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les misérables

A scene from the musical Les Misérables

Some love simply can't be expressed without a flash mob. And singing. Lots and lots of singing. For TV writer, producer, and actor Gary Janetti, this was the case. On the 10th wedding anniversary with his husband, popular TV stylist Brad Goreski, Janetti secretly gathered friends, family, and professional singers to pop up and sing "One Day More" from the hit musical Les Misérables (based on Victor Hugo's novel of the same name). And it was anything but miserable.

 Les Miserables, musical, play, French revolution, art A poster for the musical Les Miserables on a tall building.  Photo by Samuel Regan-Asante on Unsplash  

First shared publicly on Goreski's Bravo TV show It's a Brad, Brad World, this moment has been bringing people joy for over a decade. Here's how it went down: In the resurfaced Instagram clip, which Janetti rcently posted to honor their 24th wedding anniversary, Goreski is seated in a chair outside. It seems as though a man is serenading him with the fight song "One More Day." Encapsulating the Jean Valjean character, he stands in front of the crowd and sings his heart out. But then, out of nowhere, singer Jonah Platt (who happened to have worked with Janetti on Will & Grace) appears to sing Marius's part of the song. "I did not live until today," he croons. "How can I live when we are parted?"

Goreski is already beside himself, showing off a huge smile. That's when Trish (Brad's college friend, as written on the chyron) pops in to sing Cosette's beautiful soprano duet with Platt. "Tomorrow you'll be worlds away. And yet with you my world has started." Goreski audibly gasps as his delight cannot be contained.

And just like that, Goreski and Janetti's friend Megan Mullally (a Broadway star in her own right, best known to many as Karen from Will & Grace) stands and sings Éponine's heartbreaking solo. "One more day, I'm on my own. One more day with him not caring. What a life I might have known. But he never saw me there," she sings, nailing it. Goreski laughs and exclaims, "Shut uuuuup, oh my God!" as the crowd cheers.

From the back, we hear a booming voice belonging to Goreski and Janetti's friend, Alec. The crowd shifts to watch as he sings a battle cry, "One more day before the storm…" as the others continue their parts. At this point, Goreski just doesn't know WHERE to look, as there are so many surprises. Much of the audience swarms the stage to sing as "chorus" when Janetti himself finds his inner-Javert and sings, "One more day to revolution, we will nip it in the bud. We'll be ready for these schoolboys, we will wet themselves with blood."

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Just when it couldn't get more perfect, Goreski's own mother, Debbie, stands up and sings her solo, complete with cockney accent. At this point, Goreski is stomping his feet with happiness. The guests/chorus begin marching on stage as we flash to their friend James, who, of course, is also singing. People get hoisted up, as does a bright red flag—which luckily turns out NOT to be a metaphor for their marriage.

The crowd gasps and applauds as the flash mob brings it home. Goreski leads the much-earned standing ovation.

 standing ovation, Lin Manuel Miranda, Tony Awards, musical theater Lin Manuel Miranda at the Tony Awards.  Giphy  

The comments are nearly as delightful as the performance. Janetti explains, "Today is our 24th anniversary. I threw this flash mob for Brad for our 10th. I’ve been coasting off it ever since." To which Goreski hilariously retorts, "You sure have because I haven’t received an anniversary present from you since then."

Some beg the question many of us might have: "I’ll still never understand how all your friends and family are casually THIS good at singing."

Many point out how wonderful and inventive and romantic it all is. Though, a few were saddened this hasn't been done for them. As one puts it, "Well now I'm just mad at my husband...."


Broadway isn't exactly a shining example of diversity, but you aren't going to see #TonysSoWhite anytime soon.

Only one African-American woman has ever earned the Academy Award for Best Actress. One. (In fact, you can see all of the African-American Oscar winners for acting and most of their speeches in this video that's less than five minutes long.)

Meanwhile, Broadway has celebrated actors, writers, choreographers, and directors of color on the stage for decades, with several big names earning multiple awards in their lifetime — a feat few Hollywood actors of color have been able to achieve.


Left to right: Patina Miller, Cicely Tyson, and Billy Porter at the 2013 Tony Awards. Photo by Neilson Barnard/Getty Images.

Here are three easy lessons Hollywood can learn from Broadway.

Because if the Great White Way can make money telling stories by and about people from traditionally underrepresented groups, then why can't Hollywood?



Lin-Manuel Miranda (left) performs with the cast of his 2008 hit "In the Heights." Photo by Andrew H. Walker/Getty Images.

1. White, straight Americans aren't the only ones living the human experience.

It seems obvious, but sadly, many Hollywood insiders still don't get it. Broadway is winning by sharing and celebrating the rich stories, traditions, and cultures of traditionally underrepresented people.

Whether it's the cruel injustice faced by Japanese-Americans in internment camps during World War II, as depicted in George Takei's biographical musical, "Allegiance"...

Photo by Neilson Barnard/Getty Images.

Or the story of five women during Liberia's civil war in the upcoming "Eclipsed." Written by Danai Gurira (who you may know as Michonne from "The Walking Dead") and starring Lupita Nyong'o, it's the first Broadway production to boast an entirely black cast and all-female creative team.

Coming to #Broadway February 23rd. Tickets on sale today. #eclipsed #eclipsedplay @lupitanyongo @ladyzjah @vintagepopsoul @danaijekesaigurira @liesltommy @clintramos Photo: Joan Marcus
A photo posted by Eclipsed on Broadway (@eclipsedbway) on

Even seeing a familiar story through a different lens can be quite revolutionary. That's how Lin-Manuel Miranda made American history come alive in his hip-hop infused musical "Hamilton."

Miranda accepts the award for Best Musical Theater Album at the Grammys. Photo by Theo Wargo/Getty Images.

While the experiences may look unfamiliar on the outside, all of these stories hit themes that are deeply personal and universal: perseverance, love, and hope. And contrary to movie previews, white, straight people aren't the only ones who experience these things.

2. Challenge the status quo, rake in the dough.

(This one rhymes so you know it's true. )

While originality, writing, and creating new stories are important, Broadway has a long history of reviving older musicals and plays to offer a fresh take on these well-loved stories.

One way to breathe new life into long-running musicals and plays is with color-blind casting.

Actresses of color like Brandy Norwood and Carly Hughes have taken on the lead roles in the long-running Broadway classic "Chicago."

Hughes performs during a rehearsal for "Chicago." Photo by Astrid Stawiarz/Getty Images.

In 2014, actor Norm Lewis took the stage as the 13th actor to play the phantom in "Phantom of the Opera" on Broadway. It was the 10,936th performance of the show, and Lewis was the first African - American in the role.

And in the summer of 2015, actor Kyle Jean-Baptiste became the youngest and first African - American actor to play the role of Jean Valjean in "Les Misérables."

Before and after shot. Today is my last performance as Valjean on Broadway. What an incredible experience. I've learned and grown so much. Grateful for the people I've met and this opportunity. I will never forget it. Dedicating this performance to someone special to me. They know who they are. Also sending love to everyone who supported me. Family friends etc. Until next time ..Kyle signing out...saudade❤️✌🏿️ #onedaymore#valjeanout#24601 @lesmizbway
A photo posted by Kyle Jean- Baptiste (@baptistekyle1) on

Sadly, just days after the end of his historic run, 21-year-old Jean-Baptiste died after falling from a fire escape.

Color-blind casting for these eminent roles is a great way to broaden the talent pool and opens up opportunities for actors of color. Plus it freshens up these long-running shows and gives customers new reasons to see them again and again. Or, in Hollywood terms, "cha-ching."

3. There's no such thing as niche. A good story can appeal to anyone.

The true story of a lesbian cartoonist telling the tale of her dysfunctional family, including her closeted father's suicide.

Photo by Theo Wargo/Getty Images for Tony Awards Productions.

A coming-of-age story based on a 19th century German play that touches on abortion, child abuse, and other tough themes, performed in English and American Sign Language.

Rehearsing, rehearsing, rehearsing (and more rehearsing!)
A photo posted by Deaf West Theatre (@deafwest) on

A musical based on the real story of a young man who turns his dead father's shoe company into a place to make stiletto heels for drag performers.

Photo by Andrew H. Walker/Getty Images for Tony Awards Productions.

These aren't small productions. These are synopses for "Fun Home," the revival of "Spring Awakening," and "Kinky Boots." "Fun Home" and "Kinky Boots" have both recouped their investments and cleaned up at the Tony Awards. And all three shows have or will soon begin national tours.

Considering the average ticket holder for a Broadway production is a middle-aged white woman from outside New York City, this is no small feat. It's a reminder that people don't need their characters to look or behave just like them because at heart, good stories are universal.

It's not hard, Hollywood.

All you need is a great story, millions of dollars, and a few people willing to take a chance on storytellers, actors, and creators who want to bring unique offerings to life. They won't all be hits, but that's a risk you're already taking.

At least this way, we'll get compelling stories; see representations of different cultures, traditions, and populations; and open ourselves up to greater empathy. Oh, and better movies. We'll definitely get better movies.

Now who's in?

GIF via "Hamilton."