable memes all over the Internet, the fedora, in recent years, took on a decidedly less-than-cool reputation.”

    Hats are due for a comeback

    In the end, there are many reasons people stopped wearing fancy hats every day. It appears to be a confluence of historical events, technological progress, and social pressures that influenced this major shift in fashion. But that doesn’t mean the era of the hat is gone forever. If one thing is certain, what goes out of fashion is always bound to come back.

  • Comedian Jack Shep steals new ‘SNL UK’ scene with impeccable Princess Diana impression
    Comedian Jack Shep as Princess Diana in a "Saturday Night Live UK" sketch. Photo credit: Sky TV/YouTube

    Saturday Night Live UK debuted over the weekend on Sky TV (and Peacock in America), and already, one performer is a fan favorite.  In a skit titled “David Attenborough’s Last Supper,” the famed naturalist, played by George Fouracres, invites several of “history’s greatest Britons,” who have been resurrected thanks to his brother Richard Attenborough’s “Jurassic Park technology.”

    Naturally, the sketch featured a slew of impressive celebrity impersonations, from Freddie Mercury to Winston Churchill to Agatha Christie. But even in a sea of notable performances, it was comedian Jack Shep’s Princess Diana who really stole the show.

    Watch:

    While Shep’s Diana does speak here and there—thanking Attenborough for the invitation and reassuring Freddie Mercury that if a menu item “has an asterisk next to its name, then it comes with free rice”—most of the laugh-out-loud moments come from her coy, flirtatious glances at the camera while others are speaking. The People’s Princess has, after all, long been a queer icon. But this takes things to a whole new level.

    Reactions

    One leisurely scroll through the YouTube comments makes it clear that Shep was a fan favorite. Many are eager for Diana to become an SNL UK staple.

    @gaytimes

    Saturday Night Live UK premiered last night and we can’t stop thinking about Jack Shep’s impersonation of gay icon Princess Diana! The British version of the long-running US sketch show debuted with host Tina Fey and musical guest Wet Leg. ‘The Last Supper with David Attenborough’ saw a dinner party featuring a number of resurrected British icons, including Princess Di, Freddie Mercury and Elizabeth I 👏 #snl #princessdiana #diana #tinafey #saturdaynightlive

    ♬ original sound – GAY TIMES

    “The way he was eyeing the camera was hilarious.”

    I hope that Diana becomes a regular that randomly pops up in episodes to steal the show as she/he does here.”

    “Princess Di was to die for.”

    “I loved Princess Di but that Jack Shep impression was the funniest thing I’ve seen in ages.”

    “Hope she’s a recurring visitor…”

    “The Diana impression is an instant classic. Absolutely spot on.”

    “The star of this show is definitely the person that played Princess Diana.”

    Perhaps this comment says it best:

    “Princess Di was uniquely special in real life and this actor does do her memory justice even though it’s a silly comedy skit. I feel she might have had a good laugh about the whole thing and it’s not disrespectful at all.”

    Though Shep undoubtedly helped win favor among viewers, the overall reaction to an across-the-pond version of SNL has been mixed.

    Some things, like host Tina Fey’s opening monologue and the edgier “Weekend Update” segment, have been mostly well-received.

    However, some critics have lambasted the show as a “tepid cosplay” of its American predecessor, arguing that it copies the format without adding a unique touch. Still, even those critics seem to agree that certain elements need time to develop before the show can be fully assessed.

    One promising sign is that, much like SNL in the U.S., SNL UK can give relatively unknown comedians like Shep a chance to share their gifts with the world. That certainly seems like a win-win for everyone.

  • Brit shares the one-word ‘dead giveaway’ that American actors can’t do in an English accent
    Peter Dinklage on "Game of Thrones"Photo credit: Warner Bros Discovery
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    Brit shares the one-word ‘dead giveaway’ that American actors can’t do in an English accent

    “There is one word that is a dead giveaway that an English character in a movie or a TV show is being played by an American.”

    When it comes to actors doing accents across the pond, some Americans are known for their great British accents, such as Natalie Portman (“The Other Boleyn Girl”), Robert Downey, Jr. (“Sherlock Holmes”), and Meryl Streep (“The Iron Lady”). Some have taken a lot of heat for their cartoonish or just plain weird-sounding British accents, Dick Van Dyke (“Mary Poppins”), Kevin Costner (“Robin Hood: Prince of Thieves”) and Keanu Reeves (“Bram Stoker’s Dracula”).

    Some actors, such as Tom Hardy (“The Drop”) and Hugh Laurie (“House”), have American accents so good that people have no idea they are British. Benedict Townsend, a London-based comedian and host of the “Scroll Deep” podcast, says there is one word that American actors playing characters with a British accent never get right.

    And no, it’s not the word “Schedule,” which British people pronounce the entire first 3 letters, and Americans boil down to 2. And it’s not “aluminum,” which British and American people seem to pronounce every stinking letter differently.

     
    @benedicttown

    The one word American actors aways get wrong when doing an English accent

    ♬ original sound – Benedict Townsend

    What word do American actors always get wrong when they do British accents?

    “There is one word that is a dead giveaway that an English character in a movie or a TV show is being played by an American. One word that always trips them up. And once you notice it, you can’t stop noticing it,” Townsend says. “You would see this lot in ‘Game of Thrones’ and the word that would always trip them up was ‘daughter.’”

    Townsend adds that when British people say “daughter,” they pronounce it like the word “door” or “door-tah.” Meanwhile, Americans, even when they are putting on a British accent, say it like “dah-ter.”

    “So, top tip if you are an actor trying to do an English accent, daughter like a door. Like you’re opening a door,” Townsend says.

    Townsend later confirmed in a follow-up video that he and his wife identified the American actor in Netflix’s “A Good Girl’s Guide to Murder” within moments of hearing her speak. He also noted in an interview that “America” itself may be one of the hardest words for non-Americans to pull off convincingly in an American accent — which adds a pleasing layer of irony to the whole thing.

    As it turns out, the problem runs both ways.

    Some American commenters returned the favor by sharing the word that British actors never get right when using American accents: “Anything.”

    “I can always tell a Brit playing an American by the word anything. An American would say en-ee-thing. Brits say it ena-thing,” Dreaming_of_Gaea wrote.

    “The dead giveaway for English people playing Americans: ‘Anything.’ Brits always say ‘EH-nuh-thin,’” marliemagill added. “I can always tell an actor is English playing an American when they say ‘anything.’ English people always say it like ‘enny-thin,’” mkmason wrote.

    What is the cot-caught merger?

    One commenter noted that the problem goes back to the cot-caught merger, when Americans in the western US and Canadians began to merge different sounds into one. People on the East Coast and in Britain pronounce them as different sounds.

    “Depending on where you live, you might be thinking one of two things right now: Of course, ‘cot’ and ‘caught’ sound exactly the same! or “There’s no way that ‘cot’ and ‘caught’ sound the same!” Laura McGrath writes at DoYouReadMe. “As a result, although the different spellings remain, the vowel sounds in the words cot/caught, nod/gnawed, stock/stalk are identical for some English speakers and not for others.” For example, a person from New Jersey would pronounce cot and catch it as “caht” and “cawt,” while someone from Los Angeles may pronounce them as “caht” and “caht.”

    To get a better idea of the big difference in how “caught” and “cot” are pronounced in the U.S., you can take a look at the educational video below, produced for a college course on linguistics.

    American actors owe Townsend a debt of gratitude for pointing out the one thing that even the best can’t seem to get right. For some actors, it could mean the difference between a great performance and one that has people scratching their heads. He should also give the commenters a tip of the cap for sharing the big word that British people have trouble with when doing an American accent. Now, if we could just get through to Ewan McGregor and tell him that even though he is fantastic in so many films, his American accent still needs a lot of work.

    This article originally appeared last year.

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Culture

A ‘gentleman’ reveals 4 reasons why men suddenly stopped wearing fancy hats in the ’60s