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This innocent question we ask boys is putting more pressure on them than we realize

When it's always the first question asked, the implication is clear.

This innocent question we ask boys is putting more pressure on them than we realize


Studies show that having daughters makes men more sympathetic to women's issues.

And while it would be nice if men did not need a genetic investment in a female person in order to gain this perspective, lately I've had sympathy for those newly woke dads. My two sons have caused something similar to happen to me. I've begun to glimpse the world through the eyes of a young male. And among the things I'm finding here in boyland are the same obnoxious gender norms that rankled when I was a girl.

Of course, one notices norms the most when they don't fit. If my tween sons were happily boy-ing away at boy things, neither they nor I would notice that they were hemmed in.

But oh boy, are they not doing that.

In fact, if I showed you a list of my sons' collective interests and you had to guess their gender, you'd waver a bit, but then choose girl.

Baking, reading, drawing, holidays, films, volleyball, cute mammals, video games, babies and toddlers, reading, travel, writing letters.

I imagine many of you are thinking at this point: That's awesome that your boys are interested in those things!

There's more. One loves comics and graphic novels but gravitates to stories with strong female protagonists, like Ms. Marvel and The Unbeatable Squirrel Girl.

Cool! I love it.

And sports. They are thoroughly bored by team sports. They don't play them. They won't watch them. They will up- or down-arrow through any number of sporting events on TV to get to a dance contest or to watch competitive baking.

So? Nothing wrong with that.

Those are the kinds of things all my progressive friends say.

But it's often not the message my sons themselves hear from the other adults in their lives, their classmates, and the media.

For example, the first get-to-know-you question they are inevitably asked by well-meaning grown-ups is, "So, do you play sports?" When they say, "No, not really," the adult usually continues brightly, "Oh, so what do you like to do, then?"

No one explicitly says it's bad for a boy not to play sports. But when it's always the first question asked, the implication is clear: playing sports is normal; therefore, not playing them is not.

The truth is that one of them does play a sport. He figure skates, as does my daughter. When people find out that she skates, they beam at her, as if she suddenly has possession of a few rays of Olympic glory. In the days before my son stopped telling people that he ice skates, most of them hesitated and then said, "Oh, so you are planning to play hockey?"

But it's not just what people say. It's all those pesky, unwritten rules. When he was in second grade, my younger son liked the Nancy Drew and the Clue Crew series. But he refused to check any out of the school library. He explained: "Girls can read boy books, but boys can't read girl books. Girls can wear boy colors or girl colors, but boys can only wear boy colors. Why is that, Mom?"

I didn't have an answer.

An obvious starting point — and the one that we have the most control over — is to change the way we speak to the boys in our lives.

As Andrew Reiner suggests in a spot-on essay, we should engage boys in analytical, emotion-focused conversations, just like we do with girls. In "How to Talk to Little Girls," Lisa Bloom offers alternatives to the appearance-focused comments so often directed at young girls: asking a girl what she's reading or about current events or what she would like to see changed in the world. I could copy-paste Bloom's list and slap a different title on it: "How to Ask Boys About Something Besides Sports."

And with a few more built-in nudges, we might expand the narrow world of boyhood more quickly. Boy Scouts could offer badges for developing skills in child care, teamwork, and journaling. Girl-dominated activities like art, dance, gymnastics, and figure skating could be made more welcoming to boys, with increased outreach and retention efforts. My son could write his own essay about trying to fit in to the nearly all-girl world of figure skating, including the times he has had to change clothes in a toilet stall at skating events because there were no locker rooms available for boys.

I used to think that the concept of gender — of "girl things" and "boy things" — was what was holding us back.

Now I see it differently.

The interdependent yin and yang of gender is a fundamental part of who we are, individually and collectively. We need people who like to fix cars and people who like to fix dinner. We need people who are willing and able to fight if needed and people who are exquisitely tuned into a baby's needs. But for millennia, we have forced these traits to align with biological sex, causing countless individuals to be dissatisfied and diminished. For the most part, we've recognized this with girls. But we have a long way to go when it comes to boys. As Gloria Steinem observed, "We've begun to raise daughters more like sons … but few have the courage to raise our sons more like our daughters."

I acknowledge that young boys feeling pressured to be sports fans is not our country's biggest problem related to gender.

Transgender individuals still confront discrimination and violence. The #MeToo movement has revealed to anyone who didn't already know it that girls and women can't go about their everyday lives without bumping into male sexual aggression.

But if our culture shifts to wholeheartedly embrace the whole spectrum of unboyishness, it may play some small role in addressing these other issues, too. Male culture will be redefined, enriched, and expanded, diluting the toxic masculinity that is at the root of most of our gender-related problems.

Boys and girls alike will be able to decide if they would rather be made up of snips and snails, sugar and spice, or a customized mix. And my future grandsons, unlike my sons, won't think twice about wearing pink or reading about a girl detective at school.

This story originally appeared on Motherwell and is reprinted here with permission.


This article originally appeared six years ago.

the great depression; Florence Thompson; Mona Lisa of the Great Depression; Mona Lisa; the depression; depression era
Photo by Dorothea Lange via Library of Congress
The woman from the famous Great Depression photo didn't know about her fame for 40 years.

It's one of the most iconic and haunting photos of all time, up there with the likes of Hindenburg, The Falling Soldier, Burning Monk, Napalm Girl, and many others. It's called simply Migrant Mother, and it paints a better picture of the time in which it was taken than any book or interview possibly could.

Nearly everyone across the globe knows Florence Owens Thompson's face from newspapers, magazines, and history books. The young, destitute mother was the face of The Great Depression, her worried, suntanned face looking absolutely defeated as several of her children took comfort by resting on her thin frame. Thompson put a human face and emotion behind the very real struggle of the era, but she wasn't even aware of her role in helping to bring awareness to the effects of the Great Depression on families.


It turns out that Dorothea Lange, the photographer responsible for capturing the worry-stricken mother in the now-famous photo, told Thompson that the photos wouldn't be published.

Of course, they subsequently were published in the San Francisco News. At the time the photo was taken, Thompson was supposedly only taking respite at the migrant campsite with her seven children after the family car broke down near the campsite. The photo was taken in March 1936 in Nipomo, California when Lange was concluding a month's long photography excursion documenting migrant farm labor.

the great depression; Florence Thompson; Mona Lisa of the Great Depression; Mona Lisa; the depression; depression era Worried mother and children during the Great Depression era. Photo by Dorthea Lange via Library of Congress

"Migrant worker" was a term that meant something quite different than it does today. It was primarily used in the 30s to describe poverty-stricken Americans who moved from town to town harvesting the crops for farmers.

The pay was abysmal and not enough to sustain a family, but harvesting was what Thompson knew as she was born and raised in "Indian Territory," (now Oklahoma) on a farm. Her father was Choctaw and her mother was white. After the death of her husband, Thompson supported her children the best way she knew how: working long hours in the field.

"I'd hit that cotton field before daylight and stay out there until it got so dark I couldn't see," Thompson told NBC in 1979 a few years before her death.

the great depression; Florence Thompson; Mona Lisa of the Great Depression; Mona Lisa; the depression; depression era A mother reflects with her children during the Great Depression. Photo by Dorthea Lange via Library of Congress

When talking about meeting Thompson, Lange wrote in her article titled "The Assignment I'll Never Forget: Migrant Mother," which appeared in Popular Photography, Feb. 1960, "I saw and approached the hungry and desperate mother, as if drawn by a magnet. I do not remember how I explained my presence or my camera to her, but I do remember she asked me no questions. I made five exposures, working closer and closer from the same direction. I did not ask her name or her history. She told me her age, that she was thirty-two. She said that they had been living on frozen vegetables from the surrounding fields, and birds that the children killed."

Lange goes on to surmise that Thompson cooperated because on some level she knew the photos would help, though from Thompson's account she had no idea the photos would make it to print. Without her knowledge, Thompson became known as "The Dustbowl Mona Lisa," which didn't translate into money in the poor family's pocket.

In fact, according to a history buff who goes by @baewatch86 on TikTok, Thompson didn't find out she was famous until 40 years later after a journalist tracked her down in 1978 to ask how she felt about being a famous face of the depression.

@baewatch86

Florence Thompson, American Motherhood. #fyppppppppppppppppppppppp #historytok #americanhistory #migrantmother #thegreatdepression #dorthealange #womenshistory

It turns out Thompson wished her photo had never been taken since she never received any funds for her likeness being used. Baewatch explains, "because Dorothea Lange's work was funded by the federal government this photo was considered public domain and therefore Mrs. Florence and her family are not entitled to the royalties."

While the photo didn't provide direct financial compensation for Thompson, the "virality" of it helped to feed migrant farm workers. "When these photos were published, it immediately caught people's attention. The federal government sent food and other resources to those migrant camps to help the people that were there that were starving, they needed resources and this is the catalyst. This photo was the catalyst to the government intercepting and providing aid to people," Baewatch shares.

- YouTube www.youtube.com

As for Lange, Migrant Mother was not her only influential photograph of the Great Depression. She captured many moving images of farmers who had been devastated by the Dust Bowl and were forced into a migrant lifestyle.

"Broke, baby sick, and car trouble!" is just one of her many incredible photos from the same year, 1937.

She also did tremendous work covering Japanese internment in the 1940s, and was eventually inducted into the International Photography Hall of Fame and Museum and the National Women's Hall of Fame.

the great depression; Florence Thompson; Mona Lisa of the Great Depression; Mona Lisa; the depression; depression era Families on the move suffered enormous hardships during The Great Depression.Photo by Dorthea Lange via Library of Congress

Thompson did find some semblance of financial comfort later in life when she married a man named George Thompson, who would be her third husband. In total, she had 10 children. When Thompson's health declined with age, people rallied around to help pay her medical bills citing the importance of the 1936 photo in their own lives. The "Migrant Mother" passed away in 1983, just over a week after her 80th birthday. She was buried in California.

"Florence Leona Thompson, Migrant Mother. A legend of the strength of American motherhood," her gravestone reads.

schopenhauer, teacher, great phiosophers, philosopy hiistory, schopenhauer portrait
via Canva/Photos and Artistosteles/Wikimedia Commons

A math professor and Arthur Schopenhauer.

Philosopher Arthur Schopenhauer (1788-1860) transformed our understanding of the human condition by arguing that people are primarily driven by desire, rather than reason. As bleak as this may seem, he believed that the suffering caused by desire could be mitigated through art, compassion, and a life of simplicity.

Given that Schopenhauer was one of the greatest minds of his era, he had a unique understanding of how geniuses think. He believed that most highly intelligent people share a single trait: they like to keep to themselves. Julian de Medeiros, a Substacker and popular TikTok personality who discusses philosophy, discussed Schopenhauer’s thoughts in a video with nearly four million views.


@julianphilosophy

Simple sign of intelligence #introvert #smart #work #intelligent #home

What is a sign that someone is highly intelligent?

“This is a simple rule about intelligence from the philosopher Schopenhauer, who basically argued that intelligent people keep to themselves. In fact, that intelligent people need time and space. They tend to be introverted or, in his precise words, ‘it is the fate of all great minds to be alone,’” de Medeiros says.

Highly intelligent people don’t mind being alone

One would assume that some super genius who wants to be alone all the time is some miserable curmudgeon. However, de Medeiros argues that this is not the case. “For Schopenhauer, being alone did not equate loneliness. In fact, he said intelligent people prefer their own company. It's like they're never bored. There's so much that they want to do. They're happy to have time to themselves,” he continued.


Schopenhauer was pretty clear that he enjoyed being alone in a passage from his 1851 book, Parerga and Paralipomena:

“The ingenious person will, above all, strive for freedom from pain and annoyance, for tranquility and leisure, and consequently seek a quiet, modest life, as undisturbed as possible, and accordingly, after some acquaintance with so-called human beings, choose seclusion and, if in possession of a great mind, even solitude. For the more somebody has in himself, the less he needs from the outside and the less others can be to him. Therefore, intellectual distinction leads to unsociability.”

The video concludes with a warning from de Medeiros: “Intelligence can breed indifference because [if] you like being by yourself so much that you don't go out to spend time with people or with friends. This can make you a misanthrope."

Was Schopenhauer correct in his assumptions about intelligence?

Even though Schopenhauer’s ideas date back to the 19th century, a 2016 study published in the British Journal of Psychology shows he wasn’t wrong. A survey of more than 15,000 adults found that, for most participants, socializing with friends was positively associated with life satisfaction. However, for those with higher IQs, the pattern flipped. Participants with higher IQ reported higher life satisfaction when they socialized less frequently.

A 2023 study titled "The Psychological World of Highly Gifted Young Adults" found that highly gifted adults often enjoyed their own company over that of others because they had difficulty finding interests they shared with the average person. Highly gifted people just didn’t feel like they “fit in” socially in most environments.

Ultimately, one of the hallmarks of being highly intelligent is being incredibly cautious. So, if you’re a smart cookie and enjoy spending evenings at home with a good book instead of hanging out at a bar, don’t feel bad; there’s nothing wrong with being your own favorite company.

Pop Culture

In an iconic 1975 clip, a teenage Michael Jackson stuns Cher during hypnotic robot dance duet

The clip marks a turning point in Michael Jackson's iconic public persona.

jacksons, michael jackson, robot dance, Cher, 1970s TV

Cher and The Jackson 5 doing the robot dance.

One of the most distinctive aspects of Michael Jackson's mega-stardom was that he grew up almost entirely in the public eye. He began performing with his brothers at age five and remained a significant figure in American pop culture until he died in 2009.

He burst onto the scene as a child with an incredibly soulful voice. He became an electrifying performer as a teen before rocketing to superstardom at 20 with the release of his first solo album, 1979's Off the Wall. One of the pivotal moments when the public witnessed this transformation came in 1975, when 16-year-old Michael performed with his brothers, The Jackson 5, on The Cher Show.


The Jackson 5 and Cher performed a medley of the band's biggest hits, including "I Want You Back," "I'll Be There," and "Never Can Say Goodbye." But the most memorable moment came when Michael and his brothers broke into the robot dance during "Dancing Machine," and Cher did her best to keep up.

The Jackson 5 and Cher do the robot dance

It's fun watching Cher try to fall in line with the Jacksons, while Michael absolutely kills it, gyrating like an animatronic on hyperdrive during his solo.

- YouTube www.youtube.com

The Jackson 5 may have helped bring the robot dance into the public consciousness by incorporating it into performances of their 1973 hit "Dancing Machine." But it traces back to mechanical "mannequin" dances from the early days of film. In the 1960s, Robin Shields, a popular mime, performed as a robot on late-night talk shows. By the 1970s, dancers had set those moves to music on shows such as Soul Train.

- YouTube www.youtube.com

In a 2003 interview, Cher said she had to learn the moves on the fly from the Jacksons.

"Think of how hard it was for me to learn to do that, and the guys just knew how to do it. I've been working all day, and they just came on and said, 'Okay, sure, this is how you do it,'" Cher recalled. "I had a lot of fun on that show. It was a lot of work, but I had a lot of fun. You know, and I got to work with some great people."

What's also notable about the performance is that Michael's voice had changed, and he sang in a deeper register than he had as a child a few years earlier.

Things changed for Cher and the Jacksons in 1976

By the following year, things had changed for both The Jackson 5 and Cher. Cher reunited with her ex-husband, Sonny Bono, for The Sonny and Cher Show, which ran until 1977. In 1976, The Jackson 5 left Motown Records for Epic Records and changed their name to The Jacksons. Jermaine Jackson temporarily left the group to pursue a solo career, and he was replaced by his brother, Randy.

Here's The Jackson 5's complete performance on The Cher Show from March 16, 1975:

- YouTube www.youtube.com

mtv, music videos, mtv tribute, classic music videos, mtv videos, music video website
Photo credit: YouTube screenshot via The Original MTV VJs

This MTV tribute site features over 20,000 music videos.

If you’ve been online in recent weeks, you’ve probably seen dramatic headlines or social-media posts suggesting the demise of MTV. Not true! However, the company did recently shut down some of its channels devoted to its iconic early format of 24-hour music videos. As Rolling Stone reports, five MTV stations in the U.K. went dark, and others in Australia, Poland, Brazil, and France were expected to follow. Digesting that news, one viewer channeled their wistful nostalgia into an interactive "passion project": a tribute-styled website called MTV REWIND that salutes the network's "golden era."

The site, which is unaffiliated with MTV or parent company Paramount Skydance, features over 20,000 music videos pulled from YouTube and spread across six decades (the 1970s through the 2020s). It also includes a "shuffle" feature, retro commercials interspersed throughout the clips, and specific channels devoted to two classic MTV programs: the heavy-music staple Headbangers Ball and the hip-hop-focused Yo! MTV Raps.


- YouTube www.youtube.com

"It triggered something deeply nostalgic in me"

"Zero algorithm, just random discovery like MTV used to be," the site’s developer wrote in a trending Reddit thread. In the comments, he explained the initial spark: "I built this because I was feeling a sense of loss when MTV rug-pulled 24-7 video content. It triggered something deeply nostalgic in me. I spend a lot of time coding already and I like a challenge, so [I] thought to myself "[Why] can't I recreate the experience (maybe even make it better)[?] I've been listening to it non-stop since I started coding it on in the background and stopping to watch the videos learn about the music." In an informal AMA, the Redditor shared that building the site took 48 hours top to bottom.

Upworthy reached out to the developer, who went deeper on their love of MTV. "I am in my early 40s and grew up in the late 80s/early 90s when MTV was still pure music television," he said. "I remember coming home from school and MTV was just ON—it was the cultural hub. Watching the transition from music videos to reality TV felt like losing something important. That's what drove me to build this—preserving what MTV used to be." He also praised the "unique art form" of the music video format: "They're 3-5 minute films that combine visual storytelling, cinematography, choreography, and music into something greater than the sum of its parts. Directors like Spike Jonze, Michel Gondry, Hype Williams, they used the format to create legitimate art. MTV was the gallery that made it accessible to everyone."

- YouTube www.youtube.com

"Clicked, and immediately it plays Wham for me"

Lots of other users weighed in online with their feedback, even suggesting other vintage commercials. Naturally, they also had a lot of other opinions, with many sharing how deeply this whole thing scratched their nostalgia itch. Here’s a sample of the most enthusiastic comments:

"So many songs/bands from the ‘80s that I had completely forgotten about but instantly remember as soon as the video starts playin."

"This is really awesome. Doing something cool and fun just for the purpose of being cool and fun"

"Clicked, and immediately it plays Wham for me. New favorite website. Thank you."

"Super soaker 50 commercial brought be back."

"This is the perfect blend of random music discovery and pure nostalgia that I didn't know I needed."

"Reddit post of the year."

"I'm hooked! Saved to favorites and will be used whenever I host people."

"Dude, I'm stoked that there's a Headbanger's Ball option. That was instrumental, no pun intended, in the development of my music tastes and discoveries in the early-mid aughts."

Even though MTV is still alive and kicking, lots of people still used the recent news as a jumping-off point into a debate about what the network's final video should be. While a lot of people voted for The Buggles’ "Video Killed the Radio Star," the first clip ever aired on MTV back in 1981, some lobbied for a Weird Al-styled parody called "TikTok Killed the Video Star."

- YouTube www.youtube.com

portraits, paintings, painters, poses, posing, photography, sculpture, ancient rome, napoleon, george washington
By Till Niermann/Wikimedia Commons & Jacques-Louis David/Wikimedia Commons

This simple pose became an instant shorthand for leaders to signify their power and authority.

Posing in portraiture is an art in itself. In classical paintings of powerful figures such as royalty and generals, artists carefully considered not only likeness and features but also what the portrait would ultimately convey. Just as modern politicians on TV want their hair, teeth, makeup, and clothes just right, authority figures in the past were equally particular about how they appeared in portraits.

A strange pose commonly seen in sculptures and portraits dating back to Ancient Rome shows the subject with one arm raised, always the right, and gesturing or pointing with a slightly open hand. The pose is known as adlocutio.


One of the earliest and most famous examples appears in the sculpture Augustus of Prima Porta, completed in the 1st century AD by an unknown artist. It shows Augustus, the first Roman emperor, armor-clad and barefoot, with a baby Cupid riding a dolphin at his side. (Yes, really.)

Augustus strikes the signature adlocutio pose, giving the sculpture a sense of life and movement and reinforcing his power and authority. But what is he pointing at?

portraits, paintings, painters, poses, posing, photography, sculpture, ancient rome, napoleon, george washington The Emperor Augustus.By Till Niermann/Wikimedia Commons

The word adlocutio was used in Ancient Rome to describe a general or emperor addressing his soldiers. You can almost see it in the sculpture of Augustus; he is not pointing so much as gesturing animatedly while delivering a speech.

"In ancient Rome, gestures often spoke about one's position or rank in society," writes historian JP Kenwood. "One of the most common gestures in the visual language of Rome was the adlocutio, a posture and gesture that indicated the person—male citizens only, of course—was a person with authority giving a speech."

portraits, paintings, painters, poses, posing, photography, sculpture, ancient rome, napoleon, george washington Many politicians make use of specific hand gestures when making speeches.brooke from atlanta/Wikimedia Commons

It's easy to see, then, why the pose became a kind of shorthand in portraiture for power and leadership.

A famous 1801 painting of Napoleon crossing the Alps is another prominent example of the pose in action.

portraits, paintings, painters, poses, posing, photography, sculpture, ancient rome, napoleon, george washington Napoleon crossing the Alps.Jacques-Louis David/Wikimedia Commons

A few years earlier, George Washington was immortalized in the Lansdowne portrait. The president sat only once for the life-sized, iconic portrait painted by Gilbert Stuart.

portraits, paintings, painters, poses, posing, photography, sculpture, ancient rome, napoleon, george washington George Washington in the "Landsdowne portrait."By Gilbert Stuart/Wikimedia Commons

The pose, while old, is still as relevant as ever. If it ain't broke, don't fix it, right? A massive statue of Mao Zedong from 1970 features a strikingly similar gesture.

portraits, paintings, painters, poses, posing, photography, sculpture, ancient rome, napoleon, george washington A famous statue of Mao Zedong in China.By Noel Hanna/Wikimedia Commons

The adlocutio pose conveys authority and leadership by echoing an emperor's or general's address. That's simple enough. But there is more to the pose than meets the eye.

Crucially, subjects striking this pose always raise their right hand, never the left. The reason lies in subtle religious symbolism popular in Rome at the time the pose was established.

"In antiquity, the right hand symbolized divinity; when it was raised, you were thought to be closer to the gods," according to Meural. "And the left was the exact opposite, signifying the damned, the wrong, the befouled."

In times of limited sanitation, the right hand was often used for eating, while the left was reserved for bathroom tasks. As a result, it became known as the "unclean" hand, regardless of an individual's dominant side. Lauren Julius Harris writes that children who favored their left hand for reaching, eating, grabbing, or playing were often corrected, a practice that persisted as recently as the 19th century.

Raising the right hand was not only a symbol of power and status, but also of closeness to God. In fact, in portraits of men and women, the adlocutio pose was used deliberately to signal specific aspects of a subject's status.

portraits, paintings, painters, poses, posing, photography, sculpture, ancient rome, napoleon, george washington The iconic "Arnolfini portrait." By Jan van Eyck - Gennadii Saus i Segura/Wikimedia Commons

Today, with digital photography, we can take nearly unlimited photos of a subject in a wide range of poses, backgrounds, and lighting setups. Photographers can then select the portraits with the most potential and edit them to maximize the intended effect.

Ancient painters did not have that luxury. With only a brief sitting from the subject, they often had a single chance to get a portrait right, making time-tested poses like adlocutio a critical tool.

And while public portraits are far rarer today, adlocutio still works. Weirong Li, a leadership and communication expert who works with leaders and executives, tells Upworthy that "open elevated gestures boost confidence hormones... Ancient leaders discovered this instinctively—the raised palm signals 'I'm confident but not threatening.' I see this work in boardrooms constantly."