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When a poet can't answer standardized test questions about her own poems, kids are screwed.

This poet's struggle with test questions analyzing her work verifies what many of us have long suspected.

For the record, I enjoy literary analysis. In fact, I loved studying literature and poetry in school so much that I became an English teacher myself.

However, there are elements of such studies that have never sat well with me.


Most of us learned to dissect poems and pick apart novels to find hidden meanings, process metaphors, and search for an author's intent and purpose in their work. And at some point, most of us have probably questioned whether or not those authors would agree with our overwrought assessments. Even I—someone who enjoys such analyses and have taught kids to do them—have wondered whether we sometimes push it too far.

TL; DR: Maybe our over-analysis of poetry and literature is kinda bunk.

Kids can develop valuable critical thinking skills through such exercises, but we veer toward the cliff when we start assigning correct and incorrect answers to them. Exploring different interpretations of a written work is one thing. Assigning a specific intent to a writer as if it's indisputable fact is entirely another—which is where the problem of standardized tests comes in.

Poet Sara Holbrook has had her poems analyzed not once, but twice, on standardized tests. She says it's b.s.

In 2017, Holbrook wrote an article for the HuffPost about her experience trying to answer questions about two of her poems that had shown up on a Texas standardized test.

One test question asked why she, the poet, had separated one of the poems into two stanzas. There were two major problems with the question: 1) The test makers mistakenly printed the poem without the stanza break, so there weren't two stanzas shown. And 2) None of the given answers were the actual reason Holbrook created a stanza break. She's a performance poet and she put the break where she paused when reciting the poem aloud. But no one asked her for her reasoning, and the real answer was not one of the test question options.

Another question asked why Holbrook used a certain simile. In answering the question herself, Holbrook says three of the four answers are correct—but only one is considered the right answer for the test makers.

This year, Holbrook faces yet another standardized test conundrum. In test prep materials from Mentoring Minds, LP, her 40-word poem titled "Walking on the Boundaries of Change" has a whopping eight questions associated with it.

Peter Greene, who interviewed Holbrook for Forbes and has seen the test prep booklet, wrote, "once again, the questions turn on the issue of word choice, central message, and which part of the poem does things 'best,' all of which hinge on the test taker's interpretation of the poet's intent. And all are multiple choice questions with four possible answers, the kind of test structure that, Holbrook says, causes 'students to grow up believing the right interpretation of anything is out there on the internet, and to discredit their own thoughts.'"

How are kids supposed to stand a chance in this reality? How does a love of literature survive such a boxing in?

Holbrook advises that educators and parents stop putting any stock in the "nonsense" these tests perpetuate.

Standardized tests can be appropriate measurement tools for objective knowledge, such as math or science or the structure of language. But the craft of writing does not lend itself well to right or wrong, one-correct-answer assessments—especially when they try to assume a writer's intent without even consulting the writer themselves.

Such tests can cause real harm to kids, especially—and perhaps ironically—those who instinctively understand the nuances and intricacies of poetry and literature. These tests are a quick way to suck the love of learning right out of intelligent, thinking students.

Holbrook told Greene that there are several solutions to this issue:

"Parents, demand to see the test prep materials. Teachers, don't waste time on test prep: you can't teach nonsense. Administrators, take the money you are spending on test prep and spend it on classroom libraries instead. There are no quick fixes. Kids need to read and write voluminously...If a bike helmet fails to protect a child from injury, consumers can sue the manufacturer. These tests are injurious, but shrouded in secrecy and thereby beyond the reach of most teachers and all parents."

As Holbrook wrote in her HuffPost article:

"The only way to stop this nonsense is for parents to stand up and say, no more. No more will I let my kid be judged by random questions scored by slackers from Craigslist while I pay increased taxes for results that could just as easily have been predicted by an algorithm. That’s not education, that’s idiotic."

As an educator, a parent, and a lover of the written word, I 100% agree.

10/10. The Mayyas dance.

We can almost always expect to see amazing acts and rare skills on “America’s Got Talent.” But sometimes, we get even more than that.

The Mayyas, a Lebanese women’s dance troupe whose name means “proud walk of a lioness,” delivered a performance so mesmerizing that judge Simon Cowell called it the “best dance act” the show has ever seen, winning them an almost instant golden buzzer.

Perhaps this victory comes as no surprise, considering that the Mayyas had previously won “Arab’s Got Talent” in 2019 and competed on “Britain’s Got Talent: The Champions.” But truly, it’s what motivates them to take to the stage that’s remarkable.

“Lebanon is a very beautiful country, but we live a daily struggle," one of the dancers said to the judges just moments before their audition. Another explained, “being a dancer as a female Arab is not fully supported yet.”

Nadim Cherfan, the team’s choreographer, added that “Lebanon is not considered a place where you can build a career out of dancing, so it’s really hard, and harder for women.”

Still, Cherfan shared that it was a previous “AGT” star who inspired the Mayyas to defy the odds and audition anyway. Nightbirde, a breakout singer who also earned a golden buzzer before tragically passing away in February 2021 due to cancer, had told the audience, “You can't wait until life isn't hard anymore before you decide to be happy.” The dance team took the advice to heart.

For the Mayyas, coming onto the “AGT” stage became more than an audition opportunity. Getting emotional, one of the dancers declared that it was “our only chance to prove to the world what Arab women can do, the art we can create, the fights we fight.”

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