These NOLA kids are channeling their emotions into the arts. Here's why that matters.
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After spending 12 years pursuing acting in Los Angeles, Anthony Bean never thought he'd end up right back in his hometown of New Orleans.

However, after his teenage daughter suddenly passed away there, he felt like it was time for him to return.

Anthony Bean. Photo via Anthony Bean, used with permission.


They had maintained a close relationship by visiting each other regularly, but when she abruptly became ill and died, he realized that NOLA — his birthplace and hers — was meant to be his permanent home.

Even though his daughter was young, she had been eager to take over a small theater company Bean had started back in 1973 called the Ethiopian Theater. It was one of the few black-focused theaters in New Orleans.

So, in the wake of his devastating loss, Bean decided to turn his daughter's dream into a brighter reality.

"I wanted more of a commercial theater and an acting school," Bean says. "A church and school opened up on Carrollton Avenue. In 2000, it became Anthony Bean Community Theater and Acting School."

Bean with some of his students. Photo via Anthony Bean, used with permission.

The theater was designed to be a "quality, culturally diverse performing arts venue," and the acting school offers an eclectic group of classes to both children and adults seeking to learn more about performing, set design, and theater management.

The youth program, however, became ABCT's shining star.

"There’s such a vast need for this type of work, particularly when you’re catering to inner-city kids," Bean says.

While the craft of acting is obviously of importance, Bean says much of the work they do is based around social drama, with kids acting out what's going on in their own lives.

Students during a performance at ABCT. Photo via Anthony Bean, used with permission.

That's why the school focuses on teaching the Stanislavsky method of acting, which deals with character emotionality first and foremost. Bean says it seems to be the best way in for kids who have less of an academic background.

However, that way of working often delivers astounding results.

"I find when dealing with inner-city kids, emotion is who they are," Bean explains. "And when you incorporate that into the arts, you’ve got fireworks."

Since the beginning, the youth programs have been popular with kids and parents. That's why Bean maintains them, even while they don't have an official space.

Kids in the ABCT youth program. Photo via ABCT, used with permission.

Unfortunately their original space was turned into a charter school, so ABCT had to vacate, and is currently awaiting sufficient funds to get a new space. While fundraising in the community has been going well enough, it's been a struggle, especially since the government cut the Wisner Grant, which had supported the theater and school.

That said, he remains optimistic, especially considering the success of the most recent summer program.

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This past summer, they put on two musical productions: "Soulville" and "Old Skool." If you're in NOLA during the summer months, the ABCT kids' shows are more than worth the price of admission. You won't just be supporting good theater, you'll be helping sustain a life-changing school.

The kids are learning to channel their emotionality into something constructive, and the best part is, they get to be part of a beautiful, collaborative product that earns rousing applause at the end. What could be more validating?

Not only is the program giving inner-city kids a creative outlet, it's breeding real talent.

A student in an ABCT production of "The Color Purple." Photo via ABCT, used with permission.

Many ABCT students matriculate into the New Orleans Center for Creative Arts (NOCCA), one of the most prestigious art programs in the country. Some former students have even gone on to do rather well professionally in the entertainment business. Wendell Pierce — star of shows like "The Wire" and "Treme," for example — is a former ABCT student.

Bean is working tirelessly to keep ABCT afloat, and hopes the new administration will start lending a hand.

Kids in the ABCT program. Photos via ABCT, used with permission.

Programs that specifically cater to marginalized and inner-city kids are few and far between. Considering schools nationwide are cutting arts programs right and left, theaters like ABCT are becoming rare gems that need to be saved.

Not only are these programs fun for kids, having a place in which they feel they belong instills confidence in them they might not have found anywhere else.

"There are many kids out there who can’t play football, who don’t like sports," Bean says. "I'm providing an outlet for these kids."

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If the past year has taught us nothing else, it's that sending love out into the world through selfless acts of kindness can have a positive ripple effect on people and communities. People all over the United States seemed to have gotten the message — 71% of those surveyed by the World Giving Index helped a stranger in need in 2020. A nonprofit survey found 90% helped others by running errands, calling, texting and sending care packages. Many people needed a boost last year in one way or another and obliging good neighbors heeded the call over and over again — and continue to make a positive impact through their actions in this new year.

Upworthy and P&G Good Everyday wanted to help keep kindness going strong, so they partnered up to create the Lead with Love Fund. The fund awards do-gooders in communities around the country with grants to help them continue on with their unique missions. Hundreds of nominations came pouring in and five winners were selected based on three criteria: the impact of action, uniqueness, and "Upworthy-ness" of their story.

Here's a look at the five winners:

Edith Ornelas, co-creator of Mariposas Collective in Memphis, Tenn.

Edith Ornelas has a deep-rooted connection to the asylum-seeking immigrant families she brings food and supplies to families in Memphis, Tenn. She was born in Jalisco, Mexico, and immigrated to the United States when she was 7 years old with her parents and sister. Edith grew up in Chicago, then moved to Memphis in 2016, where she quickly realized how few community programs existed for immigrants. Two years later, she helped create Mariposas Collective, which initially aimed to help families who had just been released from detention centers and were seeking asylum. The collective started out small but has since grown to approximately 400 volunteers.