+
upworthy

titanic

There's one word you can't say on a cruise ship.

On December 10, Royal Caribbean’s Serenade of the Seas set sail on the Ultimate World Cruise—a 274-day global trek that visits 11 world wonders and over 60 countries. This incredible trip covers the Americas, Asia Pacific, Middle East, Mediterranean and Europe with a ticket price that ranges from $53,999 to $117,599 per passenger.

Aboard the Serenade to the Seas is popular TikToker Marc Sebastian, who has been sharing his experience on the platform.

In a recent video with over 4.3 million views, he revealed what he’s learned over his first few weeks aboard the ship; the biggest was the one word you’re not allowed to say: Titanic.


“Who knew that? I didn’t,” Sebastian said. “I brought it up to an entire room of people having lunch that our ship is only 100 feet longer than the Titanic — when I tell you that utensils dropped. Waiters gasped. It’s dead silent.”

@marcsebastianf

someone get whoopi on the line girl i have some goss for her #ultimateworldcruise #worldcruise #serenadeoftheseas #cruisetok #cruise #9monthcruise #titanic

After the unexpected reaction, his cruise friend told him, “You’re not allowed to talk about the Titanic.” It makes sense. Who wants to be reminded of the tragedy that killed around 1,500 people while sinking one of the most impressive engineering feats of the era? "When I went on a cruise, my mom told me saying Titanic was equivalent to screaming ‘bomb’ at an airport," Mikayla wrote in the comments.

Later in the video, Sebastian admits he was surprised to learn that cruise ships have godmothers and that the pools are filled with seawater.


This article originally appeared on 1.25.24

"Titanic" director James Cameron.

Twenty-five years ago, James Cameron released his epic “Titanic,” achieving a rare feat in Hollywood: a box office smash that was also loved by critics. “Titanic” won 11 Oscars, including Best Picture and Best Director, and raked in $1.8 billion at the box office, making it the third-highest-grossing film of all time.

Even though his film is one of the most acclaimed in Hollywood history, Cameron still can’t help himself from getting involved in the great debate about the film. Did Leonardo DiCaprio’s character, Jack Dawson, die unnecessarily at the end of the film?

Specifically, could Jack have fit onto the door Rose floated on instead of getting hypothermia and drowning?


Cameron has previously dismissed the discussion surrounding the scene. “I’ve never really seen it as a debate, it’s just stupid,” Cameron told the BBC in 2019. “There’s no debate. But if you want to unearth all the dumbass arguments associated with it.”

Around the same time, he noted that Jack’s death was an artistic choice so the size of the door doesn’t matter.

"It was an artistic choice, the thing was just big enough to hold her, and not big enough to hold him," he told Vanity Fair. "The film is about death and separation; he had to die. So whether it was that, or whether a smoke stack fell on him, he was going down. It's called art, things happen for artistic reasons, not for physics reasons."

Regardless of how Cameron feels about the scene, the debate has raged on. “Mythbusters” proved that Rose and Jack could have fit on the door together. But they would have had to fit a life preserver beneath it to improve its buoyancy. Good luck putting that together in the frigid water.

America’s leading science communicator Neil deGrasse Tyson has also poked holes in the scene’s logic by noting that Jack would have put up more of a fight to stay alive. "Whether or not he could've been successful, I would've tried more than once. You try once. 'Oh, this is not gonna work. I will just freeze to death in the water.' No, excuse me," Tyson told HuffPost. "The survival instinct is way stronger than that in everybody, especially in that character. He's a survivor, right? He gets through. He gets by."

Although, after Jack saves Rose from trying to jump ship earlier in the film, he notes that it’s impossible to think in such cold water.

"To tell you the truth, I'm a lot more concerned about that water being so cold," Jack told Rose in the film. "Water that cold, like right down there—it hits you like a thousand knives stabbing you all over your body. You can't breathe. You can't think."

Even though Cameron dismissed the discussion in the past, he has to be a bit bothered that the pivotal scene in his film is questionable enough to cause a rigorous, 25-year debate. So now he’s launched a thorough investigation into the scene to settle it once and for all.

“We have done a scientific study to put this whole thing to rest and drive a stake through its heart once and for all,” Cameron told Postmedia while promoting his new film, “Avatar: The Way of Water.”

“We have since done a thorough forensic analysis with a hypothermia expert who reproduced the raft from the movie and we’re going to do a little special on it that comes out in February,” Cameron continued. “We took two stunt people who were the same body mass as Kate and Leo and we put sensors all over them and inside them and we put them in ice water and we tested to see whether they could have survived through a variety of methods and the answer was, there was no way they both could have survived. Only one could survive.”

Cameron is doing all he can to end the “Titanic” debate, but no matter what kind of research he shows, the scene he filmed will always have a hard time passing the eye test when someone sees it for the first time. But, that’s not so bad, the scene always passes the heart test which, in art, is all that matters anyway.

And, as we know, Jack’s heart will always go on.

The "unsinkable" Titanic sunk on April 14, 1912.

The sinking of the Titanic on April 14, 1912, is one of the most talked-about tragedies in modern history, and not only because of the James Cameron film. When a ship that's been marketed as "unsinkable" literally sinks on its maiden voyage, it's automatically a riveting story, even without any other details.

But the details matter. Each life lost and each life saved on that fateful night was a unique human whose story impacted everyone connected to them.

We don't need a Jack and Rose romance to be transfixed by stories from the Titanic. One thing Cameron's film did well was show what it must have been like as the ship hit the iceberg at 11:40 p.m. and sank in slow, dramatic fashion for the next two and a half hours, but hearing an account from someone who lived it brings that event to life in on a whole other level. When we're watching a movie, even about a true historical event, our brains can easily pretend it's not real. Hearing it described by someone who lived it doesn't allow for that sort of mental game.


There are no living survivors of the Titanic left to share their stories anymore, but we do have recordings of them. One of those recordings came from a 1979 interview with Frank Prentice, the ship's assistant purser.

The film footage from the BBC archive shows Prentice describing the moment the ship hit the iceberg—how it felt like slamming on the brakes in a car—and the part he played in helping people get onto the lifeboats. (There was space for 800 people on the lifeboats, but only 500 made it into them in the chaos and confusion. Even if they'd filled every space, that would have barely saved a third of the 2,240 passengers and crew on the ship.)

Prentice's delivery sounds so calm, belying the traumatic experience he's describing from 67 years prior. But at the end of the segment, the interviewer asked if it bothered him to talk about it. "I should probably dream about it tonight," he replied. "Have another nightmare. You'd think I'm too old for that but you'd be amazed."

Anyone who knows the full story of the Titanic likely wouldn't be surprised that reliving that horror would have an impact no matter how much time had passed. Only 705 people total survived the sinking, either being lucky enough to snag a space on a lifeboat or rescued from the water in time. More than 1,500 perished. Those who survived were fortunate, but they had to experience and witness so much fear and loss.

Even close to seven decades after the fact, we get a glimpse of that pain in Frank Prentice's interview.