Ballerina Misty Copeland is no stranger to making history on the stage.
All images by Ken Browar and Deborah Ory from the NYC Dance Project, used with permission.
Just last summer, she became the first black woman to become a principal dancer at the American Ballet Theatre. It was a proud and empowering moment for people everywhere (and about time!).
Now, she's re-creating history for the camera.
Copeland re-creating Degas' "The Star."
In the upcoming March 2016 issue of Harper's Bazaar, she's helped re-create some of the world's most iconic ballet paintings and sculptures by famous artist Edgar Degas.
The spread comes in advance of a new exhibition opening up at New York's Museum of Modern Art that highlight Degas' work called "Edgar Degas: A Strange New Beauty."
The photos are beautiful and impressively spot-on. But they also come with a deeper meaning: The faces of ballet are changing.
Copeland as Degas' "Dancer."
Degas' focus on dancers helped him create some of the most popular images in 19th-century art. Ken Browar and Deborah Ory, the project's photographers and founders of the NYC Dance Project, wanted to bring them into the 21st century.
"It wasn’t so much us trying to reproduce Degas' paintings as it was to bring Misty into them, and to bring the ballet community up-to-date," Ken told Upworthy.
"We’re seeing all body types, all types of people: black, white, Asian, you name it. We’re seeing everything. It's time that gets reflected."
Copeland as "Swaying Dancer (Dancer in Green)."
Photographing Misty as if she were in a Degas painting shows the world that ballet doesn't have a specific race or ethnicity.
You don't need me to tell you that the industry has been overwhelmingly white throughout history.
Just picture a traditional ballerina in your head, and you'll recognize that truth. Even though the times have changed, though, it's still been difficult to find images of dancers that represent the variety of shapes, sizes, ages, and backgrounds they actually come in.
That's one of the reasons Ken and Deborah started the NYC Dance Project: to show and celebrate the dancers of today.
"A few years ago, our younger daughter wanted to have her room redecorated and wanted to have her favorite dancers hanging up, and we had a hard time finding photographs of them," Deborah recalled over the phone. "There wasn’t that much of the current stars out there. Ken was like, 'Let’s just photograph them ourselves.'"
With that, the NYC Dance Project was born. A study of dance and movement in photographic form, their work has gained quite a following in just a few years, with a book expected to drop this fall.
"I definitely feel like I can see myself in that sculpture — she just seems content but also reserved," Copeland said about re-creating Degas' "Little Dancer Aged Fourteen."
One of the keys to their success may be where they photograph most of their subjects: in their living room in Brooklyn. It creates a more comfortable and intimate atmosphere, though Deborah noted, "sometimes we are literally moving our cats out of the photo."
Together, they're part of a larger push to move diversity in dance forward. Because not only does a broader mix of people help to show more girls and boys that they do have a place in the industry — combating the phenomenon that you can't be what you can't see — it's financially smart too.
More diverse dance companies create bigger, more diverse audiences. And you know what that means? Cha-ching.
Like Ken and Deborah, Copeland knows that the ballet world has a long way to go, but that this is a good start.
She's shattering the glass ceiling, pointe shoes and all, but she knows it's not just about her.
Real talk on "The Late Show With Stephen Colbert"/YouTube.
There's so much talent and untapped potential out there. Someday we'll get to a place where people of all races and ethnicities see opportunities to succeed in the world of ballet and in many other stereotyped professions.
In the meantime, it's encouraging to see those leading the way into the future on the stage, behind the camera, with a paintbrush, or with their words.
Check out this behind-the-scenes look at how they channeled Edgar Degas' work for Harper's Bazaar. They nailed it.



A Generation Jones teenager poses in her room.Image via Wikmedia Commons
An office kitchen.via
An angry man eating spaghetti.via 



An Irish woman went to the doctor for a routine eye exam. She left with bright neon green eyes.
It's not easy seeing green.
Did she get superpowers?
Going to the eye doctor can be a hassle and a pain. It's not just the routine issues and inconveniences that come along when making a doctor appointment, but sometimes the various devices being used to check your eyes' health feel invasive and uncomfortable. But at least at the end of the appointment, most of us don't look like we're turning into The Incredible Hulk. That wasn't the case for one Irish woman.
Photographer Margerita B. Wargola was just going in for a routine eye exam at the hospital but ended up leaving with her eyes a shocking, bright neon green.
At the doctor's office, the nurse practitioner was prepping Wargola for a test with a machine that Wargola had experienced before. Before the test started, Wargola presumed the nurse had dropped some saline into her eyes, as they were feeling dry. After she blinked, everything went yellow.
Wargola and the nurse initially panicked. Neither knew what was going on as Wargola suddenly had yellow vision and radioactive-looking green eyes. After the initial shock, both realized the issue: the nurse forgot to ask Wargola to remove her contact lenses before putting contrast drops in her eyes for the exam. Wargola and the nurse quickly removed the lenses from her eyes and washed them thoroughly with saline. Fortunately, Wargola's eyes were unharmed. Unfortunately, her contacts were permanently stained and she didn't bring a spare pair.
- YouTube youtube.com
Since she has poor vision, Wargola was forced to drive herself home after the eye exam wearing the neon-green contact lenses that make her look like a member of the Green Lantern Corps. She couldn't help but laugh at her predicament and recorded a video explaining it all on social media. Since then, her video has sparked a couple Reddit threads and collected a bunch of comments on Instagram:
“But the REAL question is: do you now have X-Ray vision?”
“You can just say you're a superhero.”
“I would make a few stops on the way home just to freak some people out!”
“I would have lived it up! Grab a coffee, do grocery shopping, walk around a shopping center.”
“This one would pair well with that girl who ate something with turmeric with her invisalign on and walked around Paris smiling at people with seemingly BRIGHT YELLOW TEETH.”
“I would save those for fancy special occasions! WOW!”
“Every time I'd stop I'd turn slowly and stare at the person in the car next to me.”
“Keep them. Tell people what to do. They’ll do your bidding.”
In a follow-up Instagram video, Wargola showed her followers that she was safe at home with normal eyes, showing that the damaged contact lenses were so stained that they turned the saline solution in her contacts case into a bright Gatorade yellow. She wasn't mad at the nurse and, in fact, plans on keeping the lenses to wear on St. Patrick's Day or some other special occasion.
While no harm was done and a good laugh was had, it's still best for doctors, nurses, and patients alike to double-check and ask or tell if contact lenses are being worn before each eye test. If not, there might be more than ultra-green eyes to worry about.