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the arts

Joy

Street artist creates delightful 3D scenes in walls and walkways for everyone to enjoy

David Zinn's characters bring joy to the lucky folks that happen to come upon them before they wash away.

TedxTalks/YouTube

David Zinn creates art from what he sees everywhere he goes.

Street artists are a special breed. While "the art world" can sometimes be a snooty, elite place for those with means, street art is made for everyone. Sometimes that means large public murals, but street art can be small, too. In fact, some of the best street art is so small you might miss it if you're not paying attention. But those who are can discover some delightful surprises.


Just imagine walking down a sidewalk and seeing this little fella at your feet:

Or this creature:

That would make your day, wouldn't it? Or at least bring a smile to your face for a while?

Public art is an act of love to strangers, a way of connecting to people without saying a word. It says, "Hey there, fellow human. Here's a little something to make you smile, just because."

That's the beauty of David Zinn's street art. It's meant for the public—just average passers-by—to enjoy, individually and collectively.

Zinn has created an entire world of characters who pop up in unexpected places. For instance, meet Gerald the otter, who is waiting for a blind date in this tree stump.

Zinn uses chalk and charcoal to make his cast of characters come to life in cracks and crevasses, sidewalks and tree trunks. His creations aren't meant to last forever; in fact, as Zinn points out, the temporary nature of them adds value to them.

"Famous works of art hanging in museums get seen by thousands of people every day. But this? You could be among the dozens of people who get to see this while it exists," he told CBS Mornings. "That's pretty special."

Watch how he takes something he finds in the sidewalk and transforms it into an adorable green dragon confronting a little ladybug.

Sometimes he uses natural things he finds as inspiration for a piece.

Other times, he uses something human-made, like this upside down terra cotta pot:

Or this manhole cover:

Sometimes, the shape of a rock lends itself to a character, like Keith and his emotional support chick here:

Or the space itself serves as inspiration.

Nadine the mouse features in many of Zinn's pieces, probably due to her small size making it easy for her to fit into small spaces.

Usually his pieces use what's already there—like a crack in the sidewalk—to tell a story.

The 3D nature of his drawings make it feel as if his characters are truly there.

"Looks like another long day of things stubbornly refusing to be impossible," he writes in a caption of one of his "pigasuses."

(Speaking of having wings, Nadine found a pair for herself.)

Watch Zinn turn a simple pot into a character with personality in a matter of minutes:

His entire Instagram page, Facebook page and TikTok channel are filled with endless delight. It was nearly impossible to decide what to include in this article because I wanted to include everything.

This is all well and good, you might say to yourself, but how does Zinn make a living if he's not selling this art?

He sells books and prints of photos of his artwork on his online store. He also gets invited to schools and events. He has created a career for himself by rejecting blank canvases, putting his imagination out on the street for everyone to see for a while, then selling versions that will actually last. Pretty brilliant, really.

Zinn gave a fascinating TEDx Talk explaining how he found his own artistic niche. You'll never look at a parking meter or sidewalk the same way again.

This article originally appeared three years ago.

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These NOLA kids are channeling their emotions into the arts. Here's why that matters.

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After spending 12 years pursuing acting in Los Angeles, Anthony Bean never thought he'd end up right back in his hometown of New Orleans.

However, after his teenage daughter suddenly passed away there, he felt like it was time for him to return.

Anthony Bean. Photo via Anthony Bean, used with permission.

They had maintained a close relationship by visiting each other regularly, but when she abruptly became ill and died, he realized that NOLA — his birthplace and hers — was meant to be his permanent home.

Even though his daughter was young, she had been eager to take over a small theater company Bean had started back in 1973 called the Ethiopian Theater. It was one of the few black-focused theaters in New Orleans.

So, in the wake of his devastating loss, Bean decided to turn his daughter's dream into a brighter reality.

"I wanted more of a commercial theater and an acting school," Bean says. "A church and school opened up on Carrollton Avenue. In 2000, it became Anthony Bean Community Theater and Acting School."

Bean with some of his students. Photo via Anthony Bean, used with permission.

The theater was designed to be a "quality, culturally diverse performing arts venue," and the acting school offers an eclectic group of classes to both children and adults seeking to learn more about performing, set design, and theater management.

The youth program, however, became ABCT's shining star.

"There’s such a vast need for this type of work, particularly when you’re catering to inner-city kids," Bean says.

While the craft of acting is obviously of importance, Bean says much of the work they do is based around social drama, with kids acting out what's going on in their own lives.

Students during a performance at ABCT. Photo via Anthony Bean, used with permission.

That's why the school focuses on teaching the Stanislavsky method of acting, which deals with character emotionality first and foremost. Bean says it seems to be the best way in for kids who have less of an academic background.

However, that way of working often delivers astounding results.

"I find when dealing with inner-city kids, emotion is who they are," Bean explains. "And when you incorporate that into the arts, you’ve got fireworks."

Since the beginning, the youth programs have been popular with kids and parents. That's why Bean maintains them, even while they don't have an official space.

Kids in the ABCT youth program. Photo via ABCT, used with permission.

Unfortunately their original space was turned into a charter school, so ABCT had to vacate, and is currently awaiting sufficient funds to get a new space. While fundraising in the community has been going well enough, it's been a struggle, especially since the government cut the Wisner Grant, which had supported the theater and school.

That said, he remains optimistic, especially considering the success of the most recent summer program.

ABCT Summer Program is more than a Camp...It's Culture!9 Week Summer Theater ProgramCulminates with the soulful, hit...

Posted by Anthony Bean Community Theater & Acting School on Friday, February 3, 2017

This past summer, they put on two musical productions: "Soulville" and "Old Skool." If you're in NOLA during the summer months, the ABCT kids' shows are more than worth the price of admission. You won't just be supporting good theater, you'll be helping sustain a life-changing school.

The kids are learning to channel their emotionality into something constructive, and the best part is, they get to be part of a beautiful, collaborative product that earns rousing applause at the end. What could be more validating?

Not only is the program giving inner-city kids a creative outlet, it's breeding real talent.

[rebelmouse-image 19532372 dam="1" original_size="700x633" caption="A student in an ABCT production of "The Color Purple." Photo via ABCT, used with permission." expand=1]A student in an ABCT production of "The Color Purple." Photo via ABCT, used with permission.

Many ABCT students matriculate into the New Orleans Center for Creative Arts (NOCCA), one of the most prestigious art programs in the country. Some former students have even gone on to do rather well professionally in the entertainment business. Wendell Pierce — star of shows like "The Wire" and "Treme," for example — is a former ABCT student.

Bean is working tirelessly to keep ABCT afloat, and hopes the new administration will start lending a hand.

Kids in the ABCT program. Photos via ABCT, used with permission.

Programs that specifically cater to marginalized and inner-city kids are few and far between. Considering schools nationwide are cutting arts programs right and left, theaters like ABCT are becoming rare gems that need to be saved.

Not only are these programs fun for kids, having a place in which they feel they belong instills confidence in them they might not have found anywhere else.

"There are many kids out there who can’t play football, who don’t like sports," Bean says. "I'm providing an outlet for these kids."

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How one woman is helping to unify Detroit through dance.

The creative arts in this town just got a major upgrade.

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Detroit is known for its cars, Motown music, and 8 Mile (the district and the movie). But now, it wants to be known for its dance.

And Joori Jung is the woman for the job. When she moved to New York from South Korea to dance, she realized the city wasn’t for her. In a city so large, it felt to her like there was little community. So instead, she followed her now-husband to Detroit, where she settled down and founded ArtLab J.

All photos by ArtLab J, used with permission.

The lab is a dance company, but it's also more than that.

According to the ArtLab J mission statement, the organization strives to "create unity between the city's dance companies, educational institutions, individual artists, and beyond." It's long been said that dance brings more than just performance to a community, but now, ArtLab J is out to prove it.

Watch below:

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When we talk about supporting the arts, there's no denying the positive ripple effect that activities like dance can have.

On an individual level, dance provides people with an outlet to express themselves, which promotes spiritual and emotional health. That can translate to less violence, stronger community ties, and better interpersonal relationships.

For kids, that can also mean a better school experience, higher academic performance, and a better shot at finding success as adults.

But reading about performance arts and seeing them in action are two different things. ArtLab J is hard evidence of the real benefits of dance in Detroit.

By setting up a dance company within the city, ArtLab J has provided not just a hub for entertainment, but also a lab for others to dabble in the arts in a welcoming space.

Jung's company of six primary dancers performs her original choreography throughout the regular season, but the lab also runs workshops, classes, and other programs to help foster a connection between the organization and the community that surrounds it.

Perhaps most impressive is what the lab has done to expand Detroit's reach by bringing its global neighbors into the city.

While ArtLab J's presence in Detroit builds strong bonds and helps foster community within the city, there's also much that can be learned by going beyond city limits and collaborating with artists outside Detroit.

The Detroit Dance City Festival is a showcase that brings choreographers from all over the world to Detroit, putting their work in front of new and diverse audiences. And in doing so, it brings the world to the people of Detroit, building connections and building a global network for its residents.

ArtLab J is just one example of how dance has a positive effect far beyond the performances themselves.

Though Jung's initiative is one of the more visible dance community programs we have, cities and towns across the country and around the world fight every day for the budget and support they need to maintain an artistic presence in their communities.

And as Detroit's dancers have shown, those efforts can only lead to good things.

Learn more at XQSuperSchool.org.

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A new scholarship program gives young artists the chance to follow their passions.

It's a bold new way to reward all kinds of talent.

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"While I’m dancing it’s just different. I feel like I want to use a word that I don’t know yet. It’s the most myself I ever feel."

A new scholarship program gives young people the chance to follow their passions.

Posted by Upworthy on Thursday, October 6, 2016

For Khorii Tinson, an opportunity to go to university for what she loves is the natural extension of her lifelong passion for dance.

Her dad, Karl, said Khorii knew she wanted to be a dancer before anyone else did. Even when she was very young, she was finding ways to make dance a part of everything they did.

Despite an early dance teacher kicking her out of class for doing cartwheels — and then warning her parents that dance probably wasn’t Khorii’s thing — her love of movement never faded.

Khorii performing as a kid. Image via Live Mas Scholarship/YouTube.

Dance was a constant in Khorii's life when her father had to leave the family for Army deployments overseas. Three times he left for Iraq, with one final tour in Afghanistan. When everything else was uncertain or changing, dance was always a part of Khorii's life. Through the years, she continued to pour her heart into dancing and performing.

For some dancers, the dream of going further in their studies ends after high school — and not for lack of passion. Of the more than 7,000 universities and colleges across America, only about 80 offer accredited dance programs​. Private unaccredited programs exist, but they’re often even more expensive and students who attend them might not be eligible for financial aid.

This is the reality for so many creative youth looking to follow their dreams. There aren’t enough schools with programs for what they want to do. Even if they do find a school they love and get accepted to it, there often aren’t enough scholarships to help them afford to go.

It's a big problem, and one this new scholarship program is trying to fix.

The Live Mas Scholarship is offered exclusively to talented, creative students who want to pursue higher education, but don’t fit the criteria for standard "academic" or "athletic" scholarships.

These students are artists, writers, musicians. They're filmmakers, designers, and activists. They’re powerfully talented dancers like Khorii.

GIF via Live Mas Scholarship/YouTube.

In 2016, the Live Mas scholarship fund awarded 220 scholarships to deserving recipients, ranging from $2,500 to $25,000 each. They promise a one-of-a-kind opportunity for the next generation: one that’s not based on grades or sports. There are no essays, no test scores, no right or wrong answers. There's just talent and a desire to do more with it.

Khorii received a scholarship to attend the prestigious dance program at the University of Texas in Austin.

Image via Live Mas Scholarship/YouTube.

For her, it’s the culmination of a dream and a reminder of who she is.

"When I’m dancing, I know that’s where I want to be and that’s who I am. Whole. I know that things will work out in the end, and I think being optimistic has always helped me. I will find the positive in any situation."

Khorii’s mom, Mina, agrees. "I’ve always had two words for Khorii, whenever she goes to school or she’s on stage: Be brave," she said. "Fight for your dreams fight through your failures, and you’ll survive, and through that, you’ll find your happiness. You’ll find your joy."

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